The Bruce & Barbara Feldacker Labor Art Collection Reference Library
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Oral History Interview with Eugenie Gershoy, 1964 Oct. 15
Oral history interview with Eugenie Gershoy, 1964 Oct. 15 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview EG:: EUGENIE GERSHOY MM:: MARY McCHESNEY RM:: ROBERT McCHESNEY (Miss Gershoy was on the WPA sculpture project in New York City) MM:: First I'd like to ask you, Johnny -- isn't that your nickname? -- where were you born? EG:: In Russia. MM:: What year? EG:: 1901. MM:: What town were you born in? EG:: In a wonderful little place called Krivoi Rog. It's a metal-lurgical center that was very important in the second World War. A great deal of fighting went on there, and it figured very largely in the German-Russian campaign. MM:: When did you come to the United States? EG:: 1903. MM:: You were saying that you came to the United States in 1903, so you were only two years old. EG:: Yes. MM:: Where did you receive your art training? EG:: Very briefly, I had a couple of scholarships to the Art Students League. MM:: In New York City? EG:: Yes. And then I got married and went to Woodstock and worked there by myself. John Flanagan, the sculptor, was a great friend of ours, and he was up there, too. I was very much influenced by him. He used to take the boulders in the field and make his sculptures of them, and also the wood that was indigenous to the neighborhood -- ash, pine, apple wood, and so forth. -
2007-09-28-CSUF 50Th Anniversary.Pdf
2 CSUF 50th Anniversary www.fullerton.edu/50 The Daily Titan 3 Daily Titan Editors’ Note 50th Anniversary Special Section CO-EXECUTIVE EDITORS Jackie Kimmel and Raquel Stratton COPY CHIEF Johnathan Kroncke COPY EDITOR Joe Simmons JACKIE KIMMEL RAQUEL STRATTON PHOTO EDITOR Dear Readers: Cameron Pemstein It is our pleasure to bring to you the Daily Titan-produced Cal State Fullerton 50th PRODUCTION DESIGNERS Anniversary issue. Jackie Kimmel and Raquel Stratton We have spent over six months buried in the Pollak Library Archives and Oral History offices digging up as much information as we could find to produce this publication. EDITORIAL ADVISER Within these 48 pages you will get a review of some of the events that put CSUF on the map, like the elephant races, and be exposed to numerous stories that have been cleverly Tom Clanin hidden in the walls of the university. This year marks a celebration of achievement. Five decades of construction, innovation DIRECTOR OF ADVERTISING and perseverance have made this campus unique and truly unforgettable. Stephanie Birditt Our school’s history is filled with both good times and tragedies. We tried to bring a sensible balance of both in this edition. ASSISTANT DIRECTOR OF ADVERTISING To start this issue off we would like to give you a little background and trivia to help guide you through the pages to come. Sarah Oak In the last 50 years CSUF has had three name changes and one punctuation alteration. In 1957 Orange County State College was established, despite the fact that classes didn’t AD PRODUCTION/COVER DESIGN begin until 1959. -
Art-Related Archival Materials in the Chicago Area
ART-RELATED ARCHIVAL MATERIALS IN THE CHICAGO AREA Betty Blum Archives of American Art American Art-Portrait Gallery Building Smithsonian Institution 8th and G Streets, N.W. Washington, D.C. 20560 1991 TRUSTEES Chairman Emeritus Richard A. Manoogian Mrs. Otto L. Spaeth Mrs. Meyer P. Potamkin Mrs. Richard Roob President Mrs. John N. Rosekrans, Jr. Richard J. Schwartz Alan E. Schwartz A. Alfred Taubman Vice-Presidents John Wilmerding Mrs. Keith S. Wellin R. Frederick Woolworth Mrs. Robert F. Shapiro Max N. Berry HONORARY TRUSTEES Dr. Irving R. Burton Treasurer Howard W. Lipman Mrs. Abbott K. Schlain Russell Lynes Mrs. William L. Richards Secretary to the Board Mrs. Dana M. Raymond FOUNDING TRUSTEES Lawrence A. Fleischman honorary Officers Edgar P. Richardson (deceased) Mrs. Francis de Marneffe Mrs. Edsel B. Ford (deceased) Miss Julienne M. Michel EX-OFFICIO TRUSTEES