FAMOUS ABBA FANS TALK by Stany Van Wymeersch
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ABBA의 음악에서 나타나는 Rutger Gunnarsson의 Bass연주 특징의 연구 분석
Journal of the Korea Academia-Industrial http://dx.doi.org/10.5762/KAIS.2014.15.7.4105 cooperation Society ISSN 1975-4701 / eISSN 2288-4688 Vol. 15, No. 7 pp. 4105-4110, 2014 ABBA의 음악에서 나타나는 Rutger Gunnarsson의 Bass연주 특징의 연구 분석 최희철1*, 조태선2 1청운대학교 산업기술경영대학원, 2청운대학교 실용음악과 A Analytical Study of Rutger Gunnarsson's Bass Performance Charateristics in ABBA Hee-Chul Choi1*, Tae-Seon Cho2 1Graduate School of Technology & Business, Chungwoon University 2Dept of Applied Music, Chungwoon University 요 약 앙상블에서 베이스라는 악기의 역할은 화음의 토대를 만들어주는 것이다. 우선은 그 기본 임무에 충실해야 한다. 그러나 그 역할에만 집중하다보면 다소 밋밋하고 안정적이기만 한 연주가 되기 때문에 보다 재미있는 연주를 위해서라면 다양한 아이디어를 반영해야 할 필요가 있다. 그런 의미에서 볼 때, Rutger Gunnarsson은 연주곡 위주의 음악이 아닌 대중음 악에 이러한 사례를 적용한 예를 ABBA라는 대 그룹에서의 연주를 통해 뚜렷하게 보여주었다. 화려한 테크닉이나 고난이도 의 기교에 의존하지 않고 기본기에 충실한 연주만으로도 이처럼 다양한 느낌을 낼 수 있다는 것에 주목해야 한다. Abstract The role of bass in band or ensemble music literally sets up the foundation of harmony, which must be regarded first. On the other hand, this is also considered so basic or stable that it can be slightly boring to the listeners. Consideration is needed to make the varied trials more exciting. In this sense, Rutger Gunnarsson showed these fine examples not in performing music but in pop music through the Great ABBA. He could make a fabulous sound with only a basic performance, not with a florid technique or rhetorical skills. All bassists must bear in mind that the overall performance depends on the bass. -
Komplet Liste.Xlsx
MasterCatID Artist Title 2010er Lady GaGa Bad Romance 2010er Robbie Williams Bodies 2010er Norah Jones Chasing Pirates 2010er Nabiha Deep Sleep (Radio edit) 2010er Jay Sean Down 2010er Rasmus Seebach Glad igen 2010er Leona Lewis Happy 2010er Amanda Jenssen Happyland 2010er Joey Moe Jorden Er Giftig 2010er The Raveonettes Last Dance 2010er Taylor Swift Love Story 2010er Timbaland Morning After Dark (feat. Nelly Furtado & SoShy) 2010er Paloma Faith New York (Radio Edit) 2010er Daniel Merriweather Red 2010er Bring Det På Ring Til Politiet 2010er Rihanna Russian Roulette 2010er Shakira She Wolf 2010er Alexander Brown & Morten Hampenberg Skub Til Taget (Radio Edit) [feat. Yepha] 2010er Alphabeat The Spell 2010er Ke$ha TiK ToK 2010er Muse Uprising 2010er Jason Derulo Whatcha Say 2010er John Mayer Who Says 2010er Kasper Bjørke Young Again (Radio Edit) 2010er Norah Jones Even Though 2010er Susan Boyle I Dreamed a Dream 2010er Magtens Korridorer Milan Allé 2010er Mariah Carey Obsessed 2010er Miley Cyrus Party In the U.s.a. 2010er Black Eyed Peas Meet Me Halfway 2010er Miley Cyrus When I Look At You 2010er Rasmus Seebach Lidt I Fem 2010er Michael Bublé Haven't Met You Yet 2010er Emma OS 2 (Svenstrup & Vendelboe Radio Mix) 2010er Taylor Swift You Belong With Me 2010er Owl City Fireflies 2010er Jokeren Den Eneste Anden 2010er Jack White & Alicia Keys Another Way To Die 2010er Jay-Z feat. Alicia Keys Empire State Of Mind 2010er Michael Jackson This Is It 00er Sys Bjerre Jumbojet 00er Sys Bjerre Gør Det Selv 00er Sam Sparro Black & Gold 00er Infernal -
Sociala Medier Maktfaktor I Melodifestivalen – Kommentarer Och Likes Styr Vår Bedömning Av Tävlingsbidragen
Pressmeddelande Stockholm, den 2 februari 2015 Sociala medier maktfaktor i Melodifestivalen – kommentarer och likes styr vår bedömning av tävlingsbidragen Sociala medier är en viktig maktfaktor när svenska folket ska välja sina favoriter i Melodifestivalen. Mer än var fjärde svensk – och mer än var tredje person mellan 15 och 34 år – kommer att vara aktiv i sociala kanaler i samband med programmet. Bland de aktiva säger en stor andel (44,2%) att inlägg på exempelvis Facebook och Instagram påverkar deras åsikter om bidragen. Det visar en undersökning som utförts på uppdrag av Telenor. Samma studie visar att många tycker att snacket runt Melodifestivalen i sociala medier har minst lika stort underhållningsvärde som det faktiska tv-programmet. – Det råder ingen tvekan om att stora delar av svenska folket, i synnerhet de yngre, numera ser det som en självklarhet att följa Melodifestivalen via flera skärmar samtidigt. De sociala kanalerna betyder enormt mycket och gör det möjligt för vem som helst att komma nära evenemanget, oavsett om man befinner sig i arenan eller hemma i tv-soffan, säger Patrik Söder, varumärkeschef på Telenor. Drygt 2000 personer mellan 15 och 70 år har medverkat i studien från Telenor som undersöker användningen av digitala/sociala kanaler i samband med Melodifestivalen. Resultatet visar att stora delar av svenska folket inte längre nöjer sig med att följa tävlingen via tv-skärmen. De sociala plattformarna har stor, och ibland större, betydelse, såväl som informationskanal som en plats för underhållning. Många vill följa festivalsnacket Totalt sett svarar var fjärde person (26,4%) att de kommer att vara aktiva i sociala medier genom att exempelvis gilla, läsa eller göra inlägg med koppling till Melodifestivalen. -
