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December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D. -
Sky Sky Vol. 1 Mp3, Flac, Wma
Sky Sky Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Classical Album: Sky Vol. 1 Country: UK Released: 1994 Style: Modern, Prog Rock MP3 version RAR size: 1622 mb FLAC version RAR size: 1923 mb WMA version RAR size: 1194 mb Rating: 4.9 Votes: 417 Other Formats: MMF ADX FLAC AA MP2 DTS VQF Tracklist Hide Credits Westway A1 3:38 Composed By – Flowers* Carillon A2 3:29 Composed By – Flowers* La Danza A3 2:56 Arranged By – Kevin PeekComposed By – Pipo* Gymnopedie No. 1 A4 3:39 Arranged By – Williams*Composed By – Satie* Cannonball A5 3:41 Composed By – Monkman* Where Opposites Meet (Part 1/2/3/4/5) B1 19:22 Composed By – Monkman* Credits Acoustic Guitar [Ovation 6 And 12-string] – Kevin Peek Acoustic Guitar [Ovation Classic] – John Williams Bass Guitar, Bass [String] – Herbie Flowers Chimes – Tristan Fry Design [Cover] – Buntrock Ltd., Hutton Charrington Double Bass [Stringed Bass] – Herbie Flowers Drums [Premier] – Tristan Fry Electric Guitar [Gibson L5s And Ovation Preacher] – Kevin Peek Electric Guitar [Gibson Rd77 Artist] – John Williams Glockenspiel – Tristan Fry Guitar [Synthesizer] – Kevin Peek Harpsichord – Francis Monkman Marimba – Tristan Fry Mastered By – Blair*, Nick* Percussion [Medieval Tabor] – Tristan Fry Photography By – Paul Cox Piano [Bösendorfer] – Francis Monkman Producer – Haydn Bendall, Sky , Tony Clark Synthesizer [Clavinet-1] – Francis Monkman Synthesizer [Oberheim Ob1] – Francis Monkman Synthesizer [Prophet V] – Francis Monkman Timpani – Tristan Fry Tom Tom [Paiste] – Tristan Fry Vibraphone – Tristan Fry Notes Made in EEC Barcode and Other Identifiers Barcode: 5 708574 260305 Rights Society: MCPS Other versions Category Artist Title (Format) Label Category Country Year ARLH 5022 Sky Sky (LP, Album) Ariola ARLH 5022 UK 1979 VPCD 7525 Sky Sky (CD, Album, RE) Arista VPCD 7525 Australia 1988 Sky Vol 1 (CD, Album, 16030CD Sky Success 16030CD UK 1993 RE) 200 589, 200 200 589, 200 Sky Sky (LP, Album) Ariola, Ariola Germany 1979 589-320 589-320 6483294 Sky Sky (LP, Album) Ariola 6483294 Greece 1981 Related Music albums to Sky Vol. -
Mime Actions Speak Loudly by Angela Yearta the Only Other Prop the Mime Used at His Richmond Shepard
"$*March:>26, 1981 The Lumberjack Goldston performs at NAU Mime actions speak loudly By Angela Yearta The only other prop the mime used at his Richmond Shepard. But he didn’t always know When Gregg Goldston moves, the world silently workshop-was an umbrella to show the' force oftKe what he wanted to do. watches...and feels and believes his actions. wind and the power of an inanimate object. Goldston grew up in Los Angeles, Calif., and was Goldston is a mastermind at the art of pan Goldston calls mime the art of the '80s because influenced by theatre in Salt Lake City, Utah. tomime; perfectly executing wafting hands to entire there is a large amount of undiscovered material for When some friends took him to see Marceau, flowing body movements. performers to find. Goldston was amazed at the action and energy in The 24-year-old has been performing mime for "Mime is a new art form-thc whole illusionary volved in the art of mime. seven years. He was at NAU last Monday throdgh idea is new," Goldston said. “ In 1930, Ettienne After Marceau’s performance, the youth took Wednesday for several workshops and an evening Decroux first showed the body movements involved lessons and has not stopped his energetic climb to performance as part of the school's student series. in mime and taught them to people.* stardom. With talent like this, Goldston’s future The recipient of the 1980 National Endowment Marcelle Marceau, one of Decroux's students, will be anything but quiet. for the Arts Choreography Fellowship, Goldston is received much positive public opinion because he a superb mime. -
