The Ukrainian Weekly 1988, No.17

Total Page:16

File Type:pdf, Size:1020Kb

The Ukrainian Weekly 1988, No.17 www.ukrweekly.com І НИ І Published by the Ukrainian National Association Inc.. a fraternal поП'profit association| UbainianWeekl V Vol. LVl No. 17 THE UKRAINIAN WEEKLY SUNDAY, APRIL 24,1988 25 cents U.S. commission says 1932-33 famine Demjanjuk convicted was premeditated genocide by Stalin quoted as saying, "I am totally surprised by Maria Rudensky legislation that would prolong its life Defense to appeal at the brutality of the decision taken by Special to The Ukrainian Weekly beyond June 22, albeit without govern­ the State of Israel against John Dem­ to Supreme Court janjuk." WASHINGTON - The Commis­ ment funding, for two years, sion on the Ukraine Famine has deter­ "This means that we will continue to JERUSALEM - John Demjanjuk He said the court automatically mined categorically that the famine of depend on the generosity of the Ukrai­ was found guilty on Monday, April 18, rejected defense arguments. "My God in 1932-33 was premeditated genocide nian American community," said Com­ of crimes against the Jewish people, heaven, according to the judges, we against Ukrainians by "Josef Stalin and mission Staff Director James Mace. crimes against humanity, war crimes didn't do anything right. They ruled those around him." "We are extremely gratified at the level and crimes against a persecuted people. against us on every single point." The commission's findings are in its of community support." About In their 450-page verdict, the three Mr. Demjanjuk's family - his wife, most extensive report thus far, which 5140,000 has been donated since the Israeli judges who heard the case stated: Vera, son, John Jr., daughter Lydia, was to be presented to Congress on fall, assuring funds for the commission, "We determine conclusively, without with her husband Andrij Maday, and April 23. The report also states "the if its mandate is extended, until August. hesitation or doubt, that the accused is son-in-law Edward Nishnic — was American government had ample and Dr. Mace expressed confidence that Ivan, who was known as Tvan the present in the courtroom that day, but timely information about the famine Congress will enact the extension Terrible,' gas chamber operator at the left halfway through the reading of the but failed to take any steps which might legislation, citing the strong support the Trebiinka death camp." verdict. have ameliorated the situation." commission has enjoyed —especially in Reading of the verdict took 12 hours. Mr. Nishnic, whose wife, Irene, and It blasts New York Times reporter the House of Representatives. He also The audience that packed the court­ their two-year-old son, Eddie Jr., Walter Duranty for his lack of journa­ said he is optimistic that adequate room, a converted theater, stood and remained at home in Cleveland, told listic integrity in not submitting stories funding will be obtained from Ukrai­ applauded the judges' decision. The The Ukrainian Weekly in a telephone about the famine when he was aware of nian Americans to allow for continued judges immediately called for silence. interview: "The family on the whole was its existence and overwhelming magni­ commission operations at about the Mr. Demjanjuk will be sentenced on disgusted. The verdict was absolutely tude. same intensity as under direct govern­ Monday, April 25. He could face the ridiculous... it appeared as if we had not (For a summary of the commission's ment financing. death penalty, although some observers brought in any defense witnesses what­ findings, see adjoining box.) Among the main work remaining is have been quoted as saying they believe soever." Given the explosive findings and their transcription of original-language oral the sentence will be life imprisonment. "Our defense attorneys felt as if they potential effect on global perception of histories given by more than 200 eyewit­ The defense has stated that it will were simply spectators in a Hebrew the Soviet Union, the panel's life must nesses to the faniine, with short summa­ appeal the case to Israel's Supreme drama. I firmly believe that this case will be extended beyond June to provide for ries to be written in English. These Court. It must indicate its intention to go down in the annals of history as the fuller dissemination of the research, the persons' accounts are in addition to the do so within 45 days of the verdict. most one-sided, lopsided decision ever commission agreed at its April 19 57 witnesses who presented testimony at As he walked out of the courtroom, presented in any democratic society." Washington meeting, at which it re­ public commission hearings nation­ the 68-year-old Mr. Demjanjuk told Mr. Nishnic said. solved to formally accept the report and wide. The oral histories