Members Robert McCormick Adams Tom L. Freudenheim Charles Blitzer Marc J. Pachter Eli Broad Gerald E. Buck ARCHIVES STAFF Ms. Gabriella de Ferrari Gilbert S. Edelson Richard J. Wattenmaker, Director Mrs. Ahmet M. Ertegun Susan Hamilton, Deputy Director Mrs. Arthur A. Feder James B. Byers, Assistant Director for Miles Q. Fiterman Archival Programs Mrs. Daniel Fraad Elizabeth S. Kirwin, Southeast Regional Mrs. Eugenio Garza Laguera Collector Hugh Halff, Jr. Arthur J. Breton, Curator of Manuscripts John K. Howat Judith E. Throm, Reference Archivist Dr. Helen Jessup Robert F. Brown, New England Regional Mrs. Dwight M. Kendall Center Gilbert H. Kinney Judith A. Gustafson, Midwest -
The Left Front : Radical Art in the "Red Decade," 1929-1940
LEFT FRONT EVENTS All events are free and open to the public Saturday, January 18, 2pm Winter Exhibition Opening with W. J. T. Mitchell Wednesday, February 5, 6pm Lecture & Reception: Julia Bryan-Wilson, Figurations Wednesday, February 26, 6pm Poetry Reading: Working Poems: An Evening with Mark Nowak Saturday, March 8, 2pm Film Screening and Discussion: Body and Soul with J. Hoberman Saturday, March 15, 2pm Guest Lecture: Vasif Kortun of SALT, Istanbul Thursday, April 3, 6pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Saturday, April 5, 5pm Gallery Performance: Jackalope Theatre, Living Newspaper, Edition 2014 Wednesday, April 16, 2014, 6pm Lecture: Andrew Hemingway, Style of the New Era: THE LEFT FRONT John Reed Clubs and Proletariat Art RADICAL ART IN THE "RED DECADE," 1929-1940 Mary and Leigh Block Museum of Art Northwestern University 40 Arts Circle Drive, Evanston, IL, 60208-2140 www.blockmuseum.northwestern.edu Generous support for The Left Front is provided by the Terra Foundation for American Art, as well as the Terra Foundation on behalf of William Osborn and David Kabiller, and the MARY AND LEIGH BLOCK MUSEUM OF ART Myers Foundations. Additional funding is from the Carlyle Anderson Endowment, Mary and Leigh Block Endowment, the Louise E. Drangsholt Fund, the Kessel Fund at the NORTHWESTERN UNIVERSIty Block Museum, and the Illinois Arts Council, a state agency. theleftfront-blockmuseum.tumblr.com January 17–June 22, 2014 DIRECTOR'S FOREWORD The Left Front: Radical Art in the “Red Decade”, 1929–1940 was curated by John Murphy undergraduate seminar that focused on themes in the exhibition and culminated in and Jill Bugajski, doctoral candidates in the Department of Art History at Northwestern student essays offering close examinations of particular objects from the show. -
Broadcasting What the NAB Irgser Ds to Din Bout Sex and Violence
A roundup of honors earned by broadcasting What the NAB irgser ds to din bout sex and violence BroadcastingThe newsweekly of broadcasting and allied arts Our 46th Year 1977 Arb,00n. Apnl%Moy'». rSA. AOH. Adv. 55.49. Mon. n. 6:00 AM.I9,00 Midnight. All dota ore .bmoMS and frblecl to srr.ty lhtation.. Mr. fñovPublic Television is proud to be the recipient of five George Foster Peabody Awards -the best showing in all of broadcasting: 1 An innovative series of original A series of varied cultural A documentary on the problems of television dramas by new American performances from Washington's water utilization, presented on the playwrights. Wolf Trap Farm Park. PBS "Americana" series. Protletanu["' Prad,onsteam. VCET /Los Angeles Protlocaam WETA/Washington st. KERA/Da Ilas A series of historical dramas spanning A special report on the PBS 200 years of American history. "USA: People & Politics" series. P`=,:n7WNET surtan: /New York Protlucstatans: WETA/Washington & WNET /New York AMERICA'S PUBLIC TELEVISION STATIONS PUBLIC BROADCASTING SERVICE BroadcastingNJul4 The Week in Brief MORE TEETH IN CODE The NAB boards, meeting last Shiben notes FCC's new standards for screening week in Williamsburg, Va., had a busy four days. Standing employment practices are superior to those used in out was the television board's resolution calling for petitioners' screening. PAGE 29. stronger language against unacceptable programing. PAGE 20. NONDUPLICATION HANGUP The FCC has an inter - bureau split over criteria to be used for waivers. PAGE 31. FAMILY -VIEWING APPEALS Parties aggrieved with Judge Ferguson verdict file appeals. Department of CBS READING PROJECT Cooperative effort with local Justice contends FCC, Chairman Wiley did not pressure school board that has been tried by three network -owned broadcasters into accepting the plan. -
