Sky Cadmium Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Sky Cadmium mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cadmium Country: Europe Released: 1983 Style: Acoustic, Prog Rock MP3 version RAR size: 1345 mb FLAC version RAR size: 1861 mb WMA version RAR size: 1799 mb Rating: 4.9 Votes: 340 Other Formats: TTA MP3 MIDI MP1 WMA AA AU Tracklist 1 Troika 2:59 2 Fayre 3:10 3 A Girl In Winter 3:37 4 Mother Russia 6:58 5 Telex From Peru 8:14 6 The Boy From Dundee 5:33 7 Night 4:09 8 Then & Now 3:22 9 Return To Me 3:37 10 Son Of Hotta 7:04 Companies, etc. Phonographic Copyright (p) – Ariola Records Ltd. Record Company – Ariola Eurodisc GmbH Distributed By – Ariola Group Of Companies Recorded At – Abbey Road Studios Mixed At – Abbey Road Studios Designed At – Torchlight, London Manufactured By – Polygram, Hanover, West Germany Credits Art Direction – Nick Marchant Bass – Herbie Flowers Engineer – Tony Clark, Tony Clark Guitar – John Williams , Kevin Peek Liner Notes – H.F.*, K.P.*, S.G.*, T.F.* Management – Peter Lyster-Todd Mastered By – Chris Blair Percussion – Tristan Fry Producer – Haydn Bendall, Sky , Tony Clark Vocals, Keyboards – Steve Gray Notes Recorded with Mobile One Recording Studio: and at E.M.I. — Abbey Road—Studio Three. Mixed at E.M.I. Abbey Road—Studio Three. ℗ 1983 Ariola Records Ltd. Distributed by the Ariola Group of Companies Printed in Western Germany Imprimé en République Fédérale d'Allemagne Ariola-Eurodisc GmbH, München (on disc) Matrix letters are stamped on the mould. Barcode and Other Identifiers Barcode: none Matrix / Runout: 610 103 2893 387 03 AV Z Label Code: LC 0116 Distribution Code: 222 Rights Society: GEMA STEMRA BIEM Other versions Category Artist Title (Format) Label Category Country Year 205 885, 205 Ariola, 205 885, 205 Sky Cadmium (LP, Album) Europe 1983 885-320 Ariola 885-320 25RS-212 Sky Cadmium (LP, Album) Ariola 25RS-212 Japan 1983 205 885 Sky Cadmium (LP, Album) Ariola 205 885 Portugal 1983 818 238-1 Sky Cadmium (LP, Album) Ariola 818 238-1 Greece 1983 L 38201 Sky Cadmium (LP, Album) Ariola L 38201 New Zealand 1984 Related Music albums to Cadmium by Sky Mirage - Classic Guitar Moods Sky - Sky 2 Kylie - On A Night Like This Sky - Masterpieces - The Very Best Of Sky Tony Marshall - Das Werden Wir Alles Überleben Kevin Peek - "Life" And Other Games Beatles - Abbey Road Sky - Sky 4 Forthcoming Middle Of The Road - Starke Zeiten Beethoven, Bamberger Symphoniker, Horst Stein - Symphonie № 3 »Eroica« Sky - Sky 3 Sky - Sky.

Copy Link

Recommended publications

Booklet 125X125.Indd
1 2 3 CONTENTS A RECORDED HISTORY Philip Stuart 7 REMINISCENCES BY LADY MARRINER 18 A FEW WORDS FROM PLAYERS 21 HISTORY OF THE ACADEMY OF SAINT MARTIN IN THE FIELDS Susie Harries (née Marriner) 36 CD INFORMATION 44 INDEX 154 This Edition P 2020 Decca Music Group Limited Curation: Philip Stuart Project Management: Raymond McGill & Edward Weston Digital mastering: Ben Wiseman (Broadlake Studios) TH 60 ANNIVERSARY EDITION Design & Artwork by Paul Chessell Special thanks to Lady Marriner, Joshua Bell, Marilyn Taylor, Andrew McGee, Graham Sheen, Kenneth Sillito, Naomi Le Fleming, Tristan Fry, Robert Smissen, Lynda Houghton, Tim Brown, Philip Stuart, Susie Harries, Alan Watt, Ellie Dragonetti, Gary Pietronave (EMI Archive, Hayes) 4 5 A RECORDED HISTORY Philip Stuart It all started with L’Oiseau-Lyre - a boutique record label run by a Paris-based Australian heiress who paid the players in cash at the end of the session. The debut LP of Italianate concerti grossi had a monochrome photograph of a church porch on the cover and the modest title “A Recital”. Humble beginnings indeed, but in 1962 “The Gramophone” devoted a full page to an enthusiastic review, concluding that it was played “with more sense of style than all the chamber orchestras in Europe put together”. Even so, it was more than a year before the sequel, “A Second Recital”, appeared. Two more such concert programmes ensued [all four are on CDs 1-2] but by then the Academy had been taken up by another label with a shift in policy more attuned to record collectors than to concert goers.
