Comparative Venue Sheet
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ROAD BOOK from Venice to Ferrara
FROM VENICE TO FERRARA 216.550 km (196.780 from Chioggia) Distance Plan Description 3 2 Distance Plan Description 3 3 3 Depart: Chioggia, terminus of vaporetto no. 11 4.870 Go back onto the road and carry on along 40.690 Continue straight on along Via Moceniga. Arrive: Ferrara, Piazza Savonarola Via Padre Emilio Venturini. Leave Chioggia (5.06 km). Cycle path or dual use Pedestrianised Road with Road open cycle/pedestrian path zone limited traffic to all traffic 5.120 TAKE CARE! Turn left onto the main road, 41.970 Turn left onto the overpass until it joins Gravel or dirt-track Gravel or dirt-track Gravel or dirt-track Gravel or dirt-track the SS 309 Romea. the SS 309 Romea highway in the direction of Ravenna. Information Ferry Stop Sign 5.430 Cross the bridge over the river Brenta 44.150 Take the right turn onto the SP 64 major Gate or other barrier Moorings Give way and turn left onto Via Lungo Brenta, road towards Porto Levante, over the following the signs for Ca' Lino. overpass across the 'Romea', the SS 309. Rest area, food Diversion Hazard Drinking fountain Railway Station Traffic lights 6.250 Carry on, keeping to the right, along 44.870 Continue right on Via G. Galilei (SP 64) Via San Giuseppe, following the signs for towards Porto Levante. Ca' Lino (begins at 8.130 km mark). Distance Plan Description 1 0.000 Depart: Chioggia, terminus 8.750 Turn right onto Strada Margherita. 46.270 Go straight on along Via G. Galilei (SP 64) of vaporetto no. -
Ferrara, in the Basilica of Saint Mary in Vado, Bull of Eugene IV (1442) on Easter Sunday, March 28, 1171
EuFERRARcharistic MiraAcle of ITALY, 1171 This Eucharistic miracle took place in Ferrara, in the Basilica of Saint Mary in Vado, Bull of Eugene IV (1442) on Easter Sunday, March 28, 1171. While celebrating Easter Mass, Father Pietro John Paul II pauses before the ceiling vault in Ferrara da Verona, the prior of the basilica, reached the moment of breaking the consecrated Church of Saint Mary in Vado, Ferrara Host when he saw blood gush from it and stain the ceiling Interior of the basilica vault above the altar with droplets. In 1595 the vault was enclosed within a small Bodini, The Miracle of the Blood. Painting on the ceiling shrine and is still visible today near the shrine in the monumental Basilica of Santa Maria in Vado. Detail of the ceiling vault stained with Blood Shrine that encloses the Holy Ceiling Vault (1594). The ceiling vault stained with Blood Right side of the cross n March 28, 1171, the prior of the Canons was rebuilt and expanded on the orders of Duke Miraculous Blood.” Even today, on the 28th day Regular Portuensi, Father Pietro da Verona, Ercole d’Este beginning in 1495. of every month in the basilica, which is currently was celebrating Easter Mass with three under the care of Saint Gaspare del Bufalo’s confreres (Bono, Leonardo and Aimone). At the regarding Missionaries of the Most Precious Blood, moment of the breaking of the consecrated Host, thisThere miracle. are Among many the mostsources important is the Eucharistic Adoration is celebrated in memory of It sprung forth a gush of Blood that threw large Bull of Pope Eugene IV (March 30, 1442), the miracle. -
Borso D'este, Venice, and Pope Paul II
I quaderni del m.æ.s. – XVIII / 2020 «Bon fiol di questo stado» Borso d’Este, Venice, and pope Paul II: explaining success in Renaissance Italian politics Richard M. Tristano Abstract: Despite Giuseppe Pardi’s judgment that Borso d’Este lacked the ability to connect single parts of statecraft into a stable foundation, this study suggests that Borso conducted a coherent and successful foreign policy of peace, heightened prestige, and greater freedom to dispose. As a result, he was an active participant in the Quattrocento state system (Grande Politico Quadro) solidified by the Peace of Lodi (1454), and one of the most successful rulers of a smaller principality among stronger competitive states. He conducted his foreign policy based on four foundational principles. The first was stability. Borso anchored his statecraft by aligning Ferrara with Venice and the papacy. The second was display or the politics of splendor. The third was development of stored knowledge, based on the reputation and antiquity of Estense rule, both worldly and religious. The fourth was the politics of personality, based on Borso’s affability, popularity, and other virtues. The culmination of Borso’s successful statecraft was his investiture as Duke of Ferrara by Pope Paul II. His success contrasted with the disaster of the War of Ferrara, when Ercole I abandoned Borso’s formula for rule. Ultimately, the memory of Borso’s successful reputation was preserved for more than a century. Borso d’Este; Ferrara; Foreign policy; Venice; Pope Paul II ISSN 2533-2325 doi: 10.6092/issn.2533-2325/11827 I quaderni del m.æ.s. -
