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Telstar Satellite Rocket Launched
Today ' 3 i' ^^^^ ^ 21,950 lafad. Lej» tod|bt In the 4k, 9M' Weratr, page 2.' DIAL SH 1-0010 VOL. '85 NO 224. IMIM* itltr. MoniStT thronm frliUr. B^oond oitu Pwttf* rvu °3' «'-'• •"* raid at KM Buk and at ASditiooU XUllnc OtOei. RED BANK, N. J., TUESDAY, MAY 7, 1963 7c PER COPY PAGE ONE Senate to Probe Race) Tracks' Expenses TRENTON (AP)-The ttate sen- Hillery, R-Merris and Wayne Du- bill and that was why he support- the committee membership and Sandman on what basis the com- ate has deckled to do tome of moot, It-Warren, sponsored a ed Stamler's. < warned jokingly that any commit- mittee members were chosen. tee member caught with white- its own Investigating into a $2.4 measure calling for a similar In- "What he meant by not enough He said no committee member million expense account submit- vestigation, but their resolution votes for my bill is that he wash on his fingers would be bounced from the committee. could be running for re-election ted by two race tracks lor operat- did not include Cowgili and was couldn't get six votes in the GOP and have a race track in his caucus.. .there were 10 Demo- He-named Dumont as chairman ing a special 30-day season last limited to a senate committee of county. year to provide money for shore five, crats ready to vote for it here," and appointed Sens. Hillery; Stam- relief. Gives Reason Cowgili said. ler; waiiam F. Kelly, D-Hud- The only senator who,is run- The senate, after a heated ex- Sandman said on the senate floor As soon as the vote was tak- son, and John A. -
Telstar – a Philatelic History the Communication Revolution Began with This Satellite Series
Telstar – A Philatelic History The Communication Revolution Began with this Satellite Series Don Hillger SU5200, Garry Toth, and Sig Bette SU-1063 This Telstar article appeared in the October 2012 issue of American Philatelic Society’s “American Philatelist” magazine, and is reprinted with the permission of Editor Barbara Boal Telstar-1 made history for our interested Space Unit members. over fifty years ago on July 11, 1962, one day after its launch, when it transmitted the first television signals across the Atlantic Ocean,1 between the United States of America and France. Al- though not the first active communications satellite,2 it became a popular and recognizable name in the new world of artificial satellites. Telstar even spawned a musical composition titled “Telstar,” performed by The Tornados, an instrumental band A second set of common design stamps of the early 1960s. Their recording was was issued to commemorate the same the first single by a British band to event, but the event is noted as the “first reach number one in the United States, television transmission between Europe later becaming a number one hit in the and America,” versus “first television United Kingdom as well. Written and transmission by satellite” on the previous produced by Joel Meek, the spacey issue. On all of these stamps the cities of sounds of the recording were produced Andover (Maine) and Pleumeur-Bodou by a clavioline, a keyboard instrument (France) are identified, with Telstar shown with distinctive electronic sounds. The in orbit, relaying signals between the song was also recorded by other bands, two locations. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
“Blue Moon of Kentucky”—Bill Monroe and His Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D
“Blue Moon of Kentucky”—Bill Monroe and his Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D. Smith (guest post)* Bill Monroe Illuminating a major juncture in American popular music history--the crossroads of country music and rock 'n’ roll–is the “Blue Moon of Kentucky.” Originally composed as a lonesome but lovely waltz by Bill Monroe (1911-1996)--the innovative Rosine, Kentucky-born singer/bandleader/mandolinist who became a pillar of the Grand Ole Opry, was a major figure in the Folk Music Revival and is renowned as “The Father of Bluegrass”--it was later covered by the young Elvis Presley during his first commercial recording sessions. Indeed, it is musically and culturally significant that Presley's first single consisted of his crooning and insinuating version of Delta blues singer/guitarist Arthur Crudup's “That's All Right” on one side and a rollicking rockabilly arrangement (in 4/4 time) of Monroe's waltz on the other. The roots of rock in African American music are well known, but the parallel influence of white country music deserves greater understanding. The story of “Blue Moon of Kentucky” provides this. Bill Monroe’s earliest-known performance of “Blue Moon of Kentucky” was on the Grand Ole Opry on August 25, 1945. Monroe recorded it during his first session for Columbia Records (having previously been on RCA Victor Bluebirds) on September 16, 1946. The session was historic, both for its material and Monroe’s sidemen in the Blue Grass Boys. Participating in their first recordings with Monroe were superb lead vocalist/guitarist/songwriter Lester Flatt and the brilliant and seminal three-finger-style banjo picker Earl Scruggs. -
