DOCSLIB.ORG

Digital Color Chart Beyond Color, Care and Shine Revlonissimo Colorsmetique Tm Revlonissimo Colorsmetique Tm

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Digital Color Chart Beyond Color, Care and Shine Revlonissimo Colorsmetique Tm Revlonissimo Colorsmetique Tm REVLONISSIMO COLOR SUBLIME COLOR EXCEL COLOR EXCEL GLOSS COLORSMETIQUE TM by REVLONISSIMO TM by REVLONISSIMO TM by REVLONISSIMO TM DIGITAL COLOR CHART BEYOND COLOR, CARE AND SHINE REVLONISSIMO COLORSMETIQUE TM REVLONISSIMO COLORSMETIQUE TM NATURAL 1 3 4 5 6 7 8 9 10 Black Dark Brown Medium Brown Light Brown Dark Blonde Medium Blonde Light Blonde Very Light Blonde Lightest Blonde 2,10 Blue Black SUPERNATURAL 5 SN 6 SN 7SN 8SN 9SN Light Brown Dark Blonde Medium Blonde Light Blonde Very Light Blonde MAXIMUM NEUTRALIZATION 4.7 MN 6.7 MN 8.7 MN MN Medium Brown MN Dark Blonde MN Light Blonde REVLONISSIMO COLORSMETIQUE TM ASH 6.01 7.0 1 8.01 9.01 10.01 Dark Natural Ash Medium Natural Light Natural Ash Very Light Natural Lightest Natural Blonde Ash Blonde Blonde Ash Blonde Ash Blonde 5.1 6.1 7. 1 8.1 9.1 10.1 Light Ash Brown Dark Ash Blonde Medium Ash Blonde Light Ash Blonde Very Light Ash Lightest Ash Blonde Blonde 4.11 Medium Intense Ash Brown FROSTY BEIGE 6.13 7. 13 8.13 Dark Ash Golden Medium Ash Light Ash Golden Blonde Golden Blonde Blonde PEARL 5.12 6.12 7.12 Light Ash Iridescent Dark Ash Iridescent Medium Ash Brown Blonde Irisdescent Blonde REVLONISSIMO COLORSMETIQUE TM IRIDESCENT 8.21 9.21 10.21 Light Iridescent Ash Very Light Lightest Iridescent Blonde Iridescent Ash Blonde Ash Blonde 7. 2 8.2 9.2 10.2 Medium Iridescent Light Iridescent Very Light Lightest Iridescent Blonde Blonde Iridescent Blonde Blonde 8.23 9.23 10.23 Light Iridescent Very Light Iridescent Lightest Iridescent Golden Blonde Golden Blonde Golden Blonde REVLONISSIMO COLORSMETIQUE TM BEIGE 6.31 7.31 8.31 9.31 10.31 Dark Golden Medium Golden Light Golden Very Light Golden Lightest Golden Ash Blonde Ash Blonde Ash Blonde Ash Blonde Ash Blonde GOLDEN 4.3 5.3 6.3 7. 3 8.3 9.3 Medium Golden Light Golden Brown Dark Golden Blonde Medium Golden Light Golden Blonde Very Light Golden Brown Blonde Blonde GOLDEN IRIDESCENT 7.32 8.32 9.32 Medium Golden Light Golden Very Light Golden Iridescent Blonde Iridescent Blonde Iridescent Blonde TOBACCO 5.34 6.34 7.34 8.34 Light Golden Dark Golden Medium Golden Light Golden Copper Brown Copper Blonde Copper Blonde Copper Blonde REVLONISSIMO COLORSMETIQUE TM MAHOGANY 4.15 Medium Ash Mahogany Brown 5.35 6.35 7.35 Light Golden Dark Golden Medium Golden Mahogany Brown Mahogany Blonde Mahogany Blonde 4.5 5.5 Light Mahogany Dark Mahogany Brown Blonde CHESNUT 5.14 6.14 7. 14 Light Ash Dark Ash Medium Ash Chestnut Brown Chestnut Blonde Chestnut Blonde 5.24 6.24 7. 24 8.24 Light Iridescent Dark Iridescent Medium Iridescent Light Iridescent Chesnut Brown Chesnut Blonde Chesnut Blonde Chestnut Blonde 4.41 5.41 6.41 7.4 1 Medium Chestnut Light Chestnut Dark Chestnut Medium Chestnut Ash Brown Ash Brown Ash Blonde Ash Blonde REVLONISSIMO COLORSMETIQUE TM COPPER 8.04 Light Natural Copper Blonde 7.4 3 Medium Copper Golden Blonde 5.4 6.4 7.4 8.4 Light Copper Brown Dark Copper Medium Copper Light Copper Blonde Blonde Blonde 7.4 4 Medium Intense Copper Blonde 66.40 77.40 Intense Copper Intense Light Copper REVLONISSIMO COLORSMETIQUE TM COPPER 7.4 5 8.45 Medium Copper