DIGITAL SIGNAGE • What Is It For? • Key Elements • Setting-Up Your Own Project
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Docuwatch Digitales Fernsehen
DocuWatch Digitales Fernsehen Im Auftrag der Landesmedienanstalten 2/99 1. AUSTRALIEN: ÜBERGANG ZU DIGITALER VERBREITUNG UND FELDVERSUCHE 2 2. JAPAN: WEIßBUCH “COMMUNICATIONS IN JAPAN” U.A. 4 3. FRANKREICH: STUDIE UND WEIßBUCH ZUM TERRESTRISCHEN DIGITALEN FERNSEHEN 6 4. EINZELTHEMEN 8 4.1. Großbritannien: ITC und OFTEL zum Bundling 8 4.2. Großbritannien: ITC zum Vorschlag einer Gebührenerhöhung bei digitalem Empfang 8 4.3. Großbritannien: Reaktionen auf das britische Konvergenz-Grünbuch 9 4.4. Großbritannien: ITC Guidelines für Gebärdensprache im DTV 9 4.5. Singapur übernimmt DVB-Standard 9 4.6. USA: V-Chip Implementation verläuft planmäßig 9 4.7. USA: Department of Commerce zu E-Business 9 4.8. Communications Regulatory Policy Unit der DG XIII: Multimedia Regulation 10 4.9. LfK: Bericht über Erprobungsprojekt Mediendienste 10 5. LITERATURHINWEISE 11 5.1. Zeitschriften 11 5.2. Buchveröffentlichungen 13 6. ANHÄNGE 15 6.1. Anzahl der Abonnenten von Programmpaketen /1993-1998 16 6.2. Digitale Satelliten-Programmpakete / Februar 1999 17 Zum DocuWatch Um die Entwicklung digitalen Fernsehens begleiten zu können, benötigen Entscheidungsträger bei den Regulierungsinstanzen ebenso wie alle anderen Beobachter kontinuierlich Informationen. Das Hans- Bredow-Institut sichtet im Auftrag der Arbeitsgemeinschaft der Landesmedienanstalten (ALM) Dokumente aus dem wissenschaftlichen Bereich sowie von Regulierungsinstanzen, in- und ausländischen sowie supra- nationalen Organisationen und Verbänden und erstellt Zusammenfassungen, die auf die für die Arbeit der Landesmedienanstalten relevanten Fragen focussiert sind. Im Mittelpunkt stehen dabei neben inländischen Institutionen solche aus den USA, Kanada, Großbritannien und Frankreich. Daneben wird die am Institut gesammelte wissenschaftliche Literatur ausgewertet. Arbeitsgruppe digitales Fernsehen am Hans-Bredow-Institut Uwe Hasebrink, Friedrich Krotz, Wolfgang Schulz sowie Fernando Reimann Redaktionsschluß 31. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
“Oscar ® ” and “Academyawards
“OSCAR®” AND “ACADEMY AWARDS®” ARE REGISTERED TRADEMARKS OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, AND USED WITH PERMISSION. THIS IS NOT AN ACADEMY RELEASE. A SISTER BELGIUM /16MINS/2018 Native Title: UNE SOEUR Director: DElphiNE GiRaRD Producers: JacqUES-hENRi BRONckaRt (VERSUS pRODUctiON) Synopsis: a night. a car. alie is in trouble. to get by she must make the most important call of her life. Director’s Biography: Born in the heart of the French-canadian winter, Delphine Girard moved to Belgium a few years later. after starting her studies as an actress, she transferred to the directing department at the iNSaS in Brussels. her graduation film, MONSTRE , won several awards in Belgium and around the world. after leaving the school, she worked on several films as an assistant director, children's coach or casting director ("Our children" by Joachim lafosse, "Mothers’ instinct" by Olivier Masset-Depasse) while writing and directing the short film CAVERNE , adapted from a short story by the american author holly Goddard Jones. A SISTER is her second short film. She is currently working on her first feature and a fiction series. Awards: Jury Prize - Saguenay IFF (Canada) Grand Prize Rhode Island IFF (USA) Best International Short Film Sulmona IFF (Italy) Grand Prize Jury SPASM Festival (Canada) Best Short Film, Public Prize, Be tv Prize, University of Namur Prize - Namur Film Festival (Belgium) Public Prize & Special mention by press - BSFF (Belgium) Best Belgian Short Film RamDam FF (Belgium) Prize Creteil Film Festival Festivals/Screenings: -
