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Mozartin Figaron Häät – Maailman Paras Oopperako?
Marjut Haussila MOZARTIN FIGARON HÄÄT: MAAILMAN PARAS OOPPERAKO? Savonlinnan kirjastossa to 16.7.2015 Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Riitta-Liisa Lempinen-Vesa kommentoi oopperajuhlia Itä-Savossa 3.7.2015: Sama kunnianhimo ja laadun ajatus saattaa levitä myös ympäröivään toimintaan. Luovuuden ilmapiiri ja korkean tason sisäinen vaatimus leviävät arkielämäänkin kuin huomaamatta. Niistä saa eväitä, joilla kaupunki voi pärjätä ympäri vuoden, lamankin keskellä. Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Matti Salminen Musorgski-projektista Savonlinna Opera Festival 2015 -julkaisussa: Tämä on valtava draama, se pitää uskaltaa tehdä kunnolla eikä säämiskähansikkain. Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Laadun kriteerejä, jotka liittyvät eri tavoin teokseen: •kokemus ja viisaus •tuore näkökulma ja osaaminen -> erilaisuus -> kriittisyys, luova ote ja tiimityö Luovuus -> luova teko, tuotos tai teos -> uusi idea, esine tai palvelu tai toimintatapa •design •immateriaalinen luovuus •rikkoa, hämmentää, sekoittaa, ‘jazzin’n’jammin’ Le Nozze di Figaro M. Haussila Savonlinnan kirjasto 16.7.2015 Aivotutkija Riitta Hari kirjassa Kaikki evoluutiosta (2009): •homo sapiens syntyi 100 000- 200 000 vuotta sitten •aivojen koko jo pitkään vastaava kuin nykyihmisillä lajin levitessä Afrikasta 60 000 vuotta sitten •kognitiivinen kapasiteetti alkoi kehittyä nopeasti noin 10 000 vuotta sitten •maanviljelys alkoi tuolloin ja esineet ja materiaalit tärkeämmiksi Hari kysyy, oliko syynä geenimutaatio -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography
LOS ANGELES PHILHARMONIC and ESA-PEKKA SALONEN Discography DEUTSCHE GRAMMOPHON SALONEN: Piano Concerto; Helix; Dichotomie (Yefim Bronfman, piano) STRAVINSKY: The Rite of Spring; MUSSORGSKY: Night on Bald Mountain (original version); BARTÓK: The Miraculous Mandarin Suite NONESUCH ADAMS: Naive and Sentimental Music ONDINE SAARIAHO: Du cristal ... à la fumée (Petri Alanko, alto flute; Anssi Karttunen, cello) PHILIPS CLASSICS BARTÓK: Violin Concerto No. 2; STRAVINSKY: Violin Concerto (Viktoria Mullova, violin) SONY CLASSICAL BACH: Transcriptions for Orchestra (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos Nos. 1, 2, and 3 (Yefim Bronfman, piano) BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain HINDEMITH: Mathis der Maler Symphony; Symphonic Metamorphosis on Themes by Carl Maria von Weber; Four Temperaments (Emanuel Ax, piano) LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Einojuhani Rautavaara(1928–2016)
1 EINOJUHANI RAUTAVAARA (1928–2016) 90th Anniversary Edition CD 1 Concerto for Harp and Orchestra (2000) 1. I Pesante........................................................................................................................................ 9:59 2. II Adagietto ....................................................................................................................................5:17 3. III Solenne ..................................................................................................................................... 7:54 Marielle Nordmann, harp Symphony No. 8 ’The Journey’ (1999) 4. I Adagio assai ..............................................................................................................................11:30 5. II Feroce ........................................................................................................................................3:04 6. III Tranquillo ................................................................................................................................ 6:00 7. IV Con grandezza ...................................................................................................................... 8:35 Helsinki Philharmonic Orchestra, Leif Segerstam (Previously released as ODE 978-2 in 2001) 2 CD 2 – Rautavaara Sampler 1. Isle of Bliss (Lintukoto) (1995) ............................................................................................11:30 Helsinki Philharmonic Orchestra, Leif Segerstam 2. Missa a cappella (2010–11): I. -
