Merlin Tips New ACE Estb This Guide Is Designed to Save Time When Generating Electronic Single Entry Transaction Bonds Via Our Merlin Secure Internet Portal

Total Page:16

File Type:pdf, Size:1020Kb

Merlin Tips New ACE Estb This Guide Is Designed to Save Time When Generating Electronic Single Entry Transaction Bonds Via Our Merlin Secure Internet Portal Merlin Tips New ACE eSTB This guide is designed to save time when generating electronic single entry transaction bonds via our Merlin secure Internet portal. If you have any questions, contact your Avalon office or our Merlin help desk at [email protected] or (847) 700-8140. Only proceed with an ACE eSTB filing if one of the following describes your entry filing process: • ACE Entry (Simplified Entry/Cargo Release) followed by ACE Entry Summary (2-Step Process) • ACE Entry Summary Certified for ACE Cargo Release. If one of the following describes your entry filing process, select Surety Bonds - Single Entry Bonds (CBP-301) -ACS STB to complete a paper single transaction bond: • ACS Entry followed by ACE Entry Summary (2-Step Process) • ACE Entry Summary Certified for ACS Cargo Release • ACS Entry followed by ACS Entry Summary (2-Step Process) • ACS Entry Summary Certified for Cargo Release 1. Event Log Click “Show Event Log” to see a history of your bond submission and who last updated the record. 2. Broker Information Account #: Use the drop down to select your location Requester #: Use the drop down to select. CHB Ref #: Your internal reference number, if needed. 3. Importer Information Importer and Importer #: Enter either the importer number or the name. A grid of importers will populate. If the importer is not listed in the grid, select “Refresh Data from Customs” to retreive the data from CBP. Importer Name: This imformation will populate when the importer query returns from CBP or if the importer is already in your database. With the introduction of eBond, CBP no longer requires this data to be included in the bond submission. This field is only for your reference. Should you notice discrepancies, or if the Importer Name returns IMPORTER # VOIDED or IMPORTER # INACTIVE, this may mean an updated 5106 must be submitted to CBP before you file the bond. www.avalonrisk.com Form B309P 2018/05/21 Atlanta | Boston | Charleston | Chicago | Houston | Los Angeles | Miami | New York | San Francisco | Seattle | Toronto 3. Importer Information You may file a 5106 via ABI or submit it via email. The new protocol, which can take up to 5 business days to process, is as follows: • Send the completed 5106 as an email attachment • Email must contain subject line that states Update IR# • The email must be sent to [email protected] 4. Importer Aggregation After your desired importer is selected, a box will populate that indentifies the single entry bond aggregation at the importer level. These boxes will change color depending on the underwriting authority that remains for a particular importer. A green box signifies that the importer’s aggregation limit is less that 80% of the maximum underwriting authority. The box will change to orange if the importer has reaced within 80% of its aggregation limit. Once the importer nearly reaches its single entry bond aggretation limit, the box will change to red. Please note that any single entry bond outside of your underwriting authority requires referral to Avalon for prior underwriting approval. 5. Bond Related Information Bond Designation Code: Use the drop down to select. A description of the code will appear above the field. Activity Code: Use the drop down to select. Entry Type: Use the drop down to select. Bond Amount ($): Do not use comma, “$” sign or period. UW Limit: Will populate after Entry Type and one Entry Line has been selected. Lets you know if the bond you are about to file is within your underwriting authority. If outside your authority, you will be prompted to submit to Avalon for review. Bond #: Will return from CBP when bond is on-file. Execution Date: Will be set when bond is sent to CBP. 6. Underwriting Questions • Complete these questions to the best of your knowledge. • Select Actions - Save and Sumbit to CBP • After you Save and Submit to CBP, you may be asked a few additional questions before you can proceed with eSTB submission. • Once you complete the remaining required fields, select Save and Submit to CBP again to proceed with your submission. www.avalonrisk.com Form B309P 2018/05/21 Atlanta | Boston | Charleston | Chicago | Houston | Los Angeles | Miami | New York | San Francisco | Seattle | Toronto.
Recommended publications
  • Queen Guinevere
    Ingvarsdóttir 1 Hugvísindasvið Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir June 2011 Ingvarsdóttir 2 Háskóli Íslands Hugvísindasvið Enskudeild Queen Guinevere: A queen through time B.A. Thesis Marie Helga Ingvarsdóttir Kt.: 060389-3309 Supervisor: Ingibjörg Ágústsdóttir June 2011 Ingvarsdóttir 3 Abstract This essay is an attempt to recollect and analyze the character of Queen Guinevere in Arthurian literature and movies through time. The sources involved here are Welsh and other Celtic tradition, Latin texts, French romances and other works from the twelfth and thirteenth centuries, Malory’s and Tennyson’s representation of the Queen, and finally Guinevere in the twentieth century in Bradley’s and Miles’s novels as well as in movies. The main sources in the first three chapters are of European origins; however, there is a focus on French and British works. There is a lack of study of German sources, which could bring different insights into the character of Guinevere. The purpose of this essay is to analyze the evolution of Queen Guinevere and to point out that through the works of Malory and Tennyson, she has been misrepresented and there is more to her than her adulterous relation with Lancelot. This essay is exclusively focused on Queen Guinevere and her analysis involves other characters like Arthur, Lancelot, Merlin, Enide, and more. First the Queen is only represented as Arthur’s unfaithful wife, and her abduction is narrated. We have here the basis of her character. Chrétien de Troyes develops this basic character into a woman of important values about love and chivalry.
