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Manawa Whenua, Wē Moana Uriuri, Hōkikitanga Kawenga from the Heart of the Land, to the Depths of the Sea; Repositories of Knowledge Abound
TE TUMU SCHOOL OF MĀORI, PACIFIC & INDIGENOUS STUDIES Manawa whenua, wē moana uriuri, hōkikitanga kawenga From the heart of the land, to the depths of the sea; repositories of knowledge abound ___________________________________________________________________________ Te Papa Hou is a trusted digital repository providing for the long-term preservation and free access to leading scholarly works from staff and students at Te Tumu, School of Māori, Pacific and Indigenous Studies at the University of Otago, Dunedin, New Zealand. The information contained in each item is available for normal academic purposes, provided it is correctly and sufficiently referenced. Normal copyright provisions apply. For more information regarding Te Papa Hou please contact [email protected] ___________________________________________________________________________ Author: Professor Michael P.J Reilly Title: A Stranger to the Islands: voice, place and the self in Indigenous Studies Year: 2009 Item: Inaugural Professorial Lecture Venue: University of Otago, Dunedin, New Zealand http://eprintstetumu.otago.ac.nz Inaugural Professorial Lecture A Stranger to the Islands: voice, place and the self in Indigenous Studies Michael P.J. Reilly Tēnā koutou katoa, Kia orana kōtou katoatoa, Tangi kē, Welcome and Good Evening. This lecture presents the views of someone anthropologists call a participant-observer, and Māori characterise as a Pākehā, a manuhiri (guest, visitor), or a tangata kē (stranger); the latter two terms contrast with the permanence of the indigenous people, the tangata whenua (people of the land). All of us in this auditorium affiliate to one of these two categories, tangata kē and tangata whenua; sometimes to both. We are all inheritors of a particular history of British colonisation that unfolded within these lands from the 1800s (a legacy that Hone Tuwhare describes as ‘Victoriana-Missionary fog hiding legalized land-rape / and gentlemen thugs’).1 This legalized violation undermined the hospitality and respect assumed between tangata whenua and tangata kē. -
Waimarama : Waves of Occupation
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Waimarama Waves of Occupation A thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in History at Massey University David Mackintosh 2014 i Acknowledgments I wish to acknowledge the support of my supervisor Michael Belgrave, and that of Hawke’s Bay historian, Patrick Parsons. Patrick has a private collection of Colenso and other historic diaries, and kindly made some available for this thesis. My wife Kerry’s input into formatting the script and solving the many computer glitches that have occurred along the way, was invaluable. The ongoing encouragement and gifts of books from my early primary school teachers, Sir Hirini and Lady June Mead, has been immensely appreciated. ii Contents Acknowledgements ................................................................................................ i Contents ............................................................................................................... ii Glossary .............................................................................................................. iii Introduction ......................................................................................................... 1 Chapter 1 Where Legend and Science Converge ............................................................ -
Thesis.Pdf?07BE5C6EBFE9AAFF2ACA54DD8AD295D4 O'regan, H
http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Ko wai tō ingoa? THE TRANSFORMATIVE POTENTIAL OF MĀORI NAMES A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Te Pua Wānanga ki te Ao at Te Whare Wānanga o Waikato The University of Waikato By Joeliee Elizabeth Seed-Pihama 2017 Kei runga rawa taku oranga, kei raro hoki taku mutunga. Kei mua taku ara whānui, kei muri ōku poutuarā. Kei roto i tōku whare e iri ana i ngā pakitara, ko ngā tekoteko whakairo o ngā tūpuna nunui, e pūkanakana me te whētero mai ana. Kei waho, kei waenganui te katoa, ko te ao mārama, ko te māramatanga. Whakapiripiri mai, whakahonohono kia ū, kia kotahi i roto i te pono. Kia mataara! Kaua e huri kē.1 1 A karakia (incantation) given to me by Kui Whero o te Rangi Bailey. -
Urban Maori Art : the Third Generation of Contemporary Maori Artists