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COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 28.7.2004 SEC(2004) 1016 COMMISSION STAFF WORKING PAPER Annex to the Sixth Communication from the Commission to the Council and the European Parliament on the application of Articles 4 and 5 of Directive 89/552/EEC "Television without Frontiers", as amended by Directive 97/36/EC, for the period 2001-2002 {COM(2004)524 final} EN EN TABLE OF ANNEXES ANNEX 1 - Performance indicators ........................................................................................ 4 ANNEX 2 - Tables on the application of Articles 4 and 5 ...................................................... 6 ANNEX 3 - Application of Articles 4 and 5 in each Member State........................................ 8 ANNEX 4 - Summary of the reports from the Member States.............................................. 39 ANNEX 5 - Summary of the reports from the Member States of the European Free Trade Association participating in the European Economic Area ................... 114 ANNEX 6 - List of television channels in the European Union Member States which failed to achieve the majority proportion according to Article 4 ..................... 118 ANNEX 7 – Average transmission time of European works according to Article 4 taking audience shares of channels into account (“de-minimis-criterion”) .... 128 ANNEX 8 – List of television channels in the European Union Member States which failed to achieve the minimum proportion according to article 5 ................... 132 EN 2 EN This document complements the Sixth Communication from the Commission to the Council and the European Parliament on the application of Articles 4 and 5 of Directive 89/552/EEC 1 of 3 October 1989, as amended by Directive 97/36/EC 2 - hereinafter referred to as the “Television without frontiers” Directive - for the period 2001-2002. -
Sechzehnter Jahresbericht
K E K Kommission zur Ermittlung der Konzentration im Medienbereich Sechzehnter Jahresbericht Berichtszeitraum 1. Juli 2012 bis 30. Juni 2013 Inhaltsverzeichnis 1 Überblick………………………………………………………………………………………………….. 4 2 Medienkonzentrationskontrolle durch die KEK…………………………………………….... 5 2.1 Verfassungsrechtliche Grundlage………………………………………………………………………... 5 2.2 Aufgaben der KEK nach dem Rundfunkstaatsvertrag…………………………………………………. 5 2.3 Mitglieder der KEK………………………………………………………………………………………… 7 2.4 Organisation………………………………………………………………………………………………… 8 3 Verfahren im Berichtszeitraum……………………………………………….…………………… 9 3.1 Zulassung von Fernsehveranstaltern…………………………………………………………… 9 3.1.1 VIMN Germany GmbH – „MTV BRANDNEW“ (Az.: KEK 694)………………………………………. 9 3.1.2 Your Family Entertainment AG – „RIC“ (Az.: KEK 709)……………………………………………… 10 3.1.3 Gute Laune TV GmbH – „Gute Laune TV“ (Az.: KEK 707)…………………………………………. 10 3.1.4 FC Bayern München AG – „FCB.TV“ (Az.: KEK 705)………………………………………………... 11 3.1.5 The History Channel Germany GmbH & Co. KG – „History“ (Az.: KEK 706)……………………… 12 3.1.6 The Walt Disney Company (Germany) GmbH – „Disney Junior und Disney XD“ (Az.: KEK 714)……………………………………………………………………………………………. 13 3.1.7 FTL Farhad Television Live GmbH – „FTL“ (Az.: KEK 715)………………………………………… 14 3.1.8 RTL Television GmbH – „RTL Television“ (Az.: KEK 711)………………………………………….. 14 3.1.9 WM Broadcasting GmbH – „Europa Center TV“ (Az.: KEK 716)……………………………………. 15 3.1.10 amazing discoveries e.V. – „amazing discoveries TV“ (Az.: KEK 725)…………………………….. 15 3.1.11 ProSiebenSat.1 TV Deutschland GmbH - „SAT.1 Gold“ (Az.: KEK 724)………………………....... 16 3.1.12 Discovery Communications Deutschland GmbH & Co. KG – „DMAX“ (Az.: KEK 729)…………… 16 3.1.13 RTL II Fernsehen GmbH & Co. KG – „RTL II“ (Az.: KEK 732)………………………………………. 16 3.1.14 Autentic GmbH – „Cinedom“ (Az.: KEK 718)………………………………………………………….. 18 3.1.15 APG-Allgemeine gemeinnützige Programmgesellschaft mbH – „katholisch.de“ (Az.: KEK 734) .............................................................................................................................. -