Download an Explorer Guide +
PORTOVENERE ITALY he ancient town of Portovenere looks T as if a brilliant impressionist painting has come to life. This romantic sentiment may not have been shared by those defending or assaulting the town over the past 1,000 years. However, today it can be said with relative cer- tainty that there is little chance of an attack by the Republic of Pisa, Saracen pirates, barbaric hordes or French Emperors. In other words, relax, have fun and enjoy your day in lovely, peaceful Portovenere. HISTORY With a population a little over 4,000, Portovenere is a small, Portovenere was founded by the Romans in the 1st century medieval town. It was built and defended by the Republic of Ge- BC. Known as Portus Veneris, it was built upon a promon- noa for nearly 800 years. This hilly point of land stretches north tory which juts out into the sea. As the empire slowly disinte- along the coast of the famous “Cinque Terre”. The town’s near- grated, Portovenere came under the eventual control of the est neighbor is the city of La Spezia, just east, around the cor- Byzantines. King Rothari of the Germanic Lombards took ner of the “Gulf of Poets”. So named for the great writers who the town, along with much of rest of Italy, the in the mid- praised, loved, lived and died in this beautiful region of Liguria, 600s. if they are somehow lost in time, Petrarch and Dante, Percy The struggle between the great Maritime Republics of Ge- Shelley and Lord Byron will forever be remembered here. -
Progetto EXPO E Territori [Modalità Compatibilità]
1. EXPO E TERRITORI In vista di EXPO Milano 2015, l’Esposizione Universale che l’Italia ospiterà tra maggio e ottobre 2015, il Governo italiano ha promosso una serie di interventi tra cui l’iniziativa EXPO E TERRITORI Viaggio alla scoperta dei tesori nascosti e delle eccellenze agroalimentari d’Italia (iniziativa n. 24 di Agenda Italia 2015) che ha lo scopo di collegare l’evento che si svolgerà a Milano ai diversi territori italiani e di ampliare l’esperienza di EXPO. Il progetto è coordinato dalla Presidenza del Consiglio dei Ministri e realizzato con il Dipartimento per lo Sviluppo e la Coesione Economica e il supporto operativo di Invitalia, l’Agenzia nazionale per l’attrazione degli investimenti e lo sviluppo d’impresa. Sono coinvolte 19 Regioni e la Provincia Autonoma di Trento – che hanno formulato il pacchetto d’offerta territoriale – e 5 Ministeri (Politiche agricole, alimentari e forestali; Beni e attività culturali e turismo; Affari esteri e cooperazione internazionale; Istruzione, università e ricerca; Ambiente, tutela del territorio e del mare) che hanno avviato, in Italia e all’estero, iniziative collaterali di promozione, interscambio culturale, animazione e formazione. 2. OBIETTIVI DELL’INIZIATIVA Valorizzare le aree del Paese che, per caratteristiche di dotazione di risorse (culturali, ambientali, del “saper fare” in particolare rispetto ai temi dell’EXPO) possano divenire destinatarie di flussi provenienti dall’Expo Promuovere la conoscenza a livello internazionale delle risorse territoriali delle Regioni italiane Indurre -
9. Chapter 2 Negotiation the Wedding in Naples 96–137 DB2622012
Chapter 2 Negotiation: The Wedding in Naples On 1 November 1472, at the Castelnuovo in Naples, the contract for the marriage per verba de presenti of Eleonora d’Aragona and Ercole d’Este was signed on their behalf by Ferrante and Ugolotto Facino.1 The bride and groom’s agreement to the marriage had already been received by the bishop of Aversa, Ferrante’s chaplain, Pietro Brusca, and discussions had also begun to determine the size of the bride’s dowry and the provisions for her new household in Ferrara, although these arrangements would only be finalised when Ercole’s brother, Sigismondo, arrived in Naples for the proxy marriage on 16 May 1473. In this chapter I will use a collection of diplomatic documents in the Estense archive in Modena to follow the progress of the marriage negotiations in Naples, from the arrival of Facino in August 1472 with a mandate from Ercole to arrange a marriage with Eleonora, until the moment when Sigismondo d’Este slipped his brother’s ring onto the bride’s finger. Among these documents are Facino’s reports of his tortuous dealings with Ferrante’s team of negotiators and the acrimonious letters in which Diomede Carafa, acting on Ferrante’s behalf, demanded certain minimum standards for Eleonora’s household in Ferrara. It is an added bonus that these letters, together with a small collection of what may only loosely be referred to as love letters from Ercole to his bride, give occasional glimpses of Eleonora as a real person, by no means a 1 A marriage per verba de presenti implied that the couple were actually man and wife from that time on. -