[Show full text]
December 1984
MODERN DRUMMER VOL. 8, NO. 12 Cover Photo by Layne Murdock CONTENTS FEATURES TERRY BOZZIO Although his work with such artists as Frank Zappa, the Brecker Brothers, and UK established Terry Bozzio's reputation as a fine drummer, his work with Missing Persons has revealed that there is more to Bozzio than was demonstrated in those other situations. Here, he talks about the hard work that went into starting his own band, explains his feelings that drummers should be more visible, and details his self-designed electronic drumset. by Rick Mattingly 8 OMAR HAKIM The fact that Weather Report and David Bowie have been sharing the same drummer says a lot about Omar Hakim's versatility, especially when one considers the wide range of styles that each of those situations encompasses. But Hakim's background prepared him well for the many diverse musical settings he has encountered, and he recounts that background in this amiable discussion of his life and career. by Robin Tolleson 14 INSIDE CALATO by Rick Van Horn 18 IAN PAICE The drummer for Deep Purple reminisces about the group's formation, discusses the band's reunion after an eight-year breakup, and describes Deep Purple's effect on today's music. He also talks about his experiences as the drummer for Whitesnake and Gary Moore, and explains the differences in playing with a guitar-oriented versus a vocal-oriented band. by Robyn Flans 22 TRISTAN FRY Modest Virtuoso by Simon Goodwin 26 DRIVER'S SEAT COLUMNS Phrasing With A Big Band PROFILES by Mark Hurley 112 PORTRAITS EDUCATION JAZZ DRUMMERS WORKSHOP Allen Herman New Concepts For Improved by Don Perman 30 THE MUSICAL DRUMMER Performance Chord Changes—Part 2 by Laura Metallo, Ph.D.
[Show full text]
Vinyl Vulture
‘D.W’ is for Dick WALTER INTERVIEW FOR VINYL VULTURE ‘Once More from the Top’ As one of the UK’s busiest and most gifted arrangers and composers, Dick Walter has to his credit many television, library music and advertisement scores, whilst specialising in writing for big band. Oliver Lomax speaks to the man behind the music Dick Walter falls into that category of composer/arranger who has had almost their entire canon of work issued in the catalogues of production music companies, unavailable to the record- buying public. In Dick’s case, they include Amphonic, KPM and Conroy and, for the past thirty- five years, he has been supplying library music publishers with finely crafted compositions that bear the hallmarks of an exceptionally gifted and original composer, unafraid to experiment and move forward. In the heyday of British library music during the late 1960s and ’70s, Dick, alongside such names as Keith Mansfield, Syd Dale, Johnny Pearson and Alan Hawkshaw, was one of the composers who took jazz and big band music and remodelled it in his own image. Evidence of this is heard on various Amphonic vinyl albums, which were among the first releases to feature Dick’s work as a composer. LPs such as A Tune for Everyone (Amphonic, 1973) include Dick’s ‘Hacienda Happenings’, an exhilarating big band piece based around a modern, driving rhythm section that has more in common with rock or pop music than the swinging big band style. Super Sounds Unlimited (Amphonic, 1974) features several colourful big band workouts that makes use of some very funky rhythmic patterns.
