DOCSLIB.ORG

Lieder JÄRNEFELT JORMA HYNNINEN CAMILLA NYLUND ILKKA PAANANEN ODE1029-2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lieder JÄRNEFELT JORMA HYNNINEN CAMILLA NYLUND ILKKA PAANANEN ODE1029-2 ODE1029-2 ARMAS Lieder JÄRNEFELT JORMA HYNNINEN CAMILLA NYLUND ILKKA PAANANEN ODE1029-2 ARMAS Lieder JÄRNEFELT JORMA HYNNINEN CAMILLA NYLUND ILKKA PAANANEN 1029 booklet 23.6.03 11:43 Sivu 2 ARMAS JÄRNEFELT (1869–1958)Lieder 1 Sunnuntaina On Sunday 1:54 13 I solnedgången At Sunset 2:15 Kasimir Leino Gustaf Fröding 2 Skymning Twilight 1:56 14 Laula, laula! Sing, Sing! 3:37 Alceste K. Killinen 3 Puhjetessa kukka puhtahin A Flower Is Purest When Blossoming 1:26 15 Solsken Sunshine 1:54 J.H. Erkko Jonatan Reuter 4 Kanteleelle To the Kantele 2:38 16 Unelma Dream 3:37 K. Killinen Eino Pakarinen 2 5 Suvirannalla Summer Shore 1:16 17 Lina 1:53 3 Väinö Siikaniemi Emil Kléen 6 När alla klockor klämtat tolf When All Clocks Have Struck Twelve 4:15 18 En spel- och dansvisa A Fiddling and Dancing Tune 2:27 Alceste Jacob Tegengren 7 Köyhä The Poor One 2:51 19 Titania 1:26 Otto Manninen Gustaf Fröding 8 Kehtolaulu (Liekku liiku) Lullaby (Rock, O Cradle) 3:19 20 Kehtolaulu (Hiljaa, hiljaa) Lullaby (Soft, soft) 1:56 Mustakallio Mustakallio 9 En drömmares sång till livet A Dreamer’s Song to Life 4:12 21 Toivoni My Hope 1:44 Jacob Tegengren Paavo Cajander 10 Du You 1:55 22 Leivo The Lark 2:25 Karl Asplund A. Rahkonen 11 Isänmaan kasvot The Face of the Fatherland 2:56 [55:38] V.A. Koskenniemi JORMA HYNNINEN, BARITONE (1–11) 12 Aallon kehtolaulu Lullaby to a Breaker 2:26 CAMILLA NYLUND, SOPRANO (12–22) Iisa Asp ILKKA PAANANEN, PIANO 1029 booklet 23.6.03 11:43 Sivu 2 ARMAS JÄRNEFELT (1869–1958)Lieder 1 Sunnuntaina On Sunday 1:54 13 I solnedgången At Sunset 2:15 Kasimir Leino Gustaf Fröding 2 Skymning Twilight 1:56 14 Laula, laula! Sing, Sing! 3:37 Alceste K. Killinen 3 Puhjetessa kukka puhtahin A Flower Is Purest When Blossoming 1:26 15 Solsken Sunshine 1:54 J.H. Erkko Jonatan Reuter 4 Kanteleelle To the Kantele 2:38 16 Unelma Dream 3:37 K. Killinen Eino Pakarinen 2 5 Suvirannalla Summer Shore 1:16 17 Lina 1:53 3 Väinö Siikaniemi Emil Kléen 6 När alla klockor klämtat tolf When All Clocks Have Struck Twelve 4:15 18 En spel- och dansvisa A Fiddling and Dancing Tune 2:27 Alceste Jacob Tegengren 7 Köyhä The Poor One 2:51 19 Titania 1:26 Otto Manninen Gustaf Fröding 8 Kehtolaulu (Liekku liiku) Lullaby (Rock, O Cradle) 3:19 20 Kehtolaulu (Hiljaa, hiljaa) Lullaby (Soft, soft) 1:56 Mustakallio Mustakallio 9 En drömmares sång till livet A Dreamer’s Song to Life 4:12 21 Toivoni My Hope 1:44 Jacob Tegengren Paavo Cajander 10 Du You 1:55 22 Leivo The Lark 2:25 Karl Asplund A. Rahkonen 11 Isänmaan kasvot The Face of the Fatherland 2:56 [55:38] V.A. Koskenniemi JORMA HYNNINEN, BARITONE (1–11) 12 Aallon kehtolaulu Lullaby to a Breaker 2:26 CAMILLA NYLUND, SOPRANO (12–22) Iisa Asp ILKKA PAANANEN, PIANO 1029 booklet 23.6.03 11:44 Sivu 4 he slightly over 60 solo songs of Both Järnefelt’s wives were singers, and accordingly Armas Järnefelt (1869–1958) are he dedicated some of his songs to one or the other of a notable segment of Finnish them. For Maikki Järnefelt, he wrote several songs, National Romantic vocal music. including the