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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Sure Formula for Success Fremantlemedia's Tony Cohen
THE BUSINESS JOURNAL OF FILM, BROADCASTING, BROADBAND, PRODUCTION, DISTRIBUTION MARCH/APRIL 2011 VOL. 31 NO. 2 $9.75 In This Issue: MIP-Coming Serious Laughs L.A. Screenings ® NATPE’s Elevators www.videoage.org FremantleMedia’s Tony Cohen: Father & Daughter Teams: A Journalist With (Tele) Vision Sure Formula For Success BY BOB JENKINS BY DOM SERAFINI n a wide-ranging interview with VideoAge, FremantleMedia CEO Tony Cohen ranted, there are many more From France there were Gérard Oury reflected on his 32-year career, assessed what the future holds for the content father and son teams in the and Daniele Oury Thompson who industry and discussed how FremantleMedia has positioned itself to face what international entertainment collaborated on movies. Gérard died Cohen saw as a future that will be as exciting as it will be demanding. industry than there are father in 2006 at the age of 87, his daughter Cohen was appointed CEO when and daughter teams. Indeed, the London-based FremantleMedia we exhausted all (Continued on Page 36) was born in 2001. It was renamed after our resources IBritain’s Pearson Television sold its stakes just to come up with 24 of in RTL Group to Germany’s Bertelsmann. For Top Jobs In a Tough Mart Gsuch teams from 14 countries, A year earlier, Pearson Television had Execs Call On Top Job Finders merged with CLT-Ufa to create RTL and that was by including past Group. Pearson Television was created in players, such as Albert (Cubby) 1996, after the British media conglomerate and Barbara Broccoli. oward Lipson runs Lipson & Co. -
Ilkkilaz a I A
TELEVISION BUSINESS IlkkilAZ A I A JULY/AUGUST 1994 global newsgathering global reporting 1 11L1VISION TO EATE global programming global transmission global perspective global viewership global resources global affiliation Globalprogramming like World News and global recognition International Hour. Regional programs like Noticiero CNN Internacional, World Business Today and Business Asia, plus global weather and sports. Even the world's first global talk show-Lorry King Live. Only global tradition one network has the vision to create programming that makes a difference to viewers every day, in over 200 countries around the world. global commitment CNN International The vision to create. global advertisers The resources to build. The commitment to lead. global expertise SM INTERNATIONAL The World's News Leader ATLANTA TEL 404-827-5639 EUROPE TEL 4471-637-6700 LATIN AMERICA: TEL 404-827-5384 ASIA: TEL 852-826-4500 TBI TBI CONTENTS 16 COVER STORY DEPARTMENTS Indian File Monitor South African TV To Reform 6 India is a market of 900 million people with a film and tv industry which is already limbering up to China Impasse Delays Licenses 7 serve a plethora of private stations and a newly- Spanish Cable Law In The Works7 dynamized public broadcaster. Canada Unveils New Contenders8 16 The A -Zee of Indian TV Advertisers Demand Shake-up 8 20 Serious About Software Star TV Brushes Up Its Chinese 9 21 The Elephant Dances Market Drives Aussie Pay -TV 9 24 MARKETS Japanese Debate Ratings Change 10 RTL2 Ups Own Production 11 Travel Business Channel 5 Plan Goes Digital 11 TF1 News Channel On The Air 12 Markets, large and small, themed and regional, are cropping up all the time: should tv marketeers be more selective? EDITOR'S NOTE 26 ADVERTISING American Football 2 PERSPECTIVE Appealing Margins The Networks Stage A Comeback 4 Teleshopping and infomercials are part of a lucrative business which is gradulally moving into the broadcasting mainstream. -
An Economic Analysis of the Prime Time Access Rule
