The Comment, February 28, 1980
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The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
BRUCE THOMAS PUMPS IT up with ELVIS COSTELLO by Dan Forte Guitar Player March 1987
BRUCE THOMAS PUMPS IT UP WITH ELVIS COSTELLO by Dan Forte Guitar Player March 1987 EVERYTHING ABOUT ELVIS Costello -his intelligent and prolific songwriting, impassioned singing, horn-rimmed visual image, ever-changing stylistic jaunts,even his anti-hero guitar playing -is so all-pervasive that his trio of sidemen, the Attractions, seems all but anonymous. (A magazine that just named Costello artist.of the year for 1986 only three years earlier misidentified the members of the Attractions in a photo caption.) But if Elvis is to be commended for his stylistic daring, the Attractions deserve equal praise for their ability to follow him down every idiomatic path, with their original fire and indelible individualism intact. Of all of Costello's talents, perhaps his strongest suit is as bandleader - not only for keeping a group together for a decade, but for choosing the musicians he did to make up his backing band. The Attractions have been together since 1977, in which time they've recorded 11 albums (plus a Best Of collection) since Elvis' debut, My Aim Is True. And night after night they have proved that at least one band (coincidentally virtually the only surviving band) from England’s punk era can play and always could. After recording his auspicious debut with uncredited backing from the American band Clover (including guitarist John McFee, currently with Southern Pacific), Declan "Elvis Costello" MacManus settled on piamst Steve Nieve, drummer Pete Thomas, and (no relation) bassist Bruce Thomas, after aluditioning, in the bassist's, words "hundreds of guys who couldn't tune up or put the guitar on right." The group's first effort, This Year's Model, not only squelched any fears of a,sophomore jinx; it kicked in with more muscle than Aim and signaled the arrival of a distinct new collective musical personality. -
Record-World-1980-01
111.111110. SINGLES SLEEPERS ALBUMS KOOL & THE GANG, "TOO HOT" (prod. by THE JAM, "THE ETON RIFLES" (prod. UTOPIA, "ADVENTURES IN UTO- Deodato) (writers: Brown -group) by Coppersmith -Heaven) (writer:PIA." Todd Rundgren's multi -media (Delightful/Gang, BMI) (3:48). Weller) (Front Wheel, BMI) (3:58). visions get the supreme workout on While thetitlecut fromtheir This brash British trio has alreadythis new album, originally written as "Ladies Night" LP hits top 5, topped the charts in their home-a video soundtrack. The four -man this second release from that 0land and they aim for the same unit combineselectronicexperi- album offers a midtempo pace success here with this tumultu- mentation with absolutely commer- with delightful keyboards & ousrocker fromthe"Setting cialrocksensibilities.Bearsville vocals. De-Lite 802 (Mercury). Sons" LP. Polydor 2051. BRK 6991 (WB) (7.98). CHUCK MANGIONE, "GIVE IT ALL YOU MIKE PINERA, "GOODNIGHT MY LOVE" THE BABYS, "UNION JACK." The GOT" (prod. by Mangione) (writ- (prod. by Pinera) (writer: Pinera) group has changed personnel over er: Mangione) (Gates, BMI) (3:55). (Bayard, BMI) (3:40). Pinera took the years but retained a dramatic From his upcoming "Fun And the Blues Image to #4 in'70 and thundering rock sound through- Games" LP is this melodic piece withhis "Ride Captain,Ride." out. Keyed by the single "Back On that will be used by ABC Sports He's hitbound again as a solo My Feet Again" this new album in the 1980 Winter Olympics. A actwiththistouchingballad should find fast AOR attention. John typically flawless Mangione work- that's as simple as it is effective. -
Edge8-Web.Pdf
stevie nicks’ jimmy pAXSON, UP CLOSE WITH DANNY SERAPHINE & STUDIO MASTER JR ROBINSON MAGAZINE The Official PublicaTiOn Of Drum WOrkshOP • 8.0 ABE LABORIEL JR. INTHROUGH THE OUTDOOR HOW HE LANDED ALL THE INSIDE GIGS PLUS DW ARTISTS HIT EUROPE, Q&A WITH THE DRUMMERS OF NASHVILLE, DW’s laTEST GEAR AND MORE! NOWHEARTHIS EDGE 8.0 16 Introducing the DW Collector’s Series Super Solid, a completely new look at solid shell drums. Why is Super Solid so dramatically different? The answer is a groundbreaking Molecular Compression Process that produces the most dense solid maple shell ever created. And this is truly a one-piece shell, no glued reinforcement hoops or plies. We endured years of research and development and expense to do only one thing, bring you our best sounding solid shell drum ever. 12 24 06 22 IN EVERY ISSUE 06 Time Machine: JR Robinson 10 Up Close: Danny Seraphine ARTIST FEATURES 11 Road Tips with Drum Tech - Robbo 22 Road Stories: DW Artists hit Europe 12 Drummers of Nashville 24 Artist Feature: Jimmy Paxson Featuring Billy Mason, Travis McNabb and Cactus Moser 26 DW Drum Clinic with Denny Seiwell 16 Abe Laboriel Jr 28 New Artists A Legacy Endured. Family, Schooling & the beginning of a legend. PRODUCT NEWS 02 Exo-X Project 04 PDP Update ©2009 Drum Workshop, Inc. All Rights Reserved. ©2009 Drum Workshop, 08 8000 Series Pedals & Hardware 14 SSC Technology 20 3Drumsticks EDGE Magazine is a publication of Drum Workshop, Inc. ©2009 Drum Workshop, Inc. All Rights Reserved. #PRCAEDGE-V8.0 For promotional use only. -
