DOCSLIB.ORG

Stockholm and Eurovison Song Contest

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stockholm and Eurovison Song Contest Stockholm and Eurovison Song Contest Two Eurovision entries in 2015 were written during Stockholm Songwriting Camp Macedonia’s ”Autumn Leave’s” was composed and written by Joacim Persson. Azerbaijan’s ”Hour of the Wolf” was written by Nicolas Rebscher, Nicklas Lif and Lina Hansson during the first ever Stockholm Songwriting Camp at Pop House hotel in Stockholm, january 2015. In addition several pop songs met the public ears during the year, including Conchita Wurst’s ”Firestorm” written and produced by Joacim Persson, Sebastian Arman and Aleena Gibson (who was an additional writer not at the camp), and the song ‘Step to my beat’ which the ‘pop dynamo’ Ronika co-wrote at the camp with Nicolas Rebscher. It was also featured in The Guardians pop playlist. Stockholm Songwriting Camp is an initiative that brings together writers and producers from around the world. It is a hub that values the creativity of others and wants to provide a neutral platform for embracing creativity across the songwriting world. What makes the concept different from a lot of camps is the fact that the organizers do not claim any publishing rights, all property is the writers – it is simply the meeting place. The concept was founded by Niclas Molinder owner of Auddly, based in Stockholm. The second Stockholm Songwriting Camp takes place 5th – 8th February 2016 www.stockholmsongwritingcamp.com Source: Stockholm Business Region/Stockholm Songwriting Camp The City of Stockholm www.visitstockholm.com Follow @esc16stockholm on twitter Follow @visitstockholm on facebook, twitter and instagram Images and stockshots: mediabank.visitstockholm.com Follow @investstockholm on twitter youtube.com/stockholm Facts about Stockholm and Eurovision Song Contest 43 countries will be competing during Eurovision Song Contest in Stockholm, May 10-14, 2016 at Stockholm Globe Arena. This is the third time Stockholm hosts the event. Since the first Eurovision Song Contest in 1956, Sweden has been the host 6 times. 3 times in Stockholm: 1975, 2000, 2016 2 times in Malmö: 1992, 2013 1 in Gothenburg: 1985 Sweden has won the Eurovision Song Contest 6 times 1974: ABBA, Waterloo 1984: Herrey’s, Diggi-loo Diggy-ley 1991: Carola, Fångad av en stormvind 1999: Charlotte Nilsson (Perelli), Take Me To Your Heaven 2012: Loreen, Euphoria 2014: Måns Zelmerlöv, Heroes Only six countries have won more than three times 7 times: Ireland 6 times: Sweden 5 times: UK, Luxemburg and France 4 times: Netherlands Source: Eurovision.tv The Music industry in numbers 2014 Total turnover from the Swedish music industry (local and internationally) in 2014 amounted to 8.2 billion SEK, which represents an increase of five percent compared with the previous year. Of the total music industry revenue: o Concerts 51 % (4.2 billion) o Copyrights 27 % (2.2 billion) o Recorded music 22 % (1.8 billion) Total export revenue of 1.5 billion SEK, which is an increase by 29 percent compared to 2013 In five years, between 2009 and 2014, revenue in the Swedish music industry has increased by 1.6 billion SEK. This represents an increase of almost a quarter. Just over half a billion of the total figure comes from export revenue. Source: Musiksverige/ The Music Industry in Numbers 2009-2014 www.musiksverige.org The Stockholm pop success story started during Eurovision Song Contest in 1974 Stockholm is the music engine of Sweden. The story of Swedish Pop exports starts with ABBA. The supergroup was a phenomenon, an overnight success of Eurovision Song Contest in Brighton 1974, demonstrating for coming generations that it is possible to achieve international success. Groups such as Roxette, Europe and The Cardigans followed, but the foundations for today’s Swedish pop exports were really laid in th 1990’s with the songwriters and producers congregating around Denniz PoP (1963-1998) and Cheiron Studios at Fridhemsplan in Stockholm. PoP, whose first No. 1 was with Ace of Base, created a non-hierarchical way of working, songwriting as teamwork, which influenced the way modern interational pop music is created and sounds today. Swedish songwriters and producers are powering the bigggest performers in the world. During 2014, 25 percent of the No 1 hits on the American Billboard pop chart were written by Swedes. Many of the worlds biggest stars today – Taylor Swift, Ariana Grande, Britney Spears, Maroon 5, Pink, Madonna, Lady Gaga, Jennifer Lopez, Adam Lambert and One Direction perform songs created by Swedes. When Katy Perry performed at the SuperBowl in January 2015, the first five songs she performed were written by Max Martin, based in Stockholm . Source: Swedish Music Hall of Fame, Stockholm .
