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Central European Media Enterprises Announces the Appointment of New Directors to the Board and John K
CENTRAL EUROPEAN MEDIA ENTERPRISES ANNOUNCES THE APPOINTMENT OF NEW DIRECTORS TO THE BOARD AND JOHN K. BILLOCK AS CHAIRMAN Hamilton, Bermuda – April 15, 2014 – Central European Media Enterprises Ltd. (“CME” or the “Company”) (NASDAQ/Prague Stock Exchange: CETV) today announced that John K. Billock has been appointed to CME’s Board of Directors and will serve as the non-executive Chairman of the Board. CME also announced the appointment of three additional Directors to its Board: Gerhard Zeiler, Iris Knobloch and Doug Shapiro. In a joint statement Michael Del Nin and Christoph Mainusch, Co-Chief Executive Officers of CME said: “We are pleased to welcome this accomplished slate of executives to our Board of Directors and are very excited to have John at the lead. The depth of operational and strategic experience they bring will be invaluable to the Company and its shareholders as we strive to maximize the value of our leading brands.” John Billock said: “CME has such a unique collection of broadcast assets with leading audience shares. I’m privileged to have this opportunity to begin working with CME’s Board of Directors and executive management team during this important period in the Company’s development.” Mr. Billock serves as a Member of the Board of Advisors at Simulmedia, Inc. He previously served as a Director of TRA Inc. and TiVo Research and Analytics, Inc. from 2007 to 2011. He also served as a Director of Juniper Content Corporation from January 2007 to December 2008. Prior to that, he was Vice Chairman and Chief Operating Officer of Time Warner Cable from October 2001 to July 2005. -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
New Management Introducing Anke Schäferkordt and Guillaume De Posch
26 April 2012 week 17 New management Introducing Anke Schäferkordt and Guillaume de Posch Luxembourg France Farewell to Nicolas de Tavernost Gerhard Zeiler on Club Liza United Kingdom Belgium / Luxembourg Cécile Frot-Coutaz Télévie ends with to lead FremantleMedia record sum week 17 the RTL Group intranet Cover: Anke Schäferkordt and Guillaume de Posch, the new Co-CEOs of RTL Group 2 week 17 the RTL Group intranet Message from the Co-CEOs On 19 April, one day after Gerhard Zeiler’s farewell (see report on page 10), the new Co-CEOs Guillaume de Posch and Anke Schäferkordt took offi ce. In this edition, Backstage portrays the two Chief Executives. Anke Schäferkordt and Guillaume de Posch Luxembourg - 19 April 2012 On their fi rst working day, Guillaume de Posch During the Annual General Meeting, both and Anke Schäferkordt addressed the of them and Elmar Heggen have also been RTL Group employees. appointed as Executive Directors to the RTL Group Board of Directors. In a joint letter they said that they consider the Group being in “great shape.” They continued: Andreas Rudas will continue developing “We can rely on highly creative, skilled and business opportunities in Central and motivated employees, both in our operations Eastern Europe, and in Asia. He will report and in the Corporate Centre.” to Guillaume de Posch. He also oversees RTL Group’s operations in Croatia, Further, they gave a brief overview of how they Hungary, Russia and the German radio intend to manage the company jointly in the business. future: Guillaume de Posch and Anke Schäferkordt Anke Schäferkordt continues to manage the emphasised that in a decentralised Group such German TV business of Mediengruppe RTL RTL Group, it’s vital that they have a fi rst-hand Deutschland, in addition to her role as Co-CEO understanding of the Group’s multi-language and of RTL Group. -