[Show full text]
Downbeat.Com January 2016 U.K. £3.50
JANUARY 2016 U.K. £3.50 DOWNBEAT.COM DOWNBEAT LIZZ WRIGHT • CHARLES LLOYD • KIRK KNUFFKE • BEST ALBUMS OF 2015 • JAZZ SCHOOL JANUARY 2016 january 2016 VOLUME 83 / NUMBER 1 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ŽanetaÎuntová Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York:
[Show full text]
SHADOWS of the SEVENTIES an Article Covering the Shadows’ Most Creative but Criminally Overlooked Decade
SHADOWS OF THE SEVENTIES An article covering the Shadows’ most creative but criminally overlooked decade. By Chris Drake 1 In August 2013, Music Club Deluxe/Parlophone released a 2CD Shadows compilation CD entitled The Collection . The slipcase and inner insert featured a big close-up of the by now obligatory red and white Fender Stratocaster, which during the past 30 or so years has become synonymous with virtually any Shadows-related product. It’s an attractive and eye-catching image. What is worth remarking in this case is that the 35 tracks contained within come almost entirely from the 1970s – a period of the Shadows’ history in which there wasn’t a single red (or Salmon Pink !) Fender Strat in sight. But, in fairness, would a close-up of the scratch plate, body and other furnishings, all uniformly in black, have made the product stand out on the shelves? What is interesting also is that the period covered represents something of a commercial low-point for the band, with very little in terms of hit singles and albums compared to the previous decade. What it does contain, on the other hand, is some of the band’s most creative and impressive recordings and suggests that perhaps the Shadows’ output of the 1970s is worth listening to and evaluating after all. The basis of this article, therefore, will be the contents of MCDLX187: The Collection . Before venturing into the territory so comprehensively covered by the compilation, let’s just pause for a few moments to consider the period leading up to it and the way in which the Shadows seemed to prepare the ground for this new and potentially very exciting decade.
[Show full text]
September 2013 Newsletter
September 2013 Adelaide Technical High School Old Scholars Association Inc Newsletter POSTAL ADDRESS: PO Box 4041, Norwood South SA 5067 EMAIL: [email protected] “The Blue and Gold Alumni Association” a new name, a continuing organisation A main objective of the Adelaide Technical High School Falling membership (down about 15% this year to date) Old Scholars Association is to promote the memory of a has now dictated the need for prompt action. The unique school which helped shape our lives. Its Committee is therefore proposing to establish an initially success in this mission is dependent on its membership separate organisation to form the basis of a combined which now, regrettably, is in serious decline. The Adelaide Tech/Glenunga old scholars association. It is Committee is therefore looking to implement a means to proposed to give the new association its own name, the overcome the effect of this loss and restore the Blue and Gold Alumni Association to reflect the colours Association to a position where its long-term future is of both schools, while its constitution will provide for assured. This, of necessity, results in a need to common membership. Once the new Association is combine with Adelaide Tech’s successor school, properly established it would absorb our current Glenunga International High School, to form a new Association and assume its duties and responsibilities. organisation. The Committee is of the opinion that this is the only way to maintain a strong and viable organisation that is able When the present Association to keep the memory of our was re-established in the mid- school alive into the future.
[Show full text]
Sky Sky Vol. 1 Mp3, Flac, Wma
Sky Sky Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Classical Album: Sky Vol. 1 Country: UK Released: 1994 Style: Modern, Prog Rock MP3 version RAR size: 1622 mb FLAC version RAR size: 1923 mb WMA version RAR size: 1194 mb Rating: 4.9 Votes: 417 Other Formats: MMF ADX FLAC AA MP2 DTS VQF Tracklist Hide Credits Westway A1 3:38 Composed By – Flowers* Carillon A2 3:29 Composed By – Flowers* La Danza A3 2:56 Arranged By – Kevin PeekComposed By – Pipo* Gymnopedie No. 1 A4 3:39 Arranged By – Williams*Composed By – Satie* Cannonball A5 3:41 Composed By – Monkman* Where Opposites Meet (Part 1/2/3/4/5) B1 19:22 Composed By – Monkman* Credits Acoustic Guitar [Ovation 6 And 12-string] – Kevin Peek Acoustic Guitar [Ovation Classic] – John Williams Bass Guitar, Bass [String] – Herbie Flowers Chimes – Tristan Fry Design [Cover] – Buntrock Ltd., Hutton Charrington Double Bass [Stringed Bass] – Herbie Flowers Drums [Premier] – Tristan Fry Electric Guitar [Gibson L5s And Ovation Preacher] – Kevin Peek Electric Guitar [Gibson Rd77 Artist] – John Williams Glockenspiel – Tristan Fry Guitar [Synthesizer] – Kevin Peek Harpsichord – Francis Monkman Marimba – Tristan Fry Mastered By – Blair*, Nick* Percussion [Medieval Tabor] – Tristan Fry Photography By – Paul Cox Piano [Bösendorfer] – Francis Monkman Producer – Haydn Bendall, Sky , Tony Clark Synthesizer [Clavinet-1] – Francis Monkman Synthesizer [Oberheim Ob1] – Francis Monkman Synthesizer [Prophet V] – Francis Monkman Timpani – Tristan Fry Tom Tom [Paiste] – Tristan Fry Vibraphone – Tristan Fry Notes Made in EEC Barcode and Other Identifiers Barcode: 5 708574 260305 Rights Society: MCPS Other versions Category Artist Title (Format) Label Category Country Year ARLH 5022 Sky Sky (LP, Album) Ariola ARLH 5022 UK 1979 VPCD 7525 Sky Sky (CD, Album, RE) Arista VPCD 7525 Australia 1988 Sky Vol 1 (CD, Album, 16030CD Sky Success 16030CD UK 1993 RE) 200 589, 200 200 589, 200 Sky Sky (LP, Album) Ariola, Ariola Germany 1979 589-320 589-320 6483294 Sky Sky (LP, Album) Ariola 6483294 Greece 1981 Related Music albums to Sky Vol.
