Dark As a Dungeon: the Rise and Fall of Coal Miners' Nystagmus
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Sweet & Lowdown Repertoire
SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming -
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings
DOCUMENT RESUME ED 310 957 SO 020 170 TITLE Folk Recordings Selected from the Archive of Folk Culture. INSTITUTION Library of Congress, Washington, DC. Motion Picture, Broadcasting, and Recorded Sound Div. PUB DATE 89 NOTE 59p. PUB TYPE Reference Materials Directories/Catalogs (132) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS American Indians; Audiodisks; Audiotape Cassettes; *Folk Culture; Foreign Countries; Music; *Songs IDENTIFIERS Bahamas; Black Folk Music; Brazil; *Folk Music; *Folktales; Mexico; Morocco; Puerto Rico; Venezuela ABSTRACT This catalog of sound recordings covers the broad range of folk music and folk tales in the United States, Central and South America, the Caribbean, and Morocco. Among the recordings in the catalog are recordings of Afro-Bahain religious songs from Brazil, songs and ballads of the anthracite miners (Pennsylvania), Anglo-American ballads, songs of the Sioux, songs of labor and livelihood, and animal tales told in the Gullah dialect (Georgia). A total of 83 items are offered for sale and information on current sound formats and availability is included. (PPB) Reproductions supplied by EMS are the best that can be made from the original document. SELECTED FROM THE ARCHIVE OF FOLK CULTURE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION LIBRARY OF CONGRESS WASHINGTON. D.C. 20540 U S DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERICI hisdocument has been reproduced as received from the person or organization originating it C Minor changes have been made to improve reproduction duality Pointsof view or opinions stated in thisdccu- ment do not necessarily represent officral OERI motion or policy AM. -
The Role of the Dungeon Master
06_783307 ch01.qxp 3/16/06 8:40 PM Page 9 Chapter 1 The Role of the Dungeon Master In This Chapter ᮣ Discovering the role of the Dungeon Master ᮣ Finding what you need to play D&D ᮣ Exploring the many expressions of Dungeon Mastering ᮣ Understanding the goals of Dungeon Mastering ou know what DUNGEONS & DRAGONS is. It’s the original roleplaying game, Ythe game that inspired not only a host of other roleplaying games, but most computer roleplaying games as well. A roleplaying game allows players to take on the roles of characters in a story of their own creation. Part improvisation, part wargame, the D&D game provides a wholly unique and unequalled experience. For a game such as D&D to work, one of the players in a group must take on a fun, exciting, creative, and extremely rewarding role — the role of Dungeon Master. Thanks to the presence of a Dungeon Master (DM), a D&D game can be more interactive than any computer game, more open-ended than any novel or movie. Using a fantastic world of medieval technology, magic, and monsters as a backdrop, the DM has the power of the game mechanics and the imagi- nation of all the players to work with. Whatever anyone can imagine can come to life in the game, thanks to the robust set of rules that are the heart of the D&D game. The rules and imagination can take your game only so far, however. The heights your game can reach and the fun you can have with it depend onCOPYRIGHTED the creativity and involvement MATERIAL of the Dungeon Master. -
AXS TV Canada Schedule for Mon. September 16, 2019 to Sun
AXS TV Canada Schedule for Mon. September 16, 2019 to Sun. September 22, 2019 Monday September 16, 2019 4:00 PM ET / 1:00 PM PT 6:00 AM ET / 3:00 AM PT The Top Ten Revealed Tom Green Live 80s Rock Ballads - Find out which 80s Rock Ballads make our list as members of Def Leppard, Richard Belzer - Seriously funny talk from comedian/actor Tom Green and guest Richard Belzer. Quiet Riot and Guns N Roses count us down! 7:00 AM ET / 4:00 AM PT 4:30 PM ET / 1:30 PM PT Classic Albums John Mayer With Special Guest Buddy Guy Iron Maiden: The Number of the Beast - The full and vibrant story behind the making of the John Mayer’s soulful lyrics, convincing vocals, and guitar virtuosity have gained him worldwide album, it’s packed with exclusive interviews with the entire band - Bruce Dickinson, Steve Harris, fans and Grammy Awards. John serenades the audience with hits like “Neon”, “Daughters” and Adrian Smith, and Dave Murray - with the first interview for many years with drummer Clive “Your Body is a Wonderland”. Buddy Guy joins him in this special performance for the classic Burr who left the band after the massive Beast on the Road World Tour, and featuring masses of “Feels Like Rain”. previously unseen footage from the 1982 Hammersmith Odeon show on Beast on the Road. 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT B.B. King With Special Guests Terrence Howard, Richie Sambora and Solange Rock Legends B.B. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Castillo De San Marcos Fort Matanzas
