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An Application of the Modern Production and Distribution of Independent Music
Eastern Kentucky University Encompass Honors Theses Student Scholarship Spring 5-5-2019 An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse W. Klapheke Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/honors_theses Recommended Citation Klapheke, Jesse W., "An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music" (2019). Honors Theses. 624. https://encompass.eku.edu/honors_theses/624 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Honors Theses by an authorized administrator of Encompass. For more information, please contact [email protected]. i Eastern Kentucky University An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Honors Thesis Submitted In Partial Fulfillment Of The Requirements of HON 420 Spring 2019 By Jesse Klapheke Faculty Mentor Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies ii An Experiment of Modern Music: An Application of the Modern Production and Distribution of Independent Music Jesse Klapheke Dr. Joseph Carucci Associate Chair / Director of Music Industry Studies The music industry is not what it once was. Currently, there is a much larger burden for the independent artist to bear in regards to producing and marketing their own music, and for many this seems like a mountain too tall to climb. With this thesis, I set out to measure the effectiveness of today’s music production and distribution methods and tools by recording a full length audio recording, documenting its inception, production, and distribution by utilizing 21st century ‘do-it-yourself’ home recording equipment and distribution services, the product of which being the album ‘50,000’. -
CSUF Promotes Healthy Living Fraternity Seeks to End Ban Tau Kappa Epsilon Fraternity Has Not Been Recognized by CSUF for Over 20 Years
Wednesday September 26, 2018 The Student Voice of California State University, Fullerton Volume 104 Issue 13 CSUF promotes healthy living Fraternity seeks to end ban Tau Kappa Epsilon fraternity has not been recognized by CSUF for over 20 years. NOAH BIESIADA News Assistant In 1998, the Cal State Fuller- ton chapter of Tau Kappa Epsi- lon fraternity received several different complaints including someone firing a handgun, an alleged rape, 700 people par- tying on the street and a bottle rocket setting fire to a neigh- boring roof, according to 1998 Fullerton City Council meeting minutes. The fraternity received 13 noise complaints in a six-month period for several parties, ac- cording to a 2011 Daily Titan JOSHUA ARIEF HALIM / DAILY TITAN article. The Price Tastes Right activity in the Quad on Tuesday gave students an interactive learning experience about saving money on food. After 20 years of operating off campus, the CSUF chap- The Healthier Campus CSUF joined the initiative on at the St. Jude Medical Center kind of move it to the next level,” ter is attempting to return to Intiative advocates nutrition May 3, according to Partnership for the Healthy Communities Bryars said. campus. and fitness. for a Healthier America, a non- Initiative. The nonpartisan, nonprofit The Interfraternity Coun- partisan, nonprofit group that runs The Healthier Campus Initia- group aims to encourage “greater cil, who governs and promotes the nationwide program. tive is just one part of the Partner- physical activity and healthier eat- relations between the differ- SOMMER CLARK On Monday, the university be- ship for a Healthier America, an ing habits” among college students, ent fraternities and the greater Staff Writer gan hosting Healthy Campus organization dedicated to fight- said Tracy Bryars, manager at the campus community, will have Week, as part of the Healthier ing childhood obesity that part- St. -
52Issue November 2019
Issue 52 November 2019 Issue 52 ONLINE www.thecutmagazine.com FACEBOOK www.facebook.com/TheCutMagazine ADDRESS The Cut Magazine 5000 Forbes Avenue UC Box 122 Pittsburgh, PA 15238 COVER PHOTO Michelle Ng November 2019 Editor-in-Chief Trevor Lazar Assistant Editor Jamie McArthur Digital Media Chair Cassandra Scheirer PR Editor CJ Rosado Issue 52 Design Editor Michelle Ng Letter Copy Editor Greta Markey From Writing Staff Aysha Zackria Claudia Osorio Daniel Yeh The Divya Viswanathan Eliza Hallinan Gavin Grnja Natalie Jarrett Editor Omasan Richardson Shambhavi Mishra Zofia Majewski The summer is clinging on We’ve got a brand new for dear life here in Pittsburgh, website, some renewed social but The Cut is looking ahead. media, and a whole lot of Design Staff Ajunie Virk We’ve got some amazing new excitement. Looking ahead, Erin Lee voices here, especially first- we’ve got a backlog of amazing Jennifer Shin years. Our collective music mixtape ideas that might find Shai Bhardwaj taste is always shifting, always their way into future issues. Teresa Lourie at odds with itself. The heat This group of writers, editors, has kept us in rooms with A/C designers, and artists have put and fluorescent lights, but their heart and soul into this Photo/Art Staff Aysha Zackria we’ve been going everywhere. issue. And we’re just getting Claudio Osorio started. Jennifer Shin We’ve hit tons of killer shows, talked to some amazing I couldn’t be prouder to artists, and written some present Issue 52. hilarious, poignant, and absurd articles. Some of my personal favorite this time Trevor Lazar around include a breakdown Editor-in-Chief Letter of better Charlie’s Angels trios, a synesthesia mixtape, and a new column called “My Shazams” from Divya From Viswanathan. -
