Institutes for Cultural Heritage 2008
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Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
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Pictures of Social Networks: Transforming Visual Representations of the Orchid Pavilion Gathering in the Tokugawa Period (1615-1868) by Kazuko Kameda-Madar B.A., The University of Hawai„i at Mānoa, 1997 M.A., The University of Hawai„i at Mānoa, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Art History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2011 © Kazuko Kameda-Madar, 2011 Abstract This thesis examines the cultural networks that connected people holding common ideological values in the Tokugawa period by surveying a range of visual representations of the Orchid Pavilion Gathering. It explores the Tokugawa social phenomena that gave rise to the sudden boom in the Orchid Pavilion motif and how painters of different classes, belonging to different schools, such as Kano Sansetsu, Ike Taiga, Tsukioka Settei and Kubo Shunman, came to develop variations of this theme in order to establish cultural identity and to negotiate stronger positions in the relationships of social power. Probing the social environment of artists and their patrons, I demonstrate how distinct types of Orchid Pavilion imagery were invented and reinvented to advance different political agendas. The legendary gathering at the Orchid Pavilion in China took place in 353 CE, when Wang Xizhi invited forty-one scholars to participate in an annual Spring Purification Festival. At this event, Wang Xizhi improvised a short text that has come to be known as the Preface to the Orchid Pavilion Gathering. In Japan, while the practice of the ritual gathering and the text describing it were introduced in the Nara period, its pictorial representation in the format of a stone rubbing was not imported until the early seventeenth century. -
Houses and Gardens of Kyoto
houseskyoto and gardens of Photography by Akihiko Seki Text by Thomas Daniell Tuttle Publishing Tokyo • Rutland, Vermont • Singapore 2 houses and gardens of kyoto HGK_0Prelims_5.1z.indd 2-3 3/9/10 12:40:30 PM Published by Tuttle Publishing, an imprint of Periplus AUTHOR’S NOTE Editions (HK) Ltd., with editorial offi ces at 364 Innovation All Japanese names are given in Drive, North Clarendon, Vermont 05759 USA and 61 Tai the traditional order, with the Seng Avenue, #02-12, Singapore 534167 family name fi rst. As is Text copyright © 2010 Th omas Daniell customary, famous cultural Photographs copyright © 2010 Akihiko Seki fi gures are referred to by their All photographs by Akihiko Seki except given name, not their family Page 55—photo from istockphoto name. Traditional Japanese Photo on page 10 by courtesy of Urasenke/Tanko-sha. architecture is subject to an ongoing process of addition and All rights reserved. No part of this publication may be alteration, and it is oft en reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, impossible to defi nitively state recording, or by any information storage and retrieval when a particular building was system, without prior written permission from the completed. Many dates (birth, publisher. deaths, constructions, ISBN: 978-4-8053-1091-5 demolitions, and so on) are still debated among historians. In Distributed by each case, I have taken the most North America, Latin America & Europe commonly accepted date, or Tuttle Publishing that provided by the institution 364 Innovation Drive North Clarendon, VT 05759-9436 U.S.A. -