In Focus the Making of the Visitors
People Need Love – the first ABBA song Waterloo was ABBA’s first single, right? Yes – and no. Join us as we explore the story behind People Need Love, the very first single released by the group that later reached worldwide fame under the name ABBA. Party people failure In this day and age, when pop stars with little previous stage experience achieve instant number one hits through participation in television shows such as Pop Idol and American Idol, it is sobering to be reminded how long it actually took before ABBA achieved worldwide success. Although many in the 1970s regarded the four Swedes as a ”manufactured” band, very much along the lines of the groomed, styled and choreographed overnight sensations of the early 21st Century, nothing could be further from the truth. Not only had the individual members spent a decade performing, touring and recording in earlier groups or as solo artists before they grabbed the world’s attention with ’Waterloo’ in April 1974, by that time ABBA themselves had already been making pop music together for two years – and four years had passed since they first attempted a collaboration. Confused? Read on. The early 1970s was a somewhat insecure period for Björn, Benny, Agnetha and Frida. Benny had left his previous group, The Hep Stars, and although Björn was still making records with his group, the Hootenanny Singers, he knew he couldn’t count on them for any future career advancement. Furthermore, Björn and Benny wanted to focus their attention on their partnership in songwriting and record producing, and perhaps not be performers so much anymore. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Full Biography.Pdf
BIOGRAPHY One of Sweden’s most powerful adult contemporary vocalists, ELINDA is a pop and soul artist who has performed on stages around Europe, the U.S. and Asia and is making her long-awaited U.S. live debut in October 2018. Known for her faithful covers of songs by ABBA and her demo vocals for Celine Dion, ELINDA’s sound is an explosion of positivity in music – pure joy and glowing with an exuberance that’s infectious. ELINDA is Linda Östergren Frithiof, a multi-talented stage performer and recording artist who comes from the small island of Ekerö, west of Stockholm, and began her career as a trained dancer graduating from the Lasse Kühler Dansskola School and the Ballet Academy, one of Scandinavia’s leading dance schools. Quickly recognized as a commanding singer as well as accomplished dancer, she performed at nightclubs and cabaret venues, and traveled widely to sing and dance at vacation resorts, on cruise ships and at corporate events. ELINDA has performed for a televised audience of more than 100 million andfor the Swedish Armed Forces Entertainers, a hotbed of the country’s best music talents entertaining Swedish troops at home and abroad, including in Afghanistan. She performed as a backup singer for major Scandinavian stars Magnus Uggla, Markoolio E-Type, Shirley Clamp, Martin Stenmarck and Charlotte Perrelli and American Lutricia McNeal, and sang vocal demos for Celine Dion. At the same time ELINDA was honing her skills as a songwriter, collaborating with writers such as Leif Larsson and Anders Borgius for Swedish artists Björn Skifs and US singer and actor David Hasselhoff. -
QU-Alumni Review 2019-3.Pdf
