DOCSLIB.ORG

Windrider Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Windrider Music Credits Music by Kevin Peek Boyd Wilson sings 'Young Days' (Boyd Wilson/Trevor Spencer/John Zielman) 'Reason To Be' (Boyd Wilson/Amanda Curtin) 'Do You Believe' (Boyd Wilson/John Zielman) Lisa Hill sings 'Running Hot' (Kevin Peek/ Trevor Spencer/Boyd Wilson) 'Alone' (Kevin Peek/Trevor Spencer/Body Wilson) 'Love Is Never Like Your Dreams' (Boyd Wilson/Amanda Curtin/Trevor Spencer) Karina Tomes sings 'Only Way To Fly' (Boyd Wilson/Amanda Curtin) 'Hello' (Boyd Wilson/Kevin Peek/Trevor Spencer) 'Take This Love' (Kevin Peek/Trevor Spencer/Boyd Wilson) Music Engineered by Ric Curtin Music Produced and Arranged by Kevin Peek and Trevor Spencer Musical Sound Track Recorded at Tracks Studio, Roleystone, Western Australia The song "Running Hot" runs over the tail credits for the film. Lyrics for the song: Feeling hot, got no time, To think of tomorrow (Chorus: It's alright) But tonight, to break out and take it Feeling hot, feeling wild, Running hot, Shake it down, messing round, Running hot, Want it all, Shake the walls, Shout it a new day ... (with chorus) Yeah, won't be shy … Make the night Quake and surrender Feeling hot Feeling wild Running hot Shake it down, messing round Running hot But I'm feeling Let it go Running hot But I'm feeling, so let's go, Running hot Whoaw … Ooh! Yeah, feeling high Got no time To think of tomorrow (Chorus: ooh, it's alright) But tonight To break out and take it Yeeah Feeling hot, feeling wild Running hot Shake it down, messing round Running hot Feeling high, feeling wild Running hot! Shake it down, messing round Running hot! Oooh. Feeling high, feeling wild Running hot! (abrupt stop, with echo) Nicole Kidman mimed her singing in the film, as did her band. See at the bottom of this page for some illustrative stills. The film's DVD release provides a music cue sheet for the film: Composer Kevin Peek: The press kit for the film provided this bio for composer Kevin Peek, which took his story up to the time of the film's release: After receiving a classical music education in Adelaide, Kevin Peek went to the United Kingdom to pursue his musical studies. There he gained diplomas from both the Royal Academy of Music and the Trinity College of music and became one of the most sought after session guitarists in Europe. Manfred Mann, Tom Jones, Olivia Newton-John, Mary Hopkins, Shirley Bassey and Mel Torme are among the artists with whom he has recorded. As a member of the successful English classical/rock group Sky, Kevin composed and arranged "Toccata" and "Sahara" which topped the charts. In addition, he made his name as a solo classical guitarist on the U.K. concert circuit. More recently, Kevin has turned to composition. His film and television credits include: Animal Olympics (BBC), Tales of the Unexpected (Anglia), The Long Good Friday (in association with Francis Monkman), and Windrider (in association with Trevor Spencer). The attraction for Kevin on Windrider was the producer's interest in involving him at an early stage, "Trevor and I were consulted from the beginning and that enabled us to know just what the producer/director wanted from the start". Being briefed in such a way meant that performance and vocal tracks could be written and laid down prior to the commencement of principal photography. The other aspect that appealed to Kevin was the wide range of musical styles called for, "In writing both the underscoring and the performance numbers, I found I was able to employ a variety of styles from rock to classical to country. I was also able to work with both conventional instrumentation and electronic instrumentation". Kevin Peek has a wiki here, and for more on Peek in later unhappy bankrupt life, and death in 2013, see the bottom of this pdf. (Below: Kevin Peek) (Below: Peek in Sky, centre) (Below: Kevin Peek, guitars, in Sky, left, sitting; Steve Gray, left, standing, keyboards, right standing Herbie Flowers, bass, and right sitting, Tristan Fry, percussion). (Below: one of Peek's records and the details on the cover of the record). Trevor Spencer: Kevin Peek shared compositional duties on the songs for the filmwith Trevor Spencer. There is a brief CV of Spencer at Musicminder, here. This is effectively the same as Spencer's wiki entry here, though the wiki has more information and a few handy links offering more information about Spencer and his partnership with AlanTarney. Born, Adelaide, South Australia 1947. An Australian songwriter, record producer and drummer. Trevor was born in Adelaide, Australia. He studied drums and percussion from the age of 10. By the age of 14, he was playing professionally in bands in Adelaide and Melbourne. Trevor was known in Adelaide as a