Telstar Satellite Rocket Launched
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B I O G R a P
Index Table of Contents Page 3 Preface by Ivor Harper Page 4 In the Beginning Page 10 The Line Ups Page 15 On the Road Page 23 The Old Studio Page 28 A New Lease of Life Page 41 Recording the ‘Lords of Hypocrisy’ Album Page 48 End of an Era Page 50 Pagan Altar 2007 Page 54 Pagan Altar 2008 Page 59 Pagan Altar 2009 Page 69 Pagan Altar 2010 Page 78 Pagan Altar 2010 -2013 Page 80 Recording ‘The Room of Shadows’ 2013 -2015 Page 81 Mixing ‘The Room of Shadows’ 2017 Page 89 Pagan Altar 2017 Page 97 Discography Page 103 Lyrics Preface When it was first suggested that I write this article I must say that it was with a certain amount of trepidation and mixed emotions that I agreed. I initially considered that being so close to members of the band for years that have spanned from before Pagan Altar was formed to the present day would not make me objective enough in my approach. Having been an ex-drummer with the band, in fact the first, an association that I am extremely proud of, I suppose my natural tendencies and inclinations would lean towards looking at the band through rose coloured glasses. I have therefore tried to observe and analyse the whole situation from a totally detached viewpoint, but human nature being what it is, some of my own opinions and observations have probably crept in and become incorporated within some of the analytical assumptions. I have refrained from mentioning myself in the Bio, this is not due to any pretence at a misguided view of modesty that I might have but because I genuinely feel that any major achievements made by the band were after my departure. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
J&S Ventures IM Item Quantity Status Report
Run : 9/27/2021 7:20:46 AM J&S Ventures Page 1 Form : IMR0032 Item Level IM Item Quantity Status Report Standard Abecas Format Selection : Tab Field Order By Include From To Master Item Ascending Yes Net Available Yes 1.0000 10,000.0000 Mode No BG BG Mode No BC BC Item No HARBALCAR100 HARWEEBARSPI Item No ZZAVAIL ZZTRESTAK Item Description Size Available ABIECONCBB072 FIR, CONCOLOR 6' B&B 2.00 ABIECONCBB144 FIR, CONCOLOR 12' B&B 2.00 ACERAMFL0F125 MAPLE, AMUR FLAME 1.25" #15 CONT. 5.00 ACERAMFL0F15G MAPLE, AMUR FLAME 6' CL. #15 CONT. MULTI STEM 4.00 ACERAMFLBB096 MAPLE, AMUR FLAME 8' CLUMP B&B 1.00 ACERAMFLBB120 MAPLE, AMUR FLAME 10' CLUMP B&B 1.00 ACERAMFLBB175 MAPLE, AMUR FLAME 1.75" B&B 1.00 ACERAMFLBB200 MAPLE, AMUR FLAME 2.00" B&B 1.00 ACERAMFLBB250 MAPLE, AMUR FLAME 2.50" B&B 1.00 ACERAPOLBB200 MAPLE, APOLLO 2.00" B&B 5.00 ACERARGO0F125 MAPLE, ARMSTRONG GOLD 1.25" #15 CONT. 1.00 ACERARGOBB200 MAPLE, ARMSTRONG GOLD 2.00" B&B 1.00 ACERARGOBB250 MAPLE, ARMSTRONG GOLD 2.50" B&B 2.00 ACERARGOLB125 MAPLE, ARMSTRONG GOLD 1.25" #15 CONT. LOW BRANCH 1.00 ACERAUBL0F125 MAPLE, AUTUMN BLAZE 1.25" #15 CONT. 20.00 ACERAUBL0F20G MAPLE, AUTUMN BLAZE 2.00" #20 CONT. 17.00 ACERAUBLBB300 MAPLE, AUTUMN BLAZE 3.00" B&B 1.00 ACERAUBLBB350 MAPLE, AUTUMN BLAZE 3.50" B&B 2.00 ACERAUFABB200 MAPLE, AUTUMN FANTASY 2.00" B&B 4.00 ACERAUSPBB200 MAPLE, AUTUMN SPLENDOR 2.00" B&B SUGAR CADDO 1.00 ACERAUSPBB250 MAPLE, AUTUMN SPLENDOR 2.50" B&B SUGAR CADDO 1.00 ACERCONOBB175 MAPLE, CLNR NORWAY 1.75" B&B 2.00 ACERCONOBB200 MAPLE, CLNR NORWAY 2.00" B&B 5.00 ACERCONOBB250 MAPLE, CLNR NORWAY 2.50" B&B 19.00 ACERDEBO0F125 MAPLE, DEBORAH 1.25" #15 CONT. -
John Marks Exits Spotify SIGN up HERE (FREE!)