Italy Travel and Driving Guide
Travel & Driving Guide Italy www.autoeurope. com 1-800-223-5555 Index Contents Page Tips and Road Signs in Italy 3 Driving Laws and Insurance for Italy 4 Road Signs, Tolls, driving 5 Requirements for Italy Car Rental FAQ’s 6-7 Italy Regions at a Glance 7 Touring Guides Rome Guide 8-9 Northwest Italy Guide 10-11 Northeast Italy Guide 12-13 Central Italy 14-16 Southern Italy 17-18 Sicily and Sardinia 19-20 Getting Into Italy 21 Accommodation 22 Climate, Language and Public Holidays 23 Health and Safety 24 Key Facts 25 Money and Mileage Chart 26 www.autoeurope.www.autoeurope.com com 1-800 -223-5555 Touring Italy By Car Italy is a dream holiday destination and an iconic country of Europe. The boot shape of Italy dips its toe into the Mediterranean Sea at the southern tip, has snow capped Alps at its northern end, and rolling hills, pristine beaches and bustling cities in between. Discover the ancient ruins, fine museums, magnificent artworks and incredible architecture around Italy, along with century old traditions, intriguing festivals and wonderful culture. Indulge in the fantastic cuisine in Italy in beautiful locations. With so much to see and do, a self drive holiday is the perfect way to see as much of Italy as you wish at your own pace. Italy has an excellent road and highway network that will allow you to enjoy all the famous sites, and give you the freedom to uncover some undiscovered treasures as well. This guide is aimed at the traveler that enjoys the independence and comfort of their own vehicle. -
Italy YOUR ITINERARY
Offered to the Students and Friends of Smith Preparatory Academy and FCCPSA The Splendors of Italy Verona-Vicenza-Venice-Padua-Florence-Siena-San Gimignano-Rome* February 24 – March 7, 2022 YOUR ITINERARY Together with Leader Michael Phillips: Headmaster of Smith Preparatory Academy and a Director of FCCPSA. $ from Orlando* February 24–March 7, 2022 Tour Code: 222118 On February 24th, you will depart Orlando to spend 12 wonderful days discovering the splendors of Italy. Fantastic excursions, cultural encounters, historical sites, delicious food and exotic shopping make this trip exciting and rewarding. Bring these amazing memories home with you on March 7th. SPACE ON THE TOUR IS LIMITED, SO DON’T DELAY! PLEASE RETURN YOUR ONLINE APPLICATION AND $100 DEPOSIT TO EATOURS.COM BY AND RECEIVE A FREE GONDOLA RIDE IN VENICE! Verona, Vicenza, Padua & Venice February 24-February 27, 2022 Upon arrival February 25th, you will transfer to Verona, a delightful city for enjoying a guided tour* including the Roman Arena* and Juliet’s balcony before continuing to your hotel in Vicenza. Complete the afternoon exploring the city before dinner. The morning of February 26th, you will depart Vicenza on a scenic train* for an excursion to Padua! Padua is an old university town with an illustrious academic history that is rich in art and architecture. Upon arrival to Padua, a guided tour of the city* is planned, including the Scrovengi Chapel* and St. Anthony’s Basilica*. Dedicate this afternoon to exploring Vicenza where you may optionally visit Teatro Olympico. Your adventure continues February 27th, on a picturesque train* ride excursion to Venice! Enjoy a guided tour of the city* where you may see sights such as St. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Ferrara Venice Milan Mantua Cremona Pavia Verona Padua