member of "The James Taylor Move" during the sixties. In 1969 he moved to Ham in England and after forming his first band Quartet he became a studio drummer for many top acts such as Cliff Richard and Olivia Newton John. During the 70's, he was a house songwriter for ATV Music London. In 1976 he was one half of Tarney-Spencer Band along with Alan Tarney. They signed a 10-album deal with A & M Records, but met with little success and after three album releases, the group disbanded and discontinued their contract with agreement by the record company. He then moved into record production and worked for many major labels as a freelance producer before moving to Perth. In 1986 he bought the Sh-boom studios in Perth with co-owner Gary Taylor. Soon after Hank Marvin bought his own studio within the Sh-boom complex, The Nivram studios. During his career, Trevor has been involved in the performing/production and/or composing of over 20 million records worldwide. The Tarney-Spencer Band - Albums: 1976 Tarney and Spencer (Bradley's) 1978 Three's a Crowd (A & M) 1979 Run for Your Life (A & M) (Below: Trevor Spencer as he appears in the film playing the music engineer for Nicole Kidman's rock singer Jade). (Below: Tarney-Spencer - Spencer is on the drums, and the right, and then samples of some of their record covers) Boyd Wilson: The third composer involved in creating the songs for the movie, Wilson had his own website here at time of writing (shared with Mia Milan), which provided the CV below. This replicates much of the information available at Wilson's wiki entry here: Boyd Wilson is an Australian singer-songwriter, musician & producer. Wilson was vocalist & keyboardist in one of Perthʼs biggest bands The Fingerprints in 1979 and later The Kind 1985 featuring Mark Lizotte (Diesel), Denise Demarchi, Yak Sherrit, Suze DeMarchi (Baby Animals), Dean Denton and Gary Dunn. During this time Boyd played keyboards and backing vocals for Australian Rock Musician Dave Warner on his album 'Correct Weight' in 1979 later touring with Warner. In 1989 Boyd was signed by the President of Chrysalis in UK as a writer collaborating and written with: Alan Tarney, Kevin Peek, Keith Potger, Trevor Spencer, Robin Hild (Scarlett and Black), Patrick Dollaghan, Eric Lowen and Dan Navarro. Lowen and Navarro released a co- write with Boyd titled "Rapt in You" on their album 'Walking on a Wire'. "Rapt in You" was also released by Cameron Daddo in 1992 on his album 'A long Goodbye'. Boyd also co-wrote several tracks with guitarist and singer/ songwriter Nuno Bettencourt from 'Extreme'. Music industry awards include the U.S.A. Hollywood Radio & T.V Commercials award for worldwide productions in 1989. In 1990 Boyd formed international act Living Daylights with Denise De Marchi. They were signed to Massive Records through EMIand TOSHIBA EMI JAPAN releasing three chart topping singles Sliding, Naturally & Merry go round. In Japan their debut album reached Top 10 in many prefectures. The musical The Bridge with the script written by Louise Helfgott with songs & music by Boyd, Denise & Louise. In 1997, it won an Australia Day award for benefits to the Community & all over excellence. Boyd co-founded and were Musical Directors for Variety WAʼs Variety Youth Choir. They released a CD in 2001 titled Big Heart. Boyd enlisted a group of legendary special guests featuring Rolf Harris, John Paul Young, Jill Perryman (Boy from Oz), Russell Morris (The Real Thing), Keith Potger (Seekers) & others. In May 2000, Variety WA awarded Boyd the prestigious “Variety Heart of Show business Award” for founding and producing the Variety Youth Choir. He has co-written the platinum selling title track to the Seekers “Future Road” album. He wrote all the songs for United Artists worldwide released film “Windrider” starring Nicole Kidman & Tom Burlinson. He has been chosen to be the voice of the famous West Coast Eagles song. He also sang the South African National Anthem at the historic Rugby series against Australia televised live worldwide to over 100 million viewers on the birthday of Nelson Mandela in 1998. Boyd Wilson spent a few years living and working in Rome and Milan, Italy and Stockholm Sweden producing and co-writing for Mia Milan and other artists. Their original track "I won't Cry" was used for Channel 9's series "House Husbands" in Australia 2012. He starred in reality T.V show 'House Hunters International' with Mia Milan documenting their European travels and doing music in Europe. Here's a snapshot from Wilson's time as a performer, published in the Canberra Times, 18th November 1993: (Below: Boyd Wilson from his site and below that, in 2014) One record, a 45, came from the recording sessions for the film, though it did no business on the charts.