    [Show full text]
  • A Welsh Classical Dictionary
    A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’).
    [Show full text]
  • LEGENDS of the ROUND TABLE by JEFF POSSON
    LEGENDS OF THE ROUND TABLE by JEFF POSSON 2 LEGENDS OF THE ROUND TABLE SETTING The forests of England in the Middle Ages. A Lake with magic in its waters. CHARACTERS Merlin – A wizard Morgan Le Fay – An enchantress who likes to make fun of Merlin King Arthur- A king, Morgan Le Fey’s brother Sir Bedivere- A knight The Black Knight- A knight, a bit of a bully Sir Gawain- A knight The Green Knight- A knight, has a magical talent Sir Galahad- A knight The Lady of the Lake- A mystical goddess of the water Villager- Running from a dragon Scene 1 MERLIN Oh a legend is sung! Of when England was young And Knights were brave and.... (MORGAN runs on because she is tired of MERLIN’S singing.) MORGAN STOP! MERLIN What? MORGAN !Stop singing! I’m trying to cast a spell and it is INCREDIBLY distracting. MERLIN! Oh come now Morgan, it is not that distracting. MORGAN! It is, it really is. You may be the most famous wizard in history, Merlin, but your pitch is all over the place. MERLIN! 3 Fine, I’ll stop.... wait, what spell are you casting, Morgan Le Fey? Are you up to mischief again? MORGAN Oh yes, without a doubt. Mischief is what I do. MERLIN Well, you should stop it. ! MORGAN Pardon me? Do youth think I need your permission to do anything? MERLIN Well... no but...! MORGAN! No buts Merlin. This is my island you’re currently sitting on. Avalon, the isle of Apples. My island, my rules, I can do what I want.
    [Show full text]
  • The Logistics Industry Relies on Technology to Support Compliance and Increase Efficiency
    Date/Issue: Special Quest: January 2008 Title: New Web Merlin™ v1.6 release Innovative updates improve industry-leading technology Author: Andriana Davis, Product Manager, Avalon Risk Management, Inc. The logistics industry relies on technology to support compliance and increase efficiency. Avalon Risk Management, Inc. is proud to announce the release of Web Merlin™ v1.6, an update to the first technology of its kind for customs brokers. Web Merlin v1.6 incorporates the Automated Bond Maintenance Package. Using a secure login, this new feature allows the user to view an imaged bond package and process riders (Addition or Deletion of Trade Names, Name Change and Address Change), as well as terminations on any filed and billed bonds. The portal also completes and compiles the appropriate documents for bond riders, terminations and the CBP Form 5106 to be filed directly with the National Finance Center (NFC) using Avalon’s “SureFile” submission protocol to avoid rejections. The new features also provide an easier interface to work with bonds in process as well as those already filed with NFC and/or billed. This functionality applies to any bonds filed through Web Merlin as well as bond filed manually through Avalon’s Centralized Bond Unit (CBU). The user can then track the status of bonds in real time by easily searching through bonds and submissions. Avalon exclusively developed Web Merlin to support the unique needs of our client, the customs broker. Selecting various features allows our clients to manage information, request and review activity and support compliance. Multiple access levels are available to only select account numbers, or employees can be granted full access to account information.
    [Show full text]
  • Arthurian Legend
    Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1.