Medium Copper Mahogany Blonde Mahogany Blonde 6.46 Dark Copper Red Blonde RED 55.64 66.64 Intense Copper Intense Copper Red Dark Red 4.65 5.65 6.65 Medium Red Light Red Dark Red Mahogany Brown Mahogany Brown Mahogany Blonde 55.60 66.60 66.66 Intense Dark Red Intense Red Intense Purple Red REVLONISSIMO COLORSMETIQUE TM BURGUNDY 33.20 44.20 55.20 Intense Dark Intense Burgundy Intense Light Burgundy Burgundy CROMATICS C 20 C 46 C 50 C 60 Purple Aibergine Tangerine Red Purple Red Fire Red SATINESCENT 0.102 0.212 0.523 0.713 0.821 0.919 Smoky Silver Deep Pearl Antique Rose Khaki Bronze Mauve Glacé Midnight Blue PURE COLORS 700 017 011 012 022 200 600 900 033 400 Green Bronze Grey Grey Iridescent Grey Iridescent Violet Red Fuchsia Golden Orange REVLONISSIMO COLORSMETIQUE TM INTENSE BLONDE 1200 1201 1202 1231 1232 Natural Ash Platinium Beige Golden Pearl 1200 MN 1211 MN 1217 MN 1212 MN 1222 MN Natural Ash Bronze Grey Iridescent Grey Iridescent REVLONISSIMO COLORSMETIQUE TM HIGH COVERAGE NATURALS 4 5 6 7 8 9 10 Medium Brown Light Brown Dark Blonde Medium Blonde Light Blonde Very Light Blonde Lightest Blonde FROSTY BEIGE 5.13 7. 13 Light Ash Golden Medium Ash Brown Golden Blonde IRIDESCENT 6.12 8.12 Dark Ash Iridescent Light Ash Iridescent Blonde Blonde 7.23 9.23 Medium Iridescent Very Light Irides- Golden Blonde cent Golden Blonde BEIGE 9.31 Very Light Irides- cent Golden Blonde REVLONISSIMO COLORSMETIQUE TM HIGH COVERAGE GOLDEN IRIDESCENT 7.32 9.32 Medium Golden Very Light Golden Iridescent Blonde Iridescent Blonde TOBACCO 6.34 8.34 Dark Golden Light Golden Copper Blonde Copper Blonde MAHOGANY 5.35 7.35 Light Golden Medium Golden Mahogany Brown Mahogany Blonde 4.25 6.25 Medium Iridescent Dark Iridescent Mahogany Brown Mahogany Blond CHESNUT 5.41 7.4 1 Light Chestnut Medium Chestnut Ash Brown Ash Blonde 6.42 8.42 Dark Copper Light Iridescent Iridescent Blonde Copper Blonde THE ULTIMATE COLOR EXPERIENCE COLOR SUBLIME by REVLONISSIMOTM COLOR SUBLIME by REVLONISSIMOTM NATURAL 1 3 4 5 6 7 8 9 10 Black Dark Brown Medium Brown Light Brown Dark Blonde Medium Blonde Light Blonde Very Light Blonde Lightest Blonde ASH 5.1 6.1 7. 1 9.1 10.1 Light Ash Brown Dark Ash Blonde Medium Ash Blonde Very Light Ash Lightest Ash Blonde Blonde FROSTY BEIGE 6.13 7. 13 9.13 Dark Ash Golden Medium Ash Very Light Ash Blonde Golden Blonde Golden Blonde IRIDESCENT 5.12 6.12 7.12 8.12 9.12 Light Ash Iridescent Dark Ash Iridescent Medium Ash Light Ash Very Light Ash Brown Blonde Irisdescent Blonde Irisdescent Blonde Irisdescent Blonde COLOR SUBLIME by REVLONISSIMOTM IRIDESCENT 8.21 10.21 Light Iridescent Lightest Iridescent Ash Blonde Ash Blonde 9.2 Very Light Iridescent Blonde GOLD 5.3 6.3 7. 3 9.3 10.3 Light Golden Brown Dark Golden Blonde Medium Golden Very Light Golden Lightest Golden Blonde Blonde Blonde GOLDEN IRIDESCENT 7.32 8.32 9.32 Medium Golden Light Golden Very Light Golden Iridescent Blonde Iridescent Blonde Iridescent Blonde TOBACCO 5.34 6.34 7.34 Light Golden Dark Golden Medium Golden Copper Brown Copper Blonde Copper Blonde COLOR SUBLIME by REVLONISSIMOTM AMBER 5.35 6.35 8.35 Light Golden Dark Golden Light Golden Mahogany Brown Mahogany Blonde Mahogany Blonde CHESNUT 5.24 6.24 7. 