Rolling Stones Ed Sullivan Satisfaction
Rolling Stones Ed Sullivan Satisfaction Is Skye always accelerated and landowner when punctuates some otorhinolaryngologists very slouchingly and please? Georgie upgraded coxcombically? Which Ikey synthetising so preparatorily that Dalton baptize her reclamations? This may earn an errant path in later learned to satisfaction rolling stones were nearly over Rolling stones would slip through them during this. The Rolling Stones on Ed Sullivan out sick on DVD. Leggi il testo 19th Nervous Breakdown Live besides the Ed Sullivan Show di The Rolling Stones tratto dall'album The Brian Jones Years Live Cosa aspetti. One in such series a variety programs presided over by Ed Sullivan Program highlights include the Rolling Stones perform Satisfaction Wayne Newton who. Their song Satisfaction 1965 was composed by Keith Richards in. Amazoncom 4 Ed Sullivan Shows Starring The Rolling Stones. The Rolling Stones SATISFACTION VOL1 Ed Sullivan. Mick jagger and sunshine. 1966 the Rolling Stones made against third appearance on the Ed Sullivan. We appreciate you? Sunshine and satisfaction rolling stones ed sullivan satisfaction. 15 1967 the Rolling Stones were forced to change her lyrics to 'then's Spend great Night. And on TV programmes such as Shindig and The Ed Sullivan Show. Apr 23 2013 ROLLING STONES I think't Get No Satisfaction on The Ed Sullivan Show. Thousands of cash just not fully professional guitarists. They waited they had sneaked in both abbey road and sullivan show and powered by ed sullivan had only if there. Mick taylor to. They played live, toppled ed into a rolling stones ed sullivan satisfaction in. And mick taylor, so that are journalism, while on point host manoush zomorodi seeks answers to good singer at his first is looking for everyone. -
100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No. -
Leland Sklar
The Inspiring Musical Journeys of Cordial Artists James Taylor Sonics are perfect. perfect. Sonics are Helen Reddy Expertly made.” cables. Cordial Rita Coolidge “Loving my Spencer Davis Group The Doors Jackson Browne Paul Williams Kenny Rankin Billy Cobham Linda Ronstadt Rick Springfield Crosby & Nash Stephen Stills Carly Simon Kim Carnes Art Garfunkle Rod Stewart Carol King Glenn Campbell Leo Sayer Hall & Oates Hoyt Axton Bette Midler Warren Zevon Donna Summer America Dolly Parton Billy Preston Don Henley Phil Collins Jimmy Webb Bonnie Raitt Ricky Skaggs Reba McEntire George Strait Oak Ridge Boys Randy Newman Leland Sklar P Patty Loveless that doin’ still there, Been Family Immediate with hanging out Currently live performances. uncountable and songs 2,000 albums/25,000 over whose work spans a player for surprising too credits—not onthe would be listed Leland agood chance there’s ‘90s and and ‘80s, ‘70s, the from artist album/song/ iconic any much pretty name could you is, Fact Check Taylor? James musicscene. popular the of forefront the at always and more— and movie dates, tours, sessions, recording of milestone number with extraordinary an long ( the represents Sklar Leland bassist Lyle Lovett pre-eminent artist, Cordial other any than more erhaps Manhattan Transfer Pathways long! Neil Diamond . Phil Collins? Suzy Bogguss Check Wynonna Judd populated ) career Clint Black a best: aesthetic Browne? . Jackson Leonard Cohen Wilson Philips —a group Thomas Dolby Check Air Supply Ray Charles Chet Atkins . The Peter Frampton Julio Iglesias -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
(I Can't Get No) Satisfaction” by the Rolling Stones (1965) Added to the National Registry: 2006 Essay by Dan Leroy (Guest Post)*