above-mentioned Aallon kehtolaulu; the T His lyrical writing stems from the flighty and cheerful fairy story Titania (Gustaf Fröding), ancient runo chants of Karelia, in the spirit of the the nostalgic I solnedgången (At sunset, also by national epic, the Kalevala. While his early songs Fröding) which reflects on the transitory nature of life; are wholly grounded in folklore, his later output the dramatic and pompous yet also humble En imports Impressionist and even Expressionist tones. drömmares sång till havet (A dreamer’s song to life, Järnefelt’s songs are characterized by their use of Jacob Tegengren); and the highly inspired and powerful melody, cantabile, colourful harmony and a Nordic Toivoni (My hope, Paavo Kajander). The composer’s freshness and lucidity. In technical terms they testify second wife Liva Järnefelt became the dedicatee of the to the high professionalism of the composer. Some of Romantically lovely Du (You, Karl Aspelund). Järnefelt the songs are in a Romantic minor-key mood, such as wrote several lullabies; Liekku liiku (Rock, O cradle) many of the lullabies, whereas others burst with the and Hiljaa, hiljaa (Soft, soft!) are among the most joy of living in a major key, combined with a breezy tender of their kind ever written in Finland. När alla 4 playfulness. A wholly separate group is that of the klockor klämtat tolf (When all clocks have struck 5 dramatic ballad-like poems many of which approach twelver, Alceste) is also a soporific song, with a opera in their scope. This is no doubt related to the descending dream-like pianissimo accompaniment. composer’s extensive career as an opera conductor The joy of life in summer at its most brightest is at the Royal Opera in Stockholm. Järnefelt, who celebrated in Solsken (Sunshine, Jonatan Reuter); despite his multicultural background was an ardent Lina (Emil Kléen), a description of a young girl’s Fennophile, set many poems in Finnish to music; daily life; Puhjetessa kukka puhtahin (A flower is this was rare at the beginning of the 20th century, purest when blossoming, J.H. Erkko), a paean to the since composers at the time favoured Swedish, virgin beauty of awakening youth; the jubilant which was then the language of the cultural élite. wooing song Suvirannalla (Summer shore, Väinö Among Järnefelt’s best-known solo songs are the Siikaniemi); and the fresh, fiddler-like En spel- och wistfully melancholic Aallon kehtolaulu (Lullaby to dansvisa (A fiddling and dancing tune, Tegengren). a breaker, Isa Asp), the nationally tinted Kantele The most sensitive face of National Romanticism is (To the kantele, Kustaa Killinen) and the church-bell apparent in the dreamily melancholy Skymning accompanied Sunnuntaina (On Sunday, Kasimir (Twilight, Alceste), the vivacious Leivo (Lark, A. Leino). He began his career as a vocal composer Rahkonen) and Unelma (Dream), a song about with a folk-like Romantic setting of Kustaa Killinen longing for peace of mind to a poem by the entitled Laula, laula! (Sing, sing!). Indeed, many of composer’s brother-in-law Eino Pakarinen. An his early songs have a folk-music flavour complete Expressionist idiom, rare in Järnefelt’s output, with melodic figures typical for the kantele. appears in Köyhä (The poor