will total more reporters "I'm an innocent man. I will John Demjanjuk Jr. told the press in present it to Congress. than 2,000 pages, and are expected to appeal, and I'm sure I will win." Jerusalem, "As far as I'm concerned, And the outlook for the commission's (Continued on page 7) Defense attorney John Gill was this was nothing more than a Soviet future brightened considerably on April show trial. Whenever one of our wit­ 20 as Sen. Bill Bradley (D-N.J.) and Findings of Commission ш Шш Famine nesses came on, they got the hammer." Rep. James Florio (D-N.J.) introduced Below is a summary of the com­ ties in Ukraine to meet the grain Basis of verdict mission's findings as they appear in procurements quota forced them to The three-judge panel — consisting the executive summary portion of its introduce increasingly severe mea­ of Supreme Court Judge Dov Levin and House unanimously report. sures to extract the maximum quan­ District Court Judges Zvi Tal and Dalia tity of grain from the peasants. Dorner — began the verdict with a passes resolution 1) There is no doubt that large 8) In the fall of 1932 Stalin used history of the Jewish Holocaust. numbers of inhabitants of the Ukrai­ the resulting "procurements crisis" in They said their decision was based nian SSR and the North Caucasus Ukraine as an excuse to tighten his most strongly on the testimony of on Millennium Territory starved to death in a man- control in Ukraine and to further Trebiinka survivors, five of whom WASHINGTON - The U.S. House made famine in 1932-1933, caused by intensify grain seizures. testified at the trial and identified Mr. of Representatives on Tuesday, April the seizure of the 1932 crop by the 9) The Ukrainian famine of 1932- Demjanjuk as "Ivan the Terrible." 19, unanimously approved a resolution Soviet authorities. 33 was caused by the maximum The judges noted that the testimony deploring the Soviet government's 2) The victims of the Ukrainian extraction of agricultural produce of three survivors, Pinhas Epstein, persecution of religious believers in famine numbered in the millions. from the rural population. Josef Czarny and Yehiel Reichman, was Ukraine and discouraging the official 3) Official Soviet allegations of 10) Officials in charge of grain the most compelling. participation of the United States in any "kulak sabotage," upon which all seizures also lived in fear of punish­ The verdict stated, "All the horrific official Millennium celebrations in the "difficulties" were blamed during the ment. scenes they witnessed are as a fire Soviet Union. An identical resolution, famine, are false. 11) Stalin knew that people were imprisoned in their bones, etched deep S.J. Res. 235 was passed by the Senate 4) The famine was not, as is often starving to death in Ukraine by late in their memories." on Friday, March 4. alleged, related to drought. 1932. In addition, the judges said they Now that both the House and the 5) In 1931-1932, the official Soviet 12) In January 1933, Stalin used accepted as "positive proof" the Traw- Senate have passed the joint resolu­ response to a drought-induced grain the "laxity" of the Ukrainian autho­ niki identification card and said it tions, H.J. 429 and S.J. 235, respective­ shortage outside Ukraine was to send rities in seizing grain to further indicated Mr. Demjanjuk had been ly, it will be sent to President Ronald aid to the areas affected and to make strengthen his control over the Com­ trained as a camp guard. Reagan for his approval and signature. a series of concessions to the peasan­ munist Party of Ukraine and man­ The card, however, lists service at The House resolution was initially try. dated actions which worsened the Sobibor, not Trebiinka. Prosecution situation and maximized the loss of introduced by William Lipinski (D-Ill.) 6) In mid-1932, following com­ witnesses said the card was authentic; plaints by officials in the Ukrainian life. defense witnesses said it was a fake. last December. The Senate resolution 13) Postyshev had a dual mandate was introduced by Sen. Dennis DeCon- SSR that excessive grain procure­ The verdict said the defendant's alibi ments had led to localized outbreaks from Moscow: to intensify the grain was "a lie" and found his statement that cini (D-Ariz.). Over the last several seizures (and therefore the famine) in months it has gained over 140 sponsors of famine, Moscow reversed course he was a prisoner of war in Kholm in and took an increasingly hard line Ukraine and to eliminate such 1942 and 1943 "totally unacceptable in the House of Representatives. modest national self-assertion as On April 19, it was introduced in the toward the peasantry. and implausible." 7) The inability of Soviet authori­ (Continued on page 2) (Continued on page 12) (Continued on page 3) THE UKRAINIAN WEEKLY SUNDAY, APRIL 24,1988 No.