Milan Verona Venice Cremona Padua Pavia Mantua Genoa Ferrara Bologna Florence Urbino Rome Naples Map of Italy indicating, in light type, cities mentioned in the exhibition. The J. Paul Getty Museum © 2015 J. Paul Getty Trust Court Artists Artists at court were frequently kept on retainer by their patrons, receiving a regular salary in return for undertaking a variety of projects. Their privileged position eliminated the need to actively seek customers, granting them time and artistic freedom to experiment with new materials and techniques, subject matter, and styles. Court artists could be held in high regard not only for their talents as painters or illuminators but also for their learning, wit, and manners. Some artists maintained their elevated positions for decades. Their frequent movements among the Italian courts could depend on summons from wealthier patrons or dismissals if their style was outmoded. Consequently their innovations— among the most significant in the history of Renaissance art—spread quickly throughout the peninsula. The J. Paul Getty Museum © 2015 J. Paul Getty Trust Court Patrons Social standing, religious rank, piety, wealth, and artistic taste were factors that influenced the ability and desire of patrons to commission art for themselves and for others. Frequently a patron’s portrait, coat of arms, or personal emblems were prominently displayed in illuminated manuscripts, which could include prayer books, manuals concerning moral conduct, humanist texts for scholarly learning, and liturgical manuscripts for Christian worship. Patrons sometimes worked closely with artists to determine the visual content of a manuscript commission and to ensure the refinement and beauty of the overall decorative scheme. -
INTRODUCTION Hospital
INTRODUCTION Hospital Pratical Tips INTRODUCTION CONTENTS WELCOME A brief introduction to USAG Italy 01 | and Family and MWR. VICENZA FACILITIES Information about on-post 02-21 | facilities and services in Vicenza. VICENZA POST MAPS General maps of posts in Vicenza FACILITY INFORMATION 22-23 | with MWR facilities highlighted. A snapshot of everything Family 04 | and MWR offers in USAG Italy. ALL THINGS TRAVEL Information on licenses, traveling, 24-25 | passports and more. FURRY FRIENDS A glimpse of useful information 27 | and tidbits for pet owners. ITALIAN INFO USEFUL INFORMATION Helpful Italian words and phrases Find out helpful information about 28-29 | and local information/traditions. 24 | the community and more! CITIES, MAPS & MORE Get inspired to travel outside the 30-57 | gate with these guides and maps. DARBY FACILITIES Information about on-post 58-63 | facilities and services in Darby. DARBY ON-POST MAP CITY GUIDES A general map of Darby with See a snapshot of cities and places 59 | MWR facilities highlighted. 30 | in and around USAG Italy. Cover Image: Verona, Italy “Go To Guide” designed by: Family and MWR Marketing (Richard Gerke, Beatrice Giometto, Alyssa Olson) Advertising Disclaimer: No federal, DoD or Army endorsement is implied. Interested in advertising with us? Contact Family and MWR Marketing at 0444-61-7992 or at 338-726-4361. INTRODUCTION WELCOME! A WORD FROM USAG ITALY FAMILY AND MWR Welcome to U.S. Army Garrison Italy! USAG Italy is a community of service members, civilians, family members, and Italian military and civilian employees. These Army locations cover a broad region south of the Alps that include: Caserma Ederle, Caserma Del Din and satellite locations around Vicenza, as well as Camp Darby, located in Livorno on Italy’s western coast. -
ENG AUTOBSPD 31 12 2018 Fascicolo Completo Bilancio
TABLE OF CONTENTS CORPORATE BOARDS AND OFFICERS ........................................................................................................ 8 REPORT ON OPERATIONS ................................................................................................................................ 9 Overview ................................................................................................................................................................. 9 1 Business performance .................................................................................. 9 1.1 Results of operations ........................................................................................................................... 9 1.2 Cash flows .............................................................................................................................................. 11 1.3 Financial position ................................................................................................................................. 12 2 Motorway operation .....................................................................................13 2.1 Traffic ....................................................................................................................................................... 13 2.2 Accident rates ....................................................................................................................................... 17 2.3 Toll rates ................................................................................................................................................