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Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
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Pictures of Social Networks: Transforming Visual Representations of the Orchid Pavilion Gathering in the Tokugawa Period (1615-1868) by Kazuko Kameda-Madar B.A., The University of Hawai„i at Mānoa, 1997 M.A., The University of Hawai„i at Mānoa, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Art History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2011 © Kazuko Kameda-Madar, 2011 Abstract This thesis examines the cultural networks that connected people holding common ideological values in the Tokugawa period by surveying a range of visual representations of the Orchid Pavilion Gathering. It explores the Tokugawa social phenomena that gave rise to the sudden boom in the Orchid Pavilion motif and how painters of different classes, belonging to different schools, such as Kano Sansetsu, Ike Taiga, Tsukioka Settei and Kubo Shunman, came to develop variations of this theme in order to establish cultural identity and to negotiate stronger positions in the relationships of social power. Probing the social environment of artists and their patrons, I demonstrate how distinct types of Orchid Pavilion imagery were invented and reinvented to advance different political agendas. The legendary gathering at the Orchid Pavilion in China took place in 353 CE, when Wang Xizhi invited forty-one scholars to participate in an annual Spring Purification Festival. At this event, Wang Xizhi improvised a short text that has come to be known as the Preface to the Orchid Pavilion Gathering. In Japan, while the practice of the ritual gathering and the text describing it were introduced in the Nara period, its pictorial representation in the format of a stone rubbing was not imported until the early seventeenth century. -
Houses and Gardens of Kyoto
houseskyoto and gardens of Photography by Akihiko Seki Text by Thomas Daniell Tuttle Publishing Tokyo • Rutland, Vermont • Singapore 2 houses and gardens of kyoto HGK_0Prelims_5.1z.indd 2-3 3/9/10 12:40:30 PM Published by Tuttle Publishing, an imprint of Periplus AUTHOR’S NOTE Editions (HK) Ltd., with editorial offi ces at 364 Innovation All Japanese names are given in Drive, North Clarendon, Vermont 05759 USA and 61 Tai the traditional order, with the Seng Avenue, #02-12, Singapore 534167 family name fi rst. As is Text copyright © 2010 Th omas Daniell customary, famous cultural Photographs copyright © 2010 Akihiko Seki fi gures are referred to by their All photographs by Akihiko Seki except given name, not their family Page 55—photo from istockphoto name. Traditional Japanese Photo on page 10 by courtesy of Urasenke/Tanko-sha. architecture is subject to an ongoing process of addition and All rights reserved. No part of this publication may be alteration, and it is oft en reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, impossible to defi nitively state recording, or by any information storage and retrieval when a particular building was system, without prior written permission from the completed. Many dates (birth, publisher. deaths, constructions, ISBN: 978-4-8053-1091-5 demolitions, and so on) are still debated among historians. In Distributed by each case, I have taken the most North America, Latin America & Europe commonly accepted date, or Tuttle Publishing that provided by the institution 364 Innovation Drive North Clarendon, VT 05759-9436 U.S.A. -
Diss Master Draft-Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Visual and Material Culture at Hokyoji Imperial Convent: The Significance of "Women's Art" in Early Modern Japan Permalink https://escholarship.org/uc/item/8fq6n1qb Author Yamamoto, Sharon Mitsuko Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. -
The Imperial Palace Prayerwalking Guide