    [Show full text]
  • Arthurian Personal Names in Medieval Welsh Poetry
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aberystwyth Research Portal ʹͲͳͷ Summary The aim of this work is to provide an extensive survey of the Arthurian personal names in the works of Beirdd y Tywysogion (the Poets of the Princes) and Beirdd yr Uchelwyr (the Poets of the Nobility) from c.1100 to c.1525. This work explores how the images of Arthur and other Arthurian characters (Gwenhwyfar, Llachau, Uthr, Eigr, Cai, Bedwyr, Gwalchmai, Melwas, Medrawd, Peredur, Owain, Luned, Geraint, Enid, and finally, Twrch Trwyth) depicted mainly in medieval Welsh prose tales are reflected in the works of poets during that period, traces their developments and changes over time, and, occasionally, has a peep into reminiscences of possible Arthurian tales that are now lost to us, so that readers will see the interaction between the two aspects of middle Welsh literary tradition. Table of Contents Acknowledgements ...................................................................................................... 3 Bibliographical Abbreviations and Short Titles ....................................................... 4 Introduction .................................................................................................................. 9 Chapter 1: Possible Sources in Welsh and Latin for the References to Arthur in Medieval Welsh Poetry .............................................................................................. 17 1.1. Arthur in the White Book of Rhydderch and the
    [Show full text]
  • John Cowper Powys's Porius: a Reader's Companion
    John Cowper Powys: Porius A Reader’s Companion Updated and Expanded Edition W. J. Keith April 2009 “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this “Companion” is to provide background information that will enrich a reading of Powys’s novel/romance. It glosses Welsh, classical, biblical, and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. (When a quotation is involved, the passage is listed under the first word even if it is “a” or “the.”) It was first made available on the Internet and in booklet form in 2004, and has subsequently been updated and revised from time to time. The present version has been thoroughly reset and expanded. Numerous errors discovered in the intervening years have been corrected. All page-references are to Judith Bond and Morine Krissdóttir’s edition published by Overlook Duckworth in 2007, with those to Wilbur T. Albrecht’s 1994 edition from Colgate University Press following in square brackets. Since the latter contained many errors and inconsistencies, the words listed often appear there in somewhat different form. Moreover, because the editions are based on different copy-texts, some references appear only in one of the editions; when those occurring in only one version require separate annotation, they have been identified and glossed. References to other JCP books published during his lifetime will be either to the first editions or to reprints that reproduce the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed.
    [Show full text]
  • The Matter of Britain
    The Matter of Britain The Mythological and Philosophical Significance of the British Legends by John J. Davenport Department of Philosophy Fordham University [email protected] In honor of Stephen R. Donaldson Originally composed in 1997 for relatives and friends from the UK, this work has been shared with others since. I make it available to all for any pleasure and insight it may bring. last revised November, 2004 Contents Introduction : The Mystery Part I: The Cycle of Britain 1. Historical Context 2. Archetypal Background 3. Brutus and the Founding of Britain 4. The Paradigmatic Language of Myth and Legend 5. The Development of Arthurian Legend 6. The British Cycle Part II: Themes of the British Legend 7. Spenser's Paean to Arthur 8. The Arthurian Vision 9. The Island Kingdom 10. Impregnable Wierd and the Human Will 11. The Tragic Poignance of Humanity 12. Poignance and the Mark of Mortality 13. The Phenomenology of Poignance Conclusion: Resentiment or Eucatastrophe -- 1 -- The Matter of Britain Introduction Oh England my Lionheart I'm in your garden fading fast in your arms The soldiers soften, the war is over. The air raid shelters are blooming clover; Flapping umbrellas fill the lanes, My London Bridge in rain again... This first stanza of Kate Bush's song, “Lionheart,” evokes a legendary image of ‘Britain' only to relate it to modern imagery, specifically the legacy of World War II. The nostalgic mood, as we learn in the last stanza, reflects a dying soldier’s last vision of the spirit of his country—the desires and symbols native to this land for which he would give his life.
    [Show full text]
  • Excalibur (Film)
    Excalibur (film) Excalibur is a 1981 American epic fantasy film directed, produced, and co-written Excalibur by John Boorman that retells the legend ofKing Arthur and the knights of the Round Table, based on the 15th-century Arthurian romance Le Morte d'Arthur by Thomas Malory. It stars Nigel Terry as Arthur, Nicol Williamson as Merlin, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Helen Mirren as Morgana, Liam Neeson as Gawain, Gabriel Byrne as Uther Pendragon, Corin Redgrave as Cornwall, and Patrick Stewart as Leondegrance. The film is named after the legendary sword of King Arthur that features prominently in Arthurian literature. The film's soundtrack features the music of Richard Wagner and Carl Orff, along with an original score by Trevor Jones. Excalibur was shot entirely on location in Ireland, employing Irish actors and crew. It has been acknowledged for its importance to the Irish filmmaking industry and for helping launch the film and acting careers of a number of British and Irish actors, including Liam Neeson, Patrick Stewart, Gabriel Byrne and Ciarán Hinds.[4] Film critics Roger Ebert and Vincent Canby criticized the film's plot and characters,[6][7] although they and other reviewers[8] praised its visual style. Excalibur opened at number one in the United States, eventually grossing $34,967,437 on a budget of around US$11 million to rank 18th in that year's Theatrical release poster receipts.[5] by Bob Peak Directed by John Boorman Produced by John Boorman Contents Screenplay by John Boorman Plot Rospo Cast Pallenberg