The Art Digest 1945-10-15: Vol 20 Iss 2
THE offs (=S5 am Sentimental Awarded Moment First Prize ’ by Philip Guston - of $1,000 at | " (Oil on Canvas, 1945 Carnegie : 1943) American Show i See Article on Page §& THE NEWS MAGAZINE OF ART eS ae ee WILDENSTEIN and co... MAU SEUM INC. | OF NON-OBJECTIVE PAINTING 24 EAST 54TH STREET NEW YORK CITY EXHIBITION OF CAMILLE PISSARRO HIS PLACE IN ART ror the Beet of MATTERN THE GODDARD NEIGHBORHOOD CENTER | Ky E AY SS 2 tf £ tt October 24 to November 24 19 East 64th Street, New York City Paris London | SOLOMON R. GUGGENHEIM FOUNDATION OPEN SUNDAYS 12-6 DAILY EXCEPT MONDAYS 10-6 WO ENTRANCE FEE DUVEEN BROTHERS, Inc. MASTERPIECES — OF PAINTING SCULPTURE PORCELAIN FURNITURE TAPESTRIES GOTHIC - RENAISSANCE EIGHTEENTH CENTURY New York - 720 Fifth Avenue the Salmagundi Club at which prizes are awarded those who PEYTON BOSWELL make the best record during American Art Week. I have attended several of these dinners, and have always come away Comments: with the feeling there should be prizes for everyone who has contributed time and thought to this worthy cause. This department expresses the personal opinion of Peyton Boswell, Jr., writing as an individual. Philadelphia’s Record Any reader is invited to take issue with what Oo" OF OUR MOST HUMAN TRAITS, perhaps sired of mental he says. Controversy revitalizes the spirit of art. laziness, is the tendency to judge groups by individuals. For example, because a certain museum finds it more con- Television in Color venient to dwell in the past, some of us fall into the habit i ans New York TiMEs on the morning of October 11 of using the words museum and mausoleum interchange- termed it a radio “miracle.” It did so advisedly, for the ably. -
Annual Report 2009
Bi-Annual 2009 - 2011 REPORT R MUSEUM OF ART UNIVERSITY OF FLORIDA CELEBRATING 20 YEARS Director’s Message With the celebration of the 20th anniversary of the Harn Museum of Art in 2010 we had many occasions to reflect on the remarkable growth of the institution in this relatively short period 1 Director’s Message 16 Financials of time. The building expanded in 2005 with the addition of the 18,000 square foot Mary Ann Harn Cofrin Pavilion and has grown once again with the March 2012 opening of the David A. 2 2009 - 2010 Highlighted Acquisitions 18 Support Cofrin Asian Art Wing. The staff has grown from 25 in 1990 to more than 50, of whom 35 are full time. In 2010, the total number of visitors to the museum reached more than one million. 4 2010 - 2011 Highlighted Acquisitions 30 2009 - 2010 Acquisitions Programs for university audiences and the wider community have expanded dramatically, including an internship program, which is a national model and the ever-popular Museum 6 Exhibitions and Corresponding Programs 48 2010 - 2011 Acquisitions Nights program that brings thousands of students and other visitors to the museum each year. Contents 12 Additional Programs 75 People at the Harn Of particular note, the size of the collections doubled from around 3,000 when the museum opened in 1990 to over 7,300 objects by 2010. The years covered by this report saw a burst 14 UF Partnerships of activity in donations and purchases of works of art in all of the museum’s core collecting areas—African, Asian, modern and contemporary art and photography. -
Dear Friends and Readers, Happy Holidays, Phong