BEFORE THE FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In re: Review of the Prime Time Access Rule, Section 73.658 (k) of the Commission’s } MM Docket No. 94-123 Rules AN ECONOMIC ANALYSIS OF THE PRIME TIME ACCESS RULE March 7, 1995 ECONOMISTS INCORPORATED WASHINGTON, D.C. CONTENTS I. Introduction……………………………...……………………………………………1 II. Is ABC, CBS or NBC Dominant Today? A. No single network dominates any market...........................................................5 B. Factors facilitating the growth of competing video distributors ................................................................................................7 1. Cable penetration ....................................................................................7 2. Number and strength of independent stations.........................................9 3. Other video outlets................................................................................12 C. Competing video distributors............................................................................13 1. New broadcast networks .......................................................................13 2. New cable networks..............................................................................16 3. First-run syndication .............................................................................17 D. Impact on networks of increased competition ..................................................18 1. Audience shares ....................................................................................18 -
Aug 19 Reaching Over 117,000 Readers Every Week 60Th Year 1991
Broadcasting :Aug 19 Reaching over 117,000 readers every week 60th Year 1991 TELEVISION / 34 RADIO / 27 BUSINESS / 41 JOURNALISM / 50 P.O.V. yanks film on Consumer electronics ABC -TV affiliates protest TV stations show little Catholic Church; making manufacturers ready to network's plan to cut interest in experimental the most of more news roll out AMAX `super radio' compensation coverage offederal courts The Right Image. Right Now. From AP GraphicsBank. (.'T G2-, î°0!' Television's Most Reliable Resource. Ap 1- 800 -821 -4747 # * * * * * * * * * * * * * ** ALL FOR SDC #010487L43 4P JUN92 8R332 AIIONA STATE U MAXWELL LIBRARY 177 WINONA MN 55987 I Broadcasting :.Aug 1 THIS WEEK 19 / INDUSTRY dramatically improve the REVENUES quality of AM sound. Enhanced features like a Lower station prices are minimum frequency the chief contributors to a response of 6.5 khz for car one -third drop in receivers and 7.5 khz for broadcasting industry home, automatic bandwidth valuations compared with control and AM noise several years ago. Current blanking should, broadcasters figures put industry hope, give the medium a valuation net of debt at $29.5 competitive chance against billion. On the cable side, FM. The unveiling is the cash flow valuation of scheduled for the Radio '91 systems, with debt convention next month, subtracted, is pegged at $44 With less than and 1,100 stations have told a year until the billion; network valuation 1992 Olympics, NBC the NAB they will air is estimated at $8 billion. Is still looking for space promotional spots in a year- Telcos have gained: for its PPV coverage (page 21). -
Annual Report 2001 (English) (Pdf, 1.85
I. RTL Group in 2001 Key figures 2 Shareholding structure 3 Chairman’s statement 4 CEO’s review 5 Corporate organisation 8 Highlights 10 II. RTL Group’s businesses and markets in 2001 (review of operations) Commercial television 12 Content 30 table ofRadio c38 ontents New Media 48 Supporting our communities 52 Corporate governance 53 Group management 54 III. Directors’ report, 57 Auditors’ report and Consolidated financial statements Mission statement RTL Group’s aim is to offer popular high quality entertainment and information to all our audiences by encouraging and supporting the imagination, talent “and professionalism of the people who work for us. key values These are the principles and qualities that guide RTL Group: • Quality: we seek excellence in everything we do. • Creativity: we provide stimulating workplaces where creative talent can flourish. ” • Focused management: we manage our businesses actively on behalf of our shareholders, while respecting the cultural needs of the communities we