The Cowl 3 Friars Honor Frederick Douglass in Nantucket Nantucket Historical Society Celebrates Douglass' 200Th Birthday
Providence College T e Cow SINCE l 1935 Vol. LXXXIII No. 4 September 27, 2018 thecowl.com Nitro Cart Remembering Frederick Douglass Caffeinates Students Travel to Nantucket for Bicentennial Celebration Campus was a large outpost for escaped slaves and other African Americans during by Anthony Bateman '21 News Staff the early to mid-1800s. It was on Nantucket where ON CAMPUS Douglass gave his first speech to a white and African American crowd, a The Nitro Cart, a local Rhode momentous occasion in the pre-Civil Island coffee company, began War era. setting up shop across the street In honor of Douglass’ birth 200 from the Huxley Avenue gate on years ago, the Nantucket Historical Eaton Street, from 11 a.m. to 3 p.m. Association, the Nantucket Atheneum, Monday through Friday. The cart and the African Meeting House of the had originally visited campus on Museum of African American History Sept. 6, but began regular hours in Nantucket held an afternoon of events, including a recitation this week. of Douglass’ speech in Nantucket Zach Fin, one of the workers performed by Guy Peartree. handling the cart, got the chance Mulderry explained that she joined to talk about some of the history the Nantucket Historical Society this behind the company and its past summer, and when she heard origins. about this event, she knew she wanted “The Nitro Cart started about to present it to the PC community. three years ago," said Fin. "The Mulderry reached out to several owners Audrey and Sam basically groups of students who read the book learned what nitro coffee was and as a requirement for a class and to they just loved it. -
BROCKHAMPTON: Social Advocacy and Diversity in Rap Music
Volume 9 Issue 1 (2020) AP Research BROCKHAMPTON: Social Advocacy and Diversity in Rap Music Ndidi Opara1 1Lake Washington High School, Kirkland, WA, USA ABSTRACT BROCKHAMPTON is a diverse, multiracial rap group that has recently garnered rapidly increasing popularity and influence in the rap industry. Because of this, I wanted to determine if the popularity of the group’s SATURATION trilogy was affected by the content matter they addressed and how that intersected with the American color line in music marketing. With the research question, “To what extent does the race of a BROCKHAMPTON member and the advocacy they utilize, whether it be pro-social or anti-social advocacy examined through the usage of corresponding social themes, influence the popularity of a given song from BROCKHAMPTON’s SATURATION trilogy?”, this study found that it was influenced to a minor extent, with no strong correlation found between race and social themes dis- cussed, or between popularity and the dominant thematic category of a song. Context I have always struggled with the stigma on that rap is an aggressive, violent, and rageful genre. When I listen to rap, I hear social themes and messages that are underneath the sound of the music. However, I have realized that people often do not hear the same messages I do. I also realized that people do not choose to interpret rap music the same way I do. I realized that I had forgot that the perception of rap as a multi-layered genre is not one that often comes to the untrained ear. Along with this, I noticed that media and the academic world often discards the positive, advocating side of Hip-Hop. -
Homecoming Breakdown
Glendale High School Explosion Vol. 103, No. 2 1440 E. Broadway, Glendale, CA 91205 Thursday, October 25, 2018 Homecoming breakdown By Natalie Rosales football team will be introduced to the Co-Editor-in-Chief crowd at both rallies. Later in the day, starting around 6 p.m. On Thursday, Oct. 18, the Homecom- the Homecoming Courts from both schools ing Court was announced. ASB advisor will be introduced in a pre-game ceremony. Jon Livingston made the announcement Then the varsity football teams of over the PA system that senior princesses Glendale and Hoover highs will meet in are Genevieve Garcia, Ani Muradyan, Li- football for the 89th straight year begin- ana Palmiery, Xcaret Salvador, and Saku ning at 7 p.m. at Moyse Stadium. Yoshioka. Both schools have not had a lot of The princes are Rouben Aghajanyan, success this season, winning just one game Benjamin Do, Sebastian Duran, Trent each, but tonight the teams will play for the Lousararian, andArchawin Nim Anong. city championship and the winning school Underclassmen get involved on the gets to keep the prized possession; the Vic- court too. They are duchesses and dukes. tory Bell. It costs $5 for students and $8 for The duchesses are freshman Caitlin adults to attend the game and a large crowd Calica, sophomore Susanna Poghosyan, is expected. and junior Hannah Garcia. The dukes are Homecoming would not be complete freshman Hovanes Muradyan, sophomore without mentioning the highly anticipat- Lanfranco Marenzi, and junior Andrew ed dance. This year’s dance will be next Do. week. It is on Nov. -
Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia
UPENDING THE “RACIAL DEATH-WISH”: BLACK GAY LIBERATION AND THE CULTURE OF BLACK HOMOPHOBIA A Thesis presented to the Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Kailyn Pope June 2021 © 2021 Kailyn Pope ALL RIGHTS RESERVED ii COMMITTEE MEMBERSHIP TITLE: Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia AUTHOR: Kailyn Pope DATE SUBMITTED: June 2021 COMMITTEE CHAIR: Andrew Morris, Ph.D. Professor of History COMMITTEE MEMBER: Kathleen Cairns, Ph.D. Lecturer Emeritus of History COMMITTEE MEMBER: Thomas Trice, Ph.D. Associate Professor of History iii ABSTRACT Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia Kailyn Pope This thesis analyzes the origin and impact of Black homophobia found in activist spaces of mid- to late-twentieth-century American society. Black gay Americans were subjected to intersecting forms of systemic and cultural oppression that were exceedingly hard to escape due to both the homophobia in Black spaces and the racism in gay spaces. Black gay activists and artists thus had to create their own avenues of expression where they and others could fully embrace what it meant to be Black and gay. This work utilizes a Black feminist framework to explore the roots of Black homophobia and how this type of bigotry was able to so deeply infiltrate Black activist spaces like the Civil Rights Movement and the Black Panther Party. Black homophobia originated as a response to White supremacist domination of the Black body, and was able to spread through the community for generations through paths such as hypermasculinity, the Black church, and misogynoir. -
Who Are Brockhampton? Melvin Seals And
K k AUGUST-SEPTEMBER 2017 K g VOL. 29 #8 H WOWHALL.ORGk though he had a big say on the project, Saturation is very much about BROCKHAMPTON as a whole. Ameer Vann appears on WHO ARE BROCKHAMPTON? the project the most out of every- one, and it’s his face on the front cover smeared in blue paint. Ian dubbed Ameer “the star of the tape,” but this is a project where everyone props each other up. On the production side of things there’s Kiko Merley, Jabari Manwarring, and Romil Hem- nani, although Joba and Bearface contribute production, too. There’s also Robert Ontenient, who works on the website side of things and recently co-authored an app they launched in time for the release of Saturation. Henock Sileshi and Ashlan Grey are mostly responsible for On Friday, September 29, the earning themselves a singles deal ent sounds and styles these rag- are what America actually is,” the group’s visuals, with Henock Community Center for the Per- with Fool’s Gold Records and a tags can squeeze into 38 minutes,” Kevin Abstract declares. “We offering art direction and Ashlan forming Arts and Dead Nation handsome video budget. The reported DJBooth. “If Pharrell, speak for people of color who photography. Each of the videos Presents welcome BROCKHAMP- result of their prize was “Dirt”, Kid Cudi and Frank Ocean have a hard time expressing them- for the singles was directed by TON to the WOW Hall. which shattered preconceived blurred genres, BROCKHAMP- selves publicly.” The L.A.-based Abstract, but Ashlan filmed each BROCKHAMPTON is the notions about what constitutes TON synthesize these very influ- collective includes rappers, pro- one while Henock edited them. -
Paper-Issue2.Pdf
page 2 the paper october 3, 2018 Kavanaugh, pg. 3 Nerds, pg. 9 Sephro, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “What pumpkin spice flavored thing are you?” c/o Office of Student Involvement Editors-in-Chief Fordham University Colleen “Pumpkin Spice Hot Chocolate” Burns Bronx, NY 10458 Claire “A Pumpkin Spice Condom” Nunez [email protected] Executive Editor http://fupaper.blog/ Michael Jack “Pumpkin SpICE Age” O’Brien News Editors the paper is Fordham’s journal of news, analysis, comment and review. Students from all Christian “Pumpkin Spice Donut” Decker years and disciplines get together biweekly to produce a printed version of the paper using Andrew “Pumpkin Spice Munchkin” Millman Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Opinions Editors Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Jack “Pumpkin Spice Muffin” Archambault ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Hillary “Pumpkin Spice Laptop” Bosch students are always considered and usually published. Our staff is more than willing to help new writers develop their own unique voices and figure out how to most effectively convey their Arts Editors thoughts and ideas. We do not assign topics to our writers either. The process is as follows: Meredith “Rooibos” McLaughlin have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Annie “Pumpkin Spice Seasonal Effective Disorder” Muscat the article, work on edits with us, and then get published! We are happy to work with anyone Earwax Editor who is interested, so if you have any questions, comments or concerns please shoot us an e- Marty “Pumpkin Spice Bible” Gatto mail or come to our next meeting. -