Telstar Triumphs in Space Mission
Distributior Today ** WDBANK * (8,725 tamemir with hlfk Mar N. 1 *>;' 4ajr fair and pleasant Sea Weather, paje 2. Dial SH I-00I0 VOL. 85, NO. 11 J tally, radij. Uoood Ciu» PMOI> RED BANK, N. J., WEDNESDAY, JULY 11, 1962 ItU at R*4 uutteui IUIUHI otutM. 7c PER COPV PACE ONE Makes $4 Million Phone Call By RUSSELL P. RAUCH Thus, my voice had to be carried over regular circuits HOLMDEL-I made a W million telephone call last night. to Andover before being beamed to Telstar. Telstar Triumphs The conversation was short — but it was still unique. Telstar did its job — received, amplified and transmitted The sound of my voice and that of the party on the other end of the line had to travel 3,500 miles into space and back my voice back down to Andover and Mrs. Penley. again. Yet the distance between us was only 350 miles. WEATHER QUESTIONS At the other end of the line a woman answered. The conversation went like this: She'was Mrs. Nelle Penley, a staff reporter for the Bangor Mrs. Penley: Hello, Is this Russ Rauch? Daily News. She was sitting in a tracking station in Andover, Mr. Rauch: Yes it is. How are you? Maine. In Space Mission Mrs. Penley: Just fine. This reporter was one of four newsmen at the tracking Mr. Rauch: How is the weather up there in Maine? station here on Crawford's Hill selected to talk to a like num- Mrs. Penley: Cool. NEW YORK (AP)-Telstar, by the Bell Telephone Lab- Ultimately, the instantaneous, signals beamed to it. -
Innovation Is in Ourdna Letter from Our Contents Page 12 Our Editor Features
Magazine for the Science & Technology Innovation Center in Middletown, NJ • Premier Edition Honoring the Past, Creating the Future Innovation is in ourDNA Letter from Our Contents page 12 our Editor Features 2 The History of AT&T 94 Data Transmssion — Fax Welcome to our Science & Technology Innovation Center of Middletown, New Jersey magazine premier edition. The new Innovation Center is a place 12 The Transistor 100 Cellular Phones of inspiration and learning from the history of AT&T and significant inventions that our company has created over the past 142+ years that contribute to 13 Bell Solar Cell 104 Project AirGig™ the advancement of humanity. Over my years at AT&T, I have spoken to many The Telstar Project Our Contributors people who never knew that AT&T had a history of innovation in so many 16 109 areas beyond the creation of the telephone by Alexander Graham Bell. Coax Cable 24 Throughout the years, AT&T has been a key player in local and long-distance 30 Fiber Optics in the AT&T Network voice telephony, motion pictures, computers, the cable industry, wireless, and Science & Technology broadband. AT&T has served the nation’s telecommunication needs and par- 34 Vitaphone and Western Electric ticipated in many technology partnerships in every industry throughout the globe. The breadth of technology and innovation goes on and on, but a 44 Picturephone Irwin Gerszberg few of the innovations you might see at our new Innovation Center include: Innovation ground-to-air radio telephony, motion picture sound, the Telstar satellite, Theseus Honoring the Past, Creating the Future AVP Advanced Technology Research 48 telephone switching, the facsimile machine, military radar systems, the AT&T Science & Technology transistor, undersea cable, fiber communications, Picturephone via T1’s, coin 50 A Short History of UNIX™ EDITOR-IN-CHIEF Innovation Center phones, touch-tone dialing, AMPS cellular phones, UNIX™ and C language Irwin Gerszberg programming. -
Instrumental Newsletter!) but Mark Is a Fantastic Guitar Oliver‟S “Opus One” to “The Flintstones Theme”, This a Player, with a Unique Style