Imperial Palace PrayerWalk Prefectures of Japan Welcome & Prayer Why the Imperial Palace? • The Imperial Palace grounds are basically holy ground for many Japanese. • This is the home of Emperor, who is the Shinto high priest of the nation. • Located in this surrounding area is the seat of Japanese government, various government ministries, the Supreme Court, the National Theater, telecommunications centers as well as commerce, banking and media empires. In many ways, this general area is the CPU of all of Japan. • In addition, this is not just the residence of the Emperor, but embedded in the sidewalks that encircle the Imperial Place are images of each of Japan’s 47 prefectures. So, we have an opportunity to touch the face of all of Japan! Orientation to the Imperial Palace Prayer Guide • It was specially designed for this location. From Operation Japan. • Proceed in groups of 2 or 3 together, rotating turns to lead prayer. Let’s change prayer partners every 15 minutes so you can have the joy of “working out” with other team members. • I’d like to suggest that we pray out loud if you don’t already do that normally. (Why would we ask this?) • Please don’t leave the course and strike out on your own. • Please stay hydrated! • Please be sensitive to joggers/runners/cyclists: We share the sidewalks! We want to leave the fragrance of Christ, not the stench of arrogant Christians. • A few pictures are fine. Just make sure we don’t get carried away! What makes Prayerwalking in Japan so Strategic/Different/Unique? Let us just begin by stating the obvious. -
Cambridge University Press 978-1-108-47805-2 — the Meiji Restoration Edited by Robert Hellyer , Harald Fuess Index More Information
Cambridge University Press 978-1-108-47805-2 — The Meiji Restoration Edited by Robert Hellyer , Harald Fuess Index More Information Index Abiko Toshihiko, 203–204 Bismarck, Otto von, German Chancellor, Ainu, 50, 191–192 105, 222 Aizu domain, 91, 95, 96–97, 106–107, 168, BLR. See breech-loading rifle 173, 177, 183, 185, 203 BoE. See Bank of England settlers in Hokkaido, 203–205 Bolitho, Harold, 103 tondenhei soldiers, 201 Bombay, 16, 21 Aizu-Wakamatsu castle, 91, 106, 185 Bank of, 21 battle of, 183 Boshin War, 1, 7, 8–10, 60, 85, 90, 95, 104, Akasaka Palace, 239–240, 242–245 109, 131, 153, 154–159, 161, 164, Kogosho Hall, 239 165, 166, 167, 169, 170, 171, 172, akutō (ruffians, scoundrels), 144, 145, 147 175, 177, 183–185, 191, 194–195, Alt, William, 92 203–204 alternative modernities, 214 imperial forces, 119, 136 Amaterasu sun goddess, 221, 223–230, 235 Bousquet, Albert Charles du, 222, 235 American Civil War, 1, 6, 21, 34, 71, 73, 84, Brandt, Max von, 104–106 95, 97, 138, 154, 156, 179, 184, 218 breech-loading rifle (BLR), 91–101, Anderson, Benedict, 214 154, 157 Andō Hiroshige, 224 Breen, John, 11, 222–223, 231, 250 Anglo-Japanese Alliance (1902), 231 Brennwald, Caspar, Swiss Consul General, Ansei period 94, 103 reforms, 156 Bright, Charles, 84, 137 treaties. See unequal treaties Britain, 3, 17–18, 19, 25, 84, 172–173, 179, antiforeign movement, 114, 115, 131 230, 242, 245–246, 260 Aoki Kō ji, 32, 38 Elgin Marbles, 249 Aoki Shū zō , 238–239 London as cultural capital, 250 Arakawa Hitoshi, 32 trade, 37 Armitage, David, 137 British-French War against China arms trade. -
京都時代祭りkyoto’S Festival of the Ages
京都時代祭りKyoto’s Festival of the Ages The Kyoto Festival of the Ages (Jidai Matsuri) is held every year on 22 October during Kyoto’s autumn sight- seeing period and it is one of the city’s three main festivals. The long and solemn procession of people depicts famous historical figures wearing authentic costumes of the day and has something of a triumphal air about it. However, the parade’s origins are not to be found in some great victory. The Jidai Matsuri was inaugurated after the capital moved in 1868 from Kyoto to Tokyo; an association of Kyoto residents made a conscious decision to preserve the history and the future of their city. There was good reason to be participants wear well researched and concerned for the future of the city historically accurate costumes from when Emperor Komei moved the the 8th through