[Show full text]
Mime Actions Speak Loudly by Angela Yearta the Only Other Prop the Mime Used at His Richmond Shepard
"$*March:>26, 1981 The Lumberjack Goldston performs at NAU Mime actions speak loudly By Angela Yearta The only other prop the mime used at his Richmond Shepard. But he didn’t always know When Gregg Goldston moves, the world silently workshop-was an umbrella to show the' force oftKe what he wanted to do. watches...and feels and believes his actions. wind and the power of an inanimate object. Goldston grew up in Los Angeles, Calif., and was Goldston is a mastermind at the art of pan Goldston calls mime the art of the '80s because influenced by theatre in Salt Lake City, Utah. tomime; perfectly executing wafting hands to entire there is a large amount of undiscovered material for When some friends took him to see Marceau, flowing body movements. performers to find. Goldston was amazed at the action and energy in The 24-year-old has been performing mime for "Mime is a new art form-thc whole illusionary volved in the art of mime. seven years. He was at NAU last Monday throdgh idea is new," Goldston said. “ In 1930, Ettienne After Marceau’s performance, the youth took Wednesday for several workshops and an evening Decroux first showed the body movements involved lessons and has not stopped his energetic climb to performance as part of the school's student series. in mime and taught them to people.* stardom. With talent like this, Goldston’s future The recipient of the 1980 National Endowment Marcelle Marceau, one of Decroux's students, will be anything but quiet. for the Arts Choreography Fellowship, Goldston is received much positive public opinion because he a superb mime.
[Show full text]
World Coming to OZ Stead Capturing the Rough'n'ready, Street -Level Rawness of Oz 10Ak1 Rock
4t34204:erotlik §';°s Ydr t& 'Me tyúT $'. W fgrf Rules The Waves UA3.$i:,i,..-.... 4k, Continued from page TIA -58 tie 49 WAVZ A Billboard Daddy Cool, Spectrum, Ariel and the Loved Ones. In fact we hAAif= did a version of a big hit by the Loved Ones as a single. We did SPOTLIGHT it just at the right time, when Australians were getting behind ?;f.41:4 ON their own musical heritage and realizing how strong and good THE our own music actually is. "The best of all about being an Australian band is that we no longer have to leave the country that we are most creative ti:: LIVE in and go overseas. Now we can stay here and the world is coming to us." Just why the world is coming to Australia's door after years E N of kamikaze missions and lemming rushes to the other side of A ii14..ew: l . the world, has no convenient answer HUNTERS & COLLECTORS -Tribal funk that, despite no U.S. but the bottom line O F - seems to be the power, the rawness, the edge that character- : e record deal, has picked up airplay in North America. izes the music £t.S -the almighty 'pub boogies.' G.ìr M. When film producer David Elfick made the rock musical iigiilii "Starstruck," he approached it with the aim of moving away .x/oft from a "Grease /Can't Stop the Music" type slickness and in- MiN i4i AUSTRAIIA_Itzet:,...7., World Coming To OZ stead capturing the rough'n'ready, street -level rawness of Oz 10ak1 rock.