one, Otto Manninen), Alma Schindler-Mahler 1029 booklet 23.6.03 11:44 Sivu 4 he slightly over 60 solo songs of Both Järnefelt’s wives were singers, and accordingly Armas Järnefelt (1869–1958) are he dedicated some of his songs to one or the other of a notable segment of Finnish them. For Maikki Järnefelt, he wrote several songs, National Romantic vocal music. including the above-mentioned Aallon kehtolaulu; the T His lyrical writing stems from the flighty and cheerful fairy story Titania (Gustaf Fröding), ancient runo chants of Karelia, in the spirit of the the nostalgic I solnedgången (At sunset, also by national epic, the Kalevala. While his early songs Fröding) which reflects on the transitory nature of life; are wholly grounded in folklore, his later output the dramatic and pompous yet also humble En imports Impressionist and even Expressionist tones. drömmares sång till havet (A dreamer’s song to life, Järnefelt’s songs are characterized by their use of Jacob Tegengren); and the highly inspired and powerful melody, cantabile, colourful harmony and a Nordic Toivoni (My hope, Paavo Kajander). The composer’s freshness and lucidity. In technical terms they testify second wife Liva Järnefelt became the dedicatee of the to the high professionalism of the composer. Some of Romantically lovely Du (You, Karl Aspelund). Järnefelt the songs are in a Romantic minor-key mood, such as wrote several lullabies; Liekku liiku (Rock, O cradle) many of the lullabies, whereas others burst with the and Hiljaa, hiljaa (Soft, soft!) are among the most joy of living in a major key, combined with a breezy tender of their kind ever written in Finland. När alla 4 playfulness. A wholly separate group is that of the klockor klämtat tolf (When all clocks have struck 5 dramatic ballad-like poems many of which approach twelver, Alceste) is also a soporific song, with a opera in their scope. This is no doubt related to the descending dream-like pianissimo accompaniment. composer’s extensive career as an opera conductor The joy of life in summer at its most brightest is at the Royal Opera in Stockholm. Järnefelt, who celebrated in Solsken (Sunshine, Jonatan Reuter); despite his multicultural background was an ardent Lina (Emil Kléen), a description of a young girl’s Fennophile, set many poems in Finnish to music; daily life; Puhjetessa kukka puhtahin (A flower is this was rare at the beginning of the 20th century, purest when blossoming, J.H. Erkko), a paean to the since composers at the time favoured Swedish, virgin beauty of awakening youth; the jubilant which was then the language of the cultural élite. wooing song Suvirannalla (Summer shore, Väinö Among Järnefelt’s best-known solo songs are the Siikaniemi); and the fresh, fiddler-like En spel- och wistfully melancholic Aallon kehtolaulu (Lullaby to dansvisa (A fiddling and dancing tune, Tegengren). a breaker, Isa Asp), the nationally tinted Kantele The most sensitive face of National Romanticism is (To the kantele, Kustaa Killinen) and the church-bell apparent in the dreamily melancholy Skymning accompanied Sunnuntaina (On Sunday, Kasimir (Twilight, Alceste), the vivacious Leivo (Lark, A.
Load more

Recommended publications
  • Mozartin Figaron Häät – Maailman Paras Oopperako?