Load more

Recommended publications
  • Mow!,'Mum INN Nn
    mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show.
    [Show full text]
  • A Ha Cry Wolf Extended
    A ha cry wolf extended click here to download A-ha with the brilliant extended mix of "Cry Wolf" which was released in A-HA - I've Been Losing You (Extended Mix) - Duration: RETROREMIXES1 48, views · · A-ha. Mix - A-HA - Cry Wolf (Extended Remix)YouTube. A-ha - Cry Wolf (Extended Mix) ♫HQ♫ - Duration: Find a a-ha - Cry Wolf (Extended Version) first pressing or reissue. Complete your a-ha collection. Shop Vinyl and CDs. A-ha - Cry Wolf (Extended Mix) ♫HQ♫ A-Ha - Cry Wolf (HQ audio) a-ha - I've been losing you [HD p] [Subtitulos Español / Ingles] [Vídeo oficial]. "Cry Wolf (Extended Version)" by Alan Tarney is a remix of A-ha's "Cry Wolf". Listen to both songs on WhoSampled, the ultimate database of sampled music. Listen to 'Cry Wolf (Extended Version)' by A-Ha. Discover song lyrics from your favorite artists and albums on Shazam! Full and accurate LYRICS for "Cry Wolf [Extended Version] [*][Version]" from "a-ha": He came from where the winds are cold, Truth is seen through keyholes. Non-profit, educational or personal use tips the balance in favor of fair use. Categories Entertainment, Music. Cry Wolf (extended) Songtext von a‐ha mit Lyrics, deutscher Übersetzung, Musik-Videos und Liedtexten kostenlos auf www.doorway.ru Find the BPM for 'Cry Wolf - Extended Version' by 'a-ha'. Type a song, get a BPM. Cry Wolf (extended version) 'Night I left the city, I dreamt of a wolf' He came from where the winds are cold And truth is seen through keyholes Strange longi.
    [Show full text]
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality.
    [Show full text]
  • A-Ha to Return with New Album and Rio Spectacular for September 2015 and International Tour Dates for 2016
    PRESS RELEASE A-HA TO RETURN WITH NEW ALBUM AND RIO SPECTACULAR FOR SEPTEMBER 2015 AND INTERNATIONAL TOUR DATES FOR 2016 Following on from the announcement that legendary Norwegian band a-ha are to reform to play the 30 th anniversary Rock in Rio music festival, the band are delighted to announce the release of a brand new studio album this autumn, with international tour dates to follow in 2016. The new album, Cast In Steel , will be the band’s tenth studio album, and the first new music by the group since the critical and commercial success of 2009’s Foot of the Mountain . Cast In Steel will be released on 4 th September 2015, three weeks before the band return to play the Rock in Rio music festival in Brazil, and thirty years since their debut single, Take on Me , reached number one around the world. * * * The Album When a-ha played the Oslo Spektrum in December 2010 to close the ‘Ending on A High Note – Farewell Tour’, it felt a definitive full-stop on the band’s activities. As Morten Harket says, ‘it has been a genuine and real disbanding. There has been no a-ha in the sense of the word during that time.’ For Morten, Paul Waaktaar and Magne Furuholmen, the five- year break has allowed them to explore a rich seam of various creative projects, both musical and artistic. The return came about in a simple, organic way, as Paul explains: ‘it started off very easy and low-key with Morten dropping by my studio at various occasions, and I would show him songs that I was working on.
