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Minting America: Coinage and the Contestation of American Identity, 1775-1800
ABSTRACT MINTING AMERICA: COINAGE AND THE CONTESTATION OF AMERICAN IDENTITY, 1775-1800 by James Patrick Ambuske “Minting America” investigates the ideological and culture links between American identity and national coinage in the wake of the American Revolution. In the Confederation period and in the Early Republic, Americans contested the creation of a national mint to produce coins. The catastrophic failure of the paper money issued by the Continental Congress during the War for Independence inspired an ideological debate in which Americans considered the broader implications of a national coinage. More than a means to conduct commerce, many citizens of the new nation saw coins as tangible representations of sovereignty and as a mechanism to convey the principles of the Revolution to future generations. They contested the physical symbolism as well as the rhetorical iconology of these early national coins. Debating the stories that coinage told helped Americans in this period shape the contours of a national identity. MINTING AMERICA: COINAGE AND THE CONTESTATION OF AMERICAN IDENTITY, 1775-1800 A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of History by James Patrick Ambuske Miami University Oxford, Ohio 2006 Advisor______________________ Andrew Cayton Reader_______________________ Carla Pestana Reader_______________________ Daniel Cobb Table of Contents Introduction: Coining Stories………………………………………....1 Chapter 1: “Ever to turn brown paper -
Annotated Edition
ElizabethanDrama.org presents the Annotated Popular Edition of THE PICTURE A TRUE HUNGARIAN HISTORY by Philip Massinger Performed 1629 First Published 1630 Featuring complete and easy-to-read annotations. Annotations and notes © Copyright Peter Lukacs and ElizabethanDrama.org, 2019. This annotated play may be freely copied and distributed. 1 THE PICTURE A True Hungarian History By Philip Massinger Performed 1629 First Published 1630 A Tragecomedie, As it was often presented with good allowance, at the Globe, and Blacke Friers Play-houses, by the Kings Maiesties Servants. DRAMATIS PERSONAE. INTRODUCTION TO THE PLAY The Hungarian Court: The Picture, by Philip Massinger, is a highly entertaining drama-comedy which explores what happens to people who Ladislaus, king of Hungary. are unable or unwilling to control their feelings and Honoria, the queen. affections: unchecked suspicion, embarrassingly Acanthe, maid of honour. unrestrained adoration, and even immoderate lust, all will Sylvia, maid of honour. be repaid. The Picture is likely the only Elizabethan play Ferdinand, general of the army. to take place in Hungary's ancient royal capital, Alba Eubulus, an old counsellor. Regalis, modern Székesfehérvár. Ubaldo, a wild courtier. Ricardo, a wild courtier. NOTES ON THE TEXT Bohemian Characters: The text of The Picture is adopted from Gifford's edition of our play, cited at #16 below, but with some Mathias, a knight of Bohemia. of the 1630 quarto's original spellings restored. Sophia, wife to Mathias. Hilario, servant to Sophia. NOTES ON THE ANNOTATIONS Corisca, Sophia's woman. Julio Baptista, a great scholar. References in the annotations to Gifford refer to the notes supplied by editor W. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
A Chronological Particular Timeline of Near East and Europe History
Introduction This compilation was begun merely to be a synthesized, occasional source for other writings, primarily for familiarization with European world development. Gradually, however, it was forced to come to grips with the elephantine amount of historical detail in certain classical sources. Recording the numbers of reported war deaths in previous history (many thousands, here and there!) initially was done with little contemplation but eventually, with the near‐exponential number of Humankind battles (not just major ones; inter‐tribal, dynastic, and inter‐regional), mind was caused to pause and ask itself, “Why?” Awed by the numbers killed in battles over recorded time, one falls subject to believing the very occupation in war was a naturally occurring ancient inclination, no longer possessed by ‘enlightened’ Humankind. In our synthesized histories, however, details are confined to generals, geography, battle strategies and formations, victories and defeats, with precious little revealed of the highly complicated and combined subjective forces that generate and fuel war. Two territories of human existence are involved: material and psychological. Material includes land, resources, and freedom to maintain a life to which one feels entitled. It fuels war by emotions arising from either deprivation or conditioned expectations. Psychological embraces Egalitarian and Egoistical arenas. Egalitarian is fueled by emotions arising from either a need to improve conditions or defend what it has. To that category also belongs the individual for whom revenge becomes an end in itself. Egoistical is fueled by emotions arising from material possessiveness and self‐aggrandizations. To that category also belongs the individual for whom worldly power is an end in itself. -
From Femme Ideale to Femme Fatale: Contexts for the Exotic Archetype In