Zulassungsanträge Der VIVA Plus Gmbh Für Die Fernsehprogramme MTV, Nick, Nickelodeon Und VH-1 Classic Sowie Anmeldung Von Beteiligungsveränderungen
Zulassungsanträge der VIVA Plus GmbH für die Fernsehprogramme MTV, Nick, Nickelodeon und VH-1 Classic sowie Anmeldung von Beteiligungsveränderungen Aktenzeichen: KEK 363 Beschluss In der Rundfunkangelegenheit der VIVA Plus Fernsehen GmbH und der VIVA Fernsehen GmbH, jeweils vertreten durch die Geschäftsführerin Catherine Mühlemann, Schanzenstraße 22, 51063 Köln, - Veranstalterinnen - Bevollmächtigte: xxx ... w e g e n Zulassung der bundesweiten Fernsehprogramme MTV, Nick, Nickelodeon und VH-1 Classic sowie Beteiligungsveränderungen hat die Kommission zur Ermittlung der Konzentration im Medienbereich (KEK) auf Vorlagen der Hamburgischen Anstalt für neue Medien (HAM) auch namens der Medienanstalt Berlin- Brandenburg (mabb) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) beide vom 11.09.2006 in der Sitzung am 10.10.2006 unter Mitwirkung ihrer Mitglieder Prof. Dr. Dörr (Vorsitzender), Prof. Dr. Huber, Dr. Lübbert, Prof. Dr. Mailänder, Dr. Rath-Glawatz und Prof. Dr. Sjurts entschieden: I. Der von der VIVA Plus Fernsehen GmbH mit Schreiben vom 21.08.2006 bei der Landesanstalt für Medien Nordrhein-Westfalen (LfM) beantragten Zulassung zur Veranstaltung der bundesweit verbreiteten Fernsehprogramme MTV, Nick, Ni- ckelodeon und VH-1 Classic stehen Gründe der Sicherung der Meinungsvielfalt im Fernsehen nicht entgegen. 2 II. Die von der HAM und der LfM jeweils mit Schreiben vom 11.09.2006 zur Beurtei- lung nach dem Rundfunkstaatsvertrag (RStV) vorgelegten und mit Schreiben der Veranstalterinnen vom 29.09.2006 ergänzend angemeldeten Beteiligungsverän- -
995 Final COMMISSION STAFF WORKING DOCUMENT
EUROPEAN COMMISSION Brussels,23.9.2010 SEC(2010)995final COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod2007-2008 (PromotionofEuropeanandindependentaudiovisual works) COM(2010)450final EN EN COMMISSIONSTAFFWORKINGDOCUMENT Accompanyingdocumenttothe COMMUNICATIONFROMTHECOMMISSIONTOTHE EUROPEAN PARLIAMENT,THECOUNCIL,THEEUROPEANECONOMIC ANDSOCIAL COMMITTEEANDTHECOMMITTEEOFTHEREGIONS NinthCommunication ontheapplicationofArticles4and5ofDirective89/552/EECas amendedbyDirective97/36/ECandDirective2007/65/EC,fortheperiod20072008 (PromotionofEuropeanandindependentaudiovisual works) EN 2 EN TABLE OF CONTENTS ApplicationofArticles 4and5ineachMemberState ..........................................................5 Introduction ................................................................................................................................5 1. ApplicationofArticles 4and5:generalremarks ...................................................5 1.1. MonitoringmethodsintheMemberStates ..................................................................6 1.2. Reasonsfornon-compliance ........................................................................................7 1.3. Measures plannedor adoptedtoremedycasesofnoncompliance .............................8 1.4. Conclusions -
V JUDGMENT of the COURT (Fourth Chamber) 22
KABEL DEUTSCHLAND VERTRIEB UND SERVICE JUDGMENT OF THE COURT (Fourth Chamber) 22 December 2008 * In Case C-336/07, REFERENCE for a preliminary ruling under Article 234 EC from the Verwaltungsgericht Hannover (Germany), made by decision of 14 June 2007, received at the Court on 19 July 2007, in the proceedings Kabel Deutschland Vertrieb und Service GmbH & Co. KG v Niedersächsische Landesmedienanstalt für privaten Rundfunk, intervening parties: Norddeutscher Rundfunk, Zweites Deutsches Fernsehen, * Language of the case: German. I - 10891 JUDGMENT OF 22. 12. 