April 2, 2021 The MusicRow Weekly Friday, April 2, 2021 John Marks Exits Spotify SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES John Marks Exits Spotify Scotty McCreery Signs With UMPG Nashville Brian Kelley Partners With Warner Music Nashville For Solo Music River House Artists/Sony Music Nashville Sign Georgia Webster Sony Music Publishing Renews With Tom Douglas John Marks has left his position as Global Director of Country Music at Spotify, effective March 31, 2021. Date Set For 64th Annual Grammy Awards Marks joined Spotify in 2015, as one of only two Nashville Spotify employees covering the country market. While at the company, Marks was instrumental in growing the music streaming platform’s Hot Country Styles Haury Signs With brand, championing new artists, and establishing Spotify’s footprint in Warner Chappell Music Nashville. He was an integral figure in building Spotify’s reputation as a Nashville global symbol for music consumption and discovery and a driver of country music culture; culminating 6 million followers and 5 billion Round Hill Inks Agreement streams as of 4th Quarter 2020. With Zach Crowell, Establishes Joint Venture Marks spent most of his career in programming and operations in With Tape Room terrestrial radio. He moved to Nashville in 2010 to work at SiriusXM, where he became Head of Country Music Programming. During his 5- Carrie Underwood Deepens year tenure at SiriusXM, he brought The Highway to prominence, helping Her Musical Legacy With ‘My to bring artists like Florida Georgia Line, Old Dominion, Kelsea Ballerini, Chase Rice, and Russell Dickerson to a national audience. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Exhibition Brochure Is There A
‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture. -
The Complete Poetry of James Hearst
The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring. -
Modificaciones En Factores Relacionados Con El Aroma Y La Textura De La Manzana, Melocotón Y Nectarina Durante La Maduración Y La Post- Cosecha
Modificaciones en factores relacionados con el aroma y la textura de la manzana, melocotón y nectarina durante la maduración y la post- cosecha Abel Ortiz Catalán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
Some Fruit and Descriptions, with Apple Photos Apples, Pears, Plums
1 Some Fruit and Descriptions, with Apple Photos Apples, Pears, Plums, Prunes, Zwetschen (Zwetschgen), d’Agen, Damson A Note About the Tables: A = Roadside seedling; collected and named by Katrina Richards. B = NZ, 2005. Open pollinated apple seedling raised by Katrina Richards. C = NZ, 20th Century. A seedling found by chance on Richards’ Orchard. D = For various reasons, the variety needed a name, so we gave it one. We have made all efforts to ensure our scion wood & information is correct. Unless otherwise attributed, photos are by Katrina Richards, who holds copyright for these images. APPLES Adam’s UK, 1826. Orange-red blush and stripes, some Pearmain russet, long shape, medium sized fruit. Nutty, aromatic, firm, juicy. Mid-season. Akane Japan, Bright red skin, snow white flesh, 1937. flattish. Sweet, juicy, crisp/firm. Eat, cook, juice, cider. Pick mid-February until May. Disease resistant. Alexander Ukraine, Green with red stripes, large fruit. 1700s. Cook, can also eat. Mid-season. From SCES collection. Image: wikicommons www.nationalfruitcollection.org.uk/ Altländer Germany, Red with broken stripes. Fruity, tart. Pfannkuchen- 1840. Cooks to tasty soft puree. Use in apfel apple pancakes. Mid-season. Aria B Block red with red stripes. Sweet, juicy, crisp, hint of honey. Black Spot resistant? Ready in February. 2 Awatere A Stripes, large fruit, heavy crops. Excellent cooker. Suffers from bitter pit (calcium disorder) on Moutere Clay. Ballarat Australia, Round, large, pale green, pink blush. 1870s. Tart, juicy. Cooks to puree. Late season. Excellent keeper. May keep 6 months without refrigeration. Beauty of Bath UK, 1864. Red stripes and attractive spots, flat. -