Sky Cadmium Mp3, Flac, Wma
Sky Cadmium mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cadmium Country: Europe Released: 1983 Style: Acoustic, Prog Rock MP3 version RAR size: 1345 mb FLAC version RAR size: 1861 mb WMA version RAR size: 1799 mb Rating: 4.9 Votes: 340 Other Formats: TTA MP3 MIDI MP1 WMA AA AU Tracklist 1 Troika 2:59 2 Fayre 3:10 3 A Girl In Winter 3:37 4 Mother Russia 6:58 5 Telex From Peru 8:14 6 The Boy From Dundee 5:33 7 Night 4:09 8 Then & Now 3:22 9 Return To Me 3:37 10 Son Of Hotta 7:04 Companies, etc. Phonographic Copyright (p) – Ariola Records Ltd. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Designed At – Torchlight, London Manufactured By – Polygram, Hanover, West Germany Credits Art Direction – Nick Marchant Bass – Herbie Flowers Engineer – Tony Clark, Tony Clark Guitar – John Williams , Kevin Peek Liner Notes – H.F.*, K.P.*, S.G.*, T.F.* Management – Peter Lyster-Todd Mastered By – Chris Blair Percussion – Tristan Fry Producer – Haydn Bendall, Sky , Tony Clark Vocals, Keyboards – Steve Gray Notes Recorded with Mobile One Recording Studio: and at E.M.I. — Abbey Road—Studio Three. Mixed at E.M.I. Abbey Road—Studio Three. ℗ 1983 Ariola Records Ltd. Distributed by the Ariola Group of Companies Printed in Western Germany Imprimé en République Fédérale d'Allemagne Ariola-Eurodisc GmbH, München (on disc) Matrix letters are stamped on the mould. Barcode and Other Identifiers Barcode: none Matrix / Runout: 610 103 2893 387 03 AV Z Label -
World Coming to OZ Stead Capturing the Rough'n'ready, Street -Level Rawness of Oz 10Ak1 Rock
4t34204:erotlik §';°s Ydr t& 'Me tyúT $'. W fgrf Rules The Waves UA3.$i:,i,..-.... 4k, Continued from page TIA -58 tie 49 WAVZ A Billboard Daddy Cool, Spectrum, Ariel and the Loved Ones. In fact we hAAif= did a version of a big hit by the Loved Ones as a single. We did SPOTLIGHT it just at the right time, when Australians were getting behind ?;f.41:4 ON their own musical heritage and realizing how strong and good THE our own music actually is. "The best of all about being an Australian band is that we no longer have to leave the country that we are most creative ti:: LIVE in and go overseas. Now we can stay here and the world is coming to us." Just why the world is coming to Australia's door after years E N of kamikaze missions and lemming rushes to the other side of A ii14..ew: l . the world, has no convenient answer HUNTERS & COLLECTORS -Tribal funk that, despite no U.S. but the bottom line O F - seems to be the power, the rawness, the edge that character- : e record deal, has picked up airplay in North America. izes the music £t.S -the almighty 'pub boogies.' G.ìr M. When film producer David Elfick made the rock musical iigiilii "Starstruck," he approached it with the aim of moving away .x/oft from a "Grease /Can't Stop the Music" type slickness and in- MiN i4i AUSTRAIIA_Itzet:,...7., World Coming To OZ stead capturing the rough'n'ready, street -level rawness of Oz 10ak1 rock. -
Knot a Fanzine #1