THE ATLANTICS EDITORIAL “THE ATLANTICS LIVE AT FRESHWATER” (DVD) Welcome to Issue 27. Lots of reviews this time, BOMBORA CREATIVE (Aust) BOMBORA 23 along with news on the Cliff / Shadows tour and TICKET TO RIO / COSSACK / ONE MORE SUMMER / associated products. Some good news for a change – NIGHT STAR / WEDDING CAKE ISLAND / RIFF A GO GO Kim Humphreys seems to be making a recovery, and is / BOMBORA hoping that his new CD will be available soon. Thanks to This DVD is FANTASTIC! Every home should Kim for the special Christmas header, thanks to Mandy have one. Some new tracks, some old ones – all recorded Hall for the Atlantics news and photo‟s, and thanks to all in the days leading up to the “Delightful Rain” project. those who have supported 2G4W. Delightfully filmed and produced, you‟ll be spellbound by the magical Atlantics. Go out now and buy it!! As this looks like being the last 2G4W before Christmas, I‟d like to wish you all a happy and joyful time, and all best wishes for 2010. Cheers, Geoff CD REVIEWS FROM GEOFF’S JUKEBOX ♫♫♫♫♫♫ BRAD PAISLEY “PLAY: THE GUITAR ALBUM” MARTIN CILIA ARISTA / SONY (Aust) 88697-26908-2 HUCKLEBERRY JAM / TURF‟S UP / START A BAND “THE ODD ONE OUT (BACKING TRACKS)” (Duet with KEITH URBAN) / KIM / DEPARTURE / COME BOMBORA CREATIVE (Aust) BOMBORA 22 ON IN (Featuring BUCK OWENS) / KENTUCKY JELLY / THE ODD ONE OUT / REAL TO REEL / CRY FOR A PLAYING WITH FIRE / MORE THAN JUST THIS SONG SHADOW / EXILE ON CHAPEL STREET / MEDICATION / (Featuring STEVE WARINER) / LES IS MORE / PRE- THE SAME SONG REMAINS / OLD GUITARS (v) / CLUSTER CLUSTER PLUCK PREQUEL (PRELUDE) / CHUNKY / PICK ON ME / ANCESTOR / WEST OF BONDI CLUSTER PLUCK / CLIFFS OF ROCK CITY / LET THE / 1993 / ROAD TO BALLARAT GOOD TIMES ROLL (Featuring B.B. -
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger on the Shore Acoustic Moods Ensemble Love Is a Losing Game Acoustic Moods Ensemble As Tears Go BY Acoustic Moods Ensemble Martha's Harbour Acoustic Moods Ensemble Guantanamera Acoustic Moods Ensemble Golden Brown Acoustic Moods Ensemble Because The Night Acoustic Moods Ensemble Make It Easy on Yourself Acoustic Moods Ensemble Walk on By Acoustic Moods Ensemble Something Stupid Acoustic Moods Ensemble Cavatina Acoustic Moods Ensemble Summer Breeze Acoustic Moods Ensemble Miss You Nights Acoustic Moods Ensemble Save the Last Dance For Me Acoustic Moods Ensemble Hotel California Acoustic Moods Ensemble Wonderful Tonight Acoustic Moods Ensemble Something Acoustic Moods Ensemble While My Guitar Gently Weeps Acoustic Moods Ensemble Lay Lady Lay Acoustic Moods Ensemble Fields Of Gold Acoustic Moods Ensemble The Wind Beneath My Wings Acoustic Moods Ensemble Wonderful Land Acoustic Moods Ensemble Time In a Bottle Acoustic Moods Ensemble And I Love Her Acoustic Moods Ensemble Yesterday Acoustic Moods Ensemble Here, There and Everywhere Acoustic Moods Ensemble Moon River Acoustic Moods Ensemble Nights In White Satin Acoustic Moods Ensemble Blue Moon Acoustic Moods Ensemble Wonderwall Acoustic Moods Ensemble La Isla Bonita Acoustic Moods Ensemble The Sound of Silence Acoustic Moods Ensemble Time After Time Acoustic Moods Ensemble I Don’t Want to Talk About IT Acoustic Moods Ensemble I'll Stand By You Acoustic Moods Ensemble In Sleep I Dream Of You Acoustic Moods Ensemble In The -
Telstar by Justin Patrick Moore, KE8COY
August 2019 OH-KY-IN Amateur Radio Society Volume 59, Issue 8 The Official Newsletter of the OH-KY-IN Amateur Radio Society The Radiophonic Laboratory: Telstar by Justin Patrick Moore, KE8COY The Bird The music and flight of the birds has long remained an inspiration to the human musician. It is impossible to know how many ancient musicians mimicked the notes of their fluting from the songs of the birds, or just how many folk songs have been inspired by birds. In Western classical music birdsong has been used from Jehan Vaillant in the 14th century to Oliver Messiaen in the 20th with his masterful Catalogue d'oiseaux ("Catalogue of birds") for solo piano. As rock ‘n roll became the default soundtrack for the youth of the 60’s, the birds found their way into that genre of music as well. So did the chirping mechanical birds that fly around the earth in elliptical or geosynchronous orbit. Yes, I’m talking about satellites. Since they first took flight above our atmosphere the birds have been inspiring humans with their own songs. Telstar, written and produced by studio maverick Joe Meek and performed by the Tornadoes was one of the first and followed the launch of its namesake satellite in 1962. The cut remains a recognizable classic with its jangly yet triumphant song lines. It is the soundtrack to space age communication. And Joe Meek was the per- fect producer for the song. No one else could have recorded it to the same effect, or put the same effects on it in the studio. -
EXPLORE the '60S