Urban Maori Art: The Third Generation of Contemporary Maori Artists: Identity and Identification A thesis submitted in partial fulfilment Of the requirements for the Degree of Master of Arts in Art History In the University of Canterbury By Kirsten Rennie University of Canterbury 2001 THESIS II Photo Ted Scott Design. Observe the young and tender.frond of this punga:shaped and curved like a scroll of a .fiddle: .fit instrument to play archaic tunes. A.R.D. Fairburn ABANDON AU HOPE YE WHO ENTER HERE! Peter Robinson Divine Comedy ( Detail) (2001) 111 Contents Page Title i Frontispiece ii Contents iii Acknowledgments v Abstract vi Kaupapa 1 Introduction 2 Section !:Continuity and Change 6 1.1 The Space Between: DefiningA Voice 6 1.2 Contemporary Maori Art: An Evolving Definition: 1950- 2000 in Context 10 1.3 The Third Generation/Regeneration 24 Section 2: Mana Wahine 30 2.1 Reveal the Tendrils of the Gourd so that You May Know Your Ancestors 30 2.2 Patupaiarehe: The Construction of an Exotic Self 39 2.3 Pacifika 44 Section 3: 'Essentially' Auckland 49 3.1 Essentialism 50 3.2 The Space Between 57 3.3 There Are Words Attached To It 60 3.4 Biculturalism and the Arts 63 Section 4: 'Constructing' Canterbury 68 4.1 Reconnection 1964 - 1992 71 IV 4.2 Identity in Focus: Shifting and Strategic 1993 - 1995___ __________79 4.3 Careerism: The InternationalArtist 1995 andBeyond____ __________�85 Conclusion: Journey Without End___________ 89 Appendix ____________________97 References�---------- ---------102 Illustrations v Acknowledgments I would like to thank the artists who gave so generously of their time, in particular for the hours spent with Brett Graham, Eugene Hansen, Chris Heaphy, Lonnie Hutchinson, Kirsty Gregg, Michael Parekowhai, and Peter Robinson. -
Report 7 – Exploring the Shared Goals Of
October 2010 Report 7 2058 Exploring the Shared Goals of Māori Working towards a National Sustainable Development Strategy Project 2058: Report 7 October 2010 Exploring the Shared Goals of Māori Working towards a National Sustainable Development Strategy This report forms part of Project 2058, the Institute’s flagship project. Report name Exploring the Shared Goals of Mäori: Working towards a National Sustainable Development Strategy Published First published by the Sustainable Future Institute Ltd, October 2010 © McGuinness Institute Limited, 2014 Reissued by the McGuinness Institute 2014 ISBN 978-1-972193-25-9 (paperback) ISBN 978-1-972193-26-6 (PDF) This document is available at www.mcguinnessinstitute.org and may be reproduced or cited provided the source is acknowledged. Prepared by The Sustainable Future Institute, as part of Project 2058 Author Wendy McGuinness In addition to the report’s Nicola Bradshaw, James Coombes, Perrine Gilkison, Mark Newton, main author, the research Steph Versteeg and Miriam White team included External reviewers Dr Anthony Cole, Ronnie Cooper, Dr Mere Roberts and Dr Huhana Smith About the Institute The McGuinness Institute (formerly the Sustainable Future Institute) is an independently funded non-partisan think tank. The main work programme of the Institute is Project 2058. The strategic aim of this project is to promote integrated long-term thinking, leadership and capacity-building so that New Zealand can effectively seek and create opportunities and explore and manage risks over the next 50 years. It is hoped that Project 2058 will help develop dialogue among government ministers, policy analysts and members of the public about alternative strategies for the future of New Zealand. -
Te Atiawa Histories Ofplace in Port Nicholson Block Secondary Schools and the Possible Application Ofplace-Based Education Models
Place, Power aI!.d Pedagogy: A critical analysis of the status ofTe Atiawa histories ofplace in Port Nicholson Block secondary schools and the possible application ofplace-based education models Richard Francis Manning A thesis submitted in fulfilment ofthe requirements ofthe degree ofDoctor ofPhilosophy in Education, Victoria University ofWellington. November 2008. 1 This thesis is the original work, under the sole authorship, of Richard Francis Manning Richard Francis Manning (November 2008) 2 Acknowledgements My parents and extended family must, firstly, be thanked for enabling me to have so many rich life-experiences. I am also indebted to my many teachers, classmates, friends and colleagues who taught me so much during my formative years in Porirua East. I particularly wish to acknowledge the following lecturers at Victoria University of Wellington (1985-88, 1995-98) who taught me to think critically about the place I lived in: Professor James Belich, Peter Adds, Professor Hirini Moko Mead, Dr.Bernie Kershaw, Dr. Kathy Irwin, Professor.Wally Penetito, Turoa Royal, Dr. Ana Koloto, Dr. Joanna Kidman, Dr. John Barrington, Marie McCarthy, Dr.Barbara Craig and Dr. Evedina Fuli. Likewise, I wish to thank my former colleagues at Wellington College ofEducation, epsecially Dr. Diane Mara, Lisa-Jane Rogers, Teremoana Maua-Hodges, Nila Lemihio, Pip Smith and Mark Sheehan (with whom I exchanged information and ideas about the state ofhistory education in New Zealand secondary schools as we conducted our respective doctoral studies). I must also -