KNOT A FANZINE #1 December 2020 Produced by Marc Ortlieb P.O. Box 215, Forest Hill, Vic 3131 Australia who doesn’t do that sort of thing anymore. [email protected] NOTES FROM THE SPECTACLE CASE A number of years ago I decided that I wasn’t going to produce fanzines any more. The cost of postage was ridiculously high and I’d pretty much severed my connections with fandom, with the exception of the occasional poker game with Julian Warner, Seth Lockwood, Carey Handfield, Cindy Clarkson and Justin Ackroyd, none of whom produced fanzines any more either. I had limited contact with some fannish friends, via Facebook. I even dropped in on a couple of Melbourne conventions - albeit usually briefly. But I’d discovered an alternate “fandom” - Scouting - which managed to expand to the point that I was looking after a District of Cub Scouts, was looking after a Box Hill Scout Group, was assisting on courses training Cub Scout Leaders, was on the committee for a major annual camp for Scout Leaders and was attending Cub Scout camps at Pack, District and State level. I also managed to fit in working full time as a Science Teacher. Anyway, things changed. In October 2018, ANZAPA (The Australia New Zealand Amateur Press Association) celebrated its 50th anniversary and, given that I’d first joined in 1975, I figured that I should contribute to the mailing. I’d retired from teaching and, though my involvement in Scouting hadn’t decreased (and still hasn’t) I found that I had time on my hands. -
Download the Digital Booklet
1. THE LONG GOOD FRIDAY - OPENING CREDITS 2. OVERTURE 3. “YOU NEED A MILLION DOLLAR COMPUTER TO UNDERSTAND THIS” DIALOGUE - BOB HOSKINS 4. THE SCENE IS SET 5. “HAROLD, TO KEEP IT ALL INCOGNITO” DIALOGUE - BRIAN HAYES, BOB HOSKINS 6. AT THE POOL 7. “NOTHING UNUSUAL HE SAYS” DIALOGUE - BOB HOSKINS 8. DISCOVERY 9. “COME ON DOWNSTAIRS” DIALOGUE - BOB HOSKINS 10. THE ICE HOUSE 11. “AFTER WHAT HAPPENED THIS MORNING” DIALOGUE - BOB HOSKINS, PAUL BARBER 12. TALKING TO THE POLICE VOCAL - BOB HOSKINS 13. “FOR MORE THAN TEN YEARS” DIALOGUE - BOB HOSKINS 14. GUITAR INTERLUDES (SARABANDE IN B MINOR / GUITAR FLAMENCO) 15. REALIZATION 16. FURY 17. “I’LL TELL YOU SOMETHING” DIALOGUE - BOB HOSKINS, STEPHEN DAVIES 18. TAKEN 19. “LADIES AND GENTLEMEN I’M NOT A POLITICIAN” DIALOGUE - BOB HOSKINS In the history of British post war cinema a number of films Another major factor that makes the film still so loved after man’s way. Alone that would be more than enough but the have captured the zeitgeist of the dramatic and rapid era all these years is Francis Monkman’s dazzlingly crafted addition of ‘Harold’s Theme’ to his strutting walk completes of social change that took place over half-a-century in score. Films from the late 70s and early 80s can now prove the picture as does the score for the rest of the film. Having this country . Ealing’s Passport To Pimlico (1949) where unwatchable with their murky and deeply synth laden been out of catalogue for many years this is a welcome residents throw off the shackles of post-war austerity sounds but like everything else related to this production return for such a defining soundtrack and now with the and declare independence. -
John Williams Interview June 1, 2004
John Williams Interview — June 1, 2004 The full text (almost) of a three-hour conversation with John Williams in June 2004 (originally published in a heavily abridged version as “Venezuelan Adventure: A Conversation with John Williams” in Fingerstyle Magazine (No. 55, Dec. 2004). “Calling from his London home, John Williams spent three hours talking to Stanley Yates on topics ranging from recording technique to playing technique, from Andres Segovia to Pete Townsend…” 1 South American Music. 2 “Cross-Over” Projects. 3 The “Classical” Guitar and Guitar Education. 4 Nineteenth-Century Guitar Music. 5. Contemporary Composers. 6 Transcriptions. 