Docuwatch Digitales Fernsehen
DocuWatch Digitales Fernsehen Im Auftrag der Landesmedienanstalten 2/99 1. AUSTRALIEN: ÜBERGANG ZU DIGITALER VERBREITUNG UND FELDVERSUCHE 2 2. JAPAN: WEIßBUCH “COMMUNICATIONS IN JAPAN” U.A. 4 3. FRANKREICH: STUDIE UND WEIßBUCH ZUM TERRESTRISCHEN DIGITALEN FERNSEHEN 6 4. EINZELTHEMEN 8 4.1. Großbritannien: ITC und OFTEL zum Bundling 8 4.2. Großbritannien: ITC zum Vorschlag einer Gebührenerhöhung bei digitalem Empfang 8 4.3. Großbritannien: Reaktionen auf das britische Konvergenz-Grünbuch 9 4.4. Großbritannien: ITC Guidelines für Gebärdensprache im DTV 9 4.5. Singapur übernimmt DVB-Standard 9 4.6. USA: V-Chip Implementation verläuft planmäßig 9 4.7. USA: Department of Commerce zu E-Business 9 4.8. Communications Regulatory Policy Unit der DG XIII: Multimedia Regulation 10 4.9. LfK: Bericht über Erprobungsprojekt Mediendienste 10 5. LITERATURHINWEISE 11 5.1. Zeitschriften 11 5.2. Buchveröffentlichungen 13 6. ANHÄNGE 15 6.1. Anzahl der Abonnenten von Programmpaketen /1993-1998 16 6.2. Digitale Satelliten-Programmpakete / Februar 1999 17 Zum DocuWatch Um die Entwicklung digitalen Fernsehens begleiten zu können, benötigen Entscheidungsträger bei den Regulierungsinstanzen ebenso wie alle anderen Beobachter kontinuierlich Informationen. Das Hans- Bredow-Institut sichtet im Auftrag der Arbeitsgemeinschaft der Landesmedienanstalten (ALM) Dokumente aus dem wissenschaftlichen Bereich sowie von Regulierungsinstanzen, in- und ausländischen sowie supra- nationalen Organisationen und Verbänden und erstellt Zusammenfassungen, die auf die für die Arbeit der Landesmedienanstalten relevanten Fragen focussiert sind. Im Mittelpunkt stehen dabei neben inländischen Institutionen solche aus den USA, Kanada, Großbritannien und Frankreich. Daneben wird die am Institut gesammelte wissenschaftliche Literatur ausgewertet. Arbeitsgruppe digitales Fernsehen am Hans-Bredow-Institut Uwe Hasebrink, Friedrich Krotz, Wolfgang Schulz sowie Fernando Reimann Redaktionsschluß 31. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
6DLTDC COL 04R113.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C 4 LEISURE DELHI TIMES, THE TIMES OF INDIA SUNDAY 6 JULY 2003 TELEVISION tvguide.indiatimes.com CINEMA DD I Janaab Ka 1800 Sunday Stack 1000 Khabar Din Bhar ENGLISH FILMS (2.35, 8 & 10.40 p.m.), M2K (10.30 a.m., 3.15 1930 Meri Biwi Wonderful 1900 PO [V] 1030 Business Reporter & 10.45 p.m.), Filmistan, M4U (11.45 a.m., 0830 Children Prog. CHARLIE’S ANGELS 2: PVR Gurgaon (11.15 2.40, 4.30 & 10.20 p.m.), Milan, 3 C’s (12.30 & 2000 Kya Hadsaa Kya 2000 Coke [V] Popstar 2 1130 Masand Ki Pasand a.m., 3.55, 6.15 & 11.25 p.m.), PVR Naraina 0900 Mukhya Samachar 9.45 p.m.),Aakash, Movie Palace, Kavita (Loni), Haqeeqat 2030 Sunday Stack 1200 - 1630 Khabar Din (11.05 a.m., 4, 6.15 & 11.10 p.m.), PVR 0902 Vishnu Puran Urvashi (G’bad); ANCHHAYEE: West End; 88 2100 Back to Back Bhar Vikaspuri (2.25, 6.20 & 11.20 p.m.), Priya (11 0930 Do Khiladi SAHARA TV ANTOP HILL: DT Cinemas (6.30 p.m. Only), Raj 1000 News in Sanskrit 2130 Sunday Stack 1630 Business Reporter a.m., 4 & 8.20 p.m.); BRUCE ALMIGHTY: DT 0830 Manpasand 2200 Mainstage 1730 Sports Reporter (T’nagar); BHOOT (A): (Rekha,Ajay Devgan, Ur- 1005 Bhakti Katha: Serial Cinemas (10.40 a.m., 2.15 & 8.55 p.m.), Priya mila, Nana Patekar, Fardeen Khan, Tanuja, 0900 Sitare Sunday Spl. 1830 Masand Ki Pasand (6.20 p.m. -
Pp-0-0(1 PUB DATE 30 Nov 70 GRANT OF(1-0-701910(C09) NOTE 61Fp