serve. • Productivity: we seek out ways to work more efficiently as a Group. key figures 1999 and 2000 based on pro forma figures 1999 and 2000 based on unaudited pro forma figures 1999-2001 Share price performance 2001 Revenue breakdown Adjusted earnings per share* Revenue by activity - € million € € million 2 866 400 – – RTL GROUP * 1.70 1.91 0.90 3 539 4 044 4 054 – DJ STOXX MEDIA P ■ 99 00 01 99 00 01 1 148 300 – 213 91 64 - 328 Shareholders' equity Market capitalisation € € TV Content Radio New Others million billion 200 – media Elimination 2001 Consolidated EBITA per segment 7 166 7 254 4 585 4.8 13.5 6.8 100 – € million 99 00 01 99 00 01 297 Dividend per share 0 – € 48 26 -100 – -55 -40 0.75 0.85 0.50 01/99 12/99 12/00 12/01 TV Content Radio New Others 99 00** 01 media * Brussels stock exchange, as most traded place. -
Making Crime TV: Producing Fictional Representations of Crime for Canadian Television
Making Crime TV: Producing Fictional Representations of Crime for Canadian Television by Anita Yuen-Fai Lam A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Criminology and Sociolegal Studies University of Toronto © Copyright by Anita Yuen-Fai Lam (2011) Making Crime TV: Producing Fictional Representations of Crime for Canadian Television Anita Yuen-Fai Lam Degree of Doctor of Philosophy Centre for Criminology and Sociolegal Studies University of Toronto 2011 Abstract Criminologists and sociolegal scholars have become increasingly interested in studying media representations of crime in popular culture. They have studied representations using content analyses, often examining their “accuracy” against academic research. Alternatively, these scholars have also studied media effects. In contrast to these studies, I focus on the television production process of making entertaining, dramatic representations of crime. In doing so, I empirically address the following research question: how do TV writers know about crime, and how do they transform that knowledge into fictional representations? I answer this question using a triangulation of methods to gather data – specifically, ethnography, archival research, and interviews with writers and producers – and through the juxtaposition of several case studies. My case studies include the following Canadian crime television programs: 1) the police drama The Bridge, 2) an original Canadian drama about insurance fraud, Cra$h and Burn, and 3) crime docudramas, such as F2: Forensic Factor and Exhibit A: Secrets of Forensic Science. Taking cues from Bruno Latour‟s actor-network theory, I focus on the site-specific, concrete, dynamic processes through which each television production makes fiction. -
Enn-Bios-2017.Pdf
MAKE NEW CONNECTIONS FIND A MENTOR PROMOTE YOURSELF TO EMPLOYERS GET CAREER ADVICE ADVANCE YOUR PROFESSIONAL GOALS SEARCH THE THOUSANDS OF PROFESSIONAL BRUINS IN UCLAONE.COM Carl Abuan ’11 Table 5 CE Activation Manager - Search Marketing, Walt Disney Parks & Resorts Ali Adam ’15 Table 29 Executive Asst to Co-Head of Music Dpt, WME | IMG Ali graduated with a B.A. in Communication Studies and a minor in Film and Television Studies. While at UCLA, she participated in many student organizations including the Student Alumni Association, Chi Omega Sorority, Homecoming Committee and Academic Affairs Commission on USAC. In addition to her on-campus extracurriculars, Adam had various internships in entertainment to further explore her interest in the industry, from NBC to MTV among others. After graduating, she continued to intern with MTV Networks full-time on the Communications team and, since receiving her diploma in June 2015, accepted a full-time position at William Morris Endeavor where she currently works for the co-head of the Music Department handling all non-touring initiatives for WME's all-star roster including Selena Gomez, The Weeknd, Usher, Pharrell Williams, Travis Scott, Childish Gambino and more. She hopes to continue growing in the ever-evolving music industry as she is passionate about attending live shows and festivals to track new, buzzing artists, while also seeking new, fresh opportunities for current clients. Kandi Amelon ’89 Table 42 Executive Producer, Kandi Amelon Productions While attending UCLA, Kandi Amelon worked in movie development at Steve Tisch Company, as well as for casting the movie, “Promised Land.” She found her calling when she worked at KNBC News in both breaking and entertainment news. -