7 Composing. 8 Recording. 9 Technique. 10 Guitars. 11 Current Projects. 1 South American Music SY: The current recording of Venezuelan music, El Diablo Suelto, has been out for about six months now and has been very well received, particularly by guitarists. From a personal perspective, it’s great to hear the Diaz arrangements recorded, as well as the lesser-known items by Antonio Lauro, but probably the thing that stands out the most, especially for listeners who might not be familiar with the traditional Venezuelan versions of this music, is the cuatro accompaniment that’s used on several tracks. JW: Right. Those were done quite ad hoc in a way, on the spare of the moment. I think it’s important to remember that traditionally the guitar, along with the cuatro, the harp, the bandore and the maracas, are the instrumental mainstay of all Venezuelan music. So, with some exceptions where the music is particularly harp music or particularly guitar music, a lot of the traditional music is quite interchangeable when it comes to instrumentation and you can put together any group or combination of instruments or play them as solos only. -
Ivo Koers Instrumentation on Hank Marvin Recordings I: the Primary Albums
Ivo Koers Instrumentation On Hank Marvin Recordings I: The Primary Albums October 1969 LP, Columbia SX 6352 Mono / SCX 6352 Stereo Hank Marvin Title: Aquarius Duration: 2:43 Recording date: March 11th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar Multi-tracked X electric lead guitar Vic Flick or Acoustic X Alan Parker rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Tambourine X Norrie Orchestra X X Paramor Title: Born Free Duration: 2:34 Recording date: March 12th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Electric lead X guitar with Leslie speaker effect Multi-tracked X electric lead guitar with Leslie speaker effect Vic Flick Acoustic X and/or Alan rhythm guitar Parker Second X acoustic rhythm guitar Herbie Electric bass X Flowers or guitar Dave Richmond Rex Bennett Drums X Tambourine X Percussion X Norrie Orchestra X Paramor Remarks: There is a percussion instrument audible between the far left and left of centre, but I am not sure what it is. Title: This Guy's In Love With You Duration: 3:24 Recording date: May 30th, 1969 Location: Abbey Road Studios, London, England Musician Instrument Position Far left Left of centre Centre Right of centre Far right in stereo image: Hank Marvin Acoustic lead X guitar Electric lead X guitar Multi-tracked -
RCA Lps, 1963-1992
AUSTRALIAN RECORD LABELS RCA / BMG L.P. SERIES 1963-1992 COMPILED BY MICHAEL DE LOOPER APRIL 2020 1 ACKNOWLEDGEMENTS THANKS TO DAVID KENT AND BRETT LESLIE. ALSO TO ADRIAN PAYNE FOR HIS AUSTRALIAN ELVIS DISCOGRAPHY AND PRICE GUIDE. 2 POPULAR COLLECTOR’S L.P. SERIES T = 10” LP, L = 12” LP T 11001 T 11002 FABULOUS FRANKIE FRANK SINATRA 12.56 L 11003 HOLIDAY FOR STRINGS AND OTHER FAVOURITES DAVID ROSE ORCHESTRA 11.57 L 11004 L 11005 L 11006 L 11007 L 11008 L 11009 HOT MALLETS LIONEL HAMPTON 2.57 L 11010 L 11011 L 11012 THE DUKE AND HIS MEN DUKE ELLINGTON ORCHESTRA 5.58 L 11013 GLENN MILLER ARMY AIR FORCE BAND, VOL. 1 GLENN MILLER ORCHESTRA 5.58 L 11014 GLENN MILLER ARMY AIR FORCE BAND, VOL. 2 GLENN MILLER ORCHESTRA 6.58 L 11015 GLENN MILLER ARMY AIR FORCE BAND, VOL. 3 GLENN MILLER ORCHESTRA L 11016 GLENN MILLER ARMY AIR FORCE BAND, VOL. 4 GLENN MILLER ORCHESTRA L 11017 GLENN MILLER ARMY AIR FORCE BAND, VOL. 5 GLENN MILLER ORCHESTRA 10.58 L 11018 JOHN MCCORMACK SINGS IRISH SONGS JOHN MCCORMACK 3.59 L 11019 YOUNG BING CROSBY BING CROSBY 6.59 L 11020 IN A MELLOTONE DUKE ELLINGTON ORCHESTRA 7.59 L 11021 THE SOUND OF GLENN MILLER GLENN MILLER ORCHESTRA 8.59 L 11022 AIN’T MISBEHAVIN’ FATS WALLER L 11023 FOR THE VERY FIRST TIME, VOL. 1 GLENN MILLER ORCHESTRA 11.59 L 11024 FOR THE VERY FIRST TIME, VOL. 2 GLENN MILLER ORCHESTRA 11.59 L 11025 FOR THE VERY FIRST TIME, VOL. -