24 9.24 Light Iridescent Dark Iridescent Medium Iridescent Very Light Iridescent Chesnut Brown Chesnut Blonde Chesnut Blonde Chestnut Blonde 4.41 5.41 6.41 7.4 1 Medium Chestnut Light Chestnut Ash Dark Chestnut Ash Medium Chestnut Ash Brown Brown Blonde Ash Blonde COPPER 8.04 10.04 Light Natural Lightest Natural Copper Blonde Copper Blonde 5.4 6.4 7.4 Light Copper Brown Dark Copper Medium Copper Blonde Blonde COLOR SUBLIME by REVLONISSIMOTM COPPER 6.40 7.4 0 Intense Dark Intense Medium Copper Blonde Copper Blonde RED 5.64 6.64 Light Red Copper Dark Red Copper Brown Blonde 4.65 6.65 Medium Red Dark Red Mahogany Mahogany Brown Blonde 5.66 6.66 Intense Light Red Intense Dark Red Brown Blond COLOR SUBLIME by REVLONISSIMOTM BURGUNDY 4.20 5.20 Intense Medium Intense Light Burgundy Brown Burgundy Brown MIX 011 022 077 Grey Iridescent Green SHINE IS THE NEW COLOR COLOR EXCEL BY REVLONISSIMO TM COLOR EXCEL by REVLONISSIMOTM NATURAL 1 3 4 5 6 7 8 9 Black Dark Brown Medium Brown Light Brown Dark Blonde Medium Blonde Light Blonde Very Light Blonde 2,10 Blue Black ASH 6.01 8.01 10.01 Dark Natural Light Blonde Light Natural Ash Blonde Ash Blonde 5.1 7. 1 Light Ash Brown Medium Ash Blond 4.11 6.11 9.11 Medium Intensive Dark Intensive Very Light Intensive Ash Brown Ash Blonde Ash Blonde COLOR EXCEL by REVLONISSIMOTM PEARL 6.12 7.12 8.12 9.12 Dark Ash Iridescent Medium Ash Light Ash Iridescent Very Light Ash Blonde Iridescent Blonde Blonde Iridescent Blonde 6.21 Dark Iridescent Ash Blonde IRIDESCENT 10.02 Lightest Natural Iridiscent Blonde 8.2 9.2 Light Very Light Iridescent Blonde Iridescent Blonde COLOR EXCEL by REVLONISSIMOTM BEIGE 7.31 9.31 Medium Golden Very Light Golden Ash Blonde Ash Blonde GOLD 5.3 6.3 7. 3 8.3 9.3 Light Golden Brown Dark Golden Blonde Medium Golden Light Golden Blonde Very Light Golden Blonde Blonde 9.32 Very Light Golden Iridescent Blonde TOBACCO 5.34 7.34 Light Golden Medium Golden Copper Brown Copper Blonde COLOR EXCEL by REVLONISSIMOTM CHESNUT 5.24 6.24 7. 24 Light Iridescent Dark Iridescent Medium Iridescent Chestnut Brown Chestnut Blonde Chestnut Blonde 5.25 Light Iridescent Mahogany Brown 5.41 7.4 1 Light Chestnut Medium Chestnut Ash Brown Ash Blonde 4.42 6.42 Medium Chestnut Dark Chestnut Iridescent Brown Iridescent Blonde BURGUNDY 33.20 55.20 Intense Dark Intense Light Burgundy Burgundy COLOR EXCEL by REVLONISSIMOTM COPPER 7.4 3 Medium Copper Golden Blonde 6.4 Dark Copper Blonde 5.40 Intense Light Copper Brown 66.40 77.40 Intense Copper Intense Copper RED 4.65 6.65 Medium Red Dark Red Mahogany Mahogany Brown Blonde 55.60 77.60 Intense Dark Red Intense Light Red 66.66 Intense Purple Red IS YOUR NEW COLOR COLOR EXCEL GLOSS BY REVLONISSIMOTM COLOR EXCEL GLOSS by REVLONISSIMOTM NEUTRALIZING SHADES .02 .01 .1 Anti-yellow Anti-orange Anti-red ULTRA NEUTRALIZING SHADES .22 .11 Intense Iridescent Silver Ash TONING SHADES .123 Nude Satin CLEAR & TRENDY SHADES .435 1:3 .052 1:3 000 Peach Peach + Clear Raspberry Pink Raspberry Pink Clear + Clear TECHNICAL GUIDE COLORIMETRY NEUTRALIZING & INTENSITY TABLE REVLONISSIMO REVLONISSIMO NATURAL UNDERLYING BALANCING REVLONISSIMO COLORSMETIQUE™ COLORSMETIQUE™ LEVEL HAIR COLOR EXPOSED PIGMENT TONE COLORSMETIQUE™ PURE COLORS SATINESCENT 10 LIGHTEST BLONDE VERY PALE YELLOW PALE VIOLET
Load more

Recommended publications
  • Begonia Ignita (Sect. Petermannia, Begoniaceae), a New Species with Orange Flowers from Sulawesi, Indonesia