Telstar – a Philatelic History the Communication Revolution Began with This Satellite Series
Telstar – A Philatelic History The Communication Revolution Began with this Satellite Series Don Hillger SU5200, Garry Toth, and Sig Bette SU-1063 This Telstar article appeared in the October 2012 issue of American Philatelic Society’s “American Philatelist” magazine, and is reprinted with the permission of Editor Barbara Boal Telstar-1 made history for our interested Space Unit members. over fifty years ago on July 11, 1962, one day after its launch, when it transmitted the first television signals across the Atlantic Ocean,1 between the United States of America and France. Al- though not the first active communications satellite,2 it became a popular and recognizable name in the new world of artificial satellites. Telstar even spawned a musical composition titled “Telstar,” performed by The Tornados, an instrumental band A second set of common design stamps of the early 1960s. Their recording was was issued to commemorate the same the first single by a British band to event, but the event is noted as the “first reach number one in the United States, television transmission between Europe later becaming a number one hit in the and America,” versus “first television United Kingdom as well. Written and transmission by satellite” on the previous produced by Joel Meek, the spacey issue. On all of these stamps the cities of sounds of the recording were produced Andover (Maine) and Pleumeur-Bodou by a clavioline, a keyboard instrument (France) are identified, with Telstar shown with distinctive electronic sounds. The in orbit, relaying signals between the song was also recorded by other bands, two locations. -
Yale French Studies Structuralism
Yale French Studies Structuralism Double Issue - Two Dollars Per Copy - All ArticlesIn English This content downloaded from 138.38.44.95 on Sun, 03 Jan 2016 19:52:13 UTC All use subject to JSTOR Terms and Conditions Yale French Studies THIRTY-SIX AND THIRTY-SEVEN STRUCTURALISM 5 Introduction The Editor LINGUISTICS 10 Structureand Language A ndreMartinet 19 Merleau-Pontyand thephenomenology of language PhilipE. Lewis ANTHROPOLOGY 41 Overtureto le Cru et le cuit Claude Levi-Strauss 66 Structuralismin anthropology Harold W. Scheffler ART 89 Some remarkson structuralanalysis in art and architecture SheldonNodelman PSYCHIATRY 104 JacquesLacan and thestructure of the unconscious JanMiel 112 The insistenceof the letterin the unconscious JacquesLacan LITERATURE 148 Structuralism:the Anglo-Americanadventure GeoffreyHartman 169 Structuresof exchangein Cinna JacquesEhrmann 200 Describingpoetic structures: Two approaches to Baudelaire'sles Chats Michael Riffaterre 243 Towards an anthropologyof literature VictoriaL. Rippere This content downloaded from 138.38.44.95 on Sun, 03 Jan 2016 19:52:13 UTC All use subject to JSTOR Terms and Conditions BIBLIOGRAPHIES 252 Linguistics ElizabethBarber 256 Anthropology Allen R. Maxwell 263 JacquesLacan AnthonyG. Wilden 269 Structuralismand literarycriticism T. Todorov 270 Selectedgeneral bibliography The Editor Cover: "Graph,"photograph by JacquesEhrmann. Editor, this issue: Jacques Ehrmann; Business Manager: Bruce M. Wermuth; General Editor: Joseph H. McMahon; Assistant: Jonathan B. Talbot; Advisory Board: Henri Peyre (Chairman), Michel Beaujour, Victor Brombert, Kenneth Cornell, Georges May, Charles Porter Subscriptions:$3.50 for two years (four issues), $2.00 for one year (two issues), $1.00 per number.323 W. L. HarknessHall, Yale University,New Haven, Connecticut.Printed for YFS by EasternPress, New Haven. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T.