    [Show full text]
  • KEITH POTGER AO a Wandering Minstrel
    KEITH POTGER AO a wandering minstrel Founding member KEITH POTGER AO, FOUNDING MEMBER OF THE SEEKERS and in 2010 he released his mostly self- penned third solo CD, “Smile Now”. Accompanying himself on his trusty 12 string and 6 string guitars, his “wandering minstrel” style of performance includes material from his solo CDs, Seekers favorites, along with songs and anecdotes from his long career in the music industry. In June 2014, The Seekers concluded their UK and Australian Golden Anniversary tours and, along with his Seeker partners, Keith was awarded the Order of Australia (AO) for services to the Australian music industry and not for profit organisations. Later that year The Seekers performed sold out concerts in The Seekers performing at a sell-out concert at The Royal Albert Hall, London, June 2014 New Zealand. eith Potger’s musical career to tour internationally as The Seekers for 2015 has seen Keith on the road started well before The their Silver Jubilee and were inducted again presenting his solo concerts Seekers first stormed the into the ARIA Hall Of Fame in 1995. In to audiences in Queensland and UK charts in 1965. He is 1997, the group released the Platinum- New South Wales as well as visiting Ka self-taught musician who studied selling ‘Future Road’, which gave the Nashville to co-write material for his 6 string guitar, banjo, mandolin and public the first real chance to hear his fourth solo CD. keyboards. With an eye to a musical song-writing talent on “Guardian Angel, Involvement with charities has future while still at school, he performed Guiding Light”, also co-writing “The always been important to Keith and he in vocal groups which evolved into The Circle Of Love” (with Rick Beresford); frequently performs at charity concerts Seekers in 1962.
    [Show full text]
  • Touring Biz Awaits Rap Boom
    Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals.
    [Show full text]
  • 20Th Century Masters Liner Notes
    Media: Please keep in mind, these liner notes are NOT the final approved copy. This is provided in working form to meet your deadlines. ARTIST: Extreme TITLES: The Best Of Extreme 20th Century Masters The Millennium Collection CD #: 069 493 165-2 UPC #: 6 069 493 165-2 5 CD Logo: A&M Records Attached please find all necessary liner notes and credits for this package. Beth Extreme – Millennium 069 493 165-2 1 12/01/1911:47 AM Extreme The Best Of Extreme 20th Century Masters The Millennium Collection (CD Folder) Played on Top 40 radio and at countless weddings in 1991, the acoustic ballad “More Than Words” hit #1, went gold, and put Extreme on the musical map. It also undoubtedly confused the hell out of some of the two million-plus people who bought Pornograffitti, looking for more of the same. Truth be told, Extreme is a funk-metal band that just happened to hit all the right chords with an uncharacteristic foray into unplugged territory, and to define them by a single, though memorable song does a disservice to their considerable accomplishments. Extreme’s members traveled in overlapping circles on the mid-’80s music scene in Boston. Vocalist Gary Cherone and drummer Paul Geary were in a band called Dream, while Nuno Bettencourt had gained a reputation as a guitar wizard in outfits like Myth and Sinful. Cherone met Bettencourt in the summer of ’85 and invited him to replace two imminently-departing axemen, and the two quickly became a formidable lyricist-composer team. The band’s self-created video for “Mutha (Don’t Wanna Go To School Today)” won an MTV Basement Tapes competition that fall, got into rotation, and upped label interest in the band.
    [Show full text]
  • Booklet 125X125.Indd
    1 2 3 CONTENTS A RECORDED HISTORY Philip Stuart 7 REMINISCENCES BY LADY MARRINER 18 A FEW WORDS FROM PLAYERS 21 HISTORY OF THE ACADEMY OF SAINT MARTIN IN THE FIELDS Susie Harries (née Marriner) 36 CD INFORMATION 44 INDEX 154 This Edition P 2020 Decca Music Group Limited Curation: Philip Stuart Project Management: Raymond McGill & Edward Weston Digital mastering: Ben Wiseman (Broadlake Studios) TH 60 ANNIVERSARY EDITION Design & Artwork by Paul Chessell Special thanks to Lady Marriner, Joshua Bell, Marilyn Taylor, Andrew McGee, Graham Sheen, Kenneth Sillito, Naomi Le Fleming, Tristan Fry, Robert Smissen, Lynda Houghton, Tim Brown, Philip Stuart, Susie Harries, Alan Watt, Ellie Dragonetti, Gary Pietronave (EMI Archive, Hayes) 4 5 A RECORDED HISTORY Philip Stuart It all started with L’Oiseau-Lyre - a boutique record label run by a Paris-based Australian heiress who paid the players in cash at the end of the session. The debut LP of Italianate concerti grossi had a monochrome photograph of a church porch on the cover and the modest title “A Recital”. Humble beginnings indeed, but in 1962 “The Gramophone” devoted a full page to an enthusiastic review, concluding that it was played “with more sense of style than all the chamber orchestras in Europe put together”. Even so, it was more than a year before the sequel, “A Second Recital”, appeared. Two more such concert programmes ensued [all four are on CDs 1-2] but by then the Academy had been taken up by another label with a shift in policy more attuned to record collectors than to concert goers.