Recommended publications
  • JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL Programme Guide
    JUNE 2 - 3, 2018 CALGARY UKRAINIAN FESTIVAL programme guide CALGARYUKRAINIANFESTIVAL.CA CALGARY UKRAINIAN FESTIVAL 2018! On behalf of the Board of Directors of the Calgary Ukrainian Festival Foundation I would like to welcome you to the NINTH Annual Calgary Ukrainian Festival! Only one year away from a full decade of Festival activities! The momentum continues this year with an entirely new stage show format with even more performers than last. Have a look around at our collection of Ukrainian vendors from across the country. They bring everything from the latest Ukrainian European fashion trends to collectible “hard to find” Ukrainian artistry. Keep looking around the pavilion and take note of our new bar modeled after an 18th century Ukrainian house with thatch roofing. Imagine what it was like to raise a family in such a simple structure! Sitting at “Baba’s” kitchen table is a treat like nothing else. Enjoying the simplicity and tasteful helpings of traditional hand-made perogies and cabbage rolls. Nothing “store bought” on our Festival food plates. Finally, our Festival After-Hours event returns Saturday evening at 9:00pm. Open to all. Our performers will be out of their stage costumes and back into street clothes. Come spend the evening with those you saw on stage and meet a new friend. This year our live Ukrainian Zabava Band from Edmonton, Steppe, will play everything from the fastest polkas, to the coziest waltz. But don’t leave before 10:30pm because around that time you will witness the infamous Canadian Ukrainian tradition of the “Kolomyka”. The chance for ALL to display the best they have in Ukrainian dance solos.
    [Show full text]
  • Dancing Through the City and Beyond: Lives, Movements and Performances in a Romanian Urban Folk Ensemble
    Dancing through the city and beyond: Lives, movements and performances in a Romanian urban folk ensemble Submitted to University College London (UCL) School of Slavonic and East European Studies In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) By Elizabeth Sara Mellish 2013 1 I, Elizabeth Sara Mellish, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. Signed: 2 Abstract This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timi şoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twenty- first century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it reveals that the experiences of dancers has the potential to uncover deeper understandings of contemporary socio-political changes. This micro-study of collective behaviour, dance knowledge acquisition and performance training of ensemble dancers in Timi şoara enhances the understanding of the culture of dance and dancers within similar ensembles and dance groups in other locations. Through an investigation of the micro aspects of dancers’ lives, both on stage in the front region, and off stage in the back region, it explores connections between local dance performances, their participants, and locality and the city.
    [Show full text]
  • Portage Vesna Ukrainian Dancers
    INSTRUCTOR BIOGRAPHY INSTRUCTION PORTAGE VESNA Helene Lucko received her initial dance UKRAINIAN instruction as a child at the Ukrainian National Federation (UNF) School of DANCERS Dance in Winnipeg. From there she joined the Orlan Ukrainian Folk Ensemble in the late 70’s. As a member until 1991, Helene had the opportunity to hone her skills and to perform and tour. The Portage Vesna Ukrainian Dancers proudly provide instruction through the The exhilaration and satisfaction of Portage and District Arts Centre Dance performing is something she loves to Program.! impart upon young dancers by exposing them to community performances and Our season starts in the fall with weekly instruction continuing up until the Annual dance festivals. Dance Recital in April.! Helene has been instructing Ukrainian Dance in Portage with the Portage Vesna As many of the events that the Dancers Ukrainian Dancers since 1993. She has participate in are held through the Spring, our performing season can extend up to been a visiting artist local schools as part The Portage Vesna Ukrainian Canada Day.! of the Arts Smart and Phys Ed programs Dancers are always looking for new students. Ukrainian Dance and she continues to enjoy sharing her FOR MORE INFORMATION: is a fun-filled and energetic dance knowledge and culture. ! Helene Lucko past-time for all youth. It builds ! tel (204) 239 5754 email [email protected] rhythm, confidence and or teamwork and showcases a Portage & District Arts Centre beautiful artform. 11-2nd Street NE Portage la Prairie MB R1N 1R8 tel (204) 239 6029 fax (204) 239 1472 LEARN*LOVE DANCE*SHARE The group’s repertoire is always changing and expanding.! Dancers participate in festivals and have many opportunities to perform around the local community throughout the dance season! RECITAL: The Portage and District Dance Recital is one of the highlights of the Spring season that the Vesna Dancers ! are proud to participate in.