2008 — CASE C-336/07 ARTE GEIE, Bloomberg LP, Mitteldeutscher Rundfunk, MTV Networks Germany GmbH, successor in law to VIVA Plus Fernsehen GmbH, VIVA Music Fernsehen GmbH & Co. KG, MTV Networks Germany GmbH, successor in law to MTV Networks GmbH & Co. oHG, Westdeutscher Rundfunk, RTL Television GmbH, RTL II Fernsehen GmbH & Co. KG, VOX Film und Fernseh-GmbH & Co. KG, RTL Disney Fernsehen GmbH & Co. KG, SAT. 1 Satelliten-Fernsehen GmbH and Others, Regio.TV GmbH, Eurosport SA, TM-TV GmbH & Co. KG, ONYX Television GmbH, Radio Bremen, I - 10892 KABEL DEUTSCHLAND VERTRIEB UND SERVICE Hessischer Rundfunk, Nederland 2, Hamburg 1 Fernsehen Beteiligungs GmbH & Co. KG, Turner Broadcasting System Deutschland GmbH, n-tv Nachrichtenfernsehen GmbH & Co. KG, Bayerischer Rundfunk, Deutsches Sportfernsehen GmbH, NBC Europe GmbH, BBC World, Mediendienst Borkum — Kurverwaltung NSHB Borkum GmbH, Friesischer Rundfunk GmbH, Home Shopping Europe GmbH & Co. KG, Euro News SA, Reise-TV GmbH & Co. KG, SKF Spielekanal Fernsehen GmbH, TV 5 Europe, DMAX TV GmbH & Co. KG, formerly XXP TV — Das Metropolenprogramm GmbH & Co. KG, RTL Shop GmbH, I - 10893 JUDGMENT OF 22. -
TR 101 231 V1.2.1 (1998-06) Technical Report
TR 101 231 V1.2.1 (1998-06) Technical Report Television systems; Register of Country and Network Identification (CNI) and of Video Programming System (VPS) codes European Broadcasting Union Union Européenne de Radio-Télévision EBU UER 2 TR 101 231 V1.2.1 (1998-06) Reference RTR/JTC-PDC-2 (bec00ios.PDF) Keywords ID, registration, PDC, teletext, TV ETSI Postal address F-06921 Sophia Antipolis Cedex - FRANCE Office address 650 Route des Lucioles - Sophia Antipolis Valbonne - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Internet [email protected] http://www.etsi.fr http://www.etsi.org Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. © European Telecommunications Standards Institute 1998. © European Broadcasting Union 1998. All rights reserved. ETSI 3 TR 101 231 V1.2.1 (1998-06) Contents Intellectual Property Rights................................................................................................................................4 Foreword ............................................................................................................................................................4 1 Scope........................................................................................................................................................5 2 References................................................................................................................................................5 -
Climbing on the Road to Tokyo
Climbing on the road to Tokyo Black Diamond hosted an enriching panel discussion about the present status and future development of climbing as a sport. Follow our renowned speakers – from a top athlete to representatives of the IFSC – as they discuss topics from the history of climbing to being added as Olympic discipline. This transcript offers you to recap this fascinating discussion. Photo: Vincent Places Speaker FRANCIS SANZARO EDITOR-IN-CHIEF OF ROCK & ICE MAGAZINE ADAM ONDRA VICE WORLD CHAMPION IN LEAD CLIMBING KOLIN POWICK CLIMBING CATEGORY DIRECTOR OF BLACK DIAMOND HEIKO WILHELM CEO AUSTRIA CLIMBING JEROME MEYER IFSC HEAD OF OLYMPIC COORDINATION SILVIA VERDOLINI IFSC SPORT DIRECTOR Moderation JOHN LEWIS DICUOLLO SENIOR PR ACCOUNT MANAGER BACKBONE MEDIA With an Introduction from CHRISTIAN LEHMANN BRAND MARKETING & PRO SALES MANAGER EUROPE As organizer and initiator of this even Black Diamond thanks all contributors involved and especially the speakers for their insights on the topic. Panel Discussion Page 2 of 23 Christian: Welcome, everybody. Good morning everybody. My name is Christian. I work for Black Diamonds since almost 10 years. My responsibility is the Brand Marketing in Europe, and I've worked really closely together with the Austrian federation and also Heiko and his team and Michael. I must say, I was so stoked to see the lead finals and see a super happy event. The theme of this whole World Championships 2018 in Innsbruck is Climb. Come together. Celebrate. And I truly believe so far we did a really great job and I am happy to see so many different people today in this room. -