Load more

Recommended publications
  • Soiiy Discos to Close Warehouse Nationality, Argues Bolz
    `N SYNC'S INDIRECT PATH TO THE TOP (Continued from page 6) (responsible for producing Spears) less where a record was produced, many." million albums sold worldwide are in haven't. We've just had to spend a lot with Kristian Lundin under the within the industry BMG Ariola BMG Ariola's head of internation- the U.S., according to BMG. The of time in the U.S." supervision of BMG A &R exec Munich is the first to admit that in al, Susie Armstrong, says that the group has been busy satisfying U.S. The band's agenda for this year Andreas von Oertzen in Munich. The 1997, a German- produced American climate changed over the time that demand, which has resulted in the will concentrate on the U.S. The label and creative team was a simi- boy band was not necessarily on top 'N Sync was being developed. BMG U.K. label Northwestside hav- group will play arenas there from lar constellation to what led to the of every affiliate's wish list, and it "Five years ago, I would not have ing to wait until May to release the March to May, then visit the U.K. to Backstreet Boys' European success. encountered resistance among col- had a fighting chance with this act" album. launch the album there. June sees The album was originally released leagues. However, the attitudes of key "We've had difficulty bringing the act recording, then a third set of in May 1997: That version has sold For Thomas M. Stein, BMG's executives in the U.S.
    [Show full text]
  • Gothenburg Committee History of Exchanges
    History of Exchange Gothenburg, Sweden Chicago’s Sister City Since 1987 Chairs: Don Ahlm and Annette Seaburg 1987 March 8 Focus: Signing Agreement Harold Washington, Mayor of Chicago and Lars-Åke Skager, Deputy Mayor of Gothenburg signed the sister cities agreement in Chicago 1987. 1988 Focus: Sports The Chicago Bears visited Gothenburg and displayed American Football for the Swedish audience in 1988. 1991 Focus: Business As a direct result of the 1991 Sister Cities International Conference, Chicago-based companies Waste Management, Inc. and Nalco traveled to Gothenburg in November 1991 for a three-day seminar to explore business opportunities in Sweden. Focus: Education University of Illinois at Chicago collaborated with Volvo Corporation, Gothenburg's largest company, to set up a co-op program to sponsor a student and faculty member to work in Sweden. Focus: Education The Gothenburg Committee promoted an exchange of gifts and congratulations between the University of Chicago and University of Gothenburg which celebrated their 100th anniversaries on the same day. Focus: Environment A delegation of city officials from Gothenburg, which included Deputy Mayor Lars-Åke Skager, attended the 1991 Sister Cities International Conference and led a pre-conference seminar on waste management and environmental technology. Focus: Government A contract was concluded with the City of Gothenburg to analyze Chicago's solid waste systems, heat distribution and low-income housing management. 1992 Focus: Government The Gothenburg Committee welcomed Lars- Åke Skager, Deputy Mayor of Gothenburg to Chicago and held a reception in his honor. Focus: Education The "Educating Cities" Conference was held in Gothenburg, where Jim Law, Director of Planning for the Department of Cultural Affairs, presented a paper and slide lecture on Gallery 37.