    Marjut Haussila MOZARTIN FIGARON HÄÄT: MAAILMAN PARAS OOPPERAKO? Savonlinnan kirjastossa to 16.7.2015 Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Riitta-Liisa Lempinen-Vesa kommentoi oopperajuhlia Itä-Savossa 3.7.2015: Sama kunnianhimo ja laadun ajatus saattaa levitä myös ympäröivään toimintaan. Luovuuden ilmapiiri ja korkean tason sisäinen vaatimus leviävät arkielämäänkin kuin huomaamatta. Niistä saa eväitä, joilla kaupunki voi pärjätä ympäri vuoden, lamankin keskellä. Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Matti Salminen Musorgski-projektista Savonlinna Opera Festival 2015 -julkaisussa: Tämä on valtava draama, se pitää uskaltaa tehdä kunnolla eikä säämiskähansikkain. Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Laadun kriteerejä, jotka liittyvät eri tavoin teokseen: •kokemus ja viisaus •tuore näkökulma ja osaaminen -> erilaisuus -> kriittisyys, luova ote ja tiimityö Luovuus -> luova teko, tuotos tai teos -> uusi idea, esine tai palvelu tai toimintatapa •design •immateriaalinen luovuus •rikkoa, hämmentää, sekoittaa, ‘jazzin’n’jammin’ Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Aivotutkija Riitta Hari kirjassa Kaikki evoluutiosta (2009): •homo sapiens syntyi 100 000- 200 000 vuotta sitten •aivojen koko jo pitkään vastaava kuin nykyihmisillä lajin levitessä Afrikasta 60 000 vuotta sitten •kognitiivinen kapasiteetti alkoi kehittyä nopeasti noin 10 000 vuotta sitten •maanviljelys alkoi tuolloin ja esineet ja materiaalit tärkeämmiksi Hari kysyy, oliko syynä geenimutaatio
    [Show full text]
  • LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography
    LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography DEUTSCHE GRAMMOPHON SALONEN: Piano Concerto; Helix; Dichotomie (Yefim Bronfman, piano) STRAVINSKY: The Rite of Spring; MUSSORGSKY: Night on Bald Mountain (original version); BARTÓK: The Miraculous Mandarin Suite NONESUCH ADAMS: Naive and Sentimental Music ONDINE SAARIAHO: Du cristal ... à la fumée (Petri Alanko, alto flute; Anssi Karttunen, cello) PHILIPS CLASSICS BARTÓK: Violin Concerto No. 2; STRAVINSKY: Violin Concerto (Viktoria Mullova, violin) SONY CLASSICAL BACH: Transcriptions for Orchestra (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos Nos. 1, 2, and 3 (Yefim Bronfman, piano) BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain HINDEMITH: Mathis der Maler Symphony; Symphonic Metamorphosis on Themes by Carl Maria von Weber; Four Temperaments (Emanuel Ax, piano) LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos.
    [Show full text]
  • Einojuhani Rautavaara(1928–2016)
    1 EINOJUHANI RAUTAVAARA (1928–2016) 90th Anniversary Edition CD 1 Concerto for Harp and Orchestra (2000) 1. I Pesante........................................................................................................................................ 9:59 2. II Adagietto ....................................................................................................................................5:17 3. III Solenne ..................................................................................................................................... 7:54 Marielle Nordmann, harp Symphony No. 8 ’The Journey’ (1999) 4. I Adagio assai ..............................................................................................................................11:30 5. II Feroce ........................................................................................................................................3:04 6. III Tranquillo ................................................................................................................................ 6:00 7. IV Con grandezza ...................................................................................................................... 8:35 Helsinki Philharmonic Orchestra, Leif Segerstam (Previously released as ODE 978-2 in 2001) 2 CD 2 – Rautavaara Sampler 1. Isle of Bliss (Lintukoto) (1995) ............................................................................................11:30 Helsinki Philharmonic Orchestra, Leif Segerstam 2. Missa a cappella (2010–11): I.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990, Subscription
    BOSTON SYMPHONY ORCHESTRA SBJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 ^r^ After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R.