    Gardens’ Bulletin Singapore 69(1): 89–95. 2017 89 doi: 10.3850/S2010098116000081 Begonia ignita (sect. Petermannia, Begoniaceae), a new species with orange flowers from Sulawesi, Indonesia C.-W. Lin1, D.C. Thomas2, W.H. Ardi3 & C.-I Peng4 1Herbarium of Taiwan Forestry Research Institute, No. 53, Nanhai Road, Taipei 100, Taiwan 2Herbarium, Singapore Botanic Gardens, National Parks Board, 1 Cluny Road, Singapore 259569 3Bogor Botanic Gardens, Jl. Ir. H. Juanda No. 13, Bogor, Indonesia 4Herbarium, Biodiversity Research Center, Academia Sinica, Nangang, Taipei 115, Taiwan [email protected] ABSTRACT. Begonia ignita C.W.Lin & C.I Peng, a new species of Begonia sect. Petermannia from Sulawesi, Indonesia, is here described and illustrated. It is distinct from other species in Begonia section Petermannia by a character combination including a procumbent stem ascending only at the apex, symmetric or subsymmetric leaves, the presence of a pale band or maculation running parallel to the leaf margin, and orange tepals. A detailed comparison with a morphologically similar species, the Sulawesi endemic Begonia mendumiae M.Hughes, is provided. Keywords. Begonia ignita, B. mendumiae, Indonesia, new species, Sulawesi Introduction Forty-six species of Begonia are presently known from the Indonesian island of Sulawesi (Thomas et al., 2013), 22 of which have been described since 2006 (Hughes, 2006; Thomas & Hughes, 2008; Girmansyah et al., 2009; Thomas et al., 2009a, 2009b, 2011; Wiriadinata, 2013; Ardi et al., 2014). In addition, the examination of major herbarium collections (BO, E, L, K, SING) and specimen images from numerous additional herbaria provided by the Begonia Resource Centre (Hughes et al., 2015) indicates that there are many more species awaiting description.
    [Show full text]
  • Colours in Nature Colours
    Nature's Wonderful Colours Magdalena KonečnáMagdalena Sedláčková • Jana • Štěpánka Sekaninová Nature is teeming with incredible colours. But have you ever wondered how the colours green, yellow, pink or blue might taste or smell? What could they sound like? Or what would they feel like if you touched them? Nature’s colours are so wonderful ColoursIN NATURE and diverse they inspired people to use the names of plants, animals and minerals when labelling all the nuances. Join us on Magdalena Konečná • Jana Sedláčková • Štěpánka Sekaninová a journey to discover the twelve most well-known colours and their shades. You will learn that the colours and elements you find in nature are often closely connected. Will you be able to find all the links in each chapter? Last but not least, if you are an aspiring artist, take our course at the end of the book and you’ll be able to paint as exquisitely as nature itself does! COLOURS IN NATURE COLOURS albatrosmedia.eu b4u publishing Prelude Who painted the trees green? Well, Nature can do this and other magic. Nature abounds in colours of all shades. Long, long ago people began to name colours for plants, animals and minerals they saw them in, so as better to tell them apart. But as time passed, ever more plants, animals and minerals were discovered that reminded us of colours already named. So we started to use the names for shades we already knew to name these new natural elements. What are these names? Join us as we look at beautiful colour shades one by one – from snow white, through canary yellow, ruby red, forget-me-not blue and moss green to the blackest black, dark as the night sky.