    [Show full text]
  • Lähikuvan Koko Numero 1-2021
    LÄHIKUVA 1/2021 (34. vuosikerta) JA AUDIOVISUAALISTEN ESITYSKÄYTÄNTÖJEN MURROS Laulukilpailusta show-kilpailuksi? Belgium, one point Syntetisaattoreita, ironiaa ja provokaatioita Euroviisuesityksen audiovisuaalinen rakentuminen LÄHIKUVA • 1/2021 LÄHIKUVA 1/2021 • 34. vuosikerta ISSN 2343-399X LÄHIKUVA on audiovisuaaliseen kulttuuriin keskitty- SISÄLLYS vä, neljästi vuodessa ilmestyvä tieteellinen referee- julkaisu, joka on avoin kirjoitusfoorumi kaikille. Pääkirjoitus JULKAISIJAT Lähikuva-yhdistys ry:n jäsenet sekä Lähikuvan kan- Mari Pajala, Pertti Grönholm ja Yrjö Heinonen natusyhteisöt: Yhdentymisen juhlaa ja ihanteiden kamppailua. Suomen Elokuvatutkimuksen Seura ry Turun elokuvakerho ry Euroviisujen muuttuvat muodot ja merkitykset 3 Varsinais-Suomen elokuvakeskus ry International Institute for Popular Culture (IIPC-kes- Artikkelit kus), Turun yliopisto Mediatutkimus, Turun yliopisto Mari Pajala Viestintätieteet, Tampereen yliopisto Laulukilpailusta show-kilpailuksi? TOIMITUS Televisiospektaakkelin ylirajaistuva tuotanto Päätoimittaja Eurovision laulukilpailussa 9 Kaisa Hiltunen [email protected] Toimitussihteeri Pertti Grönholm Antti Lindfors [email protected] Belgium, one point. Numeron 1/2021 vastaavat toimittajat Syntetisaattoreita, ironiaa ja provokaatioita Pertti Grönholm, Yrjö Heinonen ja Mari Pajala Eurovision laulukilpailuissa vuosina 1980 ja 1983 33 Toimituskunta Yrjö Heinonen Outi Hakola [email protected] Kaisu Hynnä-Granberg [email protected] Euroviisuesityksen audiovisuaalinen rakentuminen: Miina Kaartinen
    [Show full text]
  • Famous Abba Fans Talk: Conchita Wurst
    FAMOUS ABBA FANS TALK: CONCHITAby Stany Van WURSTWymeersch by Stany Van Wymeersch To narrow down Conchita Wurst (a.k.a. Tom voice, and it is such a harmony together. Neuwirth) as the bearded drag queen who What do you consider ABBA’s greatest won the Eurovision Song Contest for Austria merit? exactly forty years after ABBA’s victory with They made easy listening pop songs which Waterloo would be quite unfair. Indeed, since never became old-fashioned. They are totally winning the ESC, Conchita has established timeless. herself on the international scene as a singer Have you got a favourite ABBA song, one INTERVIEW with an impressive vocal range, as well as a that you would like to interpret one day? gay and cultural icon. Both the private person, I love Mamma Mia! This is my number one Tom, and the adopted personality, Conchita, choice at the karaoke bar (laughs). take a strong stance in favour of tolerance and Have you ever met one of the ABBA against discrimination. Appearances, gender members? and ethnicity should not matter when it comes Unfortunately, no. But if they read these lines, to the dignity and freedom of individuals, she they probably would like to write a song for me. pointed out. They are ‘Wurst’ [meaningless], as In your opinion, why are ABBA so popular the Austrians would say. within the LGBT (Lesbian/Gay/Bisexual/ Transgender) community? In your opinion, how important was ABBA’s Easy pop which works and fabulous and 1974 victory in the Eurovision Song Contest? glamorous dresses. Voilà! And who could resist I think it was an extremely important moment a song called Dancing Queen? for Eurovision.
    [Show full text]
  • In Focus the Making of the Visitors
    People Need Love – the first ABBA song Waterloo was ABBA’s first single, right? Yes – and no. Join us as we explore the story behind People Need Love, the very first single released by the group that later reached worldwide fame under the name ABBA. Party people failure In this day and age, when pop stars with little previous stage experience achieve instant number one hits through participation in television shows such as Pop Idol and American Idol, it is sobering to be reminded how long it actually took before ABBA achieved worldwide success. Although many in the 1970s regarded the four Swedes as a ”manufactured” band, very much along the lines of the groomed, styled and choreographed overnight sensations of the early 21st Century, nothing could be further from the truth. Not only had the individual members spent a decade performing, touring and recording in earlier groups or as solo artists before they grabbed the world’s attention with ’Waterloo’ in April 1974, by that time ABBA themselves had already been making pop music together for two years – and four years had passed since they first attempted a collaboration. Confused? Read on. The early 1970s was a somewhat insecure period for Björn, Benny, Agnetha and Frida. Benny had left his previous group, The Hep Stars, and although Björn was still making records with his group, the Hootenanny Singers, he knew he couldn’t count on them for any future career advancement. Furthermore, Björn and Benny wanted to focus their attention on their partnership in songwriting and record producing, and perhaps not be performers so much anymore.