Remembering Alyssa Lendino
VOLUME 1, ISSUE 1 JOHN HERSEY HIGH SCHOOL, SEPT. 28, 2018 Lemonade for Lendinos BY CLAIRE DWYER fter a tragic car accident that the weekend of August friends and family, such as juniors 3rd, the Mount Prospect A Taylor Hall and Dana Lundstrom community rallied to- decided to help the Lendino family anyway gether and supported a they could. Even with a successful Go-Fund dozen lemonade stands Me campaign, friends decided they wanted from St. Emily’s Church to do even more to help. The idea of setting to the Mount Prospect up lemonade stands around the community Lions Club’s Bluesmobile came up as a way to inform the community. Cruise Night. “Even peo- “Our friend group over the summer [with ple who didn’t want lem- Alyssa] always wanted to do a lemonade onade just came over and stand. We did one last summer, too,” Hall said. gave us money saying, “We were trying to think of something that ‘Keep it, keep it,’ It was amazing,” Hall said. quickly led to more, including one at an In- would make money to support them, because “A lot of police officers at the auto show dian Princesses Car Wash at Grace Lutheran they already had the go fund me, but we didn’t donated money, it was really kind,” Lund- Church. “It was so cool to see how many peo- know what else to do and to get the commu- strom said. “As soon as we had fliers and ple knew about it before we even said any- nity to know about it,” Lundstrom said. -
The SATURATION Trilogy: the Importance of the Vocal Mix
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 5-2019 The SATURATION Trilogy: The Importance of the Vocal Mix Nicholas Roa California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Other Music Commons Recommended Citation Roa, Nicholas, "The SATURATION Trilogy: The Importance of the Vocal Mix" (2019). Capstone Projects and Master's Theses. 560. https://digitalcommons.csumb.edu/caps_thes_all/560 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Running head: THE SATURATION TRILOGY: THE IMPORTANCE OF THE VOCAL MIX 1 The SATURATION Trilogy: The Importance of the Vocal Mix THE SATURATION TRILOGY: THE IMPORTANCE OF THE VOCAL MIX 2 ABSTRACT This paper goes over the background of BROCKHAMPTON and how the group came together. It will also discuss each role that the members of the group have. This history of the group will be one of the topics in the paper. The three albums from The SATURATION Trilogy will be the main topic that this paper will examine. Within these albums, the tone and stand out elements will be discussed. The importance of the vocal mix will be highlighted throughout, and the paper will pinpoint the three important tools that help the vocal mix within these albums. -
Bocce in Bealeton: Champions Together Introduces New Sport To
@LibertyPublicat @libertyhspublications www.pinterest.com/tyearbook September/October 2019 Patriot Press News Team Volume 26: Issue 2 Liberty High School Talon Yearbook and Patriot Press Newspaper 6300 Independence Avenue, Bealeton, Virginia 22712 Bocce in Bealeton: Champions Together Bocce Ball consists Introduces New Sport to LHS Community of a predetermined by Dylan Huggins and the Patriot Press Staff number of frames. ter what their disabilities may means once the special educa- Each frame is be,” explained Deputy Meyer. tion students are eighteen, they complete once all “Within our school, it are no longer kids. They are balls have been took some asking and seeing if adults and athletes. People have thrown and all points we could afford the program. to remember that,” said Meyer. have been awarded. In the end, we got all that was The LHS community needed for the courts. The courts’ puts a lot of their time into mak- cost was around 85,000 dol- ing Champions Together possible. lars, and with our sponsors Lib- “With the way that How to erty paid zero dollars for any- Special Olympics are known thing,” continued Deputy Meyer everywhere, it is easy to get The coaches of the bocce businesses to donate or help out Play team are Deputy Meyer and Ms. because it looks good and it can Milburn. The bocce ball courts be nice with taxes,” said Meyer. Bocce Ball: are for the community to use “I have been a partic- Senior Evan Yurgaitis rolls the and are available for everyone. ipant since the very end of my bocce ball to try to score points 1.Each frame starts There are numerous against the opposing team.