16 Juin OP 0
Programme du 16 juin 2017 Claude Debussy Symphonie en si mineur (orchestration de Colin Matthews) Allegro ben marcato – Un poco più lento ; cantabile – Primo tempo (15 mn environ) Serge Prokofiev Concerto pour piano et orchestre no 2 en sol mineur opus 16 1. Andantino 2. Scherzo. Vivace 3. Intermezzo. Allegro moderato 4. Finale. Allegro tempestoso (35 mn environ) Entracte (20 minutes) Jean Sibelius Suite de Lemminkäinen opus 22 1. Lemminkäinen et les Jeunes Filles de l’Île 2. Le Cygne de Tuonela 3. Lemminkäinen à Tuonela 4. Le Retour de Lemminkäinen (50 mn environ) Alexander Toradze piano Orchestre philharmonique de Radio France Mikko Franck direction Hélène Collerette violon solo › Ce concert est diffusé en direct sur France Musique. Claude Debussy 1862-1918 Symphonie en si mineur Composée en décembre 1880-janvier 1881 (version piano à 4 mains). Orchestrée par Colin Matthews en 2008-2009 (commande du Festival Gergiev de Rotterdam). Créée le 29 août 2009 à Rotterdam par l’Orchestre philharmonique de Rotterdam sous la direction de Valery Gergiev. Dédiée « à Madame de Meck de la part de son dévoué serviteur ». Partition originale éditée par N. Gilaïev à Moscou en 1933 ; partition d’orchestre éditée par Faber à Londres en 2009. Nomenclature : 2 flûtes, 2 hautbois, 3 clarinettes, clarinette basse, 2 bassons ; 4 cors, 2 trom- pettes, 3 trombones, tuba ; timbales, triangle, cymbale suspendue, cymbales, caisse claire, grosse caisse ; harpe ; cordes. En juillet 1880, tout juste diplômé de la classe d’accompagnement du Conservatoire de Paris, Claude Debussy est engagé par Nadejda von Meck, riche mécène russe et protectrice de Tchaïkovski, pour être son pia- niste-répétiteur dans ses villégiatures estivales. -
Boston Symphony Orchestra Concert Programs, Summer, 2005
anglewood - ORIGINS GAU€RV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 i^^H^H^H^m Wfi? Burning Tree Estates! " ^fWf —-r- m& II •HI I^Sror HI! an inviting opportunity in the Berkshires: our exclusive community of fifteen [ Comforts of Home ] tastefully unique homes. Classic New duality of Life ] England designs, abundant with luxury [ 5rai"<? of Community ] amenities, are built with the discerning homeowner in mind. Each is majestically sited on private wooded acres along tranquil streets. Please schedule an appointment to explore our distinctive designs and the remaining lots available at Burning Tree Estates. For more information please call lli|-{Si4~3 or visit Burning Tree Road BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty- Fourth Season, 2004-05 TANGLEWOOD 2005 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John F. Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Eric D. Collins Edmund Kelly Edward I. Rudman George D. Behrakis Diddy Cullinane, George Krupp Hannah H. Schneider Gabriella Beranek ex-officio R. Willis Leith, Jr. Thomas G. Sternberg Mark G. Borden William R. Elfers Nathan R. Miller Stephen R. Weber Jan Brett Nancy J. Fitzpatrick Richard P. Morse Stephen R. Weiner Samuel B. Bruskin Charles K. Gifford Ann M. Philbin, Robert C. Winters Paul Buttenwieser Thelma E. Goldbere James F. Cleary Life Trustees Vernon R. -
Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990, Subscription
BOSTON SYMPHONY ORCHESTRA SBJI OZAWA MUSIC DIRECTOR 109TH SEASON 1989-90 ^r^ After the show, enjoy the limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. -
LOS ANGELES PHILHARMONIC Discography
LOS ANGELES PHILHARMONIC Discography SONY CLASSICAL Esa-Pekka Salonen, conductor BACH: Transcriptions (by Elgar, Mahler, Schoenberg, Stokowski, Webern) BARTÓK: Concerto for Orchestra; Music for Strings, Percussion, and Celesta BARTÓK: Piano Concertos 1, 2, and 3 (Yefim Bronfman, piano) ** BRUCKNER: Symphony No. 4, “Romantic” DEBUSSY: Prélude à l’après-midi d’un faune; La mer; Images pour orchestre DEBUSSY: Trois nocturnes (Women of the Los Angeles Master Chorale); Le martyre de St. Sébastien (Fragments symphoniques); La damoiselle élue (Dawn Upshaw, soprano; Paula Rasmussen, mezzo-soprano; Women of the Los Angeles Master Chorale) HERRMANN: Suites from Psycho, Marnie, Vertigo, Fahrenheit 451, and Taxi Driver; Prelude to The Man Who Knew Too Much; Overture to North by Northwest; excerpts from Torn Curtain LUTOSLAWSKI: Symphony No. 2; Piano Concerto (Paul Crossley, piano); Chantefleurs et Chantefables (Dawn Upshaw, soprano); Fanfare for Los Angeles Philharmonic LUTOSLAWSKI: Symphony No. 3; Les espaces du sommeil (John Shirley-Quirk, baritone); Symphony No. 4 ** MAHLER: Symphony No. 3 (Anna Larsson, contralto; Paulist Boy Choristers of California) MAHLER: Symphony No. 4 (Barbara Hendricks, soprano) MAHLER: Das Lied von der Erde (Plácido Domingo, tenor; Bo Skovhus, baritone) MARSALIS: All Rise (Wynton Marsalis, trumpet; Lincoln Center Jazz Orchestra; singers) PROKOFIEV: Violin Concertos Nos. 1 and 2; STRAVINSKY: Violin Concerto (Cho-Liang Lin, violin) REVUELTAS: Music of Silvestre Revueltas (including La noche de los mayas, Sensemayá) SALONEN: -
Symphonieorchester Des Bayerischen Rundfunks
SYMPHONIEORCHESTER DES BAYERISCHEN RUNDFUNKS 19 | 20 WICHTIGER HINWEIS Leider musste Mikko Franck seine Mitwirkung an den Konzerten am 20./21. Februar 2020 in München krankheitsbedingt absagen. Wir dan- ken Klaus Mäkelä, dass er sich kurzfristig bereit erklärt hat, die Lei- tung der Konzerte zu übernehmen. Bitte be- achten Sie die damit verbundene Programm- änderung: Statt Apotheosis von Einojuhani Rautavaara werden – und dies erstmals in den Konzerten des BRSO – Zoltán Kodálys Tänze aus Galánta zu hören sein (siehe Rückseite). Der 24-jährige finnische Dirigent Klaus Mäkelä hat sich durch die Zusammenarbeit mit nam- haften Orchestern rund um die Welt bereits in- ternationale Anerkennung erworben und zählt zu den großen Talenten seiner Generation. Mit Beginn der Saison 2020/2021 übernimmt er die Position des Chef- dirigenten und Artistic Advisor des Oslo Philharmonic Orchestra. Der- zeit ist er Erster Gastdirigent des Swedish Radio Symphony Orchestra, Artist in Association der Tapiola Sinfonietta und Künstlerischer Direktor des Turku Music Festival. In der aktuellen Saison feiert Klaus Mäkelä eine Reihe wichtiger Debüts, u. a. beim NDR Elbphilharmonie Orchester, bei den Münchner Philharmonikern, bei den Bamberger Symphonikern, beim Nederlands Radio Filharmonisch Orkest, beim Orchestre Philhar- monique de Radio France, beim London Philharmonic Orchestra und beim City of Birmingham Symphony Orchestra, und erhält Wiedereinla- dungen vom MDR- und vom hr-Sinfonieorchester, vom Minnesota Orche- stra und von den Göteborger Symphonikern. An der Finnischen Natio- naloper gab er seinen Einstand mit Mozarts Zauberflöte. Seine musikalische Ausbildung erhielt Klaus Mäkelä an der Sibelius- Akademie in Helsinki in den Fächern Dirigieren bei Jorma Panula und Violoncello bei Marko Ylönen, Timo Hanhinen und Hannu Kiiski. -