Diss Master Draft-Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Visual and Material Culture at Hokyoji Imperial Convent: The Significance of "Women's Art" in Early Modern Japan Permalink https://escholarship.org/uc/item/8fq6n1qb Author Yamamoto, Sharon Mitsuko Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. -
International Research Experience for Undergraduates (NSF-PIRE)
2012 NanoJapan: International Research Experience for Undergraduates (NSF-PIRE) 4 Program Overview 5 Program Administrators 6 NanoJapan Students 8 Piccell Phone Information 10 Calling Instructions & ER Phone Numbers 11 2012 Program Schedule 12 Pre-Departure Orientation 16 Travel to Japan 18 Arrival in Tokyo and Sanuki Club Map 20 Orientation Schedule 32 Tohoku Trip to Minami-Sanriku 33 Travel to Research Host Labs 35 Mid-Program Meeting 41 Return to Tokyo & U.S. 43 Re-Entry Program & RQI Symposium 45 Travel Resources and Guides 46 Sanuki Club Rules 47 Money in Japan 48 Budget Travel in Japan 52 Train Etiquette in Japan 53 Helpful Tokyo Subway Directions 54 Tokyo JR & Subway Maps 56 Directions to Elionix 60 Kyoto Walking Tours 66 Emergency & Medical Resources 67 U.S. Dept. of State Japan Country Information Sheet 81 Illness or Accident Abroad 82 Medical Care in Japan & CISI Insurance 84 Int’l SOS & U.S. Dept. of State STEP Registration 85 Disaster Preparedness for Americans in Japan 92 Calling for Help in Japan 90 Safety Post-Fukushima 96 U.S. Dept. of State Students Abroad - Safety Tips 97 U.S. Dept. of State Students Abroad - Alcohol Abroad 98 U.S. Dept. of State Students Abroad - Victim of a Crime 99 U.S. Dept. of State Students Abroad - Women Travelers 100 Japanese Language Resources 4 / Program Overview This National Science Foundation Partnerships in International Research and Education (NSF-PIRE) grant supports the expansion of a unique interdisciplinary U.S. - Japan research and educational partnership focused on terahertz (THz) dynamics in nanostructures (OISE #0968405). As the fields of science and engineering become increasing international there is a pressing need for the development of research and education programs to produce globally aware scientists and engineers. -
Tokyo National Museum
Ⅲ Activities of Each Institution Tokyo National Museum As Japan’s representative museum in the humanities field, Tokyo National Museum collects, preserves, manages, and displays cultural properties from across Japan and other Asian re- gions, while also conducting research and providing educational programs. Tokyo National Museum was established in 1872 and has the longest history among all museums in Japan. Our collection contains more than 114,000 items, including many National Treasures and Important Cul- tural Properties. We collect, preserve, restore and display tangible cultural properties from across Japan and other Asian regions. We also conduct research into these properties and promote understanding of them through educational activities. At Tohaku (our nickname for the Tokyo National Museum), April 2014 saw the opening of the Main Gate Plaza, as part of the redevelopment of the area around the museum’s main entrance. The Main Gate Plaza incorporates an information desk, ticket counters, a museum shop and a nursing room; this new fa- cility presents a warm welcome to visitors. In the regular exhibitions, Rooms 15-19 in the Honkan building have had new cases installed with special high-transmission, low-reflectance glass, which makes it possible to view the exhibits more clear- ly, creating an enhanced exhibition environment. In addition, special self-guided tours are now available using the museum’s “Tohaku Navi” guide application, along with various other new measures to help im- prove the visitor experience. Besides its exhibitions and displays, the museum also offers a wide range of different programs in- ZENIYA Masami cluding hands-on activities, guided tours, and workshops. -