    [Show full text]
  • International Exchange in Dance Annual of Contemporary Dance Double Issue 3.50 1963 • 1964
    7 INTERNATIONAL EXCHANGE IN DANCE ANNUAL OF CONTEMPORARY DANCE DOUBLE ISSUE 3.50 1963 • 1964 • • WW * Copyright 1963 by Impulse Publications, Inc. l^yyKA' \s<s y Inde x S. I. Hayakawa THE UNACKNOWLEDGED LEGISLATORS 5 Rhoda Kellogg THE BIOLOGY OF ESTHETICS 9 Adele Wenig "IMPORTS AND EXPORTS" —1700-1940 16 Walter Sorell SOL THE MAGNIFICENT 29 Arthur Todd DANCE AS UNITED STATES CULTURAL AMBASSADOR 33 Walter Sorell A FAREWELL AND WELCOME 44 RECENT "EXPORTS" 46 as told to Rhoda Slanger Jean Erdman Meg Gordeau Paul Taylor as told to Joanna Gewertz Merce Cunningham Ann Halprin Jerry Mander THE UNKNOWN GUEST 56 Isadora Bennett SECOND THOUGHTS 63 Letter from Thomas R. Skelton STAGING ETHNIC DANCE 64 Thomas R. Skelton BALLET FOLKLORICO 71 Antonio Truyol NOTES FROM THE ARGENTINE 73 Ester Timbancaya DANCE IN THE PHILIPPINES^ 76 Joanna Gewertz THE BACCHAE 80 Ann Hutchinson NOTATION — A Means of International Communication 82 in Movement and Dance QLA Margaret Erlanger DANCE JOURNEYS 84 SPONSORSHIP AND SUPPORT 88 t> Editor: Marian Van Tuyl Editorial Board: Doris Dennison, Eleanor Lauer, Dorothy Harroun, Ann Glashagel, Joanna Gewertz; Elizabeth Harris Greenbie, Rhoda Kellogg, David Lauer, Bernice Peterson, Judy Foster, Adele Wenig, Rhoda Slanger, Ann Halprin, Dorrill Shadwell, Rebecca Fuller. Production Supervision: Lilly Weil Jaffe ACKNOWLEDGMENTS: Cover design by David Lauer Photographs by courtesy of: San Francisco Chronicle 15 Harvard Theatre Collection 18, 19, 22, 23 Dance Collection: New York Public Library 21, 25, 26 Hurok Attractions, New York 29, 30, 31 Studio Roger Bedard, Quebec 31 Fay Foto Service, Inc., Boston 32 U.S. Information Service, Press Section, Photo Laboratory, Saigon, Vietnam 33 U.S.
