The Kyoto Tourist Guidebook
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Culinary & Cultural Heritage of Japan
Culinary & Cultural Heritage of Japan Day 1: Depart United States for Tokyo, Japan . Day 2: Tokyo D You will arrive in Tokyo at Narita International Airport where your English speaking guide will greet you and lead you to your luxury tour coach where you will be briefed on the tour and given your Japan Rail Pass, and will have a chance to ask any questions you may have. The ride from Narita Airport to our 4-star hotel located in the centre of Tokyo will take approximately 90 minutes. Once your guide has ensured a smooth check in, you will have time to freshen up and prepare for your first night on the town. Your guide will meet you in the lobby of the hotel that evening and take you on a short walking orientation tour of the area surrounding your hotel. You will be taken to an upscale Yakitori restaurant for a Welcome Dinner where the chef will prepare premium breeds of chicken as well as beef and vegetables grilled right before your eyes over piping hot charcoal. Your guide will explain the importance of these restaurants in relation to Japanese business culture while you sip on a frosty pint of Japan’s famous Sapporo or Asahi beer. After dinner, your guide will lead you back to your hotel, and you can either continue exploring the area on your own, or turn in for the night. Accommodation: Keio Plaza Hotel **** (2 Nights) Day 3: Tokyo B, L Today will be a full day of sightseeing by public transportation with your tour guide. -
Inside the Secret World of the Geisha
2019 Spring Semester Inside the Secret World of the Geisha Section 1 Instructor/Title Professor Arif Iqball 【Course Outline / Description】 Painted by Picasso, sculpted by Rodin, entertainers to Queen Elizabeth, Prince Charles, and US Presidents, yet the role and image of the Japanese Geisha has often been misinterpreted outside Japan, and has shaped Western stereotypes about Japan and Japanese women. Being historically closed in a world of secrecy, not many Japanese either have been able to get access to this world with its own rules and etiquette, and with very little documentation. This course examines the primary role of the Geisha in Japan as an artist and an entertainer encompassing a variety of important social, cultural, and historical elements. Leveraging the instructor’s personal connections and research, a field trip to a seasonal dance performance, and conversations with current Geisha, as well as use of academic literature and visual documentation including historical photographs, documentaries and movie representations, this course attempts to provide a complete cultural experience to the Asian and Japanese Studies student on the true role and place of these artists in Japanese culture, and in a traditional world which runs parallel (and yet is completely different than) to the modern Japanese world of manga, anime, and robots. With emphasis on the Geisha of the five Kagai (performance districts) in Kyoto, this course not only explores the historical and cultural elements, but also introduces this relatively unknown and closed -
Alienation, Trains and the Journey of Life in Four
ALIENATION, TRAINS AND THE JOURNEY OF LIFE IN FOUR MODERN JAPANESE NOVELS By ANN MERER YD PRICE B.A., The University of Michigan, 1983 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF ASIAN STUDIES We Accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October, 1987 ©Ann Mereryd Price, 1987 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of ^ian Studies The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date October 14, 1987 ii Abstract This thesis examines the theme of alienation along with the train motif in the life journeys of the protagonists in four modern Japanese novels. Each chapter is devoted to an individual novel and explores its hero's feelings of socio-psychological estrangement on personal and interpersonal levels as well as the role of the train journey which serves to arouse, create or alleviate such feelings. Chapter One deals with Sanshiro (Sanshiro. 1908) by Natsume Soseki and follows the hero on his long train journey from backward Kyushu to progressive Tokyo. -
Katsura Imperial Villa: the Photographs of Ishimoto Yasuhiro
Art in the Garden Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro Winter 2011 Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro This exhibition celebrates one of the most exquisite Harry Callahan and Aaron Siskind. He received the magnum opus 1955 exhibition titled The Family of THE MA OF MODERNISM: THE BOX architectural and garden treasures of Japan— Moholy-Nagy Prize awarded to top students of the Man at the Museum of Modern Art, New York. CONSTRUCTIONS OF DANIEL FAGERENG Katsura Imperial Villa in Kyoto—and one of its finest Institute for two consecutive years in 1951 and 1952. The box constructions of Daniel Fagereng were on living photographers, Ishimoto Yasuhiro, whose In 1966, Ishimoto returned again to Japan, where he view in conjunction with the Katsura photography 1953 images of Katsura introduced this unrivalled In 1953, Ishimoto returned to Japan to photograph became a professor at the Tokyo University of Art exhibition. The artist reinterprets the elements and masterpiece to the world. Katsura Detached Palace, and published the and Design. In 1969, he became a Japanese citizen. book, Katsura: Tradition and Creation in Japanese He visited Kyoto again in 1982, re-photographing components of traditional Japanese architecture in Born in San Francisco in 1921, and raised in Japan, Architecture, in 1960 with text by Walter Gropius Katsura in color to capture his own personal these mixed media constructions using light, line, Ishimoto returned to the U.S. at the age of 17 to and Tange Kenzo, two of the greatest architects of the vision of the richer, more complex character of and shadow as compositional elements. -
Muko City, Kyoto
Muko city, Kyoto 1 Section 1 Nature and(Geographical Environment and Weather) 1. Geographical Environment Muko city is located at the southwest part of the Kyoto Basin. Traveling the Yodo River upward from the Osaka Bay through the narrow area between Mt. Tenno, the famous warfield of Battle of Yamazaki that determined the future of this country, and Mt. Otoko, the home of Iwashimizu Hachimangu Shrine, one of the three major hachimangu shrines in Japan, the city sits where three rivers of the Katsura, the Uji and the Kizu merge and form the Yodo River. On west, Kyoto Nishiyama Mountain Range including Mt. Oshio lays and the Katsura River runs on our east. We share three boundaries with Kyoto city - the northern and western boundaries with Nishikyo-ku, and the eastern boundary with Minami-ku and Fushimi-ku. Across the southern boundary is Nagaokakyo city abutting Oyamazaki-cho which is the neighbor of Osaka Prefecture. The city is approximiately 2km from east to west and approximiately 4km from south to north covering the 7.72km2 area. This makes us the third smallest city in Japan after Warabi city and Komae city. Figure 1-1-1 Location of Muko city (Right figure (Kyoto map) : The place of red is Muko city) (Lower figure (Japan map) : The place of red is Kyoto) N W E S 1 Geographically, it is a flatland with the northwestern part higher and the southwestern part lower. This divides the city coverage into three distinctive parts of the hilly area in the west formed by the Osaka Geo Group which is believed to be cumulated several tens of thousands to several million years ago, the terrace in the center, and the alluvial plain in the east formed by the Katsura River and the Obata River. -
Perspectives of Research for Intangible Cultural Heritage
束 9mm Proceedings ISBN : 978-4-9909775-1-1 of the International Researchers Forum: Perspectives Research for Intangible Cultural Heritage towards a Sustainable Society Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage IRCI Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage Published by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage 2 cho, Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802, Japan Tel: +81 – 72 – 275 – 8050 Email: [email protected] Website: https://www.irci.jp © International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) Published on 10 March 2020 Preface The International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society was organised by the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in cooperation with the Agency for Cultural Affairs of Japan and the Tokyo National Research Institute for Cultural Properties on 17–18 December 2019. -
The Book of Tea
THE BOOK OF TEA KAKUZO OKAKURA ORIGINAL EDITION Prepared by JULIAN TAI Amazing-Green-Tea.com Sussex, United Kingdom Real Tea Directly from the Source www.amazing-green-tea.com Page 1 of 75 Steal This eBook! Well, okay, not quite. But actually, you now own, absolutely free, resale, reprint and redistribution rights to this ebook! This book currently sells at Amazon.com for at least $9.95! What does that really mean? It means that you can sell this ebook for any price you'd like and you keep 100% of the profits...or you can use it as a free bonus and give it away on your site... or you can print out as many copies as you want... or you can send it as a file to your friends and family who might be interested in reading it. It's your choice. Ebook Distribution The only restriction is that you cannot modify the ebook or its contents in any way. The entire ebook must be distributed in full. If you enjoy reading this ebook, please consider sharing it with others, so that they too can start discovering their next great tea! To tell a friend, click http://www.amazing-green-tea.com/share-this-site.html Real Tea Directly from the Source www.amazing-green-tea.com Page 2 of 75 Contents Chapter 1: The Cup of Humanity 4 Chapter 2: The School of Tea 14 Chapter 3: Taoism and Zennism 24 Chapter 4: The Tea Room 36 Chapter 5: Art Appreciation 49 Chapter 6: Flowers 58 Chapter 7: Tea Masters 70 About Amazing Green Tea 75 Real Tea Directly from the Source www.amazing-green-tea.com Page 3 of 75 Chapter 1: The Cup of Humanity Tea began as a medicine and grew into a beverage. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes Round Trip Bus Fares, Lunch, Keihan Train Tickets, and Hankyuu Train Tickets
No.12 : November 2020 ~ December 2021 1009 Meet "Maiko" in Gion and Kyoto One Day Bus Tour Includes round trip bus fares, lunch, Keihan Train tickets, and Hankyuu Train tickets. N ※Any additional cost would be at your own expense. O ※Meeting time is 8:20 at Umeda, 8:25 at Nippombashi, 8:50 at Namba, and 9:05 at Kyoto station. T ※Bus will leave according to the schedule, and will not wait for late arrivals. I C ※Smoking is not allowed in the bus. Thank you for your cooperation. E ※Itinerary is subject to change depending on the weather, traffic conditions, etc. ※We recommend you to wear a comfortable shoes since this tour has a long walk in Gion area. Detailed Itinerary Umeda Nippombashi Namba Kyoto Hearton Hotel Nishi-Umeda 1F Lobby → In front of Tsurutontan restaurant → Namba OCAT 1F JR Kyoto station 8:20 Meet 8:30 Dep. 8:25 Meet 8:35 Dep. 8:50 Meet 9:00 Dep. 9:05 Meet 9:15 Dep. Keihan Train Meet Maiko , Lunch ( Chanko Nabe ) Fushimi Inari Taisha → Fushimi-Inari to Gion-Shijo → Gion ( Hanamikoji & Yasaka Shrine ) 10:00 ~ 11:00 11:17 Dep. 11:24 Arr. 11:35 ~ 14:50 Hankyuu Train Arashiyama Namba Nippombashi Umeda Kyoto Station Kawaramachi to Arashiyama → → → → 14:50 Dep. 15:07Arr. 15:10 ~ 16:50 18:30 ETA 18:45 ETA 19:15 ETA 17:40 ETA Meet Maiko Activity detail Maiko Performance Maiko Questionaire Corner Picture with Maiko Ozashiki Asobi Experience → → → 13:10 ~ 13:20 (10Mins) 13:20 ~ 13:35 (15Mins) 13:35 ~ 13:50 (15Mins) 13:50 ~ 14:10 (20Mins) ※Customers depart from Kyoto station will travel to Inari station by JR train with our Tour Guide. -
Kyoto Sightseeing Route
Imamiya-jinja Nearest bus stop ❾● Nearest bus stop ❾● Eizan Elec. Rwy. Specialty Shrine For Shimogamo-jinja Shrine For Ginkaku-ji Templeダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Free Wi-Fi on board Operate every 5~10 min. Operate every 5~10 min. ( to Kibune/Kurama) Specialty SSID:skyhopbus_Free PW:skyhopbus ABURI MOCHIダミー金閣寺の説明。□□□□□□□□□□□□□□□□□□ □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ 1 2 GOLD LEAF aitokuji 【Kyoto City Bus】 【Kyoto City Bus】 yoto ta. arasuma ojo roasted□□□□□□□□□□□□□□□□□□□□□□□□□□□□D □□□□□□□□□□□□□□□□□ Sky Hop K S K G SOFT CREAM rice cakes Bus route No.203 & No.102 BusKita-Oji route St. No.203 & No.102 □□□□□□□□□□□□□□□□□□□□□□□□□□□□Temple Bus □□□ Koto-in Karasuma Imadegawa Demachiyanagi Sta. Karasuma Imadegawa Ginkakuji-michi Ichijoji Sta. SKYHOP BUS Kyoto With Kyoto as the gateway to Hotel New Kyoto Tower ↑ Nearby Byodo-ji Temple was Temple 8 ※Walking about 3 min. from❾ ※Walking about 12 min. ※Walking about 3 min. from❾ ※Walking about 10 min. ダミー下鴨神社の説明。□□□□□□□□□□□□□□□□□ history, the station features a Hankyu Kyoto Hotel established when a statue of 2 Ryogen-in Temple to Shimogamo-jinja Shrine to Ginkaku-ji Temple (1 trip 99 min./every 30 min.) Kinkakuji 7 廬山寺 □□□□□□□□□□□□□□□□□□□□□□□□□□□□ Japanese Go board tile design. Yakushi Nyorai was drawn from ※A separate fare fromShimei the SkySt. Hop Bus Kyoto ticket is ※A separate fare from the Sky Hop Bus Kyoto ticket is Gojo Shimogamo Hon-dori St. Hon-dori Shimogamo □□□□□□□□□□□□□□□□□□□□□□□□□□□□ required. This fareKarasuma St. is 230 yen (one way). required. This fare is 230 yen (one way). Visitors from abroad will the sea and enshrined in 997. Temple □□□□ 500m 法然院 Subway Karasuma Line ダミー銀閣寺の説明。□□□□□□□□□□□□□□□□□□□□□□□□□ Tomb of Murasaki Shikibu 1 appreciate the large tourist Information 京都The principle image of Yakushi □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□ Central Gojo St. -
(Attachment 2)“Yama, Hoko, Yatai Float Festivals”: List of 33 Important
( ) Attachment 2 “Yama, Hoko, Yatai float festivals”: List of 33 Important Intangible Folk Cultural Properties designated by the Government of Japan Name of Festival Preservation Group Prefecture City/Town The Association for the Preservation Aomori The Grand Hachinohe Sansha Festival(designated in 2004) of the Float Ceremony at the Grand Hachinohe City Prefecture Hachinohe Sansha Festival The Association for the Preservation of the Kakunodate Festival The Float Festival of Kakunodate(designated in 1991) Senboku City The Association for Tsuchizaki Akita The Tsuchizaki Shimmei Shrine Festival(designated in 1997) Akita City Shimmei Shrine Prefecture The Hanawa Festival(designated in 2014) Kazuno City Committee for the Hanawa-bayashi Festival The Association for the Preservation Yamagata The Shinjo Festival (designated in 2009) of the Float Ceremony at the Shinjo Shinjo City Prefecture Festival The Association for the Preservation Ibaraki Hitachi Furyumono(designated in 1977) Hitachi City of Hitachi Hometown Performing Arts Prefecture The Association for the Preservation Karasuyama Yamaage(designated in 1979) Nasu Karasuyama of the Karasuyama Yamaage Tochigi City The Association for the Preservation Prefecture The Kanuma Imamiya Shrine Festival(designated in 2003) Kanuma City of the Kanuma Imamiya Float Festival The Committee for the Preservation of the Chichibu Festival The Chichibu Festival(designated in 1979) Saitama Chichibu City The Association for the Preservation The Kawagoe Hikawa Festival(designated in 2005) Prefecture Kawagoe City -
Salvation and Sovereignty Syllabus KCJS
KCJS Salvation and Sovereignty Syllabus Salvation and Sovereignty: Buddhism and Shinto in Japanese History Seminar Spring 2019 Course Syllabus Instructor: Adam Lyons Email: [email protected] Course Time: Wed./Fri. 1:10-2:40 PM Location: KCJS Classroom Instructor Office Hour: Wed./Fri. aFter class and by appointment. Course Description and Goals This course draws on the rich resources of Kyoto to consider the place of Buddhism and Shinto in Japanese history. In addition to traditional reading assignments and classroom discussion, we will conduct multiple research expeditions to museums and signiFicant religious and cultural sites in and around Kyoto. Although there are common misconceptions that hold Buddhism to be a “world- renouncing” religion and Shinto to be a Form oF nature worship, this course places an emphasis on the political dimension oF these traditions to pursue a more nuanced understanding of Buddhism and Shinto. We will explore how Buddhism and Shinto have been driving forces in Japanese history—with many oF the most powerFul institutions based right here in Kyoto. By the end of the course, students should be able to articulate the political signiFicance oF Buddhist and Shinto institutions and ideas. Students should also reFine their grasp oF the relationship between the social and the ideological in light oF the course’s themes: kingship/cosmology, and voluntary political associations/salvation. They should ultimately gain the ability to deconstruct ahistorical representations of Buddhism and Shinto as static and monolithic, and they can also expect to cultivate a Familiarity with some oF the major figures, sects, and concepts of Japanese religious history.