to the 19th century, capital to Edo, as Tokyo was then the period that Kyoto was the imperial known. In 1873, five years after the capital of Japan. Equipment and capital’s move to Tokyo, the accessories are also true to the times. population of Kyoto had fallen to Leading the Jidai Matsuri procession around 220,000, down from around are people dressed as the Edo-period 350,000 during the Edo Period (1600- warriors who supported the Meiji 1867). Emperor in overthrowing the shogunal As part of an effort to slow this government. The parade then works decline, the Heian Shrine with its eye- its way back through history. catching giant vermillion torii gate was built in 1895 to commemorate the 1,100th anniversary of the founding of Kyoto. -
Cultural Diplomacy in U.S.-Japanese Relations, 1919-1941
9781403975324ts01.qxd 7-9-07 06:35 PM Page i Cultural Diplomacy in U.S.-Japanese Relations, 1919–1941 This page intentionally left blank Cultural Diplomacy in U.S.-Japanese Relations, 1919–1941 JON THARES DAVIDANN 9781403975324ts01.qxd 7-9-07 06:35 PM Page iv CULTURAL DIPLOMACY IN U.S.-JAPANESE RELATIONS, 1919–1941 Copyright © Jon Thares Davidann, 2007. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2007 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN-13: 978–1–4039–7532–4 ISBN-10: 1–4039–7532–9 Library of Congress Cataloging-in-Publication Data Davidann, Jon Thares, 1961– Cultural diplomacy in U.S.-Japanese relations, 1919–1941 / by Jon Thares Davidann. p. cm. Includes bibliographical references and index. ISBN 1–4039–7532–9 (alk. paper) 1. United States—Relations—Japan. 2. Japan—Relations—United States. 3. United States—Foreign public opinion, Japanese. 4. Japan— Foreign public opinion, American. 5. United States—Foreign relations— 20th century. 6. Japan—Foreign relations—1912–1945. 7.World War, 1939–1945—Causes. -
Institutes for Cultural Heritage 2008
Outline of the National Institutes for 200Cultural Heritage8 2008 独立行政法人 国立文化財機構 概 要 平成20年度 目 次 CONTENTS ごあいさつ Ⅰ 国立文化財機構のあらまし………………………………………………… 2 Outline of the National Institutes for Cultural Heritage Ⅱ 国立文化財機構の事業……………………………………………………… 3 Projects of the National Institutes for Cultural Heritage １ 収蔵品の整備と、次代への継承………………………………………… 3 Preservation and inheritance of the museum collections ■収集 Collection ■保管・修理 Preservation and Restoration ２ 文化財を活用した歴史・伝統文化の国内外への発信………………… 4 Dissemination of traditional culture ■展示・公開 Exhibitions ■博物館入館者数 Numbers of Visitors fiscal year 2007 ■教育普及活動 Educational Activities ３ ナショナルセンターとしての全体の活性化…………………………… 6 Vitalization of the Institutes as national centers ４ 文化財に関する調査及び研究の推進…………………………………… 6 Advancement of research ５ 文化財保存・修復に関する国際協力の推進…………………………… 8 Promotion of International Cooperation Related to Conservation and Restoration of Cultural Properties ６ 情報発信機能の強化……………………………………………………… 8 Reinforcement of information dissemination ７ 地方公共団体への協力等による文化財保護の質的向上……………… 9 Improving cultural properties protection by assisting local public organizations ■大学との連携 Collaboration with universities Ⅲ 各施設の活動……………………………………………………………… 10 Activities of each institution 東京国立博物館 Tokyo National Museum …………………………………… 10 京都国立博物館 Kyoto National Museum …………………………………… 14 奈良国立博物館 Nara National Museum ……………………………………… 18 九州国立博物館 Kyushu National Museum …………………………………… 22 東京文化財研究所 National Research Institute for Cultural Properties, Tokyo ………… 26 奈良文化財研究所 Nara National Research Institute for Cultural Properties …………… 30 Ⅳ 資料………………………………………………………………………… -
Machizukuri Bottom-Up Approach to Conservation of Historic Communities: Lessons for Thailand