Proquest Dissertations
Blood as narrative/narrative as blood: Constructing indigenous identity in contemporary American Indian and New Zealand Maori literatures and politics Item Type text; Dissertation-Reproduction (electronic) Authors Allen, Chadwick, 1964- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 11/10/2021 11:21:26 Link to Item http://hdl.handle.net/10150/289022 INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
'Stolen from Its People and Wrenched from Its Roots'
‘Stolen from its people and wrenched from its roots’? A Study of the Crown’s 1867 Acquisition of the Rongowhakaata Meeting House Te Hau ki Tūranga by Kesaia L. Waigth A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in New Zealand Studies Victoria University of Wellington 2009 Self–portrait of Raharuhi Rukupō inside Te Hau ki Tūranga (© Werner Forman Archive, London/Museum of New Zealand Te Papa Tongarewa, Wellington, 55404953). iii Abstract Te Hau ki Tūranga is the oldest meeting house in existence. It was built in the early 1840s at Orakaiapu Pā, just south of Gisborne, by Ngāti Kaipoho (a hapū/subtribe of Rongowhakaata) chief Raharuhi Rukupō. In the nineteenth century whare whakairo (carved houses) were significant symbols of chiefly and tribal mana (prestige, control, power). They were ‗carved histories‘, physical embodiments of tribal history and whakapapa (genealogy) representing a link between the living and the dead. In 1867 Native Minister J C Richmond acquired the whare on behalf of the government to augment the collections of the Colonial Museum in Wellington. Over the almost 150 years since the whare arrived in Wellington, the acquisition of Te Hau ki Tūranga has been the subject of three government inquiries and numerous Rongowhakaata requests for its return. It has also been dismantled and re–erected three times and housed in three different museum buildings. At the close of the twentieth century Rongowhakaata submitted a claim to the Waitangi Tribunal for the ‗theft‘ of Te Hau ki Tūranga. Their claim also expressed concerns about the care and management of the whare in the hands of the Museum of New Zealand Te Papa Tongarewa and its predecessors. -
AGMANZ News Volume 5 Number 1 February 1974 Best.Tif
THE ART GALLERIES & MUSEUMS ASSOCIATKJN OF NEW ZEALAND Vol.5, No.l f ~TI~~::r~ __ 3.,~.iy FEBRUARY 1974 5 JA,~ 1~82 t ve.. u:rnc r.. ~ j Mount Egmont D. K. Richmond AGMANZ NEWS Vol.5, No.l The Art Galleries and Museums Association Secretary Wendy Carnegie, of New Zealand Inc. Hon. Treasurer, Miss T.B. Wilson, A.C.lS., To promote and improve public galleries and museums. Postal Address: P.O. Box 6853, Auckland 1. Tel: 74650, extension 633 Editor, Ken Gorbey, Published with the support of the Queen Elizabeth II Arts Council of New Zealand. Postal Address: Box 150, Hamilton. Tel: 84119 Cover: Mount Egmont by D.K. Richmond September 1929(Q- From the collection of Mrs M.R. Brewster recently gifted to Govett-Brewster Art Gallery. NEW ZEALAND NEWS $50,000 Bequest for Govett-Brewster. D.K. Richmond, a relative of Mrs Brewster. These New Plymouth's Govett-Brewster Art Gallery will works are now undergoing conservation work and receive at least $50,000 in a bequest from the estate will form a nucleus collection of the above artist's of .the late Mrs Monica Brewster. work. Mrs Brewster, who died in New Plymouth in mid-December after a long illness, gave $100,000 to Rigby Allan Retires the City in 1962 to help establish the gallery, which In December 1973 Mr Rigby Allan retired as is named after her maiden and married names. Director of Taranaki Museum after 24 years of service. The new Director is Mr Nigel Prickett a The WilJ of Mrs Brewster specifies that the bequest graduate in anthropology from the University of must be used to purchase paintings, prints and Otago. -
Maori and the New Zealand Short Story Canon 1953-1984 Rachel Lacasse-Ford Purdue University