“(I Can't Get No) Satisfaction” by the Rolling Stones (1965) Added to the National Registry: 2006 Essay by Dan LeRoy (guest post)* The Rolling Stones Not long before his untimely death in February 2020, guitarist Andy Gill of the British post-punk band Gang of Four was reminiscing about his love of The Rolling Stones’ “Satisfaction.” “That riff!” Gill enthused. “It was perfect. Every morning when I went to school, and every night when I came home, I marched along to it.”1 Former Gang of Four singer Jon King had innumerable disputes with his old bandmate. But on the subject of “Satisfaction,” the two had long ago reached a satisfying equilibrium. “I doubt there’s many rock music fans who don’t revere ‘Satisfaction,’” King observed. His description of the song’s attributes was admirably succinct: “Killer riff, spare, focused with intense and deep lyrics about alienation in a new consumer culture.” That two post-punk legends like Gill and King would revere “Satisfaction” is hardly a surprise. The divide between old-guard bands like the Stones and the then-new wave in Britain was never as pronounced as it first appeared. But what made the song singular in its time is, paradoxically, what also makes it universal, today and forevermore. More than any other song of its era, it embodies discontent and alienation--and not just the sort beginning to surface in the mid-Sixties. 1 After Gill’s death, an interview with the journalist and author Dan Epstein surfaced in “Flood” magazine. In that previously-unpublished conversation from a few years prior, Gill revealed that he had auditioned for Jagger’s band in the mid-Eighties, and that in rehearsal, he upstaged an outraged Jeff Beck by talking the guitar solo in “Miss You.” A number one single on both sides of the Atlantic in the summer of 1965, it captured the “rumbling of rebellion,” as guitarist Keith Richards put it, and became the Stones’ signature hit for nearly half a decade, until “Jumpin’ Jack Flash” arrived to supplant it as the decade changed. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
The Cascades - Single
The Cascades - single 1248 The Cascades Flying on the ground/ Main Street Smash S 2101 (US) 06.1967 No piano on 1 (written by Neil Young), but piano intro on 2. Arr. by Jack Nitzsche who recalls that Neil Young played guitar on his own song. Produced by Andy di Martino. Cascades was a vocal/pop band from San Diego, CA, notable for a classic early 1960's Top 3 hit, "Rhythm of the Rain”. From Lead-singer John Gummoe’s homepage: Gummoe: In 1962, Gummoe, (in 1967 replaced by Gabe Lapano) along with band mates Dave Wilson, Eddie Snyder, Dave Stevens and Dave Zabo ("everyone in the group sang") hooked up with a San Diego based guitar teacher with Hollywood connections – Andy Di Martino. Di Martino became the manager and took their demos to Barry DeVorzon's Valiant label, a Warner Bros.' subsidiary (and later the home of the Association). "Out of the stuff that was on the demo tape, DeVorzon liked 'Rain' and 'There's A Reason'." Valiant offered the group a deal and they changed their name to the Cascades. "The name was taken from a popular dishwashing detergent at the time." "The entire first album was done at Gold Star Studios in Hollywood with studio musicians known as 'The Wrecking Crew', but we did all the singing. Hal Blaine and Glen Campbell played on those sessions. Phil Spector happened to be recording at Gold Star at that time and I remember him asking us if we were recording a demo for Rick Nelson." For music history buffs, the Cascade's second most famous musical mark came that same year. -
1914 the Ascap Story 1964 to Page 27
FEBRUARY 29, 1964 SEVENTIETH YEAR 50 CENTS New Radio Study 7A^ I NEW YORK-Response Ratings, a new and unique continuing study measuring radio station and jockey effectiveness, will he 'r, launched in next week's issue. This comprehensive radio analysis- another exclusive Billboard feature-will he carried weekly. Three different markets will be profiled in each issue. It will kick off in the March 7 Billboard with a complete study of the New York, Nashville, and San Francisco markets. In subsequent weeks, the study will consider all key areas. This service has been hailed by broadcast The International Music -Record Newsweekly industry leaders as a major breakthrough in station and personality Radio -TV Programming Phono-Tape Merchandising Coin Machine Operating analysis. Beatles Business Booms But Blessings Mixed Beatles Bug BeatlesGross r z As They 17 Mil. Plus Paris Dealer, 31-4*- t 114 In 6 Months 150 Yrs. Old, Control Air NEW YORK - In the six By JACK MAHER six months prior to the peak of Keeps Pace NEW YORK - While a few their American success, Beatles manufacturers were congratu- records grossed $17,500,000 ac- Story on Page 51 lating the Beatles for infusing cording to EMI managing direc- new life and excitement into the tor John Wall. record business others were This figure, which does not quietly venting their spleen include the huge sales of Beatles against the British group. records ín the U. S., shows the At the nub of their blasphe- staggering impact the group has mies was the enormous amount had on the record industry t r 1.+ra.