administrative history CASTILLO DE SAN MARCOS FORT MATANZAS NATIONAL MONUMENTS/FLORIDA ADMINISTRATIVE HISTORY OF CASTILLO DE SAN MARCOS NATIONAL MONUMENT AND FORT MATANZAS NATIONAL MONUMENT by Jere L. Krakow July 1986 United States Department of the Interior / National Park Service CONTENTS Acknowledgements / v Chapter 1: War Department Administration, 1866-1914 / 1 Preservation Sentiment / 1 Growth of Tourism-Castillo / 4 Indian Incarceration / 6 ' Maintenance And Preservation / 7 Budget And Designated Appropriation / 8 Concern For Fort Matanzas / 9 Chapter 2: War Department Administration, 1914-1933 / 13 Government Initiatives / 13 First License-St. Augustine Historical Society / 14 Caretakers Brown And Davis / 16 Commercialization / 18 Surplus Forts / 21 Stabilize And Restore Fort Matanzas / 22 Declared National Monuments / 23 Quartermaster Department Management / 24 Management Controversy / 28 Competition For License, 1928 / 31 Final License, 1933 / 36 Chapter 3: The National Park Service: Administration 39 Tenure Begins / 39 Kahler Administration / 39 Freeland Administration / 51 Vinten Administration / 52 Roberts Administration / 59 Davenport Administration / 61 Schesventer Administration / 63 Aikens Administration / 65 Griffin Administration / 67 Chapter 4: The National Park Service: Programs and Relations / 69 Interpretation / 69 Special Events And Visitors / 79 Research / 83 History / 83 Archeology / 88 Natural Resources / 91 Race Relations / 91 Chapter 5: The National Park Service: Problems And Prospects / 95 Appendices / 101 A: Proclamation by President Calvin Coolidge Declaring National Monument, October 15, 1924: Fort Marion, Fort Matanzas / 102 iii B: Executive Order No. 6228: National Monuments to Be Administered by the National Park Service, July 28, 1933 / 101 C: Name Change: Fort Marion to Castillo de San Marcos, June 5, 1942 / 107 D: License to St. -
Olof's Files. Volume 1: Bob Dylan 1958-1969
STILL GOING BAREFOOT BOB DYLAN 1983 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2004 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Still Going Barefoot – Bob Dylan 1983 CONTENTS 1 INTRODUCTION .................................................................................................................. 1 2 1983 AT A GLANCE ............................................................................................................. 1 3 THE 1983 CALENDAR ......................................................................................................... 1 4 INFIDELS ............................................................................................................................... 2 5 SONGS 1983 ......................................................................................................................... 11 6 SUGGESTED READINGS ................................................................................................. 12 6.1 ARTICLES ................................................................................................................... 12 6.2 INTERVIEWS .............................................................................................................. 12 6.3 LYRICS ........................................................................................................................ 12 6.4 REVIEWS -
AXS TV Schedule for Mon. July 6, 2020 to Sun. July 12, 2020 Monday
AXS TV Schedule for Mon. July 6, 2020 to Sun. July 12, 2020 Monday July 6, 2020 4:30 PM ET / 1:30 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died Rock Legends Amy Winehouse - Amy Winehouse was an English singer and songwriter whose stunning voice Aretha Franklin - Multiple Grammy winner and “Queen of Soul,” Aretha Franklin is known for hits easily followed in the footsteps of Janis Joplin and Billie Holiday. Her debut album, Frank, was a such as “Respect,” “Freeway of Love” and “I Say a Little Prayer.” critical success in the UK and was nominated for the Mercury Prize. Her follow-up album, Back to Black, led to five 50th Annual Grammy Awards, and a record of most Grammys won by a female 8:30 AM ET / 5:30 AM PT artist in one night. Her album Back to Black posthumously became one the UK’s best-selling Rock & Roll Road Trip With Sammy Hagar albums of the 21st century. Cabo Birthday Bash - Sammy flies down to Cabo for his annual “Birthday Bash” to perform for his fans, the “Redheads”. It’s an exclusive, behind the scenes look at a celebration now in its 20th 5:00 PM ET / 2:00 PM PT year! You haven’t seen a party at the Cabo Wabo until Sammy takes you there! Counting Crows The eclectic and oh-so popular Counting Crows take the stage to perform “Hanging Tree”, “Los 9:00 AM ET / 6:00 AM PT Angeles”, “On Almost Any Sunday Morning” and other songs from their album Saturday Nights The Big Interview and Sunday Mornings. -
Swarthmore Folk Alumni Songbook 2019