    [Show full text]
  • LOS ANGELES PHILHARMONIC Discography
    LOS ANGELES PHILHARMONIC Discography SONY CLASSICAL Esa-Pekka Salonen, conductor BACH: Transcriptions (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos 1, 2, and 3 (Yefim Bronfman, piano) ** BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 ** MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos. 1 and 2; STRAVINSKY: Violin Concerto (Cho-Liang Lin, violin) REVUELTAS: Music of Silvestre Revueltas (including La noche de los mayas, Sensemayá) SALONEN:
    [Show full text]
  • 16 OCTOBER THURSDAY SERIES 3 Helsinki Music Centre at 19
    16 OCTOBER THURSDAY SERIES 3 Helsinki Music Centre at 19 Hannu Lintu, conductor Laura Hynninen, harp Richard Strauss: Don Juan, Op. 20 17 min Alberto Ginastera: Harp Concerto, Op. 25 23 min I Allegro giusto II Molto moderato III Liberamente capriccioso – Vivace INTERVAL 20 min Jean Sibelius: Lemminkäinen Suite, 45 min Four Legends for Orchestra, Op. 22 I Lemminkäinen and the Maidens of the Island II The Swan of Tuonela Sanna Niemikunnas, English horn III Lemminkäinen in Tuonela IV Lemminkäinen’s Return Interval at about 19.55. The concert ends at about 21.10. 1 RICHARD STRAUSS selves to development; they have both romantic and classical traits. The young (1864–1949) DON JUAN Strauss further had a gift for moulding the character of his themes. The orches- The story of Don Juan is an ancient tration abounds in magnificent details, Spanish legend. The first known literary and the scoring is virtuosic. Strauss has version is El burlador de Sevilla y convida- a fine feel for the inherent nature of do de piedra (The Trickster of Seville and his instruments and instrumental sec- the Stone Guest), published by a play- tions, combining them to produce vo- wright called Tirso de Molina in around luptuously resonant textures. In form, 1630. Since then, the theme has been a Don Juan is a loosely-constructed sonata popular one both in literature and oth- with an exposition followed by two dif- er arts – with Mozart (Don Giovanni), ferent developments with extra inserts, Molière, Byron, Pushkin and Dumas the and a strongly varied recapitulation. The Elder, for example.
    [Show full text]
  • Oskar Merikanto
    Elämälle Songs by Oskar Merikanto Jorma Hynninen 1 Omenankukat - Apple blossom 1:22 2 Linnulle kirkkomaalla - To a bird in the churchyard 1:52 Ilkka Paananen 3 Suvi-illan vieno tuuli - Summer evening’s breeze 1:41 4 Muistellessa - Remembering 3:55 5 Miksi laulan - Why I sing 1:11 6 Kullan murunen - Thou art a nugget of gold 1:37 7 Merellä - At sea 4:13 8 Myrskylintu - Stormbird 3:03 9 Laatokka - Lake Ladoga 3:30 10 Iltakellot - Evening bells 2:37 Elämälle 11–14 Haudoilta-sarja - From the graves, song cycle 10:28 15 Hyvästi! - Farewell! 1:22 Songs by 16 Hyvää yötä - Good night 2:22 17 Hämärissä - In the twilight 1:26 Oskar Merikanto 18 Elämälle - To life 2:13 19 Annina 3:32 20 Illansuussa - At nightfall 1:57 21 Nocturne 2:25 22 Balladi - Ballad 2:38 23 Nuoruuden ylistys - Praise of youth 1:59 24 Soi vienosti murheeni soitto - Play softly, thou tune of my mourning 1:54 25 Ma elän! - I am alive! 1:29 [60:47] Jorma Hynninen, baritone • Ilkka Paananen, piano 1111-2 ODE page 32/1 Elämälle Songs by Oskar Merikanto Jorma Hynninen 1 Omenankukat - Apple blossom 1:22 2 Linnulle kirkkomaalla - To a bird in the churchyard 1:52 Ilkka Paananen 3 Suvi-illan vieno tuuli - Summer evening’s breeze 1:41 4 Muistellessa - Remembering 3:55 5 Miksi laulan - Why I sing 1:11 6 Kullan murunen - Thou art a nugget of gold 1:37 7 Merellä - At sea 4:13 8 Myrskylintu - Stormbird 3:03 9 Laatokka - Lake Ladoga 3:30 10 Iltakellot - Evening bells 2:37 Elämälle 11–14 Haudoilta-sarja - From the graves, song cycle 10:28 15 Hyvästi! - Farewell! 1:22 Songs by 16 Hyvää yötä - Good night 2:22 17 Hämärissä - In the twilight 1:26 Oskar Merikanto 18 Elämälle - To life 2:13 19 Annina 3:32 20 Illansuussa - At nightfall 1:57 21 Nocturne 2:25 22 Balladi - Ballad 2:38 23 Nuoruuden ylistys - Praise of youth 1:59 24 Soi vienosti murheeni soitto - Play softly, thou tune of my mourning 1:54 25 Ma elän! - I am alive! 1:29 [60:47] Jorma Hynninen, baritone • Ilkka Paananen, piano 1111-2 ODE page 32/1 Elämälle Songs by O SKAR M ERIKANTO 1Omenankukat, (Apple blossom) Op.
