The Pittsburgh Symphony Orchestra, Known for Its Artistic Excellence For

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The Pittsburgh Symphony Orchestra, known for its artistic excellence for more than 120 years, is credited with a rich history of the world’s finest conductors and musicians, and a strong commitment to the Pittsburgh region and its citizens. Past music directors have included Fritz Reiner (1938-1948), William Steinberg (1952-1976), Andre Previn (1976-1984), Lorin Maazel (1984-1996) and Mariss Jansons (1995-2004). This tradition of outstanding international music directors was furthered in fall 2008, when Austrian conductor Manfred Honeck became music director of the Pittsburgh Symphony. The orchestra has been at the forefront of championing new American works, and gave the first performance of Leonard Bernstein’s Symphony No. 1 “Jeremiah” in 1944 and John Adams’ Short Ride in a Fast Machine in 1986. The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and radio concerts. As early as 1936, the Pittsburgh Symphony broadcast on the airwaves coast-to-coast and in the late 1970s it made the ground breaking PBS series “Previn and the Pittsburgh.” The orchestra has received increased national attention since 1982 through network radio broadcasts on Public Radio International, produced by Classical WQED-FM 89.3, made possible by the musicians of the Pittsburgh Symphony Orchestra. With a long and distinguished history of touring both domestically and overseas since 1900, the Pittsburgh Symphony continues to be critically acclaimed as one of the world’s greatest orchestras with more than 36 international tours, including 20 European tours, 3ight trips to the Far East and two to South America. The Symphony was the first American orchestra to perform at the Vatican in January 2004 for the late Pope John Paul II, as part of the Pontiff’s Silver Jubilee celebration. The 2015-2016 season marks the Pittsburgh Symphony Orchestra’s 120th anniversary. Updated 10/12/15 .

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First Weekend's Programme Available HERE!
ENG 1 16.07.–18.07.2021. 4 www.riga-jurmala.com Dzintari Great Hall, Jurmala Latvian National Opera and Ballet, Riga Welcome to the 2021 Riga Jurmala Music Festival! It is a distinct pleasure, more than usual, After only one year, the Riga Jurmala Music to welcome you to the Riga Jurmala Music Festival has arguably marked its territory on Festival. We sincerely hope that the return to the map of summer festivals. One reason is the live performance experience will grant you that few festivals are able to invite so many some respite from what we have all endured distinguished international symphonic over the past 15+ months. orchestras each season. The other may be the We are very proud of the four weekends Festival team’s innovation, as evidenced by its we have put together for you this summer. Four creative responses to the pandemic: Musical orchestras, remarkable soloists (including Soirées, the online Riga Jurmala Academy, a some of the top singers in the world today) and documentary with a new perspective on the many young artists to discover – practically all life of conductor Mariss Jansons. of them making their debut at the Festival. Another such response is the unexpected The concept we introduced with the creation of the Mariss Jansons Festival Riga Jurmala Music Festival in 2019 remains Orchestra. In the face of a last-minute a singular one in the landscape of Europe’s cancellation that could have had seismic summer classical music festivals. It is a consequences on the programming of modular event, composed of weekends a weekend, the team managed with the anchored around a visiting international invaluable help of the orchestra musicians to orchestra and its music director.
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The Blake Collection in Memory of Nancy M
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Digital Concert Hall
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Vilde Frang, Violin
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The Blake Collection Click on Item Titles Or in Memory of Nancy M
(Scroll to the end of this document for an Index to all items. Please note that this Archive contains Live Links: The Blake Collection click on item titles or pictures to go to the In Memory of Nancy M. Blake Library’s catalog, and click on citations to see full articles.) BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma.
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