16 OCTOBER THURSDAY SERIES 3 Helsinki Music Centre at 19
16 OCTOBER THURSDAY SERIES 3 Helsinki Music Centre at 19 Hannu Lintu, conductor Laura Hynninen, harp Richard Strauss: Don Juan, Op. 20 17 min Alberto Ginastera: Harp Concerto, Op. 25 23 min I Allegro giusto II Molto moderato III Liberamente capriccioso – Vivace INTERVAL 20 min Jean Sibelius: Lemminkäinen Suite, 45 min Four Legends for Orchestra, Op. 22 I Lemminkäinen and the Maidens of the Island II The Swan of Tuonela Sanna Niemikunnas, English horn III Lemminkäinen in Tuonela IV Lemminkäinen’s Return Interval at about 19.55. The concert ends at about 21.10. 1 RICHARD STRAUSS selves to development; they have both romantic and classical traits. The young (1864–1949) DON JUAN Strauss further had a gift for moulding the character of his themes. The orches- The story of Don Juan is an ancient tration abounds in magnificent details, Spanish legend. The first known literary and the scoring is virtuosic. Strauss has version is El burlador de Sevilla y convida- a fine feel for the inherent nature of do de piedra (The Trickster of Seville and his instruments and instrumental sec- the Stone Guest), published by a play- tions, combining them to produce vo- wright called Tirso de Molina in around luptuously resonant textures. In form, 1630. Since then, the theme has been a Don Juan is a loosely-constructed sonata popular one both in literature and oth- with an exposition followed by two dif- er arts – with Mozart (Don Giovanni), ferent developments with extra inserts, Molière, Byron, Pushkin and Dumas the and a strongly varied recapitulation. The Elder, for example. -
Oskar Merikanto
Elämälle Songs by Oskar Merikanto Jorma Hynninen 1 Omenankukat - Apple blossom 1:22 2 Linnulle kirkkomaalla - To a bird in the churchyard 1:52 Ilkka Paananen 3 Suvi-illan vieno tuuli - Summer evening’s breeze 1:41 4 Muistellessa - Remembering 3:55 5 Miksi laulan - Why I sing 1:11 6 Kullan murunen - Thou art a nugget of gold 1:37 7 Merellä - At sea 4:13 8 Myrskylintu - Stormbird 3:03 9 Laatokka - Lake Ladoga 3:30 10 Iltakellot - Evening bells 2:37 Elämälle 11–14 Haudoilta-sarja - From the graves, song cycle 10:28 15 Hyvästi! - Farewell! 1:22 Songs by 16 Hyvää yötä - Good night 2:22 17 Hämärissä - In the twilight 1:26 Oskar Merikanto 18 Elämälle - To life 2:13 19 Annina 3:32 20 Illansuussa - At nightfall 1:57 21 Nocturne 2:25 22 Balladi - Ballad 2:38 23 Nuoruuden ylistys - Praise of youth 1:59 24 Soi vienosti murheeni soitto - Play softly, thou tune of my mourning 1:54 25 Ma elän! - I am alive! 1:29 [60:47] Jorma Hynninen, baritone • Ilkka Paananen, piano 1111-2 ODE page 32/1 Elämälle Songs by Oskar Merikanto Jorma Hynninen 1 Omenankukat - Apple blossom 1:22 2 Linnulle kirkkomaalla - To a bird in the churchyard 1:52 Ilkka Paananen 3 Suvi-illan vieno tuuli - Summer evening’s breeze 1:41 4 Muistellessa - Remembering 3:55 5 Miksi laulan - Why I sing 1:11 6 Kullan murunen - Thou art a nugget of gold 1:37 7 Merellä - At sea 4:13 8 Myrskylintu - Stormbird 3:03 9 Laatokka - Lake Ladoga 3:30 10 Iltakellot - Evening bells 2:37 Elämälle 11–14 Haudoilta-sarja - From the graves, song cycle 10:28 15 Hyvästi! - Farewell! 1:22 Songs by 16 Hyvää yötä - Good night 2:22 17 Hämärissä - In the twilight 1:26 Oskar Merikanto 18 Elämälle - To life 2:13 19 Annina 3:32 20 Illansuussa - At nightfall 1:57 21 Nocturne 2:25 22 Balladi - Ballad 2:38 23 Nuoruuden ylistys - Praise of youth 1:59 24 Soi vienosti murheeni soitto - Play softly, thou tune of my mourning 1:54 25 Ma elän! - I am alive! 1:29 [60:47] Jorma Hynninen, baritone • Ilkka Paananen, piano 1111-2 ODE page 32/1 Elämälle Songs by O SKAR M ERIKANTO 1Omenankukat, (Apple blossom) Op.