Ilkkilaz a I A
TELEVISION BUSINESS IlkkilAZ A I A JULY/AUGUST 1994 global newsgathering global reporting 1 11L1VISION TO EATE global programming global transmission global perspective global viewership global resources global affiliation Globalprogramming like World News and global recognition International Hour. Regional programs like Noticiero CNN Internacional, World Business Today and Business Asia, plus global weather and sports. Even the world's first global talk show-Lorry King Live. Only global tradition one network has the vision to create programming that makes a difference to viewers every day, in over 200 countries around the world. global commitment CNN International The vision to create. global advertisers The resources to build. The commitment to lead. global expertise SM INTERNATIONAL The World's News Leader ATLANTA TEL 404-827-5639 EUROPE TEL 4471-637-6700 LATIN AMERICA: TEL 404-827-5384 ASIA: TEL 852-826-4500 TBI TBI CONTENTS 16 COVER STORY DEPARTMENTS Indian File Monitor South African TV To Reform 6 India is a market of 900 million people with a film and tv industry which is already limbering up to China Impasse Delays Licenses 7 serve a plethora of private stations and a newly- Spanish Cable Law In The Works7 dynamized public broadcaster. Canada Unveils New Contenders8 16 The A -Zee of Indian TV Advertisers Demand Shake-up 8 20 Serious About Software Star TV Brushes Up Its Chinese 9 21 The Elephant Dances Market Drives Aussie Pay -TV 9 24 MARKETS Japanese Debate Ratings Change 10 RTL2 Ups Own Production 11 Travel Business Channel 5 Plan Goes Digital 11 TF1 News Channel On The Air 12 Markets, large and small, themed and regional, are cropping up all the time: should tv marketeers be more selective? EDITOR'S NOTE 26 ADVERTISING American Football 2 PERSPECTIVE Appealing Margins The Networks Stage A Comeback 4 Teleshopping and infomercials are part of a lucrative business which is gradulally moving into the broadcasting mainstream. -
TS 101 231 Codes Register (2021-03)
TS 101 231 Codes Register (2021-03) Television systems; Register of Country and Network Identification (CNI) and of Video Programming System (VPS) codes This document is an extract of ETSI Technical Specification TS 101 231. Table A.1. lists the code registrations for the PDC system whilst Tables B.1. and B.2. list the codes registered for the VPS system. These tables are updated regularly and maintained on the ETSI Portal site. The codes should be interpreted according to the full TS 101 231 document that is available free on the ETSI website. New entries are in red, changed entries are in blue in the tables. Recent Code Registration History 05/03/2021: 10 NextMedia France channels added in PDC Table A.1. 10/04/2019: 15 NPO (Netherlands) channels renamed/reassigned as future use in PDC Table A.1. 19/03/2019: Netherlands channel ’TV538’ registered to SBS future use 3129 in PDC Table A.1. 13/03/2019: ‘TF1 Serie Films’ and ‘TFX’ added to PDC Table A.1. 26/02/2019: ‘France 5’ added to PDC Table A.1. 10/01/2019: Three new French channels added to PDC Table A.1. 12/10/2017: Ten Canal+ channels added to PDC Table A.1. 11/10/2017: Three new RTL Netherlands channels added to PDC Table A.1. 03/10/2017: New Luxembourgois channels added to PDC Table A.1. 22/09/2017: New Belgian registration for ‘SBSplus’ added to PDC Table A.1. 2 TS 101 231 Codes Register (2021-03) Annex A (informative): Register of CNI codes for Teletext based systems Table A.1: Register of Country and Network Identification (CNI) codes for Teletext based systems 8/30 8/ 30 X/