    [Show full text]
  • Vermilion Flycatcher
    THE QUARTERLY NEWS MAGAZINE OF TUCSON AUDUBON SOCIETY | TUCSONAUDUBON.ORG VermFLYCATCHERilion July–September 2014 | Volume 59, Number 3 Birding Economics Patagonia’s Ecotourism ● Tucson Bird & Wildlife Festival What’s in a Name: Vermilion Flycatcher ● Southeastern Arizona’s Summer Sparrows Features THE QUARTERLY NEWS MAGAZINE OF TUCSON AUDUBON SOCIETY | TUCSONAUDUBON.ORG 12 What’s in a Name: Vermilion Flycatcher VermFLYCATCHERilion 13 Southeastern Arizona’s Summer July–September 2014 | Volume 59, Number 3 Sparrows 14 Hold That Note Tucson Audubon promotes the protection and stewardship of southern Arizona’s biological diversity 15 Another Important Step in Patagonia’s through the study and enjoyment of birds and the Ecotourism Efforts places they live. Founded in 1949, Tucson Audubon is southern Arizona’s leading non-profit engaging people 16 It’s the Fourth! in the conservation of birds and their habitats. 17 The Grass is Always Greener in Southeastern Arizona? Tucson Audubon Society 300 E. University Blvd. #120, Tucson, AZ 85705 629-0510 (voice) or 623-3476 (fax) Departments All phone numbers are area code 520 unless otherwise stated. tucsonaudubon.org 4 Events and Classes Birding Economics 5 Events Calendar Tucson Bird & Wildlife Festival ● Patagonia’s Ecotourism Board Officers & Directors SEAZ’s Summer Sparrows ● What’s in a Name: Vermilion Flycatcher President Cynthia Pruett 5 Living with Nature Lecture Series Vice President Bob Hernbrode Secretary Ruth Russell 6 News Roundup FRONT COVER: Sulphur-bellied Flycatcher in Ramsey Treasurer Richard Carlson 18 Conservation and Education News Directors at Large Matt Bailey, Ardeth Barnhart, Canyon by Muriel Neddermeyer. Muriel is a marketing Gavin Bieber, Les Corey, Edward Curley, Jennie Duberstein, 24 Birding Travel from Our Business Partners professional and mother of two teenagers.
    [Show full text]
  • Dye and Gluten Chart
    2020 Natural/Artificial Coloring & Gluten Chart Cream Ice Flavors Artificial Coloring Natural Coloring Allergen: Blue #1 Blue #2 Red #3 Red #40 Yellow #5 Yellow #6 Caramel Color Titanium Dioxide Annatto Extract Beta Carotene Turmeric Gluten Banana Split Cream X X X Birthday Cake X X X X Black Cherry Cheesecake X X Brookie Dough X X Caramel (Dulce de Leche) X Cheesecake Chocolate Chip Cheesecake Chocolate-Covered Banana X X Chocolate-Covered Strawberry X Coconut Cream X Cookie Dough X X Fudge Brownie X X Horchata Iced Coffee Marshmallow Peanut Butter X Mint Chocolate Chip X X Mint OREO® X X X Mocha X OREO® Cookies 'n Cream X X Peppermint Chip X X Pumpkin Cheesecake X Pumpkin Pie X Pumpkin Spice Latte X Root Beer Float X S'mores X Strawberry-Banana X X X Strawberry Cheesecake X Vanilla Cream X Watermelon Chip X X Italian Ice Flavors Allergen: Blue #1 Blue #2 Red #3 Red #40 Yellow #5 Yellow #6 Caramel Color Titanium Dioxide Annatto Extract Beta Carotene Turmeric Gluten Apple Berry Blue X X Banana X X Blood Orange X X Blue Raspberry X Blueberry X Cantaloupe X X Cherry Lemonade X Cherry Limeade X Cherry X Chocolate X Chocolate Chocolate Chip X Chocolate Peanut Butter X Cotton Candy X Dr Pepper X Florida Orange X X Georgia Peach X Grape X X Green Apple X X Hawaiian Punch® X X Island Fusion X X X Juicy Pear X X Key Lime X X Kiwi-Strawberry X X X Lemon Mango X X Mango-Orange X X Mango-Peach X X Mango-Pineapple X X Mango-Strawberry X X X Margarita X X Mojito X X Passion Fruit X X Peanut Butter & Jelly X Piña Colada X Pineapple X X Raspberry X
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • 2 Color Sunburst 3 Color Sunburst Aged Cherry Sunburst Amber Lager Burst
    2 COLOR SUNBURST 3 COLOR SUNBURST AGED CHERRY SUNBURST AMBER LAGER BURST BENGAL TIGER YELLOW BENGAL TIGER WHITE BING CHERRY TRANS BLACK BLACK HOLOFLAKE BLOOD SPLATTER BLUE SPARKLE BURGUNDY MIST MET. BURNT CHERRY BURST CAMO CANDY APPLE RED CANDY GREEN CANDY TANGERINE CHARCOAL FROST MET CHLORINE COBALT BLUE METALLIC COPPER CRIMSON RED TRANS DAKOTA RED DAPHNE BLUE DESERT SAND EERIE DESS SWIRL EMERALD GREEN TRANS FERRARI RED FIESTA RED FROST GOLD GHOST FLAME BLACK GHOST FLAME BLUE GHOST FLAME RED GHOST FLAME GREEN GOLD SPARKLE GRAFFITI YELLOW GRAVEYARD GREEN SPARKLE GUN METAL GREY ICE BLUE METALLIC INCA SILVER IVORY LIGHTNING SKY LIME GREEN METALLIC MAGENTA SPARKLE MERCEDES BLUE MIDNIGHT BLUE MIDNIGHT PURPLE MIDNIGHT WINE NATURAL (QUILT MAPLE) NATURAL (FLAME MAPLE) NATURAL (MAHOGANY) NEON GREEN NEON ORANGE NEON PINK NEON YELLOW OCEAN TURQUOISE OLYMPIC WHITE ORANGE SPARKLE ORION SILVER PEWTER PILE O SKULLS PLATINUM PINK POLKA DOT PURPLE METALLIC PURPLE SPARKLE QUICKSILVER RED SPARKLE ROOT BEER TRANS SAGE GREEN METALLIC SEAFOAM GREEN SHATTERED GLASS SHELL PINK SHERWOOD GREEN SHORELINE GOLD SILVER SPARKLE SLIME GREEN SANKESKIN COPPER SNAKESKIN GREY SNAKESKIN RED SNOW WHITE SOLAR SONIC BLUE SUNSET ORANGE TRANS SURF GREEN SWIRL (BLUE) SWIRL (BLUE) TAOS TURQUOISE TEAL GREEN METALLIC TENNESEE ORANGE TOBACCO BURST TRANS BLACK TRANS BLUE TRANS GREEN TRANS RED VANILLA SHAKE VIOLIN BURST .
    [Show full text]
  • The Effect of Color and Flavor Names on Consumer Choice
    1 Shades of Meaning: The Effect of Color and Flavor Names on Consumer Choice ELIZABETH G. MILLER BARBARA E. KAHN* 2 *Elizabeth G. Miller is assistant professor of marketing at Boston College, 140 Commonwealth Ave., Chestnut Hill, MA 02467 ([email protected]). Barbara E. Kahn is the Dorothy Silberberg Professor of Marketing, The Wharton School, University of Pennsylvania, Philadelphia, PA 19104 ([email protected]). Correspondence: Elizabeth Miller. This work was supported by a Wharton-SMU research center grant from Singapore Management University. We also thank participants at Singapore Management University for comments during a research seminar. 3 Building on Grice’s (1975) theory of “conversational implicature,” we propose that consumers will react favorably to unusual color or flavor names (e.g., blue haze or Alpine snow) because they expect marketing messages to convey useful information. If the message is not informative or does not conform to expectations, consumers search for the reason for the deviation. This search results in additional (positive) attributions about the product, and thus, a more favorable response. The results of a series of experiments provide empirical support for our proposal and rule out some alternative explanations for the success of ambiguous naming strategies. 4 An examination of the colors in a Crayola crayon box reveals an interesting phenomenon – while the original Crayola crayons box contained six colors (black, blue, brown, green, orange, and red), Crayola now offers 120 different colors, and the most recent of these (e.g., purple heart, razzmatazz, tropical rain forest, fuzzy wuzzy brown) are increasingly ambiguously named. These types of ambiguous color (and flavor) names have been proliferating and are appearing in all sorts of product categories from ice-cream (e.g., Ben and Jerry’s Chubby Hubby) to juice drinks (e.g., Gatorade’s Glacier Freeze) to nail polish (e.g., Hard Candy’s Trailer Trash), leading at least one reporter to exclaim, “there is no red” (Schulz 2001).
    [Show full text]
  • 2012 ASCFG Cut Flower Seed Trials
    2012 ASCFG Cut Flower Seed Trials John M. Dole, Halley M. Granitz, Alicain Carlson, and Judy M. Laushman This year’s Trial featured a Seed) in this year’s trial were was milder”. Many growers far.” Most trialers harvested modest number of new varieties, no different – at NCSU we over the years have tried and one stem per plant, averaging along with several standard harvested close to 80 stems per abandoned cut marigolds due 16 inches. Several trialers cultivars for comparison. Of plant over the season and the to their odor, weak necks, reported 20-inch stems. the four celosia cultivars, ‘Dark overall average for the trials excessive branching, and low As with most years we had Rose’ (Genesis) and ‘Sunday was around 20 stems/plant. interest by florists. If you are several sunflowers in the trial: Orange’ (Kieft) scored the Stems lengths ranged from one of these, you may want ‘Goldy Double’ (Genesis), highest. Both were heralded 12 to 24 inches, depending to try them again. One trialer ‘Vincent Choice’ (Sakata/ for their color – deep rose on how stems were harvested. noted that “I am not a big fan of Gloeckner), ‘Vincent Fresh’ for ‘Dark Rose’ and vibrant Both cultivars were lauded for marigolds, but this one changed (Sakata/Gloeckner), and “light tangerine to pumpkin their color as well my mind.” and another stated ‘Sunbright Supreme’ (Sakata/ orange” for ‘Sunday Orange’. While not as productive as that “Customers loved these, Gloeckner). ‘Goldy Double’ One trialer called ‘Dark Rose’ gomphrena, African marigold have to admit I would not have was the most unusual with “a real show-stopper!”.‘Dark ‘Jedi Orange’ (Gloeckner) planted marigolds as cuts if not fully double flowers and a Rose’ featured a nice rose color still produced many stems, for this trial.” green center when first opened to the leaf edges, large heads averaging 11 stems/plant and Stocks have been that filled in when the flowers and long stems averaging 21 up to 43 stems/plant at NCSU.
    [Show full text]
  • Ecofriendly Marigold Dye As Natural Colourant for Fabric Sujata F
    Chapter Ecofriendly Marigold Dye as Natural Colourant for Fabric Sujata F. Harlapur, Suneeta Harlapur and Shantabasavareddi F. Harlapur Abstract This chapter highlights on the applications of marigold plant extracts as an antibacterial and antimicrobial best dyer for textiles. Tagetes erecta usually known as Marigold is a vital wellspring of carotenoids and lutein, developed as a nursery plant. Marigold blossoms are yellow to orange red in colour. Now a days, lutein is transforming into an unquestionably common powerful fixing, used as a part of the medicines, food industry and textile coatings. This has increased more notice- able vitality of marigold and its exceptional concealing properties. Regardless of the way that marigold blooms; its extract has been used as a measure of veterinary supports. The examination was directed to contemplate the usage of a concentrate of marigold as a trademark shading, which is antibacterial and antimicrobial. The marigold extract ability was focused on colouring of the cotton fabrics. Investigations of the dye ability, wash fastness, light fastness, antibacterial tests and antimicrobial tests can be endeavoured. Studies have exhibited that surface concealing was not impacted by washing and drying in the shadow/sunlight. These surprises reveal that the concentrate of marigold extract can be used for cotton fabrics. Keywords: dyeing, marigold, colour fastness, fabric, antibacterial, antimicrobial 1. Introduction Marigold is a common name of Tagetes species, a genus of herbs and the member of the Asteraceae family. It is a native of Mexico and other warmer parts of America and naturalised elsewhere within tropics and sub tropics. In India it is cultivated as garden plant.
    [Show full text]
  • Cultivars in the Genus Chaenomeles Claude Weber
    ARNOLDIA A continuation of the BULLETIN OF POPULAR INFORMATION of the Arnold Arboretum, Harvard University VOLUME 23 APRIL 5, 1963 NUMBER 3 CULTIVARS IN THE GENUS CHAENOMELES CLAUDE WEBER THE GENUS CHAENOMELES includes the plants commonly known as Japanese or Flowering Quinces, or Japonicas. They are shrubs with bright and showy flowers, blooming normally in the early spring, before the leaves come out, at a time when few other flowers are available in the garden. For this reason, the Flowering Quinces have been popular ever since the first species was introduced to European gardens at the end of the eighteenth century. Before its introduction into Europe, the botanist Thunberg had seen a Flowering Quince growing in Japan. He thought it was a new kind of pear tree, and de- scribed it, in 1784, as Pyrus japonica. A few years later, in 1796, Sir Joseph Banks, director of the Royal Botanic Gardens, Kew, introduced the first Japanese Quince into England, assuming it was Thunberg’s species. In 1807, Persoon recognized that because of its numerous seeds this species did not belong to the genus Pyrus, but rather to Cydonia, the common Quince. The plant therefore became known as Cydonia japonica (Thunb.) Pers. In 1822 Lindley established the genus Chaenomeles, distinguishing it from Cydonia primarily by the character of the fruits. Subsequent observations and studies have confirmed Lindley’s opinion, yet some nurserymen still continue to list the species of Chaenomeles under Cydonia. Chaenomeles possesses reniform stipules; short, entire, glandless sepals erect at anthesis; stamens in two rows; completely fused carpels; and styles fused at the base forming a column.
    [Show full text]
  • Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC
    Color Formula Guide COPYRIGHT © 2005 - 2018 NAKOMA PRODUCTS LLC. ALL RIGHTS RESERVED. Table of Contents Welcome! Our All-Purpose and DyeMore shades are only the 03 — Dye Tips beginning. This guide features 500+ formulas that we 07 — Yellow have developed so that you can mix our dyes to create 00 — Yellow Orange Peach so many more colors. 00 — Orange 00 — Warm Red The first few pages of this guide highlight how to use 00 — Cool Red and scale our formulas. Each page after that features a 00 — Purple complete palette of shades in each color group. 00 — Red Violet 00 — Pink 00 — Blue Violet 00 — Blue 00 — Blue Green 00 — Green 00 — Yellow Green 00 — Brown 00 — Neutral 00 — Fall Fashion 00 — Fall Home Decor TABLE OF Contents — 2 COLORIT FORMULA GUIDE Tips for Dyeing Dye Type Dye Method Use Rit All-Purpose Dye if you are working with cotton, linen, • Use the sink or bucket method for general projects. silk, wool, rayon, ramie or nylon. • Use the stovetop method if you are trying to achieve as Use Rit DyeMore Synthetic Fiber Dye if you are working with bold of a color as possible or working with Rit DyeMore fabric that contains more than 35% polyester, acrylic or acetate. Synthetic Fiber Dye. • Use the washing machine method if you are dyeing Color large items. The colors shown in this guide are based on the following standards: Tip: The sink or bucket and stovetop methods are the best for mixing colors, letting you easily tweak dye • Rit All-Purpose Dye: White 100% cotton dyed at 140° F for amounts to get just the right color.
    [Show full text]
  • The Color of a Car Is About More Than Aesthetics
    The Power of THE COLOR OF A CAR IS ABOUTColor MORE THAN AESTHETICS. STORY BY NATHAN MERZ PHOTOS BY SHUTTERSTOCK, RANDY WELLS, PAG It’s hard to resist any gathering where Porsches might be present, with the anticipation of seeing row after row of magnificent machinery and the various stamps of personalization each owner has carefully installed on his or her prized possession. Whether the car is pristine or has rock chips, a dirty windshield, or rubber chunks in the fender wells, chances are it is well loved. However, there are certain cars that stand out in these rows of Porsches. Around them gather the usual cadre of PCA members, as well as the young hipsters, cameras in hand. There seems to be a veritable buzz encapsulating these Porsches. Later, those same cars are likely to be heavily posted on Instagram, Facebook, and various forums. So what is it about these particular cars? 78 PANORAMA FEBRUARY 2018 I FEBRUARY 2018 PANORAMA 79 JASON TANG Often, it has to do with their vi- When you log on to Porsche.com, up a distant fifth place at 10%, and In years past, brant paint color—Auratium Green, you will see that the promotional blue is trending upward at 8%. buyers spent Gulf Blue, Viper Green, Tangerine, photos of the 718 and 911 series of Those six colors account for 91% of hours poring over Continental Orange, Jade Green, Ar- cars are in Lava Orange, Miami Blue, all new cars sold. The greens, yel- these small paint row Blue, Leaf Green, Mint Green, and Racing Yellow.
    [Show full text]