BETHEL WOODS CENTER FOR THE ARTS EXPLORE THE ‘60s LEARNING UNIT: HISTORICAL EVENTS (TEACHER USE ONLY) Timeline extracted from The Museum at Bethel Woods Center for the Arts 1960 Kennedy Elected President: - February 1, 1960: Sit-in at Woolworth’s in Greensboro, North Carolina - March 2, 1960: Elvis leaves the US Army and returns to music. - April 14, 2020: Bye Bye Birdie opens in New York - May 5, 1960: U-2 spy plane incident - July 11, 1960: Harper Lee’s To Kill a Mockingbird published - September 5, 1960: Muhammed Ali (then known as Cassius Clay) wins the light heavyweight boxing gold medal in the 1960 Olympics - November 8, 1960: John F. Kennedy elected president - December 31, 1960: The Kingston Trio’s folk record Here We Go Again is the fifth best-selling album of 1960 1961 Berlin Wall Constructed: - February 12, 1961: “Shop Around” by the Miracles becomes Motown’s first million selling single. - March 1961: Peace Corps founded - April 17, 1961: Bay of Pig invasion - May 25, 1961: President Kennedy announces America will march the moon by the end of the decade. - August 12, 1961: Berlin Wall built in the middle of the night - October 18, 1961: West Side Story sound track released 1962 Cuban Missile Crisis: - January 13, 1962: “The Twist” by Chubby checker becomes the top selling single in America - February 20, 1962: John Glenn is first American to orbit the earth - February 22, 1962: Kennedy speaks at the Berlin Wall - June 1, 1962: Ray Charles releases Modern Sounds in Country and Western Music - July 10, 1962: Telstar, the world’s first communications satellite, launches into orbit, inspiring the instrumental hit Telstar - September 1962: Rachel Carson’s Silent Spring published - September 1962: James Meredith became the first African American to attend the University of Mississippi 1963 Kennedy Assassinated: - April 6, 1963: First broadcast of Hootenanny, ABC’s folk music variety show - May 11, 1963: Peter, Paul and Mary’s “Puff the Magic Dragon” releases #2 on the charts. -
Mark Irwin House of Shattering Glass
Mark Irwin House of shattering glass On July 10th 1962 the Telstar communications satellite was launched and on that same day live television pictures originating in the United States were received in France. In October 1962 maverick independent record producer Joe Meek had a massive chart hit with the Tornados’ “Telstar”. Joe Meek changed the face of popular music and defined the role of the pop producer for decades to come. This paper will examine examples of his work and his pioneering approach to music production. Telstar It was number one in the UK charts the day I was born (7.10.62). It also became the first single by a British pop group to reach number 1 in the US charts. It was also Margaret Thatcher’s favourite record. [Audio example: play Telstar] Telstar (the name a homage to the Bell Laboratories designed and AT & T and NASA funded communications satellite launched on July 10th, 1962) by the Tornadoes is unquestionably the best-known recording by maverick pop producer Joe Meek. Meek defined the role of the independent pop record producer for decades to come and his influence is keenly felt in the genre to this day. Meek released over 300 records in his short career, 45 of which were top 50 hits. Addicted to slimming pills, obsessed with the occult and attracted to young men at a time when gay relationships were frowned upon even within the music industry, Meek lived the rock and roll life style long before it became ‘cool’. As Andy Partridge from the band XTC said, “Meek spoke to the dead and heard music from other planets, making number one hit records in his kitchen”. -
Echo Settings
ELENCO SETTAGGI ECHO PER BASI SHADOWS & CLIFF RICHARD - A CURA DI GIGI CERESA TITOLO CD BASI TRACK Q2 / 20 GT/PLUS Aggiornato 23.03.07 Titolo del CD n. Echo set: Echo set: A Adios Muchachos Io Suono Shadows v. 4 14 Africa UB Hank 05 2 0-36 32 A Groovy Kind of Love Marvin Mastertrax 9 0-36 32 A Girl Like You Shadows Workout 8+ 16-17 1-66 A Hard Day’s Night Marvin Mastetrax 1 0-38 A Kiss From A Rose Marvin Mastertrax 3 0-36 All Day Shadows Workout 6+ 22 1-65 All Day Lead Wanted 1 12 1-65 Another Night Shadows Workout 6+ 14 0-54 A Place in The Sun Shadows Workout 2+ 10 1-64 A Sigh Shadows Workout 1+ 18 0-01 01 A Tall, A tall Dark Lead Wanted Acoustic 6 A Thing Of Beauty Shadows Workout 6+ 20 0-33 A Whiter Shade Of Pale Lead Wanted 1 14 0-27 Adios Muchachos UB Hank 02 22 0-01 01 Ain’t No Sunshine Marvin Mastertrax 13 0-36 Albatross UB Hank 04 9 0-00 00 Alentejo Shadows Workout 5+ 14 1-66 Alentejo Lead Wanted Acoustic 12 Alice in Sunderland Shadows Workout 4+ 20 1-65 All I Ask Of You Casting A Shadow 5 0-33 All I Ask Of You Io Suono Shadows v. 6 14 0-40 Apache UB Hank 01 1 0-16 16 Apache Casting A Shadow 20 0-16 Apache Io Suono Shadows v. 1 12 0-16 Apache That Sound ! v.