The Imperial Palace Prayerwalking Guide
Imperial Palace PrayerWalk Prefectures of Japan Welcome & Prayer Why the Imperial Palace? • The Imperial Palace grounds are basically holy ground for many Japanese. • This is the home of Emperor, who is the Shinto high priest of the nation. • Located in this surrounding area is the seat of Japanese government, various government ministries, the Supreme Court, the National Theater, telecommunications centers as well as commerce, banking and media empires. In many ways, this general area is the CPU of all of Japan. • In addition, this is not just the residence of the Emperor, but embedded in the sidewalks that encircle the Imperial Place are images of each of Japan’s 47 prefectures. So, we have an opportunity to touch the face of all of Japan! Orientation to the Imperial Palace Prayer Guide • It was specially designed for this location. From Operation Japan. • Proceed in groups of 2 or 3 together, rotating turns to lead prayer. Let’s change prayer partners every 15 minutes so you can have the joy of “working out” with other team members. • I’d like to suggest that we pray out loud if you don’t already do that normally. (Why would we ask this?) • Please don’t leave the course and strike out on your own. • Please stay hydrated! • Please be sensitive to joggers/runners/cyclists: We share the sidewalks! We want to leave the fragrance of Christ, not the stench of arrogant Christians. • A few pictures are fine. Just make sure we don’t get carried away! What makes Prayerwalking in Japan so Strategic/Different/Unique? Let us just begin by stating the obvious. -
Kyoto 5 Book.Indb
208 ©Lonely Planet Publications Pty Ltd See also separate subindexes for: 5 EATING P212 6 DRINKING & NIGHTLIFE P212 3 ENTERTAINMENT P213 7 SHOPPING P213 Index 4 SLEEPING P213 ATMs 193 ceramics 170-1 A autumn-foliage viewing 4, 8, cherry-blossom viewing 4, D accommodation 15, 139-48, 11, 14, 15, 11 11, 14, 15, 21, 9 Daibutsu-den (Nara) 131 see also individual Heian-jingū 99 Daigo-ji 124 neighbourhoods Eikan-dō 96-7 Hozu-gawa 116 Hozu-gawa 116 Daikaku-ji 117 costs 140 Daimon-ji Gozan Okuribi 22 Jōjakkō-ji 116 Jikkō-in 121 language 199 Daimonji-yama 97 Kameyama-kōen 114-16 Kameyama-kōen 114-16 reservations 140 Daisen-in 72-3 Kiyomizu-dera 81, 3, 81 Kiyomizu-dera 81, 3, 81 websites 15, 140 Daitoku-ji 72 Nanzen-ji 94, 94 Kyoto Botanical activities 21-3, see also dances, geisha 19 individual activities Reikan-ji 97 Gardens 73 Kyoto Imperial Palace dangers, see safety maiko dress-ups 87 Sanzen-in 121 Park 9, 71, 9, 71 Denjirō, Ōkōchi 116 river cruises 116 Takao area 127 Maruyama-kōen 84 department stores 34, 40 tea ceremonies 108, Tenryū-ji 114 Ninna-ji 109 development 151 180-2, 180 Tōfuku-ji 76, 3, 175 Adashino Nembutsu-ji 117 Path of Philosophy 97 disabilities, travellers with 197 addresses 191 Shimbashi 87 dolls, handcrafted 172 air travel 184-5 B Tenryū-ji 114 bargaining 41 Dōtombori (Osaka) 135 airport hotels 148 children, travel with 24-5 bars 36 Downtown Kyoto 46, 54-68, airports 184-5 Chion-in 10, 82, 11, 82 bicycle travel, see cycling 54, 216-17 ambulance 191 Chisana Aibijutsukan bird-watching 75 (Miyama-chō) 138 accommodation 141, -