Emma Bee Bosco Sodi’s IN CONVERSATION Poems by Bernstein Casa Wabi Eric Walker Philip Taaffe 67 IN IN CONVERSATION CONVERSATION Epstein Will Vestry Barbara Street Ecological The Held Gregory J. Markopoulos Rose Activisim Essays On Alex Visual Art on in France SIONE IN WILSON Ross CONVERSATION Duchamp Robert Guest Editor: Gober Best Raymond Foye Dear Friends and Readers, IN CONVERSATION Henry Threadgill Art Jason Moran & Books a Tribute to IN CONVERSATION of 2014 Alanna Heiss Rene Ricard ow can ecological and social forces be transformative? In her recent Philip Taaffe AICA-USA Distinguished Critics Lecture, Carolyn Christov-Bakargiev “Sanctuarium,” 2010. Installation Hexplored this question through the lens of Lacan’s fascination with of 148 drawings. Oil pigment topology and the creation of chain relations or knots. Te notions of alchemy on paper, dimensions vari- and “thought form” were brought up repeatedly in her presentation, Tought- able. Collection Kunstmuseum Forms being the well-known book of Annie Besant and C.W. Leadbeater that Luzern. Purchase made possible helped spread the ideas of the Teosophical Society—a central infuence on by a contribution from Landis & modern art. Mahler, Sibelius, Mondrian, Hilma af Klint, and Kandinsky, Gyr Foundation. ©Philip Taafe; were members along with many writers and poets, from James Joyce, D.H. Courtesy of the artist and Luhring Lawrence, Lewis Carroll, William Butler Yeats to Lyman Frank Baum (the Augustine, New York. author of the Wizard of Oz), even the inventor Tomas Edison. Our latest Rail Curatorial Project, Spaced Out: Migration to the Interior at Red Bull Studios in Chelsea, ofered a similar opportunity to submit ourselves to a realm of play and experiment, expanding our “thought forms” beyond conventional norms and expectations. -
Antinuclear Politics, Atomic Culture, and Reagan Era Foreign Policy
Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy William M. Knoblauch March 2012 © 2012 William M. Knoblauch. All Rights Reserved. 2 This dissertation titled Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy by WILLIAM M. KNOBLAUCH has been approved for the Department of History and the College of Arts and Sciences by __________________________________ Chester J. Pach Associate Professor of History __________________________________ Howard Dewald Dean, College of Arts and Sciences 3 ABSTRACT KNOBLAUCH, WILLIAM M., Ph.D., March 2012, History Selling the Second Cold War: Antinuclear Cultural Activism and Reagan Era Foreign Policy Director of Dissertation: Chester J. Pach This dissertation examines how 1980s antinuclear activists utilized popular culture to criticize the Reagan administration’s arms buildup. The 1970s and the era of détente marked a decade-long nadir for American antinuclear activism. Ronald Reagan’s rise to the presidency in 1981 helped to usher in the “Second Cold War,” a period of reignited Cold War animosities that rekindled atomic anxiety. As the arms race escalated, antinuclear activism surged. Alongside grassroots movements, such as the nuclear freeze campaign, a unique group of antinuclear activists—including publishers, authors, directors, musicians, scientists, and celebrities—challenged Reagan’s military buildup in American mass media and popular culture. These activists included Fate of the Earth author Jonathan Schell, Day After director Nicholas Meyer, and “nuclear winter” scientific-spokesperson Carl Sagan. -
Other Artist Bios
CSFINEARTSCENTER.ORG Contact: Warren Epstein, Media Relations and Community Outreach Manager 719.477.4316; [email protected] Other Artist Bios Jozef Bakos (1891–1977) The Polish artist founded Los Cinco Pintores (the five painters) , Santa Fe's first Modernist art group, and was dedicated to works that depicted specifically American subjects, such as the New Mexico landscape, local adobe architecture and Native American dances. He studied art with John E. Thompson at the Albright Art Institute in Buffalo, New York, and taught at the University of Colorado in Boulder. In 1920, during a break from teaching, Bakos visited Walter Mruk, a childhood friend and artist who was living in Santa Fe. During his stay he exhibited some paintings together with Mruk at the Museum of Fine Arts in Santa Fe. Gustave Baumann (1881–1971) Baumann was one of the leading figures of the color-woodcut revival