Swarthmore College ALUMNI SONGBOOK 2019 Edition Swarthmore College ALUMNI SONGBOOK Being a nostalgic collection of songs designed to elicit joyful group singing whenever two or three are gathered together on the lawns or in the halls of Alma Mater. Nota Bene June, 1999: The 2014 edition celebrated the College’s Our Folk Festival Group, the folk who keep sesquicentennial. It also honored the life and the computer lines hot with their neverending legacy of Pete Seeger with 21 of his songs, plus conversation on the folkfestival listserv, the ones notes about his musical legacy. The total number who have staged Folk Things the last two Alumni of songs increased to 148. Weekends, decided that this year we’d like to In 2015, we observed several anniversaries. have some song books to facilitate and energize In honor of the 125th anniversary of the birth of singing. Lead Belly and the 50th anniversary of the Selma- The selection here is based on song sheets to-Montgomery march, Lead Belly’s “Bourgeois which Willa Freeman Grunes created for the War Blues” was added, as well as a new section of 11 Years Reunion in 1992 with additional selections Civil Rights songs suggested by three alumni. from the other participants in the listserv. Willa Freeman Grunes ’47 helped us celebrate There are quite a few songs here, but many the 70th anniversary of the first Swarthmore more could have been included. College Intercollegiate Folk Festival (and the We wish to say up front, that this book is 90th anniversary of her birth!) by telling us about intended for the use of Swarthmore College the origins of the Festivals and about her role Alumni on their Alumni Weekend and is neither in booking the first two featured folk singers, for sale nor available to the general public. -
Archeological Overview and Assessment Bunker Hill Monument
ARCHEOLOGICAL OVERVIEW AND ASSESSMENT BUNKER HILL MONUMENT Charlestown, Massachusetts Kristen Heitert Submitted to: Northeast Region Archeology Program National Park Service 115 John Street Lowell, Massachusetts 01852 Submitted by: PAL 210 Lonsdale Avenue Pawtucket, Rhode Island 02860 PAL Report No. 2141 January 2009 PAL PUBLICATIONS CARTOGRAPHERS DANA M. RICHARDI/TIM WALLACE GIS SPECIALIST TIM WALLACE GRAPHIC DESIGN/PAGE LAYOUT SPECIALISTS ALYTHEIA M. LAUGHLIN/GAIL M. VAN DYKE EDITOR KEN ALBER TABLE OF CONTENTS 1 INTRODUCTION ...................................................................................................................1 Site Summary...................................................................................................................1 Scope and Authority .........................................................................................................3 Project Methodology ........................................................................................................3 Consultation ........................................................................................................................4 Archival Research ...............................................................................................................4 Pre- and Post-Contact Cultural Context Development........................................................6 Research and Evaluation of Previous Studies and Collections ...........................................6 Recommendations for Future Research...............................................................................7 -
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions. -
THE LIVERPOOL BLITZ, a PERSONAL EXPERIENCE. by Jim
THE LIVERPOOL BLITZ, A PERSONAL EXPERIENCE. By Jim McKnight INTRODUCTION In 2014 Merseyside Police discovered some photographs that had been police records of bomb damage during World War II. This was reported on BBC “News from the North”. Fortunately, I hit the record button on our TV in time. A few of the photos were flashed on the screen, and suddenly I was amazed to realise that I remembered one particular scene very well. This was because I was there probably about the same time as the photograph was taken. I was seven years old then. That I should remember the scene so vividly seventy four years later is astonishing. Since then, I have verified that I was correct, and I think now is the time to record my memories of the Liverpool Blitzes. THE PORT OF LIVERPOOL It is not always realised that Liverpool was the most heavily bombed area of the country, outside of London, because Merseyside provided the largest port for the war effort. The government was concerned to hide from the Germans just how much damage had been inflicted upon the docks, so reports on the bombing were kept low-key. At one time the dock capacity was halved by bombing, and considering that Merseyside was the main link with America, this put the war effort in jeopardy. Over 90 per cent of imported war materiel came through Merseyside (the rest mainly came through Glasgow). Liverpool housed Western Approaches Command, the naval headquarters for the Battle of the Atlantic. It was responsible for organising the convoys, including The famous waterfront, showing the three Graces in the 1930s The Tunnel Ventilator behind the RH.