Purdue University Purdue e-Pubs Open Access Theses Theses and Dissertations Spring 2014 Resisting the Canon: Maori and the New Zealand Short Story Canon 1953-1984 Rachel LaCasse-Ford Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_theses Part of the Oceanography Commons Recommended Citation LaCasse-Ford, Rachel, "Resisting the Canon: Maori and the New Zealand Short Story Canon 1953-1984" (2014). Open Access Theses. 207. https://docs.lib.purdue.edu/open_access_theses/207 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. *UDGXDWH6FKRRO(7')RUP 5HYLVHG PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance 7KLVLVWRFHUWLI\WKDWWKHWKHVLVGLVVHUWDWLRQSUHSDUHG %\ Rachel LaCasse-Ford (QWLWOHG RESISTING THE CANON: MAORI AND THE NEW ZEALAND SHORT STORY 1953-1984 Master of Arts )RUWKHGHJUHHRI ,VDSSURYHGE\WKHILQDOH[DPLQLQJFRPPLWWHH Shaun F D Hughes Maren Linett Robert Marzec 7RWKHEHVWRIP\NQRZOHGJHDQGDVXQGHUVWRRGE\WKHVWXGHQWLQWKHThesis/DissertationAgreement. PublicationDelay,andCertification/Disclaimer (Graduate School Form 32)WKLVWKHVLVGLVVHUWDWLRQ DGKHUHVWRWKHSURYLVLRQVRI3XUGXH8QLYHUVLW\¶V³3ROLF\RQ,QWHJULW\LQ5HVHDUFK´DQGWKHXVHRI FRS\ULJKWHGPDWHULDO Shaun F D Hughes $SSURYHGE\0DMRU3URIHVVRU V BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB $SSURYHGE\Nancy Peterson 04/21/2014 +HDGRIWKH'HSDUWPHQW*UDGXDWH3URJUDP 'DWH RESISTING THE CANON: MORI AND THE NEW ZEALAND SHORT STORY 1953-1984 A Thesis Submitted to the Faculty of Purdue University by Rachel M. LaCasse-Ford In Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2014 Purdue University West Lafayette, Indiana ii For my husband and my son. iii ACKNOWLEDGMENTS This has been a rewarding journey that I would not have been able to make without the unwavering support from so many people. -
NEW ZEALAND GAZETTE Published by Authority
No. 142 3249 THE NEW ZEALAND GAZETTE Published by Authority WELLINGTON: THURSDAY, 1 AUGUST 1985 Declaring Land in the Wellington Land District, Vested in the Wellington Education Board as a site for a school, shall be vested Wellington Education Board as a Site for a Public School, to be in Her Majesty the Queen, freed and discharged from every Vested in Her Majesty the Queen educational trust affecting the same, but subject to all leases, encumbrances, liens, or easements affecting the same at the· date hereof. DAVID BEATTIE, Governor-General A PROCLAMATION SCHEDULE PuRSUANT to subsection (6) of section 5 of the Education Lands Act 1949, I, The Honourable Sir David Stuart Beattie, the Governor WELLINGTON LAND DISTRICT-RANGITIKEI COUNTY General of New Zealand, hereby proclaim and declare that the land 1012 square metres, more or less, being Section 6, Block V, Town described in the Schedule hereto, being an area vested in the ofWaiouru, situated in Block IX, Moawhango Survey District. S.O. Wellington Education Board as a'site for a public school, shall be Plan 15363. vested in Her Majesty the Queen, freed and discharged from every educational trust affecting the same, but subject to all leases, Given under the hand of His Excellency the Governor encumbrances, liens, or easements affecting the same at the date General, and issued under the Seal of New Zealand, hereof. this 16th day of July 1985. K. T. WETERE, Minister of Lands. SCHEDULE [L.S.] GOD SAVE THE QUEEN! (L. and S. H.O. 6/6/1044; D.O. CL 36/109) WELLINGTON LAND DISTRICT-HuTT COUNTY 3/1 4047 square metres, more or less, being part Section 390, Hutt District, situated in Block VI, Akatarawa Survey District. -
Annual Report 2015
Annual Report 2015 R UKUHIA TE MĀTAURANGA OUR VISION OUR MISSION Rukuhia te mätauranga ki töna Ū tonu mātou ki te whai ki te rapu i te hōhonu- höhonutanga me tōna whänuitanga. tanga o te mātauranga kākanorua o Aotearoa, kia Whakakiia ngä kete a ngä uri o taea ai te kī, ko wai anō tātou, me te mōhio ko Awanuiärangi me te iwi Mäori wai tātou, kia mōhio ai nō hea tātou, me pēhea hoki tātou e anga whakamua. Parau ana tēnei ara whänui ki ngä taonga tuku iho, ki whainga, hei whakapūmau anō i te tino rangatira- te höhonutanga me te whänuitanga tanga, hei taketake ai te ihomatua Māori me ōna o te mätauranga kia tü tangata ai tikanga kia ōrite ai te matū ki ngā mātauranga kē. rätou i ngä rä e tü mai nei. Koia rā ka tū pākari ai, tū kotahi ai hoki me ngā iwi o te ao tūroa. Koia nei te ia o te moemoeā me ngā Pursue knowledge to the greatest tūmanako o Te Whare Wānanga o Awanuiārangi. depths and its broadest horizons. Haere mai… Me haere tahi tāua. To empower the descendants of Awanuiärangi and all Mäori to claim We commit ourselves to explore and defi ne the and develop their cultural heritage depths of knowledge in Aotearoa, to enable us and to broaden and enhance their to re-enrich ourselves, to know who we are, to know where we came from and to claim our place knowledge base so as to be able to in the future. We take this journey of discovery, face with confidence and dignity the of reclamation of sovereignty, establishing the challenges of the future.