Sightseeing Guide 西大寺駅 Popularly Known As Nara Park, Encompasses Four World Heritage (Nara Pref
NaraCity ce) Sightseeing spots Bus Route Map ffi Nara Park 奈良公園 Kokujieitai Saidaiji eki (The Air Self- Defense Force Base) Located in the central part of Nara City, this vast green area, 航空自衛隊 Sightseeing Guide 西大寺駅 popularly known as Nara Park, encompasses four world heritage (Nara Pref. Government O From 710 to 784 the capital of Japan, Heijokyo, was located in present day Nara City. sites of UNESCO. Their origins date back to at least the 8th ) Heijo Kyuseki 寺 立博物館 福 国 century. In this park, history and nature blend in harmony. (Heijo Palace Site) 興 Hokkeji mae ( As is shown by the number of extant historical Buddhist images and buildings around 平城宮跡 前 神社・ 法華寺前 Kintetsu NaraKencho eki maeKencho HigashiHimurojinja Kokuritsuhakubutsukan Another charm of this park is deer. Approx. 1200 wild deer roam 県庁東 氷室 近鉄奈良駅 県庁 Todaiji DaibutsudenKen Shinkokaido Nara City, Japanese culture flourished here under the reign of successive emperors around freely and they are so tame that you can make friends 東大寺大仏殿 県新公会堂 and empresses during that era. Several historical sites have been registered on with them! Toshodaiji JR Nara Daibutsuden UNESCO’s World Heritage List as “Historical Monuments of Ancient Nara”. Higashiguchi Kasuga Taisha mae ★Why are there so many deer in the park? 唐招提寺東口 eki JR奈良駅 大仏殿春日大社前 Undoubtedly Nara is a treasure house of ancient history and culture set in a beautiful According to legend, when Kasuga Taisha Toshodaiji 唐招提寺 Kasuga Taisha Kasuga Taisha natural environment. Shrine was founded as a family shrine for Omote Sndo Honden the Fujiwaras, a dominant aristocrat clan 春日大社表参道 春日大社本殿 in the 8th century, they invited a mighty Wariishicho World Heritage Site World Heritage Site World Heritage Site Yakushiji 破石町 god from Kashima Shrine (in present day 薬師寺 Yakushiji 1 Takabatakecho odaiji Temple ohfukuji Temple asuga Taisha Shrine Ibaraki Prefecture). -
The Nara Period • a Permanent Capital – Nara Was Chosen in 646, but Did Not Become a Functional Capital City Until 710
From Nara Through Edo: The Rise and Fall of Warrior Government in Japanese History Mark McNally Associate Professor Department of History University of Hawaii at Manoa Periodization • Prehistory: –Jōmon 縄文 (10,000 BCE - 300 BCE) – Yayoi 弥生 (300 BCE - 300 CE) •Ancient: – Tomb (Kofun 古墳 or Yamato 大和 [300 - ca. 700]) – Asuka 飛鳥 (592 - 710) – Nara 奈良 (710 - 784) – Heian 平安 (794 - 1185) • Medieval: – Kamakura 鎌倉 (1192 - 1333) – Muromachi 室町 (1336 - 1568) • Early modern: – Azuchi-Momoyama 安土桃山 (1568 - 1603) – Edo 江戸 (1603 - 1867) • Modern: – Meiji 明治 (1868 - 1912) –Taishō大正(1912 - 1926) –Shōwa 昭和 (1926 - 1989) –Heisei 平成 (1989 - present) The Nara Period • A permanent capital – Nara was chosen in 646, but did not become a functional capital city until 710. • Proximity to major temples • Fengshui 風水 • Consolidation of imperial power – Two major impediments: the rise of the Buddhist ecclesiastical establishment; the economic autonomy of the aristocracy. • Buddhist sectarianism – The rise of the Six Schools. • Buddhism and the state – In 745, the emperor orders construction of a great temple, Tōdaiji 東大寺, giving Buddhism the status of a virtual state religion. • Japanese literature – Three major literary works were composed during the Nara period, forming the basis of classical literature: Kojiki 古事記 (712); Nihon shoki 日本書紀 (720); Man’yōshū 万葉集 (759). Tōdaiji Heijō Palace 平城宮 Suiko 推古天皇 Kōgyoku 皇極天皇 Jitō持統 天皇 Gemmei 元明天皇 Genshō 元正天皇 Kōken Shōtoku 孝謙称徳天皇 Kammu 桓武天皇 The Heian Period • Moving the capital – Emperor Kammu 桓武天皇 (737 - 806) and the assertion of imperial authority – Nagaoka-kyō長岡京(784) –Heian-kyō平安京(794) • The Fujiwara Regency (970 - 1070) • The rise of the samurai – Pre-Heian warriors – The Minamoto 源氏 and Taira 平家 clans. -