    [Show full text]
  • Arthur Pendragon Camelot Evolution in Merlin: a Virtual Fan Art in the Computation Age
    Arthur pendragon Camelot evolution in merlin: A virtual fan art in the computation age Kwadwo Adinkrah-Appiah 1, Atianashie Miracle A 2, *, Chukwuma Chinaza Adaobi 2 and Augustine Owusu- Addo 2 1 Sunyani Technical University, Bono Region, Ghana. 2 Catholic University College of Ghana, Fiapre Sunyani, Bono Region, Ghana. World Journal of Advanced Research and Reviews, 2021, 11(02), 040–047 Publication history: Received on 20 June 2021; revised on 30 July 2021; accepted on 02 August 2021 Article DOI: https://doi.org/10.30574/wjarr.2021.11.2.0340 Abstract This paper inspects Arthur Pendragon Camelot evolution in Merlin, the research review on the Citadel of Camelot, Camelot Administration, Knights of Camelot, Early History of Camelot, The Intensification of The Once and Future King, Map of Camelot, and the Sovereignty of Arthur. Camelot Castle is the castle where the royal family live, and where the court is held. The citadel houses a garrison of at least 12,000 men and had never fallen in a siege before Morgause's invasion by her immortal army. It is currently the home of Guinevere Pendragon, the Queen of Camelot after her husband King Arthur Pendragon. In virtual fan art, Arthur Pendragon is shown to be a very wealthy kingdom as it offers a prize of a thousand gold coins for participation in its tournaments. Camelot is widely known for its laws banning all forms of magic and enchantments on penalty of death, usually by burning or beheading. However, the meter theater illustrates of Merlin who is Arthur's servant, secret protector, and best friend, and Gaius's ward and apprentice.
    [Show full text]
  • In the Time of King Arthur
    In the Time of King Arthur Arthurian legend refers to a body of medieval literature whose principal subject is the exploits of Arthur, a sixth century British king who fought to protect Britain from fierce Germanic tribes. Originally concerned with the history of Arthur and the "Matter of Britain," the legend developed into a more literary than purely historic form during the Middle Ages, incorporating elements of Celtic myth and medieval chivalry. By the twelfth century, Arthurian legend had become established in the literature of France, Germany, Italy, and other countries resulting in a great diversity of Arthurian characters, themes and motifs. Scholars divide Arthurian legend into two broadly overlapping domains, the "pseudo-historical Arthur" and Arthurian romance. The historical aspect of Arthurian legend developed chiefly in the British Isles. There Arthur's name is mentioned in conjunction with a number of battles in chronicles and poems that elaborate on the theme of Arthur as a heroic warrior king. Many latter chronicles that present a glorified portrayal of Arthur transgress historical fact, but in so doing, introduce new motifs such as the Isle of Avalon, the figure of Merlin, and the sword Exalibur. The flowering of Arthurian romance occurred in France during the late twelfth century. The numerous verse romances consolidate many of the legend's best known features: the romance of Lancelot and Guinevere, Sir Gawain as a model of noble conduct, and the quest for the mysterious Holy Grail. These romances shifted attention away from Arthur toward his illustrious knights of the round table. By the thirteenth century, Arthurian romances shift the treatment of the material from verse to prose.
    [Show full text]
  • Arthur and Guinevere & Arthur's Last Battle
    1 ARTHUR AND GUINEVERE & ARTHUR’S LAST BATTLE (LE MORTE D’ARTHUR) The Marriage of King Arthur and Queen Guinevere It befell upon a certain day, that King Arthur said to Merlin, “My lords and knights do daily pray me now to take a wife; but I will have none without thy counsel, for thou hast ever helped me since I came first to this crown.” “It is well,” said Merlin, “that thou shouldst take a wife, for no man of bounteous and noble nature should live without one; but is there any lady whom thou lovest better than another?” “Yea,” said King Arthur, “I love Guinevere, the daughter of King Leodegrance, of Camelgard, who also holdeth in his house the Round Table that he had from my father Uther; and as I think, that damsel is the gentlest and the fairest lady living.” “Sir,” answered Merlin, “as for her beauty, she is one of the fairest that do live; but if ye had not loved her as ye do, I would fain have had ye choose some other who was both fair and good. But where a man’s heart is set, he will be loath to leave.” This Merlin said, knowing the misery that should hereafter happen from this marriage. Then King Arthur sent word to King Leodegrance that he mightily desired to wed his daughter, and how that he had loved her since he saw her first, when he rescued Leodegrance from King Ryence of North Wales. When King Leodegrance heard the message, he cried out “These be the best tidings I have heard in all my life— so great and worshipful a prince to seek my daughter for his wife! It will please him that I send him the Round Table of King Uther, his father, with a hundred good knights towards the furnishing of it with guests.” Then King Leodegrance delivered his daughter Guinevere to the messengers of King Arthur, and also the Round Table with the hundred knights.
    [Show full text]