    [Show full text]
  • Full Biography.Pdf
    BIOGRAPHY One of Sweden’s most powerful adult contemporary vocalists, ELINDA is a pop and soul artist who has performed on stages around Europe, the U.S. and Asia and is making her long-awaited U.S. live debut in October 2018. Known for her faithful covers of songs by ABBA and her demo vocals for Celine Dion, ELINDA’s sound is an explosion of positivity in music – pure joy and glowing with an exuberance that’s infectious. ELINDA is Linda Östergren Frithiof, a multi-talented stage performer and recording artist who comes from the small island of Ekerö, west of Stockholm, and began her career as a trained dancer graduating from the Lasse Kühler Dansskola School and the Ballet Academy, one of Scandinavia’s leading dance schools. Quickly recognized as a commanding singer as well as accomplished dancer, she performed at nightclubs and cabaret venues, and traveled widely to sing and dance at vacation resorts, on cruise ships and at corporate events. ELINDA has performed for a televised audience of more than 100 million andfor the Swedish Armed Forces Entertainers, a hotbed of the country’s best music talents entertaining Swedish troops at home and abroad, including in Afghanistan. She performed as a backup singer for major Scandinavian stars Magnus Uggla, Markoolio E-Type, Shirley Clamp, Martin Stenmarck and Charlotte Perrelli and American Lutricia McNeal, and sang vocal demos for Celine Dion. At the same time ​ ELINDA was honing her skills as a songwriter, collaborating with writers such as Leif Larsson and Anders Borgius for Swedish artists Björn Skifs and US singer and actor David Hasselhoff.
    [Show full text]
  • Preliminary Overview of City Measures to Mitigate the Socio- Economic Impact of COVID-19
    Preliminary overview of city measures to mitigate the socio- economic impact of COVID-19 Policy note 4 May 2020 Cities are on the frontline of managing the COVID-19 crisis. They are dealing with the immediate consequences of the crisis. Many cities have adapted their services in quick, effective, and innovative ways to respond to the emergency. As we are moving past the emergency stage of this crisis, many cities are pro-actively setting out measures to mitigate the social and economic effects of the COVID-19 crisis on people, jobs, businesses, the local economy and equality and inclusion in cities. EUROCITIES has compiled a preliminary overview of policy responses that cities have recently adopted to mitigate the socio-economic effects of the COVID-19 crisis in the short, medium and long-term. This document builds on an existing collection of economic measures on subnational level assembled in the Economic Bulletin N°3 of the European Committee of the Regions. It also brings together examples from about 50 cities that were published on cities’ websites, and on our EUROCITIES web platform www.covidnews.eurocities.eu. In a nutshell, the most common mitigating measures in cities are: • providing financial aid to local businesses and people most affected by COVID-19 crisis • improving the conditions and access to loans for businesses • pausing rent payments • introducing flexibility and exemption of tax and fee payments • compensating businesses having contracts with the municipality • compensating for damages • involving private donors
    [Show full text]
  • QU-Alumni Review 2019-3.Pdf
    Issue 3, 2019 THE MAGAZINE OF QUEEN’S UNIVERSITY Queen’s SINCE 1927 ALUMNI REVIEW How to Rembrandtlook at a like a conservator and why Heidi Sobol, MAC’00, always starts with the nose In this issue … How Queen’s Chemistry is changing the world Plus … Meet the football coach 4 years to earn your degree. #"""""! !! • Program runs May-August • Earn credits toward an MBA • Designedforrecent graduates "" • Broaden your career prospects • "" " "" ""! 855.933.3298 [email protected] smithqueens.com/gdb "" "" contents Issue 3, 2019, Volume 93, Number 3 Queen’s The magazine of Queen’s University since 1927 queensu.ca/alumnireview ALUMNI REVIEW 2 From the editor 7 From the principal 8 Student research: Pharmacare in Canada 24 Victor Snieckus: The magic of chemistry 29 Matthias Hermann: 10 15 The elements of EM HARM EM TINA WELTZ WELTZ TINA education COVER STORY Inspired by How to look at a Rembrandt 36 Rembrandt Keeping in touch like a conservator Poet Steven Heighton (Artsci’85, Heidi Sobol, mac’00, explores the techniques – ma’86) and artist Em Harm take 46 and the chemistry – behind the masterpieces. inspiration from a new addition The Chemistry medal to The Bader Collection. 48 Your global alumni network 50 Ex libris: New books from faculty and alumni ON THE COVER Heidi Sobol at the Royal Ontario Museum’s exhibition “In the Age of Rembrandt: Dutch Paintings from the 20 33 Museum of Fine Arts, BERNARD CLARK CLARK BERNARD BERNARD CLARK CLARK BERNARD Boston” PHOTO BY TINA WELTZ Pushing the boundaries Meet the coach of science New football coach Steve Snyder discusses his coaching style and the Dr.