    [Show full text]
  • UKRAINIAN DANCE COMPANY from KIEV
    1961 Eighty-third Season 1962 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Special Presentation Complete Series 3356 The UKRAINIAN DANCE COMPANY from KIEV (The STATE DANCE ENSEMBLE of the UKRAINIAN SSR) PAVEL VIRSKY, Artistic Director IGOR IVASHCHENKO, Principal Conductor Costumes designed by ANATOLI PETRITSKY Clt01'eograplty by MR. VIRSKY Guest Conductor, ARTHUR LIEF WEDNESDAY EVENING, MAY 30, 1962, AT 8: 30 HILL AUDITORIUM, ANN ARBOR A R S LON G A V I T A BREVIS PROGRAM We Are From The Ukraine . 1. FILIPENKO and IGOR IVAsHCHENKo The artists of the Ukrainian State Dance Company, true to an ancient tradition, welcome the audience with bread and salt, a symbol of the warm and friendly feelings of the people and of the wealth of the abundant soil of the Ukraine. Dra wing on folklore from the various regions of the Ukraine, the audience is greeted by dancers of the Kiev, Poltava, Chernigov and Dnepropetrovsk regions; by others from Drogobych in the Carpathian foothills; by the people of the Chernovits and Uzhgorod regions; by Gutsuli; by building workers from Bolynhia; by Donbas miners and the inhabitants of Kharkov. E NTIRE COMPANY Kazachok (Ukrainian Dance) Arr. IGOR IVASHCHENKO A jolly Ukrainian folk dance performed during Festivals by girls and boys. Polzunets (Humorous Cossack Dance) Arr. A. KHELEMSKY "Polzunets" is derived from the more typical movements of a Ukrainian male folk dance called the PolZ1lnok . It req uires strength, endurance, and ingenuity as the dancers perform in sq uatting position. To abandon the squatting position means to drop out of the dance.
    [Show full text]
  • Zavirukha Ukrainian Dance School 45 Anniversary Season Faculty 2015-2016
    Zavirukha Ukrainian Dance School 45th Anniversary Season Faculty 2015-2016 Jennifer Doroniuk, Artistic Director Jenn began her love of dance with the Selo Ukrainian Dancers, then moved to the Zavirukha Ukrainian Dance School, and from 2002 - 2011 was a performing member and soloist with the Rusalka Ukrainian Dance Ensemble. In the summer of 2011 along with a collective of Ukrainian Dancers, Jenn became a founding member of the Verba Ukrainian Dance Company. She has studied ballet and jazz with the Stoney Brook Dance Company and the Royal Winnipeg Ballet School (Rec. Division). Jenn has completed her Level III Certificate at the Pavlo Virsky Choreographic School, in conjunction with the University of Arts & Culture in Kyiv, Ukraine. Jenn has performed nationally in three Canada’s National Ukrainian Festival’s, the Pan American Games Closing Ceremonies, the Bloor Street Festival and numerous local cultural events. In 2009 she performed in the Razom Western Canadian Tour featuring Rusalka, Cheremosh & Tryzub Ensembles, as well as with the Royal Winnipeg Ballet in their production of Swan Lake. In late 2015, she will be performing with Verba and alongside the Chai Folk Ensemble in “Meridian”. Internationally Jenn performed in Scotland for the Aberdeen Youth Festival, with Rusalka in their production “Legend of Rusalka”. Jenn brings over fifteen years of teaching experience gathered from working with various schools including the Zavirukha Ukrainian Dance School, the Sarto Polevnyi School, the Sopilka School of Ukrainian Dance, and the St. Anne Ukrainian Dance School. She has previously adjudicated the Dauphin Zirka Festival and the Svoboda Ukrainian Dance Festival. Jenn is thrilled to be part of the Zavirukha Family and hopes to share her passion of Ukrainian Folk Dance with all its members.
    [Show full text]
  • Teacher's Guide
    Study Guide For Teachers Thirty-minute lecture-demo program for audiences K to 6. 700 Cedar Road Jenkintown, PA About the Program 19046 The mission of the Voloshky Ukrainian Dance Ensemble is to strive for excellence in the presenta- tion of Ukrainian dance. To Voloshky, Ukrainian dance is a living, breathing, evolving art form – Tel: 215/663/0294 www.voloshky.com an art form that portrays the past and present culture of the Ukrainian people. By combining the [email protected] highest level of dance technique and stage presentation with the unique character of Ukrainian dance, Voloshky creates an exciting blend of art and energy. The resulting style is bold and power- ful, clearly native to Ukrainian dance, yet classical enough to be appreciated and enjoyed by all. Learning Goals PERFORMING DANCE 1. Students will learn how dancers need to work together to create a dance that tells a story. 2. Students will learn how dancers can tell a story without words, using only movements. 3. Students will learn aspects of Ukrainian characteristics that both differ and coincide with other cultures. 4. Students will learn some Ukrainian words Background Information For Students Ukrainian Dance Ukrainian folk dance is a truly unique art form which relates the history, life and work of the Ukrainian people, their past and present. Ukrainian folk dancing developed dramatically from ancient times when it was once considered a ritual means of communicating with the divine forces of nature. Christianity provided an opportu- nity for further adaptations based on Christian rituals and festivals of the church calendar.