From Femme Idéale to Femme Fatale: Contexts for the Exotic Archetype in Nineteenth-Century French Opera A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Jessica H. Grimmer BM, University of Cincinnati June 2011 Committee chair: Jonathan Kregor, PhD i ABSTRACT Chromatically meandering, even teasing, Carmen’s Seguidilla proves fatally seductive for Don José, luring him to an obsession that overrides his expected decorum. Equally alluring, Dalila contrives to strip Samson of his powers and the Israelites of their prized warrior. However, while exotic femmes fatales plotting ruination of gentrified patriarchal society populated the nineteenth-century French opera stages, they contrast sharply with an eighteenth-century model populated by merciful exotic male rulers overseeing wandering Western females and their estranged lovers. Disparities between these eighteenth and nineteenth-century archetypes, most notably in treatment and expectation of the exotic and the female, appear particularly striking given the chronological proximity within French operatic tradition. Indeed, current literature depicts these models as mutually exclusive. Yet when conceptualized as a single tradition, it is a socio-political—rather than aesthetic—revolution that provides the basis for this drastic shift from femme idéale to femme fatale. To achieve this end, this thesis contains detailed analyses of operatic librettos and music of operas representative of the eighteenth-century French exotic archetype: Arlequin Sultan Favorite (1721), Le Turc généreux, an entrée in Les Indes Galantes (1735), La Recontre imprévue/Die Pilgrime von Mekka (1764), and Die Entführung aus dem Serail (1782). -
Bullard Eva 2013 MA.Pdf
Marcomannia in the making. by Eva Bullard BA, University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Greek and Roman Studies Eva Bullard 2013 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Marcomannia in the making by Eva Bullard BA, University of Victoria, 2008 Supervisory Committee Dr. John P. Oleson, Department of Greek and Roman Studies Supervisor Dr. Gregory D. Rowe, Department of Greek and Roman Studies Departmental Member iii Abstract Supervisory Committee John P. Oleson, Department of Greek and Roman Studies Supervisor Dr. Gregory D. Rowe, Department of Greek and Roman Studies Departmental Member During the last stages of the Marcommani Wars in the late second century A.D., Roman literary sources recorded that the Roman emperor Marcus Aurelius was planning to annex the Germanic territory of the Marcomannic and Quadic tribes. This work will propose that Marcus Aurelius was going to create a province called Marcomannia. The thesis will be supported by archaeological data originating from excavations in the Roman installation at Mušov, Moravia, Czech Republic. The investigation will examine the history of the non-Roman region beyond the northern Danubian frontier, the character of Roman occupation and creation of other Roman provinces on the Danube, and consult primary sources and modern research on the topic of Roman expansion and empire building during the principate. iv Table of Contents Supervisory Committee ..................................................................................................... -
The History of the Decline and Fall of the Roman Empire, Vol. 6 [1776]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Edward Gibbon, The History of the Decline and Fall of the Roman Empire, vol. 6 [1776] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Expanding Capacity in the Research Archives Through Compact Storage Installation by Foy Scalf, Head of Research Archives
oi.uchicago.edu THE ORIENTAL INSTITUTE WINTER 2013 PAGE 1 NEWSNO. 216 wiNter 2013 &© t He OrieNOTESNtal iNStitUte OF tHe UNiverSity OF CHiCaGO Chi Cago demotiC diCtionary also inside: Statue of Liberty & Egypt Marj Rabba Hammurabi Stele oi.uchicago.edu PAGE 2 NEWS & NOTES IN THIS ISSUE FROM THE DIRECTOR’S STUDY The most visible aspect of the Oriental Institute’s work is what we could call our From the Director’s Study 2 “direct explorations” of ancient sites and the translations of texts; this is the pro- Chicago Demotic Dictionary 3 cess in which our archaeologists and textual scholars make the actual discoveries that enhance our understanding of ancient civilizations. However, from the time of Members’ Lectures 9 the Institute’s founding in 1919, one of the most important aspects of our mission of discovery has been our commitment to developing new research tools that we Archives Storage 10 make available to researchers across the world so that all of us can do better work Statue of Liberty 13 and gain deeper insights into the early cultures of the Near East. For example, the researchers in our CAMEL (Center for Ancient Middle Eastern Landscapes) Lab have Marj Rabba 14 developed procedures to use declassified intelligence satellite images as a way to Calendar of Events 16 enhance archaeological surveys so powerfully that we can actually locate 95% of the sites in a region before even setting foot in the field. We share these protocols and Sunday Films 17 procedures widely, and they have now become the new standard for how to study ancient landscapes and settlement systems. -
Περίληψη : Χρονολόγηση Γεωγραφικός Εντοπισμός Ionic Colonization
IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Deger-Jalkotzy Segred (19/2/2004) Για παραπομπή : Deger-Jalkotzy Segred , "Ionic Colonization", 2004, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Μ. Ασία URL: <http://www.ehw.gr/l.aspx?id=4675> Ionic Colonization Περίληψη : According to the ancient sources, Ionia consisted of twelve cities founded by a Greek population who left mainland Greece. Several issues concerning the reasons, the chronology as well as the ethnic identity of the immigrants or colonists have arisen and they still remain the focal point of a persistent debate among scholars. Χρονολόγηση 11th century B.C. (?) Γεωγραφικός εντοπισμός Asia Minor 1. Ionic Colonization: the written testimony During historical times Greek Ionia consisted of the twelve cities of the Panionic league: Miletus, Myus, Priene, Ephesos, Colophon, Lebedos, Teos, Clazomenae, Erythrae, Phocaea, and the island-states of Samos and Chios. According to the ancient sources, these cities were founded in the course of a migration movement which had set off from Athens, and which was led by the sons of the Athenian king Codrus. The reason of the exodus was ascribed by the ancient authors to a fight between the sons of Codrus for the succession to the throne, in which Medon prevailed.1 1.1 Herodotus Three ancient authors have dealt with the Ionic Migration in detail. According to Herodotus2 the Ionians had originally inhabited twelve cities in the Peloponnesian region of Achaea.3 As soon as they were expelled by the Achaeans, they sought refuge in Athens. Their descendants emigrated to Asia Minor, where they founded twelve cities in remembrance of their earlier settlement in Achaea. -
Eumenes of Cardia a Greek Among Macedonians
Eumenes of Cardia Mnemosyne Supplements history and archaeology of classical antiquity Series Editor Hans van Wees (University College London) Associate Editors Jan Paul Crielaard (Vrije Universiteit Amsterdam) Benet Salway (University College London) VOLUME 383 The titles published in this series are listed at brill.com/mns-haca Eumenes of Cardia A Greek among Macedonians By Edward M. Anson LEIDEN | BOSTON Cover illustration: Left coin: silver tetradrachm depicting Ptolemy I Soter, issued by Ptolemy II Philadelphus (285–246 BC); right coin: silver tetradrachm depicting Zeus, issued in the reign of Philip II, King of Macedonia (359–336 BC). Courtesy of the author. Library of Congress Cataloging-in-Publication Data Anson, Edward. Eumenes of Cardia : a Greek among Macedonians / by Edward M. Anson. — Second edition. pages cm — (Mnemosyne Supplements, History and Archaeology of Classical Antiquity, ISSN 2352-8656 ; volume 383) Includes bibliographical references and index. isbn 978-90-04-29715-9 (hardback : alk. paper) — isbn 978-90-04-29717-3 (e-book) 1. Eumenes, of Cardia, 362 B.C. or 361 B.C.–316 B.C. or 315 B.C. 2. Greece—History—Macedonian Hegemony, 323–281 B.C. 3. Macedonia—History—Diadochi, 323-276 B.C. 4. Generals—Greece—Biography. i. Title. DF235.48.E96A57 2015 938’.07092—dc23 [B] 2015017742 This publication has been typeset in the multilingual “Brill” typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface. The first edition of this title was published as volume 3 in the Brill series Studies in Philo of Alexandria, under ISBN 978-03-91-04209-4. -
HISTORY of the DECLINE and FALL of the ROMAN EMPIRE Edward Gibbon
HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE Edward Gibbon Vol. 2 Chapter XVI: Conduct Towards The Christians, From Nero To Constantine.—Part I. The Conduct Of The Roman Government Towards The Christians, From The Reign Of Nero To That Of Constantine. If we seriously consider the purity of the Christian religion, the sanctity of its moral precepts, and the innocent as well as austere lives of the greater number of those who during the first ages embraced the faith of the gospel, we should naturally suppose, that so benevolent a doctrine would have been received with due reverence, even by the unbelieving world; that the learned and the polite, however they may deride the miracles, would have esteemed the virtues, of the new sect; and that the magistrates, instead of persecuting, would have protected an order of men who yielded the most passive obedience to the laws, though they declined the active cares of war and government. If, on the other hand, we recollect the universal toleration of Polytheism, as it was invariably maintained by the faith of the people, the incredulity of philosophers, and the policy of the Roman senate and emperors, we are at a loss to discover what new offence the Christians had committed, what new provocation could exasperate the mild indifference of antiquity, and what new motives could urge the Roman princes, who beheld without concern a thousand forms of religion subsisting in peace under their gentle sway, to inflict a severe punishment on any part of their subjects, who had chosen for themselves a singular but an inoffensive mode of faith and worship. -
On the Roman Frontier1
Rome and the Worlds Beyond Its Frontiers Impact of Empire Roman Empire, c. 200 B.C.–A.D. 476 Edited by Olivier Hekster (Radboud University, Nijmegen, The Netherlands) Editorial Board Lukas de Blois Angelos Chaniotis Ségolène Demougin Olivier Hekster Gerda de Kleijn Luuk de Ligt Elio Lo Cascio Michael Peachin John Rich Christian Witschel VOLUME 21 The titles published in this series are listed at brill.com/imem Rome and the Worlds Beyond Its Frontiers Edited by Daniëlle Slootjes and Michael Peachin LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016036673 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1572-0500 isbn 978-90-04-32561-6 (hardback) isbn 978-90-04-32675-0 (e-book) Copyright 2016 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.