Scanned Image
INSIDE Singleschart,6-7; Album chart, 17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; Independent Labels, 12; Retailing, 9. May 31, 1982VOLUME FIVENumber 8 65p Imports guide Trade critical of could damage Conifer -Deacon single -sided 45s CONIFER RECORDS chief John Deacon last week hit out at the way the SINGLE -SIDEDsingles are alreadypotential. "I can't see any great saving and it wastes an opportunity to present a BPI has presented its Guide On Im- under fire, a few days after hitting the ports for retailers, concerned that they market, with dealersclaimingthattrack which is not on an album, or show another facet of an artist." may become the target of legal action either the dealer price should be lower or for stocking unauthorised pressings the selling price higher. WoolworthrecordbuyerPaddy Alan Davison, vice-chairman of theToomey is concerned that the introduc- from overseas. tion of the single -sided single creates a "I think this could be damaging to Record and Video Retailers Organisa- my business," commented Deacon, tion, contactedRBto pour cold waterthird price bracket. "It is a complication we do not need when we are selling the one import company which can on the claims of RCA and Don Ellis that claim BPI membership. "Six of the dealers could make a full margin on a3,000 singles a week in some stores." countries mentioned in the Guide as retail price of 99p. So far no companies have followed the RCA lead - prefering to wait and see - likely to be the source of infringing He is selling the single, Bow Wow records are countries that I deal with, Wow's 'I Want Candy', for £1.15 andand CBS, which is testing the concept in the US, has no plans. -
Windrider Music Credits
Music by Kevin Peek Boyd Wilson sings 'Young Days' (Boyd Wilson/Trevor Spencer/John Zielman) 'Reason To Be' (Boyd Wilson/Amanda Curtin) 'Do You Believe' (Boyd Wilson/John Zielman) Lisa Hill sings 'Running Hot' (Kevin Peek/ Trevor Spencer/Boyd Wilson) 'Alone' (Kevin Peek/Trevor Spencer/Body Wilson) 'Love Is Never Like Your Dreams' (Boyd Wilson/Amanda Curtin/Trevor Spencer) Karina Tomes sings 'Only Way To Fly' (Boyd Wilson/Amanda Curtin) 'Hello' (Boyd Wilson/Kevin Peek/Trevor Spencer) 'Take This Love' (Kevin Peek/Trevor Spencer/Boyd Wilson) Music Engineered by Ric Curtin Music Produced and Arranged by Kevin Peek and Trevor Spencer Musical Sound Track Recorded at Tracks Studio, Roleystone, Western Australia The song "Running Hot" runs over the tail credits for the film. Lyrics for the song: Feeling hot, got no time, To think of tomorrow (Chorus: It's alright) But tonight, to break out and take it Feeling hot, feeling wild, Running hot, Shake it down, messing round, Running hot, Want it all, Shake the walls, Shout it a new day ... (with chorus) Yeah, won't be shy … Make the night Quake and surrender Feeling hot Feeling wild Running hot Shake it down, messing round Running hot But I'm feeling Let it go Running hot But I'm feeling, so let's go, Running hot Whoaw … Ooh! Yeah, feeling high Got no time To think of tomorrow (Chorus: ooh, it's alright) But tonight To break out and take it Yeeah Feeling hot, feeling wild Running hot Shake it down, messing round Running hot Feeling high, feeling wild Running hot! Shake it down, messing round Running hot! Oooh.