THE MACHIZUKURI BOTTOM-UP APPROACH TO CONSERVATION OF HISTORIC COMMUNITIES: LESSONS FOR THAILAND WIMONRART ISSARATHUMNOON Thai PhD. Student, The University of Tokyo BACKGROUND AND SIGNIFICANCE With its authentic historic monuments, the Rattanakosin area plays an important role in the identity of the old town of Bangkok. The conservation of the Rattanakosin area started in 1982, the year of Bangkok’s bicentenary anniversary. In that year itself, many studies related to Rattanakosin’s history, arts, and architecture were done. Different government sectors proposed several conservation plans. The result was the Master plan for Conservation and Development of Krung Rattanakosin, which was made public by the Rattanakosin Committee. Since then, conservation activities along the lines of policy plans have been consistently implemented. Then came a period of change in 1997-1998 when the first bottom-up-approach for conservation was started. Citizens’ groups were formed to “wake up” their hometown (Askew 301-304), and they were supported by the local government that was formed following the decentralisation policy. Today, the government authorities pay more attention to public participation. In the Strategic Plan for Conservation and Development of Krung Rattanakosin and the Old Towns (2004-2008), a public participation plan was added to the main plan. Furthermore, the Draft Plan of Public Participation for Conservation and Development of Krung Rattanakosin (2004-2006), was launched as a new tool for conservation. However, public participation is an ongoing process, and the plans still need to be adjusted to generate long-term results. The sectors need to study effective bottom-up approaches to conservation in other Asian countries with similar situations, to apply in conservation efforts in Thailand. -
THE TALE of GENJI a Japanese Classic Illuminated the TALE of GENJI a Japanese Classic Illuminated
THE TALE OF GENJI a japanese classic illuminated THE TALE OF GENJI a japanese classic illuminated With its vivid descriptions of courtly society, gar- dens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thou- sand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. 368 pages; 304 color illustrations; bibliography; index THE TALE OF GENJI THE TALE OF GENJI a japanese classic illuminated John T. Carpenter and Melissa McCormick with Monika Bincsik and Kyoko Kinoshita Preface by Sano Midori THE METROPOLITAN MUSEUM OF ART, NEW YORK Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with “The Tale of Genji: A Japanese Classic Jacket: Tosa Mitsuyoshi, “Butterflies”Kochō ( ), Chapter 24 of The Tale of Genji, late Illuminated,” on view at The Metropolitan Museum of Art, New York, from March 5 16th–early 17th century (detail, cat. -
Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940 Alice Y
University of Hawai'i Manoa Kahualike UH Press Book Previews University of Hawai`i Press Fall 10-31-2018 Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940 Alice Y. Tseng Follow this and additional works at: https://kahualike.manoa.hawaii.edu/uhpbr Part of the Asian History Commons, Political Science Commons, and the Spatial Science Commons Recommended Citation Tseng, Alice Y., "Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940" (2018). UH Press Book Previews. 27. https://kahualike.manoa.hawaii.edu/uhpbr/27 This Book is brought to you for free and open access by the University of Hawai`i Press at Kahualike. It has been accepted for inclusion in UH Press Book Previews by an authorized administrator of Kahualike. For more information, please contact [email protected]. MODERN KYOTO Spatial Habitus: Making and Meaning in Asia’s Architecture Edited by Ronald G. Knapp and Xing Ruan House Home Family: Living and Being Chinese Edited by Ronald G. Knapp and Kai-Yin Lo Allegorical Architecture: Living Myth and Architectonics in Southern China Xing Ruan Chinese Architecture and the Beaux-Arts Edited by Jeffrey W. Cody, Nancy S. Steinhardt, and Tony Atkin Chinese Architecture and Metaphor: Song Culture in the Yingzao Fashi Building Manual Jiren Feng Original Copies: Architectural Mimicry in Contemporary China Bianca Bosker China’s Contested Capital: Architecture, Ritual, and Response in Nanjing Charles D. Musgrove Architecture and Urbanism in Modern Korea Inha Jung The Hermit’s Hut: Architecture and Asceticism in India Kazi K. Ashraf Architecturalized Asia: Mapping a Continent through History Edited by Vimalin Rujivacharakul, H.