    [Show full text]
  • Highlights12
    No. 12 • Spring 2002 SOME REFLECTIONS ON A SYMMETRICAL YEAR CONTENTS Einojuhani Rautavaara expresses here some topical EDITORIAL / Henna Salmela 2 views on his future works and examines which Tuuli) Heikki (Photo: SOME REFLECTIONS ON A SYMMETRICAL YEAR / Einojuhani Rautavaara 2 compositions are ‘alive and kicking’ in the world. He TOMMI KÄRKKÄINEN – THERE’S MORE TO LIFE THAN COMPOSING / also tells about his love for symmetry and his faith Osmo Tapio Räihälä 4 in meaningful coincidences. SVEN-DAVID SANDSTRÖM – MUSIC FOR THE NEW MILLENNIUM / Philip Brunelle 6 Einojuhani Rautavaara Einojuhani Rautavaara ERKKI SALMENHAARA IN MEMORIAM / Kalevi Aho 7 he situation looked so ominous at the start of the year 2002: concerto had been completely revised and the fi nale was also ready. This time the thing I MUSIC – A LIVING ENTITY / Christoph Schlüren 7 by a series of coincidences I had three composition projects on remember most is the discussion that followed our playing session, when Dick taught me the hand all at the same time, two of them big – a Clarinet Concerto rudiments of Tai Chi. The concerto will be premiered in October, fi rst in Washington and NEWS 8 T and an opera – and the third far from simple, being a set work for an then at Carnegie Hall, New York. SELECTED PREMIERES 9 international piano competition. Having reached the age of 73, I have The set piece for the Maj Lind Piano Competition was the outcome of my love for as a rule learnt to avoid such a stressful situation, but the concerto had symmetry. Since the year, 2002, was so beautifully symmetrical, I just had to agree to REVIEWS 10 been postponed due to the negotiations between the commissioners, do it.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Name: Reetta Irene Haavisto Address: Runeberginkatu 37 A 24 FIN-00100 HELSINKI Telephone: +358 50 3579 430 E-mail: [email protected] Voice Type: Lyric dramatic soprano Qualifications: 2002-2004 Pori Palmgren Conservatoire, Finland 2004-2008 Bachelor's degree (Musical Education, Voice), Helsinki Metropolia University of Applied Sciences, Finland 2006-2009 Bachelor of Music, Sibelius Academy, Finland 2009-2013 Master of Music, Sibelius Academy, Finland Singing Teachers: 2002-2004 Raija Kemppainen 2004-2006 Juha Karvonen 2006-2010 Pirkko Törnqvist-Paakkanen 2010- Irja Auroora Masterclasses: Tom Krause, Barbara Bonney, Martin Katz, Ulrich Rademacher, Walter Moore, Jorma Hynninen Competitions: 2007 1st prize with pianist Sanni Antikainen, Kokkola Lied Competition 2008 1st prize with pianist Juho Alakärppä, Poleeni Lied Pianist Competition, Pieksamäki 2008 finalist, Timo Mustakallio Singing Competition, Savonlinna 2009 3rd prize, Kangasniemi Singing Competition, Kangasniemi 2010 finalist, Lappeenranta National Singing Competition, Lappeenranta 2013 finalist, Lappeenranta National Singing Competition, Lappeenranta Operatic Roles: G. F. Händel: Bellante, Almira (Metropolia Univ. Appl. Sci, Helsinki 2006) W. A. Mozart: Pamina, The Magic Flute (Steiner School, Espoo 2006) W. A. Mozart: Papagena, The Magic Flute (Into-Opera, Helsinki 2007) E. Humperdinck: Gretel, Hansel and Gretel (Metropolia Univ. Appl. Sci, Helsinki 2007) E. Penhorwood: Miss Tittmouse, Too Many Sopranos (Metropolia Univ. Appl. Sci, Helsinki 2008) F. Lehar: Valencienne, The Merry Widow (Sibelius Academy, Helsinki 2008) T. Pasatieri: Celie, Signor Deluso (Bio Pallas, Karjaa 2009) J. Haydn: Clarice, Il mondo della luna (Cultural Arena Gloria, Helsinki 2009) S. Barber: Geraldine, A Hand of Bridge (Sibelius Academy, Helsinki 2010) O. Kortekangas: Johanna, One Night Stand (Sibelius Academy, Helsinki 2011) G.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 108, 1988-1989