    [Show full text]
  • Download 2019 Program (PDF)
    8 – 9 OCTOBER –A– –B– “The most important journey is the one of the spirit, for your internal peace relies on it.” Olivia Newton-John AC, OBE Acknowledgement of Country Australian Women in Music Awards acknowledges the Traditional Owners and Custodians of the land on which we meet, celebrate, dance and sing. We pay respect to their Elders past, present and emerging. MESSAGES Premier of Queensland & Minister Welcome to the 2019 Australian Women in Music Awards. The Queensland Government is proud to support this showcase event for a second year. It is a fabulous way to pay tribute to the many talented women who are creating music or working behind the scenes to support Australia’s Annastacia Palaszczuk MP flourishing music industry. PREMIER OF QUEENSLAND MINISTER FOR TRADE We are delighted the Awards have returned to Queensland, home to some of this country’s finest female musicians. We recognise however, that while they have found success and been embraced by audiences the world over, there are many other gifted women just like them, right across Australia, who are struggling to break through because of gender barriers. Female artists tend to earn less than male performers, receive less airplay on Australian radio and hold little more than one-quarter of senior and strategic roles in key music industry associations. Shining a dedicated spotlight on these issues and recognising the exceptional work of female artists and industry professionals, is a vital step in creating greater visibility and opportunities for all Australian women in music. This is what these Awards are about. We congratulate this year’s winners, cheer on all those who are following MINISTERDi FOR Farmer CHILD SAFETY,MP YOUTH in their rhythmic footsteps, and wish everyone a memorable time AND WOMEN AND MINISTER FOR celebrating outstanding female talent.
    [Show full text]
  • December 1984
    MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
    [Show full text]
  • Mustang Daily, October 2, 1967
    uufokhu sun TOLYTECHNIC COLLEGE VOL. XXTX, NO. 4 * SAN LUIS OBISPO, CALIFORNIA MONDAY, OCTOBER 2, 1967 Th is is new Navy recruiting team slates visit Officers from the U. ft. Navy Some students lack $ $ Recruiting Station, Los Angeles, and the U. S. Naval Ail' Station,- I tick of funds. in the major Glenn 8, Dmnke, chancellor o f regard to race, religion or na­ Los Alumitos, Calif., will he here ' reason given b.v more then ono- the State-Coleges, ixiteiated the tional origin. luilf of students Vhc> are eligible Hoard’s policy it has held sin e T he Trustees, following leng­ Oct, 2-4. hut {1° not attend the Stulo Cot-, the Board’s founding -that nil thy debate, agreed- to place the They w ill counsel students eon- leges, the tirst-phase report of program's and housing related to issue of collective bargaining on ceimlhg the various officer p o- an extensive student,demogra­ the State Colleges must he made the October agenda as un action phic' study Ims revealed. m ailuble to all students without item grams in the Navy. A t the pre­ 1 in profile, it discloses, the sent time, commission* are avail­ typical State College student able in the fields o f general line, comes from a middle-class, mid­ aviation, engineering, Supply dle-income environment, lives Corps, Medical Corps,'and other away from home during his col­ Ketchum praises lege career hut does not reside specialties. The team will also on campus. jcounael women students inter­ The report, pri pared by the ested iu the WAVES und Nurse StaU’ College staff and present­ campus C.
    [Show full text]
  • Une Discographie De Robert Wyatt
    Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
    [Show full text]