in America. Born in Magdeburg, Germany, Baumann moved to the U.S. at the age of 10 and by 17, attended night classes at the Art Institute of Chicago. After spending time in Brown County, Ind., as a member of the Brown County Art Colony, Baumann headed to the Southwest in 1918. He found Taos to be too crowded and social but eventually ended up settling in Santa Fe, where he became known as a master of woodcuts, while also producing oils and sculpture. Tom Benrimo (1887 – 1958) A self-taught artist, Benrimo was born in San Francisco and lived there until the San Francisco earthquake and fire of 1906 destroyed his home. Relocating to New York with his family, he worked as a scenic designer for theatrical shows and created illustrations for various advertising companies. -
Minna Citron: a Socio-Historical Study Of
The Pennsylvania State University The Graduate School Department of Art History MINNA CITRON: A SOCIO-HISTORICAL STUDY OF AN ARTIST’S FEMINIST SOCIAL REALISM IN THE 1930S A Thesis in Art History by Jennifer L. Streb © 2004 Jennifer L. Streb Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2004 The thesis of Jennifer L Streb was reviewed and approved* by the following: Sarah K. Rich Assistant Professor of Art History Thesis Advisor Chair of Committee Craig Zabel Associate Professor of Art History Head of the Department of Art History Joyce Henri Robinson Curator, Palmer Museum of Art Affiliate Associate Professor, Department of Art History Nan E. Woodruff Professor of History * Signatures are on file in the Graduate School ABSTRACT Minna Citron (1896-1991) was a lifelong self-proclaimed feminist, a divorced mother and an artist who believed in individual expression. One of her main artistic interests, particularly early in her career, was the way feminist concerns related to her dual roles as wife/mother and professional artist. She struggled to make a name for herself in the male-dominated art world between the 1930s and 1950s, beginning during a decade in which social roles for women increasingly tended towards domesticity. By the late 1960s, however, Citron’s interest in feminism was renewed by a new generation of women. The course upon which she set herself, in many ways, was uncharted and her concern with women’s issues and the challenges faced by women perhaps resonate more clearly with us today than while she was alive. -
CITY FOCUS by Kelly Skeen
CITY FOCUS by Kelly Skeen ery few art communities have the lifespan and in Europe, active in Paris during the rise of impressionism significance of Taos, New Mexico. The historic and highly connected in New York’s gallery scene, these V town, nestled in the shadows of the Sangre de Cristo artists collectively began seeking subjects to paint that Mountains, has been a haven for artists since the early 19th were uniquely American. Breaking from conventional century and its romantic reputation continues today. Artists Eastern painting styles, the TSA fostered what they felt to migrate to Taos for the same reasons the Pueblo Indians be the “new American art.” The Southwest landscape and settled there long before: the light, the land and the quiet Native culture dominated the subject matter for these early vastness of the southwest. From early Taos founders to artists who were revolutionary for their time not only for trendsetting Taos Moderns, the diversified community served introducing a new, locally inspired color palette, but for as an escape and a rebellion from established coastal art softening the Wild West mentality of American art. “Up scenes and busy city centers. The same sentiments exist until that point, the American identity was remembered today as creative voices carry on the legacy of the area’s for its dramatic cowboy and Indian motif,” says Davison rich art history with independent perspectives. These Koenig, executive director and curator of the Couse-Sharp perspectives, however, are derived from Taos’ unchanged Historic Site in Taos. “The TSA had a more romanticized bohemian attitude and surrounding natural beauty that vision.