    [Show full text]
  • Shifting Orientations in Dance Revivals: from "National" to "Spectacular" in Ukrainian Canadian Dance
    Nar. umjet. 43/1, 2006, pp. 161-178, A. Nahachewsky, Shifting Orientations in Dance… Original scientific paper Received: 3rd April 2006 Accepted: 26th April 2006 UDK 394.3:323.113(=862)(71) ANDRIY NAHACHEWSKY University of Alberta, Edmonton, Canada SHIFTING ORIENTATIONS IN DANCE REVIVALS: FROM "NATIONAL" TO "SPECTACULAR" IN UKRAINIAN CANADIAN DANCE Folk and ethnic dance revival movements can be defined as "any dance tradition in which the participants are actively conscious of a connection with past performances". Dance revival movements can be subdivided into "national", "recreational", "spectacular", "spiritual", and other orientations, depending on the motivations of the participants. The Ukrainian dance movement in Canada had a national orientation from 1925 to about 1960, and has shifted to a more spectacular orientation since that time. The orientation of the revival movement has important ramifications for the values and priorities of the community, the decisions they make, and the forms of the dances. Thinking about revival orientations may reveal interesting patterns cross-culturally. Keywords: dance, revival, folk, ethnic, national dance, spectacular dance, comparative, Ukrainian, Canadian I grew up in the Ukrainian community in western Canada in the 1960s and 1970s, where a staged dance tradition had become very popular as a vehicle for ethnic expression. From my insider perspective, it was important for us to perform Ukrainian dances as a means of expressing our Ukrainian identity, because the dances were beautiful, and because we had fun. I was a third generation Canadian, and neither my parents nor I had ever been in a village in Ukraine. Still, thousands of us had no doubt that our dances were true, authentic, valuable and natural.
    [Show full text]
  • Europeans Keep Russia Sanctions Amid Growing Terrorist Attacks
    Part 3 of THE YEAR IN REVIEW pages 5-12 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXIII No. 5 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 1, 2015 $2.00 Congressional Ukrainian Caucus Europeans keep Russia sanctions introduces resolution calling for release of Savchenko amid growing terrorist attacks by Zenon Zawada WASHINGTON – U.S. Reps. Sander Levin (D-Mich.), Marcy Kaptur (D-Ohio), Michael Fitzpatrick (R-Pa.), KYIV – European leaders decided Mike Quigley (D-Ill.), and Bill Pascrell (D-N.J.) – all mem- this week to pursue extending existing bers of the Congressional Ukrainian Caucus – on sanctions against Russian politicians January 26 introduced a bipartisan resolution calling for and enterprises, and to consider a new the release of Ukrainian fighter pilot and member of round after the deadliest attack on civil- Ukraine’s Parliament Nadiya Savchenko. This resolution ians in Ukraine thus far that occurred in is part of the global community’s effort to bring atten- the city of Mariupol on January 24. tion to her plight and demand her immediate release. The European Union’s Foreign “We continue to call on Russian authorities to Ministers Council voted on January 29 immediately release Nadiya Savchenko from custody. to recommend extending Crimea- We are gravely concerned by reports of her ill health related sanctions until September and since the commencement of a hunger strike on imposing new economic sanctions. The December 14, 2014, now into its seventh week. We are day before, the Parliamentary Assembly of the Council of Europe (PACE) voted to equally troubled by Ms.