    I' H I I fWl IBv H I .#= MS? • *vt-i: •v. - **e* ? The Mall At Chestnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barge r, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. August R. Meyer David B. Arnold, Jr. Mrs. John H. Fitzpatrick Mrs. Robert B. Newman Mrs. Norman L. Cahners Avram J. Goldberg Peter C. Read James F. Cleary Mrs. John L. Grandin Richard A. Smith Julian Cohen Francis W Hatch, Jr. Ray Stata William M. Crozier, Jr. Harvey Chet Krentzman William F. Thompson r Mrs. Michael H. Davis Roderick M. MacDougall Nicholas T Zervas Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P.
    [Show full text]
  • Kausi 2008 Kansallisoopperassa Season 2008 At
    Kausi 2008 Kansallisoopperassa Loppukevät ja alkusyksy Season 2008 at the Finnish National Opera Late Spring and Early Autumn 52 Wagneriaani http://www.suomenwagnerseura.org/wagneriaani/ Kuva: Stefan Bremer Loppukevät ja Taikahuilu sa kuultiin hienoja esityksiä, joista mainit- alkusyksy tarjo- takoon Merja Wirkkala Papagenana sekä sivat runsaasti Mozartin Taikahuilu ei kuulu suosikkite- Ritva-Liisa Korhonen, Tuija Knihtilä ja suomenkielistä oksiini. Rasistinen ja seksistinen tarina on Erja Wimeri kolmena naisena. Kari Tik- oopperaa. Suo- varsin luotaan työntävä, eivätkä viittaukset ka johti luotettavasti ja piti esityksen hy- meksi laulettu- vapaamuurarimystiikkaan tuo teokseen mi- vin koossa. ja oopperoita tään erityistä syvällisyyttä. Mozartin upea oli peräti neljä, musiikki tosin paikkaa näitä puutteita osit- Teksti / Text: tai tarkemmin tain, kuin myös Jussi Tapolan vallan mai- Iloinen leski Jack Leo ottaen kolme, nio, Kalevala-vaikutteinen produktio, joka Kevätkauden ensimmäinen uusi produktio sillä Iloinen les- palasi vuoden tauon jälkeen ohjelmistoon. oli Franz Léharin suosituin operetti, Iloinen ki on operetti. Ainoa alun perin suomek- Huippusuosittua teosta on markkinoitu leski. Operettia ei ole kuultu Kansallisoop- si sävelletty teos oli Aulis Sallisen Punai- koko perheen oopperana, ja tähän sopien pera useaan vuoteen, eivätkä korvikkeeksi nen viiva, joka palasi viime keväänä ensi- sitä esitettiinkin suomen kielellä. ole oikein käyneet ohjelmistossa pyörineet iltansa saaneena produktiona. Lisäksi suo- Näin esityksen huhtikuun neljäntenä Puccinin La Rondine, joka on selvä ooppe- meksi laulettiin kaksi saksalaista singspie- päivänä, ja tällöin oli tarjolla suorastaan ra, tai Stephen Sondheimin Sweeney Todd, liä, Taikahuilu sekä Weberin ooppera Der ylellisen hienoa Mozart-laulua. Vaikka hän joka puolestaan on musikaali. Eri asia on Freischütz, eli käännettynä Paholaisen palk- onkin viime aikoina kunnostautunut myös sitten kannattaako operettia esittää ylipää- ka-ampuja.
    [Show full text]
  • Classical by Composer
    Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No.
    [Show full text]