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Mariss Jansons Wiener PhilharMoniker RICHARD STRAUSS Nina Stemme Don Juan RICHARD WAGNER Wesendonck-Lieder JOHANNES BRAHMS Symphony No. 1 Mariss Jansons Wiener PhilharMoniker RICHARD STRAUSS With a programme dedicated to the second half of the 19th Don Juan century, Mariss Jansons, the Vienna Philharmonic and soprano Tone poem after Nikolaus Lenau for large orchestra, Op. 20 Nina Stemme offer a “superlative concert experience.” Kurier( ). A brilliant reading of Richard Strauss’s tone poem Don Juan, which RICHARD WAGNER sparkled especially in the woodwinds, opened the concert. Written Five songs for female voice in 1888, this was only the second symphonic work by the 24-year- after poems by Mathilde Wesendonck WWV 91 old composer. The acclaimed premiere cemented Strauss’s later “Wesendonck-Lieder“ reputation as the outstanding champion of late Romantic works. In Orchestration by Felix Mottl his youthful exuberance he created a seductive musical monument to the erotic, mythical figure of Don Juan, which Mariss Jansons JOHANNES BRAHMS delivered in peerless quality. Symphony No. 1 C minor, Op. 68 In complementary style – and yet emotionally almost the opposite – were Richard Wagner’s Wesendonck Lieder pervaded by the aura Conductor Mariss Jansons of Tristan, sung by the outstanding Swedish soprano Nina Stemme. Orchestra Wiener Philharmoniker They sounded deeply tender, almost lost in dreams, these “studies” Soprano Nina Stemme for the opera Tristan and Isolde. Singer, orchestra and conductor were all able to draw on their long experience of this score, with the Video Director Brian Large result that the songs emerge readily understandable and delivered in beautifully supple and delicate style. Length 95' To round off the concert there is the consciously down-to-earth symphonic answer of Johannes Brahms to Richard Wagner: his Shot in HDTV 1080 Symphony No. 1 in C minor. It is performed in all its complexity Cat. no. A045006470000 with wonderful solos and a deeply illuminating orchestral sound of unbelievably beautiful tone. “Jansons stimulates the philharmonic A co-production of powers and leads them to produce an unparalleled quality - UNITEL, ORF and ZDF/3sat magical.” (Der Standard) folder: luebbeke.com in cooperation with Wiener Philharmoniker, Salzburg Festival and CLASSICA WORLD SALES: C Major Entertainment +49-(0)3030306464 All rights reserved · credits not contractual · Different territories [email protected] www.unitelclassica.com Photos: © ORF/Ali Schafler, Silvia Lelli.

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First Weekend's Programme Available HERE!
ENG 1 16.07.–18.07.2021. 4 www.riga-jurmala.com Dzintari Great Hall, Jurmala Latvian National Opera and Ballet, Riga Welcome to the 2021 Riga Jurmala Music Festival! It is a distinct pleasure, more than usual, After only one year, the Riga Jurmala Music to welcome you to the Riga Jurmala Music Festival has arguably marked its territory on Festival. We sincerely hope that the return to the map of summer festivals. One reason is the live performance experience will grant you that few festivals are able to invite so many some respite from what we have all endured distinguished international symphonic over the past 15+ months. orchestras each season. The other may be the We are very proud of the four weekends Festival team’s innovation, as evidenced by its we have put together for you this summer. Four creative responses to the pandemic: Musical orchestras, remarkable soloists (including Soirées, the online Riga Jurmala Academy, a some of the top singers in the world today) and documentary with a new perspective on the many young artists to discover – practically all life of conductor Mariss Jansons. of them making their debut at the Festival. Another such response is the unexpected The concept we introduced with the creation of the Mariss Jansons Festival Riga Jurmala Music Festival in 2019 remains Orchestra. In the face of a last-minute a singular one in the landscape of Europe’s cancellation that could have had seismic summer classical music festivals. It is a consequences on the programming of modular event, composed of weekends a weekend, the team managed with the anchored around a visiting international invaluable help of the orchestra musicians to orchestra and its music director.
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Mariss Jansons Symphonieorchester Des Bayerischen Rundfunks ANTON BRUCKNER 1824–1896 Symphonie Nr
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lk a Waü GN r W , joNas k e e pe kY au r m iNs or f e ri C m i a a Val H k er e a m Y s N a t D j N G r N e , a r a r e G N i e é V p a p e , N i N a s t e e m m 2 Die Walküre Mariinsky Richard WAGNER / Рихард ВагнеР DISC 3 45’41” (1813–1883) Zweiter Aufzug – Act Two (conclusion) 1 xii. Schwer wiegt mir der Waffen Wucht / My load of armour weighs heavy on me p18 2’28” DiE WAlkÜRE 2 xiii. Dritte Szene: Raste nun hier, gönne dir Ruh’! / Scene Three: Do stop here, and take a rest p18 8’56” (ThE VAlkyRiE / ВалькиРия) 3 xiv. Wo bist du, Siegmund? / Where are you, Siegmund? p19 3’49” 4 xv. Vierte Szene: Siegmund! Sieh auf mich! / Scene Four: Siegmund, look at me p19 10’55” Siegmund / Зигмунд...................................................................................................................................Jonas KAUFMANN / Йонас Кауфман 5 xvi. Du sahst der Walküre sehrenden Blick / you have seen the Valkyrie’s searing glance p20 4’27” hunding / Хундинг................................. ..............................................................................................Mikhail PETRENKO / михаил ПетренКо 6 xvii. So jung un schön erschimmerst du mir / So young and fair and dazzling you look p20 4’58” Wotan / Вотан..........................................................................................................................................................................René Pape / рене ПаПе 7 xviii. Funfte Szene: Zauberfest bezähmt ein Schlaf / Scene Five: Deep as a spell sleep subdues p21 3’01” Sieglinde / Зиглинда........................................................................................................................................................Anja
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