    [Show full text]
  • SHUMKA-Kobzar-Study-Guide-2017
    A Study Guide presented by Table of Contents Kobzar – A Story of Hope through the Power of Dance Page 3 About Shumka Page 4 Origins of Ukrainian Dance Page 5 Ukraine and its Neighbours Page 6 How to Become a Shumka Dancer Page 7 Shumka School of Dance Page 8 The Life ofT aras Shevchenko Page 9 The Poetry ofT aras Shevchenko Page 13 Taras Shevchenko and Ukraine Today Page 22 Kobzar – Production of the Ukrainian Shumka Dancers Page 24 Acknowledgements Page 28 nspired by the words and works of eminent Ukrainian writer Taras Shevchenko, KOBZAR uses folk and character dance to bring his poignant message to the stage. A kobzar was an itinerant Ukrainian bard who sang to his own accompaniment played on a multi-stringedI bandura or kobza. Kobzar is also the name of Shevchenko’s famous book of poems, often referred to as his ‘literary monument to freedom.’ Its first editions – published in 1840 - were censored by the czar, but prevailed to play a key role in galvanizing the Ukrainian identity even to this day. Taras Shevchenko was an artist, a poet…a visionary. He was - and remains - the conscience and the voice of the Ukrainian people. In KOBZAR, Shumka wishes to honour the poet’s gift and to extend his voice through the movement, visuals and music of a dance theatre production. The vast legacy of Shevchenko’s work – specifically, the universal relevance of his words – inspired Shumka to probe not only the power of his voice in his own time, but to explore its relevance in the world today.
    [Show full text]
  • Ukrainian Music and the Construction of Identity
    University of Alberta Polkas on the Prairies: Ukrainian Music and the Construction of Identity Brian A. Cherwick 0C A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Ukrainian Folklore and Ethnornusicology Department of Modern Languages and Cultural Studies and Department of Music Edmonton, Alberta Spring 1999 National Library 8ibliothGque nationale 1+1 of,,, du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada your & Votre reference Our fi& Norre refer- The author has granted a Don- L'auteur a accorde me licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, prster, distribuer ou copies of this thesis in microfom, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/% de reproduction sur papier ou sur format Bectronique. The author retains ownership of the L'auteur conserve la propriPte du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts &om it Ni Ia these ni des edtssubstantiels may be printed or othewise de celIe-ci ne doivent &e imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. To Beth and Maria, and to all the musicians who inspired this journey Abstract This study looks at the a-ty of Ukrainian polka bands performing in the Canadian prairie provinces, with a specific concenaadon on one of these groups.
    [Show full text]
  • During 2014, What Started out As the Euro-Maidan
    No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 18, 2015 5 2014: THE YEAR IN REVIEW From Euro-Maidan to Revolution of Dignity uring 2014, what started out as the Euro-Maidan was transformed into the Revolution of Dignity. By Dyear’s end, Ukraine had a new president, a new Verkhovna Rada and a new government. And, at the end of the year, the Rada voted to abandon the country’s previ- ous “non-bloc” status and set a course for NATO member- ship. A civilizational choice had been made. As the year began, there was concern about the regular presidential election that was to be held in March 2015 as the opposition – that is the pro-Western parties of Ukraine – appeared to have no unified election strategy other than being against Viktor Yanukovych. Ukrainian Democratic Alliance for Reform (UDAR) Chair Vitali Klitschko was call- ing on his rivals to ditch their campaigns and unite behind his single candidacy. The expected Batkivshchyna candi- date, Arseniy Yatsenyuk, and Svoboda party candidate Oleh Tiahnybok said they would compete independently in the first round of the presidential election. Billionaire confectionary magnate Petro Poroshenko also was plan- ning to throw his hat into the ring. The concern among observers was that so many candidates could cannibalize the pro-Western vote or spread it too thinly, letting anoth- Vladimir Gontar/UNIAN er victory slip through their fingers. On January 10 came The scene on January 20 on Kyiv’s Hrushevsky Street, where violent clashes between the Berkut and protesters news of a rift between Euro-Maidan activists and leaders broke out on January 19 and were continuing.
    [Show full text]