DOCUMENT RESUME ED 046 255 24 EN 00e F$14 TITLE Public l,roadcasting tivironment Center. Final Percrt. INSTITUTION Corporation for Public Broadcasting, Washircitor, D.C.; Public BroalcaFting Environment Center, Washington, D.C. SPONS AGENCY Office of Education (DHTW) ,Washington, D.C. Durcau of Research. BUREAU NO pp-0-0(1 PUB DATE 30 Nov 70 GRANT OF(1-0-701910(C09) NOTE 61Fp. EDRS PRICE FDES Price MF-$0.6 PC-1;21.01 DESCRIPTORS *Broadcast Industry, *Fcoloav, Educational Finance, Educational Radio, Educational Television, *Education Service rcnters, *Environment, t.stimmtpa Costs, Financial Needs, Manpower Development, Manpower Needs, Pollution, Public Education, Public Policy IDENTIFIERS Corporation for Public Broadcasting, PPP', *Public BroEdcasting Fnvironrent Center ABSTRACT Created in 1970 to apply the capabilities of public broadcasting to the challenge of environmental education, the Public Broadcasting Environment Center (PBFC) has completed its irst planning phase. (;oals and objectives have been determined; strategies for action have been envisoned; radio and television programs gave been planned; manpower training inforration, orientation, and technical assistance have been estimated, and funding is being sought. Phase T activities of PBFC arc described and 11 protects are reported on.'these reports are concerred with surveys, information services, advisory bodies:, target audience characterization, rrolcrt objectives, administration, production of proorams, communications, manpower training and coordination, ervironmental education, and environmental action. "Fxh;bits" are interspersed in the rer,orts.(Mr) U 6 DEPARTMENT Of NE AL711 EDUCATION N WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BESN REPRODUCED EXACTLY AS RECEIVED FROA THE PERSON OR Lt1 ORGANIZATION ORIGINATING ITPOINTS Of VIEW OR OPINIONS STATED D01101 NECES SARITY REPRESENT OFFICIAL OFIKE OF EVU .40 CATION PCSTION OR POLICY .4- FINAL REPORT CD Project No. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
“Oscar ® ” and “Academyawards
“OSCAR®” AND “ACADEMY AWARDS®” ARE REGISTERED TRADEMARKS OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, AND USED WITH PERMISSION. THIS IS NOT AN ACADEMY RELEASE. A SISTER BELGIUM /16MINS/2018 Native Title: UNE SOEUR Director: DElphiNE GiRaRD Producers: JacqUES-hENRi BRONckaRt (VERSUS pRODUctiON) Synopsis: a night. a car. alie is in trouble. to get by she must make the most important call of her life. Director’s Biography: Born in the heart of the French-canadian winter, Delphine Girard moved to Belgium a few years later. after starting her studies as an actress, she transferred to the directing department at the iNSaS in Brussels. her graduation film, MONSTRE , won several awards in Belgium and around the world. after leaving the school, she worked on several films as an assistant director, children's coach or casting director ("Our children" by Joachim lafosse, "Mothers’ instinct" by Olivier Masset-Depasse) while writing and directing the short film CAVERNE , adapted from a short story by the american author holly Goddard Jones. A SISTER is her second short film. She is currently working on her first feature and a fiction series. Awards: Jury Prize - Saguenay IFF (Canada) Grand Prize Rhode Island IFF (USA) Best International Short Film Sulmona IFF (Italy) Grand Prize Jury SPASM Festival (Canada) Best Short Film, Public Prize, Be tv Prize, University of Namur Prize - Namur Film Festival (Belgium) Public Prize & Special mention by press - BSFF (Belgium) Best Belgian Short Film RamDam FF (Belgium) Prize Creteil Film Festival Festivals/Screenings: