Video Demystified
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881/882 Video Test Instrument User Guide
881/882 Video Test Instrument User Guide 881/882 Video Test Instrument, User Guide, Revision A.35 (9/23/10) Copyright 2010 Quantum Data. All rights reserved. The information in this document is provided for use by our customers and may not be incorporated into other products or publications without the expressed written consent of Quantum Data. Quantum Data reserves the right to make changes to its products to improve performance, reliability, producibility, and (or) marketability. Information furnished by Quantum Data is believed to be accurate and reliable. However, no responsibility is assumed by Quantum Data for its use. Updates to this manual are available at http://www.quantumdata.com/support/downloads/ . Table of Contents Chapter 1 Getting Started Introduction . 2 882D features . 2 Video interfaces . 4 Computer interfaces . 7 Front panel interface . 9 Status indicators . 9 Menu selection keys . 10 882 file system and media . 13 882 file system . 13 882 media . 13 882 operational modes . 14 Booting up the 882 . 14 Basic mode. 15 Browse mode . 15 Web interface . 20 Working with the Virtual Front Panel . 20 Working with the CMD (Command) Terminal. 22 Working with the 882 FTP Browser . 23 Copying files between 882s . 27 Command line interface . 30 Working with the serial interface. 30 Working with the network interface. 33 Sending commands interactively . 34 Sending command files (serial interface only) . 34 Working with user profiles . 36 Chapter 2 Testing Video Displays General video display testing procedures . 40 882 Video Test Instrument User Guide (Rev A.35) i Making physical connection . 40 Selecting interface type . 41 Selecting video format . -
Digital TV Framework High Performance Transcoder & Player Frameworks for Awesome Rear Seat Entertainment
SOLUTION BRIEF In-Car Digital TV Framework High performance transcoder & player frameworks for awesome rear seat entertainment INTRODUCTION Ittiam offers a complete Digital TV Framework that brings media encapsulated in the latest Digital TV broadcast standards to the automotive dashboard and rear seat. Our solution takes input from the TV tuner including video, audio, subtitle, EPG, and Teletext, and transcodes iton the automotive head unit for display by the Rear Seat Entertainment (RSE) units. By connecting several software components including audio/video decoding, encoding and post processing, and control inputs, our transcoder and player frameworks deliver SUMMARY high performance audio and video playback. PRODUCT Transcoder framework that runs on Head Unit OVERVIEW OF FEATURES Player framework that runs on RSE unit Supports a wide range of terrestrial broadcast standards – DVB-T / DVB-T2, SBTVD, T-DMB, ISDBT and ISDB-T 1seg HIGHLIGHTS Transcoder Input is a MPEG-2 TS stream; and output is an MPEG-2 TS stream containing H.264 Supports an array of terrestrial video @ 720p30 and AAC audio broadcast standards Split HEVC decoder (ARM + EVE) . Supports MPEG-2, H.264 / SL-H264, H.265 input video formats . on TI Jacinto6 platform Supports MPEG 1/2 Layer I, MPEG-1/2 Layer II, MP3, AAC / HE-AAC/ SL-AAC, BSAC, MPEG Supports video overlay and Surround, Dolby AC3 and Dolby EAC3 input audio formats . Supports dynamic switching between 1-seg and 12-seg ISDB-T streams blending Free from any open source code Includes audio post-processing (down mix, -
Digital Video Quality Handbook (May 2013
Digital Video Quality Handbook May 2013 This page intentionally left blank. Executive Summary Under the direction of the Department of Homeland Security (DHS) Science and Technology Directorate (S&T), First Responders Group (FRG), Office for Interoperability and Compatibility (OIC), the Johns Hopkins University Applied Physics Laboratory (JHU/APL), worked with the Security Industry Association (including Steve Surfaro) and members of the Video Quality in Public Safety (VQiPS) Working Group to develop the May 2013 Video Quality Handbook. This document provides voluntary guidance for providing levels of video quality in public safety applications for network video surveillance. Several video surveillance use cases are presented to help illustrate how to relate video component and system performance to the intended application of video surveillance, while meeting the basic requirements of federal, state, tribal and local government authorities. Characteristics of video surveillance equipment are described in terms of how they may influence the design of video surveillance systems. In order for the video surveillance system to meet the needs of the user, the technology provider must consider the following factors that impact video quality: 1) Device categories; 2) Component and system performance level; 3) Verification of intended use; 4) Component and system performance specification; and 5) Best fit and link to use case(s). An appendix is also provided that presents content related to topics not covered in the original document (especially information related to video standards) and to update the material as needed to reflect innovation and changes in the video environment. The emphasis is on the implications of digital video data being exchanged across networks with large numbers of components or participants. -
Model 5280 Digital to Analog Composite Video Converter Data Pack
Model 5280 Digital to Analog Composite Video Converter Data Pack ENSEMBLE DESIGNS Revision 2.1 SW v2.0 This data pack provides detailed installation, configuration and operation information for the 5280 Digital to Analog Composite Video Converter and the 5210 Genlock option submodule as part of the Avenue Signal Integration System. The module information in this data pack is organized into the following sections: • Module Overview • Applications • Installation • Cabling • Module Configuration and Control ° Front Panel Controls and Indicators ° Avenue PC Remote Control ° Avenue Touch Screen Remote Control • Troubleshooting • Software Updating • Warranty and Factory Service • Specifications 5280-1 Model 5280 Video DAC MODULE OVERVIEW The 5280 module converts serial digital component video into composite analog video. Six separate composite or two Y/C (S-video) analog video outputs are available. The following analog formats are supported: • NTSC Composite with or without setup • PAL Composite A serial output BNC is provided for applications requiring the serial digital input signal to loop-through to another device. Output timing can be adjusted relative to a reference input signal by installing the 5210 Genlock Option, a submodule that plugs onto the 5280 circuit board. Incorporating a full- frame synchronizer, the 5210 also allows the 5280 to accept serial inputs that are asyn- chronous to the reference. As shown in the block diagram on the following page, the serial digital input signal first passes through serial receiver circuitry then on to EDH processing and deserializing. The serial output signal goes to a cable driver and is then AC coupled to a loop-through output BNC on the backplane. -
PRACTICAL METHODS to VALIDATE ULTRA HD 4K CONTENT Sean Mccarthy, Ph.D
PRACTICAL METHODS TO VALIDATE ULTRA HD 4K CONTENT Sean McCarthy, Ph.D. ARRIS Abstract Yet now, before we hardly got used to HD, we are talking about Ultra HD (UHD) with at Ultra High Definition television is many least four times as many pixels as HD. In things: more pixels, more color, more addition to and along with UHD, we are contrast, and higher frame rates. Of these getting a brand new wave of television parameters, “more pixels” is much more viewing options. The Internet has become a mature commercially and Ultra HD 4k TVs rival of legacy managed television distribution are taking their place in peoples’ homes. Yet, pipes. Over-the-top (OTT) bandwidth is now Ultra HD content and service offerings are often large enough to support 4k UHD playing catch-up. We don’t yet have enough exploration. New compression technologies experience to know what good Ultra HD 4k such as HEVC are now available to make content is nor do we know how much better use of video distribution channels. And bandwidth to allocate to deliver great Ultra the television itself is no longer confined to HD experiences to consumers. In this paper, the home. Every tablet, notebook, PC, and we describe techniques and tools that could smartphone now has a part time job as a TV be used to validate the quality of screen; and more and more of those evolved- uncompressed and compressed Ultra HD 4k from-computer TVs have pixel density and content so that we can plan bandwidth resolution to rival dedicated TV displays. -
Video Processing and Its Applications: a Survey
International Journal of Emerging Trends & Technology in Computer Science (IJETTCS) Web Site: www.ijettcs.org Email: [email protected] Volume 6, Issue 4, July- August 2017 ISSN 2278-6856 Video Processing and its Applications: A survey Neetish Kumar1, Dr. Deepa Raj2 1Department of Computer Science, BBA University, Lucknow, India 2Department of Computer Science, BBA University, Lucknow, India Abstract of low quality video. The common cause of the degradation A video is considered as 3D/4D spatiotemporal intensity pattern, is a challenging problem because of the various reasons like i.e. a spatial intensity pattern that changes with time. In other low contrast, signal to noise ratio is usually very low etc. word, video is termed as image sequence, represented by a time The application of image processing and video processing sequence of still images. Digital video is an illustration of techniques is to the analyze the video sequences in traffic moving visual images in the form of encoded digital data. flow, traffic data collection and road traffic monitoring. Digital video standards are required for exchanging of digital Various methods are present including the inductive loop, video among different products, devices and applications. the sonar and microwave detectors has their own Pros and Fundamental consumer applications for digital video comprise Cons. Video sensors are relatively cost effective installation digital TV broadcasts, video playback from DVD, digital with little traffic interruption during maintenance. cinema, as well as videoconferencing and video streaming over Furthermore, they administer wide area monitoring the Internet. In this paper, various literatures related to the granting analysis of traffic flows and turning movements, video processing are exploited and analysis of the various speed measurement, multiple point vehicle counts, vehicle aspects like compression, enhancement of video are performed. -
Khronos Data Format Specification
Khronos Data Format Specification Andrew Garrard Version 1.2, Revision 1 2019-03-31 1 / 207 Khronos Data Format Specification License Information Copyright (C) 2014-2019 The Khronos Group Inc. All Rights Reserved. This specification is protected by copyright laws and contains material proprietary to the Khronos Group, Inc. It or any components may not be reproduced, republished, distributed, transmitted, displayed, broadcast, or otherwise exploited in any manner without the express prior written permission of Khronos Group. You may use this specification for implementing the functionality therein, without altering or removing any trademark, copyright or other notice from the specification, but the receipt or possession of this specification does not convey any rights to reproduce, disclose, or distribute its contents, or to manufacture, use, or sell anything that it may describe, in whole or in part. This version of the Data Format Specification is published and copyrighted by Khronos, but is not a Khronos ratified specification. Accordingly, it does not fall within the scope of the Khronos IP policy, except to the extent that sections of it are normatively referenced in ratified Khronos specifications. Such references incorporate the referenced sections into the ratified specifications, and bring those sections into the scope of the policy for those specifications. Khronos Group grants express permission to any current Promoter, Contributor or Adopter member of Khronos to copy and redistribute UNMODIFIED versions of this specification in any fashion, provided that NO CHARGE is made for the specification and the latest available update of the specification for any version of the API is used whenever possible. -
Real-Time HDR/WCG Conversion with Colorfront Engine™ Video Processing
Real-time HDR/WCG Conversion with Colorfront Engine™ Video Processing $7,995 US MSRP* Real time HDR Conversion for 4K/UHD/2K/HD Find a Reseller 4-Channel 2K/HD/SD or 1-Channel 4K/UltraHD HDR and WCG frame synchronizer and up, down, cross-converter FS-HDR is a HDR to SDR, SDR to HDR and Bulletproof reliability. Incredible Conversion Power. connectivity including 4x 3G-SDI with fiber options**, as well as 6G-SDI HDR to HDR universal converter/frame and 12G-SDI over copper or fiber**. synchronizer, designed specifically to FS-HDR is your real world answer for up/down/cross conversions meet the HDR (High Dynamic Range) and realtime HDR transforms, built to AJA’s high quality and reliability In single channel mode, FS4 will up scale your HD or SD materials to and WCG (Wide Color Gamut) needs of standards. 4K/UltraHD and back, with a huge array of audio channels over SDI, AES, broadcast, OTT, post and live event AV and MADI for an incredible 272 x 208 matrix of audio possibilities. In four environments. Powered by Colorfront Engine, FS-HDR’s extensive HDR and WCG channel mode, independent transforms can be applied to each 2K/HD or SD channel. FS-HDR offers two modes for processing support enables real time processing of a single channel of comprehensive HDR/WCG conversion 4K/UltraHD/2K/HD including down-conversion to HD HDR or up to four and signal processing. Single channel channels of 2K/HD simultaneously. FS-HDR also enables the conversion Maintaining Perceptual Integrity. mode provides a full suite of 4K/UltraHD of popular camera formats from multiple vendors into the HDR space, processing and up, down, cross- plus conversion to-and-from BT.2020/BT.709, critical for the widespread FS-HDR’s HDR/WCG capabilities leverage video and color space processing conversion to and from 2K, HD or SD. -
Analog to Digital Converter User Guide
Analog to Digital Converter User Guide ENSEMBLE DESIGNS Revision 5 SW v1.0.7 This user guide provides detailed information for using the BrightEye™2 Analog to Digital Converter. The information in this user guide is organized into the following sections: • Product Overview • Functional Description • Applications • Rear Connections • Operation • Front Panel Controls and Indicators • Using The BrightEye Control Application • Warranty and Factory Service • Specifications • Glossary BrightEye-1 BrightEye 2 Analog to Digital Converter PRODUCT OVERVIEW The BrightEye 2 Converter is a self-contained unit that provides uncompromised analog to digital conversion of component and composite video. Analog inputs are digitized at 12 bits of resolution with 4x oversampling. Composite video is processed through an adaptive comb filter decoder. PAL and NTSC input detection is automatic. Signal I/O and power is supplied to the rear of the unit. It is powered by a modular style power supply. Supporting both Beta and SMPTE component, composite and Y/C formats, BrightEye 2 adapts to many conversion needs. Use BrightEye 2 to digitize analog VTR and camera outputs for example. Front panel controls permit the user to monitor input status, select input type, and adjust video gain. Control and monitoring can also be done using the BrightEye Control application from a personal computer with USB support. A glossary of commonly used video terms is provided at the end of this guide. FUNCTIONAL DESCRIPTION The BrightEye 2 converter can perform analog to digital conversion on a variety of television signal formats, in both the 525/60Hz (NTSC) and 625/50Hz (PAL) line standards. The converter supports the NTSC and PAL composite standards, Y/C, and color difference analog component formats. -
Performance of Image and Video Processing with General-Purpose
Performance of Image and Video Processing with General-Purpose Processors and Media ISA Extensions y Parthasarathy Ranganathan , Sarita Adve , and Norman P. Jouppi Electrical and Computer Engineering y Western Research Laboratory Rice University Compaq Computer Corporation g fparthas,sarita @rice.edu [email protected] Abstract Media processing refers to the computing required for the creation, encoding/decoding, processing, display, and com- This paper aims to provide a quantitative understanding munication of digital multimedia information such as im- of the performance of image and video processing applica- ages, audio, video, and graphics. The last few years tions on general-purpose processors, without and with me- have seen significant advances in this area, but the true dia ISA extensions. We use detailed simulation of 12 bench- promise of media processing will be seen only when ap- marks to study the effectiveness of current architectural fea- plications such as collaborative teleconferencing, distance tures and identify future challenges for these workloads. learning, and high-quality media-rich content channels ap- Our results show that conventional techniques in current pear in ubiquitously available commodity systems. Fur- processors to enhance instruction-level parallelism (ILP) ther out, advanced human-computer interfaces, telepres- provide a factor of 2.3X to 4.2X performance improve- ence, and immersive and interactive virtual environments ment. The Sun VIS media ISA extensions provide an ad- hold even greater promise. ditional 1.1X to 4.2X performance improvement. The ILP One obstacle in achieving this promise is the high com- features and media ISA extensions significantly reduce the putational demands imposed by these applications. -
Painting with Light: a Technical Overview of Implementing HDR Support in Krita
Painting with Light: A Technical Overview of Implementing HDR Support in Krita Executive Summary Krita, a leading open source application for artists, has become one of the first digital painting software to achieve true high dynamic range (HDR) capability. With more than two million downloads per year, the program enables users to create and manipulate illustrations, concept art, comics, matte paintings, game art, and more. With HDR, Krita now opens the door for professionals and amateurs to a vastly extended range of colors and luminance. The pioneering approach of the Krita team can be leveraged by developers to add HDR to other applications. Krita and Intel engineers have also worked together to enhance Krita performance through Intel® multithreading technology, while Intel’s built-in support of HDR provides further acceleration. This white paper gives a high-level description of the development process to equip Krita with HDR. A Revolution in the Display of Color and Brightness Before the arrival of HDR, displays were calibrated to comply with the D65 standard of whiteness, corresponding to average midday light in Western and Northern Europe. Possibilities of storing color, contrast, or other information about each pixel were limited. Encoding was limited to a depth of 8 bits; some laptop screens only handled 6 bits per pixel. By comparison, HDR standards typically define 10 bits per pixel, with some rising to 16. This extra capacity for storing information allows HDR displays to go beyond the basic sRGB color space used previously and display the colors of Recommendation ITU-R BT.2020 (Rec. 2020, also known as BT.2020). -
Types of Video Signals
WIKIPEDIA SOURCE TYPES OF VIDEO SIGNALS Component video is a video signal that has been split into two or more component channels. In popular use, it refers to a type of component analog video (CAV) information that is transmitted or stored as three separate signals. Component video can be contrasted with composite video (NTSC, PAL or SECAM) in which all the video information is combined into a single line-level signal that is used in analog television. Like composite, component-video cables do not carry audio and are often paired with audio cables. When used without any other qualifications the term component video generally refers to analog YPbPr component video with sync on luma. Analog component video Reproducing a video signal on a display device (for example, a Cathode ray tube) (CRT) is a straightforward process complicated by the multitude of signal sources. DVD, VHS, computers and video game consoles all store, process and transmit video signals using different methods, and often each will provide more than one signal option. One way of maintaining signal clarity is by separating the components of a video signal so that they do not interfere with each other. A signal separated in this way is called "component video". S-Video, RGB and YPbPr signals comprise two or more separate signals: hence, all are component-video signals. For most consumer-level applications, analog component video is used. Digital component video is slowly becoming popular in both computer and home-theatre applications. Component video is capable of carrying signals such as 480i, 480p, 576i, 576p, 720p, and 1080i.