Into the Nei Generation of Television
:Vol. 125 No.7 Gdti Yea( _ II II 11II II II II 1 1 I I1 r 3 0628 0009333092 e a erg Leadin g yn Into the Nei Generation of Television TIME WARNER ON A ROLL Cablevision Merger Makes It Full House Turner Stock on Block Restructuring in Sight ,,ax: In the News 1J rime lime An ' in Washington * "alai e. 6044 NISC00NSIN e aCINTYRE LIBRARY Nk, EAU Qa CLAIRE, RI 54702 NEW YORE CHICAGO WANG WIS mow 11:00pm DETROIT now 3.3112 III Nov:94 MI wie 11181115 i laie Moue! PHilADELPHIA DALLAS KYW WFM 11:00am TAMPA fYHA meo. oloiida. PRODUCED 8 DISTRIBUTED BY K/NGWORLD Source: NSI Wrap Overnights, Nov.'94 vs Week Of 1/16/95, o HH Ratings/Share. 01995 King World. All Rights Reserved. Fast Tack MUST READING FROM BROADCASTING & CABLE TOP OF THE WEEK Time Warner reorganizes Heeding investor restlessness about the lagging value of company stock, Time Warner Chairman Gerald Levin has instituted a corporate restructuring that he hopes will maximize the value of its cable and telecommunications assets. / 6 Big decision The FCC will have to decide in April whether Fox misled the commission regarding its ownership a decade ago. Questions remain about Fox's and the FCC's handling of station transfers. / 7 Broadcasters oppose deregulation The National Association of Broadcasters is expected to vote today to oppose the sweeping broadcast dereg legislation proposed by Senator Larry Pressler. / 8 Pressler meets with resistance It appears that Senate Commerce Committee Chairman Larry Pressler will have to give ground on his telecommunications -reform legislation that's "as deregulatory as possible" if he's going to get support from Senate Democrats, the House and the White House. -
Transition From
Transition from Issues for consumers and challenges to industry Committee on Arts, Entertainment, Sports, Tourism and Internet Media Betty Karnette, Chair Staff: Dana Mitchell, Chief Consultant TABLE OF CONTENTS I. Hearing Agenda II. DTV Background and Overview III. In the News: DTV Transition IV. Sample Outreach Efforts V. Federal GAO Report on Consumer Awareness ofDTV Transition VI. California Legislation AB 2769 (Levine) SR 24 (Romero) VII. Submitted Testimony VIII. Hearing Participants' Biographies Chief Consultant MEMBERS Dana Ullian Mitchell ~ssemhllJ Sharon Runner, Vice Chair Committee Secretary JoeCoto Paula Joy Welter Mike Davis <tktlifnrnia ~tgislafure Kevin de Le6n STATE CAPITOL Fiona Ma P.O. Box 942849 AssEMBLY CoMl\UITEE oN ARTS, ENTERTAINMENT, George Plescia Sacramento, CA 94249·0082 Audra Strickland (9 16)319·3450 SPORTs, Tou RISM AND INTERNET MEDIA sandre Swanson (916) 319·3451 (Fax) BETTY KARNETTE, CHAIR Infonnationa!Jfearing rr!ie )lssem6{y Committee on )lrts, P.ntertainment, Sports, tfourism e:l Internet :Meaza Transition from Analog to Digital Television: Issues for consumers and challenges to industry 9 a.m• ..:.. Room 437 State Capitol, Sacramento, CA I. Opening Remarks by Committee Chair Betty Karn~tte and Committee Members ll. Transition Overview From Viewpoint of Media a. Transition 101: Stan Statham -- President/CEO, California Broadcasters Association b. Unique issues faced by cable providers and customers: Dennis H. Mangers- President, California Cable & Telecommunications Association c. Content providers' role in educating consumers: Larry Deutchman, M.B.A. - Executive Vice President of Marketing & Industry Relations, Entertainment Industries Council, Inc. ID. Transition Issues Facing Consumers a. Challenges for consumers: Coupons, technology, and language access concerns: Gary Passmore - Director, Congress of California Seniors b.