Imperial Palace Tokyo
セクション名 ページ名 セクション全体 トップページのみ サブページのみ 月間平均PV カテゴリ 月間平均PV カテゴリ 月間平均PV カテゴリ 東京トップ Tokyo 117,181 9 東京:1 Tokyo 282,500 12 117,181 9 165,319 11 千代田・ Tokyo: Akihabara 中央エリア Tokyo: Tsukiji Tokyo: Imperial Palace Tokyo: Ginza Tokyo: East Gardens Tokyo: Marunouchi Tokyo: Yurakucho Tokyo: Central Tokyo Tokyo: Nihonbashi Tokyo: Tsukishima Tokyo: Kanda Tokyo Itinerary: Ginza 東京:2 Tokyo 216,099 12 117,181 9 98,918 8 港・恵比寿 Tokyo: Odaiba お台場・ Tokyo: Tokyo Tower 品川エリア Tokyo: Roppongi Roppongi Hills AnimeJapan Tokyo: Hama Rikyu Tokyo: Shinagawa Tokyo: Sengakuji Tokyo: Shiodome Tokyo: Yebisu Garden Place Tokyo: Zojoji Tokyo: Southern Tokyo Tokyo Motor Show Tokyo Midtown Tokyo Itinerary: Odaiba Tokyo: Akasaka Sacas Tokyo: Toyosu Tokyo: Kyu Shiba Rikyu Garden 東京:3 Tokyo 192,928 12 117,181 9 71,288 7 渋谷・原宿 Tokyo: Harajuku エリア Tokyo: Shibuya Tokyo: Meiji Shrine Tokyo: Yoyogi Koen Tokyo: NHK Studiopark Tokyo: Institute for Nature Study 東京:4 Tokyo 228,480 12 117,181 9 111,229 9 新宿・池袋 Tokyo: Shinjuku 文京エリア Tokyo: Ikebukuro Tokyo: Shinjuku Gyoen Tokyo: Koishikawa Korakuen Tokyo: Ghibli Museum Tokyo: Tocho Tokyo: Tokyo Dome City Tokyo: Nakano Broadway Tokyo: Yasukuni Shrine Tokyo: Kagurazaka Tokyo Itinerary: Shinjuku Tokyo: Koishikawa Botanical Garden 東京:5 Tokyo 250,253 12 117,181 9 133,072 10 台東エリア Tokyo: Asakusa (上野・浅草) Tokyo: Sensoji Tokyo Skytree Tokyo: Ueno Park Tokyo: Ameyoko Tokyo: Rikugien Tokyo: Kappabashi Street Tokyo: Ryogoku Edo-Tokyo Museum Tokyo: Yanaka Tokyo: Northern Tokyo Tokyo: Sanja Matsuri Tokyo: Sumida Aquarium Tokyo Itinerary: Asakusa Tokyo: -
Itinerary Is Subject to Availability
Quote Date: 16 June 2017 Quote Reference: 2000975 Consultant: Samantha Hall [email protected] The Garden Trust Japan Trip Spring 2018 Price details Passengers Price Per Person 12 £4,704 13 £4,521 14 £4,365 15 £4,231 Single Supplement: £ 672.00 per person (subject to room availability) The above price is inclusive of a full time InsideJapan Tour Guide for the duration of the tour All of the accommodation included within this itinerary is subject to availability. Where hotels are not available, accommodation of a similar price and location will be used. This quote is valid at the current price for 30 days, after this period we will be happy to provide you with a re- quote based on the situation at that time. A deposit of £300 per person will be required to secure a place on this trip. Get beneath the surface www.InsideJapanTours.com 1 Part of InsideAsia Tours Ltd, an award-winning travel company offering group tours, tailored travel and cultural experiences across Japan, Vietnam, Cambodia, Laos and Burma. Itinerary in brief Location Day to Day Detail Accommodation Day 1 Kyoto Shared Shuttle Bus from Kansai Airport to Kyoto Royal Park The Kyoto. Hotel Met at Hotel by full time IJT Local Tour Leader for 14 days. Day 2 Kyoto Private minibus for Miho Museum trip Royal Park The Kyoto. Miho Museum Celebratory Dinner Day 3 Nara Private minibus for Nara sightseeing Royal Park The Kyoto. Heijo Palace (To-in Teien and Imperial Villa Garden Archaeological Garden), Isuien Garden, Todaiji Temple, Nandaimon Gate and Nara Deer Park Lunch at local restaurant Day 4 Kyoto Private minibus for Kyoto sightseeing Royal Park The Kyoto.