    [Show full text]
  • Gothenburg and the Environment
    A LITTLE BOOK ABOUT THE ENviRONMENTAL WORK IN THE CITY OF GOTHENBURG GOTHENBURG AND THE ENVIRONMENT How do we build a city that does not burden BUILDINGS the environment? Buildings are a key question PAGES 4–15 where a sustainable future is concerned. We need to reduce the environmental impact TR ANSPORT of our transport. How can we and our goods be PAGES 16–27 transported sustainably? In a growing city, nature has to be considered, NATURE both nature inside the city as well as forests PAGES 28–39 and land outside the city. Consumption of goods and energy plays a big CONSUMPTION role in our environmental impact. How can we PAGES 40–50 make wiser and better choices? THIS IS HOW YOU FIND WHAT YOU’RE LOOKING FOR 1. THE PRESENT 2. LOCAL ENviRONMENTAL 3. WHAT IS THE CITY OF ANd tHe fUTURE OBJECTivES GOTHENBURG DOING? Here you will find an overall picture of the Presented here are the environmental objec- Here you will find information about what is environmental situation in Gothenburg. tives that the City Council has agreed on. being done in the City of Gothenburg with The coloured arrows refer to the pages regard to environmental work. where you can extend your knowledge. introduction CHANGe… There is one thing that we can surely all agree on. We want to continue to live a good life without damaging our environment. With wise decisions today we create the conditions for a sustainable future. The challenge of an environmen- tally-adapted city must be accepted by all of us: politicians, businesses and the everyday people of Gothenburg.
    [Show full text]
  • Eurovision Choir 2019: Press Handbook
    PRESS HANDBOOK Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Dear friends, It is with great pride and excitement that I welcome you to the second edition of Eurovision Choir, here in Gothenburg. Those of us who were fortunate enough to be involved in the production during Latvian Television’s first edition in Riga hold many fond memories of launching Eurovision’s newest competition format. The show was spectacular, the choirs stunning and the music sublime. But what remains most strongly in my memory is the unique atmosphere of the backstage area around the show. I recall a festive atmosphere, almost a party, as nine choirs traded songs across the dressing room walls. And indeed, this is a festival – a festival of the beauty and diversity of choral singing in Europe, and of what can be achieved by joining our voices. So it seems true – singing is good for the soul. Thanks to those of you who have made the journey to attend Eurovision Choir 2019 in Gothenburg. Good luck to all the choirs taking part and enjoy the show! Jon Ola Sand Executive Supervisor, Eurovision Song Contest & Eurovision Live Events. Eurovision Choir 2019 Press, Delegation & Production Handbook DISTRIBUTION: Press, Delegations, Production Contents Press Handbook.................................................................................................................... 4 Eurovision Choir .....................................................................................................................................................
    [Show full text]
  • Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
    Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base.
    [Show full text]
  • The Contestants the Contestants
    The Contestants The Contestants CYPRUS GREECE Song: Gimme Song: S.A.G.A.P.O (I Love You) Performer: One Performer: Michalis Rakintzis Music: George Theofanous Music: Michalis Rakintzis Lyrics: George Theofanous Lyrics: Michalis Rakintzis One formed in 1999 with songwriter George Michalis Rakintzis is one of the most famous Theofanous, Constantinos Christoforou, male singers in Greece with 16 gold and Dimitris Koutsavlakis, Filippos Constantinos, platinum records to his name. This is his second Argyris Nastopoulos and Panos Tserpes. attempt to represent his country at the Eurovision Song Contest. The group’s first CD, One, went gold in Greece and platinum in Cyprus and their maxi-single, 2001-ONE went platinum. Their second album, SPAIN Moro Mou was also a big hit. Song: Europe’s Living A Celebration Performer: Rosa AUSTRIA Music: Xasqui Ten Lyrics:Toni Ten Song: Say A Word Performer: Manuel Ortega Spain’s song, performed by Rosa López, is a Music:Alexander Kahr celebration of the European Union and single Lyrics: Robert Pfluger currency. Rosa won the hearts of her nation after taking part in the reality TV show Twenty-two-year-old Manuel Ortega is popular Operacion Triunfo. She used to sing at in Austria and his picture adorns the cover of weddings and baptisms in the villages of the many teenage magazines. He was born in Linz Alpujarro region and is now set to become one and, at the age of 10, he became a member of of Spain’s most popular stars. the Florianer Sängerknaben, one of the oldest boys’ choirs in Austria. CROATIA His love for pop music brought him back to Linz where he joined a group named Sbaff and, Song: Everything I Want by the age of 15, he had performed at over 200 Performer:Vesna Pisarovic concerts.
    [Show full text]