[Show full text]
LONG ISLAND Guitar Festival
THE 21 ST LONG ISLAND Guitar Festival Harris Becker, Director March 17-24, 2013 LIU Post liu.edu/post/gfest THE LONG ISLAND GUITAR FESTIVAL HAS BEEN FUNDED IN PART BY : The Augustine Foundation This event is supported by a grant from Long Island University’s John P. McGrath Fund SCHOOL OF VISUAL & PERFORMING ARTS • LIU POST LIU Post Department of Music The Long Island Guitar Festival 2013 would like to extend its appreciation to John Meschi for his dedication, perseverance and belief in the festival during the past 21 years! For more information on the Long Island Guitar Festival visit www.liu.edu/gfest Festival 2013 Schedule Sunday, March 17 7 p.m. CONCERT : John Williams and John Etheridge HR Monday, March 18 8 p.m. CONCERT: Artesian Collaborative – Music for Four Guitars Andrew Falino, Harris Becker, James Erickson, Laura Lessard GH Tuesday, March 19 8 p.m. CONCERT: LIU Post Guitars, Flutes and Violin GH Wednesday, March 20 8 p.m. CONCERT: Evening Music Dream. Music for solo guitar and ensembles including the World Premiere of “Mourning Mist” by Joseph Russo for Guitar and String Quartet. Maureen Hynes, Dale Stuckenbruck, Harris Becker, Veronica Salas, James Erickson, Andrew Falino GH Thursday, March 21 3 p.m. MASTER CLASS: Gyan Riley FA 8 p.m. CONCERT: Gyan Riley with Zach Brock (violin) GH Friday, March 22 4 p.m. WORKSHOP: Electric Guitar Techniques with James Erickson FA 7:15 p.m. PRE-CONCERT PERFORMANCE: Stony Brook Guitar Quartet SAG Jose Maldonado, Barkely Heuser, Yannis Petridis, James Kerr 8 p.m.
[Show full text]
Vox Chamber Choir • David Crown a Detailed Track List Can Be Found Inide the Booklet
Alexander CAMPKIN True Light Missa Brevis • The First Kiss O Lord, in thee is all my trust Glorious, beauteous, golden-bright Colin Spinks, Organ Tristan Fry, Tam-tam vOx Chamber Choir David Crown Alexander Alexander Campkin (b. 1984) Choral Works 1 CAM(b. 1P984K) IN Alexander Campkin studied at the University of Oxford, the Part I: In the Beginning Royal Academy of Music and the University of Music and In the beginning was the Word, and the Word was with Performing Arts in Vienna, and was elected an Associate God, and the Word was God. The same was in the Choral Works of the Royal Academy of Music in 2014. His music, praised beginning with God. All things were made by him; and True Light (version for choir, organ and tam-tam) (2011) 20:22 by Gramophone magazine, has been performed and without him was not anything made that was made. In him (Text: Bible – New Testament: John 1.1–14) broadcast in over two hundred countries, including at the was life; and the life was the light of men. And the light 1 Berlin Philharmonie, Amsterdam Concertgebouw and shineth in darkness; and the darkness comprehended it 2 Part I: In the Beginning 6:56 Tokyo Opera City Hall. He was commissioned by not. 3 Part II: Witness of Light 7:27 Bournemouth Symphony Orchestra to compose a piece 2 Part III: The Word 5:59 for the 2018 BBC Proms at the Royal Albert Hall, London. Part II: Witness of Light Other commissioners of his work include the Royal Opera There was a man sent from God, whose name was John.
[Show full text]
Knot a Fanzine #1
KNOT A FANZINE #1 December 2020 Produced by Marc Ortlieb P.O. Box 215, Forest Hill, Vic 3131 Australia who doesn’t do that sort of thing anymore. [email protected] NOTES FROM THE SPECTACLE CASE A number of years ago I decided that I wasn’t going to produce fanzines any more. The cost of postage was ridiculously high and I’d pretty much severed my connections with fandom, with the exception of the occasional poker game with Julian Warner, Seth Lockwood, Carey Handfield, Cindy Clarkson and Justin Ackroyd, none of whom produced fanzines any more either. I had limited contact with some fannish friends, via Facebook. I even dropped in on a couple of Melbourne conventions - albeit usually briefly. But I’d discovered an alternate “fandom” - Scouting - which managed to expand to the point that I was looking after a District of Cub Scouts, was looking after a Box Hill Scout Group, was assisting on courses training Cub Scout Leaders, was on the committee for a major annual camp for Scout Leaders and was attending Cub Scout camps at Pack, District and State level. I also managed to fit in working full time as a Science Teacher. Anyway, things changed. In October 2018, ANZAPA (The Australia New Zealand Amateur Press Association) celebrated its 50th anniversary and, given that I’d first joined in 1975, I figured that I should contribute to the mailing. I’d retired from teaching and, though my involvement in Scouting hadn’t decreased (and still hasn’t) I found that I had time on my hands.
[Show full text]