Issue 3, 2019 THE MAGAZINE OF QUEEN’S UNIVERSITY Queen’s SINCE 1927 ALUMNI REVIEW How to Rembrandtlook at a like a conservator and why Heidi Sobol, MAC’00, always starts with the nose In this issue … How Queen’s Chemistry is changing the world Plus … Meet the football coach 4 years to earn your degree. #"""""! !! • Program runs May-August • Earn credits toward an MBA • Designedforrecent graduates "" • Broaden your career prospects • "" " "" ""! 855.933.3298 [email protected] smithqueens.com/gdb "" "" contents Issue 3, 2019, Volume 93, Number 3 Queen’s The magazine of Queen’s University since 1927 queensu.ca/alumnireview ALUMNI REVIEW 2 From the editor 7 From the principal 8 Student research: Pharmacare in Canada 24 Victor Snieckus: The magic of chemistry 29 Matthias Hermann: 10 15 The elements of EM HARM EM TINA WELTZ WELTZ TINA education COVER STORY Inspired by How to look at a Rembrandt 36 Rembrandt Keeping in touch like a conservator Poet Steven Heighton (Artsci’85, Heidi Sobol, mac’00, explores the techniques – ma’86) and artist Em Harm take 46 and the chemistry – behind the masterpieces. inspiration from a new addition The Chemistry medal to The Bader Collection. 48 Your global alumni network 50 Ex libris: New books from faculty and alumni ON THE COVER Heidi Sobol at the Royal Ontario Museum’s exhibition “In the Age of Rembrandt: Dutch Paintings from the 20 33 Museum of Fine Arts, BERNARD CLARK CLARK BERNARD BERNARD CLARK CLARK BERNARD Boston” PHOTO BY TINA WELTZ Pushing the boundaries Meet the coach of science New football coach Steve Snyder discusses his coaching style and the Dr. -
L'italia E L'eurovision Song Contest Un Rinnovato
La musica unisce l'Europa… e non solo C'è chi la definisce "La Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai una rassegna globale, che vede protagonisti nel 2016 43 paesi: 42 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area (l’anno scorso fu invitata dall’EBU per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che quest’anno è stata nuovamente invitata dall’organizzazione). L'ideatore della rassegna fu un italiano: Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più Paesi e promuovere il mezzo televisivo nel vecchio continente. -
Kappale Artisti
14.7.2020 Suomen suosituin karaokepalvelu ammattikäyttöön Kappale Artisti #1 Nelly #1 Crush Garbage #NAME Ednita Nazario #Selˆe The Chainsmokers #thatPOWER Will.i.am Feat Justin Bieber #thatPOWER Will.i.am Feat. Justin Bieber (Baby I've Got You) On My Mind Powderˆnger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Can't Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Every Time I Turn Around) Back In Love Again LTD (Everything I Do) I Do It For You Brandy (Everything I Do) I Do It For You Bryan Adams (Hey Won't You Play) Another Somebody Done Somebody Wrong Song B. J. Thomas (How Does It Feel To Be) On Top Of The W England United (I Am Not A) Robot Marina & The Diamonds (I Can't Get No) Satisfaction The Rolling Stones (I Could Only) Whisper Your Name Harry Connick, Jr (I Just) Died In Your Arms Cutting Crew (If Paradise Is) Half As Nice Amen Corner (If You're Not In It For Love) I'm Outta Here Shania Twain (I'll Never Be) Maria Magdalena Sandra (It Looks Like) I'll Never Fall In Love Again Tom Jones (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life Bill Medley-Jennifer Warnes (I've Had) The Time Of My Life (Duet) Bill Medley & Jennifer Warnes (Just Like) Romeo And Juliet The Re˜ections (Just Like) Starting Over John Lennon (Marie's The Name) Of His Latest Flame Elvis Presley (Now & Then) There's A Fool Such As I Elvis Presley (Reach Up For The) Sunrise Duran Duran (Shake, Shake, Shake) Shake Your Booty KC And The Sunshine Band (Sittin' On) The Dock Of The Bay Otis Redding (Theme From) New York, New York Frank Sinatra (They Long To Be) Close To You Carpenters (We're Gonna) Rock Around The Clock Bill Haley & His Comets (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears (You Gotta) Fight For Your Right (To Party!) The Beastie Boys 1+1 (One Plus One) Beyonce 1000 Coeurs Debout Star Academie 2009 1000 Miles H.E.A.T. -
WE CREATE CONDITIONS for SUCCESS ANNUAL REPORT 2015 This Document Is a Translation of the Original, Published in Swedish
WE CREATE CONDITIONS FOR SUCCESS ANNUAL REPORT 2015 This document is a translation of the original, published in Swedish. In cases of any discrepancies between the Swedish and English version, or in any other context, the Swedish original shall have precedence. FABEGE CREATES CONDITIONS FOR SUCCESS INTRODUCTION This is Fabege 1 Highlights of the year 2 Message from the CEO 4 Business concept, strategy and value chain 6 Business model 8 Targets 10 OPERATIONS Overview of operations 12 Property Management 14 Property Development 18 ATTRACTIVE Transactions 22 Valuation 24 LOCATIONS Market overview 26 Fabege’s properties are located in a Stockholm inner city 28 number of the fastest growing areas in Hammarby Sjöstad 30 Stockholm all of which offer excellent Solna 32 Arenastaden 34 transport facilities. Sustainability work 36 Stakeholder dialogue 38 Material issues 39 Employees 40 Business ethics 44 Social involvement 46 CONCENTRATED MODERN Awards and nominations 47 PORTFOLIO PROPERTIES FINANCIAL Directors’ Report 49 Concentrated portfolios facilitate market Modern, sustainable offi ces REPORTING Risks and opportunities 56 awareness and provide opportunities to in attractive locations in terms of Group meet customer requirements. This means the transport links and good surrounding Statement of comprehensive income 63 Statement of fi nancial position 64 company is well placed to infl uence the services are increasingly in demand. Statement of changes in equity 65 development of entire city districts and Fabege offers modern, fl exible and Statement -
Allsång På Slottsträdgårdens Kafé
ALLSÅNG PÅ SLOTTSTRÄDGÅRDENS KAFÉ Allsång på Skånska med Schlagerhits & lite Mello DEN 9 AUGUSTI 2021 Främling (Carola) Främling Vad döljer du för mig? I dina mörka ögon En svag nyans, av ljus nånstans Men ändå, en främling Så känner jag för dig Jag ber dig, låt mig få veta Vem vill du vara? Kan du förklara Det för miiig-heeeey! Som Mona Lisa har sitt leende Så gömmer också du en hemlighet Stjärnor jag ser dem Vill gärna ta ner nån till dig Där bortom himlen finns en evighet Om du vill upptäcka den här med mig Ta första stegen och visa mig vägen ikväll En känsla och jag litar på dig Sen blir vår kärlek aldrig främmande igen Natten finns till för dig och mig Glöm det som är omkring oss Låt mig få komma Låt mig få vara nära diiig-heeeey! Som Mona Lisa har sitt leende Så gömmer också du en hemlighet Stjärnor jag ser dem Vill gärna ta ner nån till dig Där bortom himlen finns en evighet Om du vill upptäcka den här med mig Ta första stegen och visa mig vägen ikväll En känsla och jag litar på dig Sen blir vår kärlek aldrig främmande igeeeeeen! Då blir vår kärlek aldrig främmande igen Fyra Bugg & en Coca-Cola (Lotta Engberg) Du som tycker din dag är grå Jorden snurrar sitt varv ändå Bryr sig inte så mycket om Vem som gick och kom Snart så skiner en sol igen På en blommande äng Varma vindar från längese'n Spelar upp en refräng Fyra Bugg och en Coca-Cola Spela freestyle med fräck musik Fyra Bugg och en Coca-Cola Doft av sommar och romantik Vill du leva och vill du dansa? Våga skratta och våga chansa? Fyra Bugg och en Coca-Cola Spela freestyle med -
The Contestants the Contestants
The Contestants The Contestants CYPRUS GREECE Song: Gimme Song: S.A.G.A.P.O (I Love You) Performer: One Performer: Michalis Rakintzis Music: George Theofanous Music: Michalis Rakintzis Lyrics: George Theofanous Lyrics: Michalis Rakintzis One formed in 1999 with songwriter George Michalis Rakintzis is one of the most famous Theofanous, Constantinos Christoforou, male singers in Greece with 16 gold and Dimitris Koutsavlakis, Filippos Constantinos, platinum records to his name. This is his second Argyris Nastopoulos and Panos Tserpes. attempt to represent his country at the Eurovision Song Contest. The group’s first CD, One, went gold in Greece and platinum in Cyprus and their maxi-single, 2001-ONE went platinum. Their second album, SPAIN Moro Mou was also a big hit. Song: Europe’s Living A Celebration Performer: Rosa AUSTRIA Music: Xasqui Ten Lyrics:Toni Ten Song: Say A Word Performer: Manuel Ortega Spain’s song, performed by Rosa López, is a Music:Alexander Kahr celebration of the European Union and single Lyrics: Robert Pfluger currency. Rosa won the hearts of her nation after taking part in the reality TV show Twenty-two-year-old Manuel Ortega is popular Operacion Triunfo. She used to sing at in Austria and his picture adorns the cover of weddings and baptisms in the villages of the many teenage magazines. He was born in Linz Alpujarro region and is now set to become one and, at the age of 10, he became a member of of Spain’s most popular stars. the Florianer Sängerknaben, one of the oldest boys’ choirs in Austria. CROATIA His love for pop music brought him back to Linz where he joined a group named Sbaff and, Song: Everything I Want by the age of 15, he had performed at over 200 Performer:Vesna Pisarovic concerts.