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H9000 Algorithms Manual, Release 1.2.1[5]

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H9000 Algorithms Manual, Release 1.2.1[5] H9000 Algorithms Manual Eventide Part #141325 Release 1.2.1[5] Aug 22, 2019 Eventide AND Harmonizer ARE REGISTERED TRADEMARKS OF Eventide Inc. COPYRIGHT 2019 Eventide Inc. I Contents IINTRODUCTION 1 The H9000 Family 3 I/O 4 KeY 5 II Algorithms 7 1 - Simple 9 2 - Artist 11 3 - Basics 17 4 - Beatcounter 22 5 - Delays 25 6 - Delays - EffECTED 31 6 - Delays EffECTED 5.1 39 7 - Delays - Loops 42 7 - Delays - Loops 5.1 47 8 - Delays - Modulated 49 8 - Delays Modulated 5.1 59 8 - Delays - Modulated 62 9 - Distortion TOOLS 65 10 - Dual Machines 68 10 - Dual Machines2 72 10 - Dual Machines3 75 11 - Dynamics 78 11 - Dynamics 5.1 83 11 - Dynamics SterEO EQ 85 12 - Equalizers 86 12 - Equalizers 5.1 90 II 12 - Equalizers DoubleP 91 13 - Film - AtmospherES 93 13 - Film - AtmospherES 5.1 96 14 - Filters 98 15 - Fix TOOLS 103 16 - FrONT Of House 105 17 - INST - Clean 109 18 - INST - Distortion 113 19 - INST - Fuzz 120 20 - INST - Polyfuzz 126 21 - INST - SurrOUND 129 22 - Manglers 134 23 - Mastering Suite 137 24 - MIDI KeYBOARD 144 26 - Mix TOOLS 147 30 - Multi EffECTS 149 30 - Multi Effects2 156 32 - ParALLEL EffECTS 159 33 - Panners 164 34 - PerCUSSION 169 35 - Phasers 174 38 - Post Suite 178 39 - Re-mix TOOLS 180 40 - ReVERBS – SterEO 5.1 185 41 - ReVERBS – 5.1 192 42 - ReVERBS - H8000 206 43 - ReVERBS - Chambers 215 44 - ReVERBS - Halls 217 45 - ReVERBS - Plates 220 46 - ReVERBS - PrEVERB 222 47 - ReVERBS - Rooms 224 48 - ReVERBS - Small 229 49 - ReVERBS - SurrOUND 233 50 - ReVERBS - Unusual 239 51 - Ring-mods 246 54 - Shifters 248 III 55 - Shifters - Diatonic 256 57 - Shifters - Unusual 261 58 - Sound EffECTS 268 59 - Spatialization 273 61 - Synthesis 275 62 - TEST TOOLS 278 63 - TEXTURES 280 64 - Utilities 285 65 - Vintage Gear 289 66 - Virtual Racks 295 66 - MIDI Virtual Racks 300 66 - MIDI Virtual Racks 2 306 67 - VOCALS 308 68 - VOCODERS 311 69 - Eventide Users 312 70 - PrOGRAMMING 315 71 - Px - CommerCE 317 72 - Px - Communication 319 73 - Px - Delays 322 74 - Px - Echoes 324 75 - Px - Entertainment 327 76 - Px - Fantasy 329 77 - Px - Gimmix 331 78 - Px - Mix TOOLS 333 79 - Px - Science Fiction 337 80 - Px - VOX 339 81 - Px - CharACTERS 342 82 - Px - Places 344 83 - Px - PrODUCTION TOOLS 346 84 - Px - Things 350 85 - Px - EnvirONMENTS 353 91 - TimeFactor 358 92 - ModFactor 367 93 - PitchFactor 376 94 - SpaceFactor 388 95 - H9 396 96 - H9000 - Vintage Emulations 403 97 - 3D TOOLS 406 IV III Supplementary Material 407 INTRODUCTION TO 5.1 ReVERBS 409 V Part I INTRODUCTION 1 The H9000 Family The MEMBERS OF THE H9000 Family EACH HAVE WELL OVER ONE THOUSAND fiVE HUNDRED algorithms, COVERING THE WHOLE RANGE OF AUDIO Effects. IN THIS manual, ALL MEMBERS OF THE H9000 Family WILL BE REFERRED TO USING THE GENERIC H9000. The BEST WAY TO QUICKLY fiND THE BEST EffECT FOR A GIVEN APPLICATION IS TO MAKE USE OF THE POWERFUL Real-time DATABASE FEATURES ON THE PROGRAM page, AS DESCRIBED IN THE SEPARATE User Manual. TO GET AN OVERVIEW, AS WELL AS A FEEL FOR THE WIDE SELECTION OF EffECTS THE H9000 Offers, A STROLL THROUGH THIS MANUAL IS Recommended. The ALGORITHMS ARE GROUPED BY BANK AND PLACED IN NUMERICAL ORder. Any NUMBERED ALGORITHM CAN BE QUICKLY FOUND BY USING ITS TOP TWO DIGITS (one DIGIT FOR A 3 DIGIT number) AS THE Bank Number. A GIVEN ALGORITHM MAY BE IDENTIfiED BY ITS NAME OR ITS number. Many ALGORITHMS ARE SUPPLIED IN SEVERAL VERSIONS WITH THE SAME NAME AND NUMBER - THEY CAN BE FURTHER DISTINGUISHED BY THE NUMBER OF CHANNELS THEY PROCESS AND THE AUDIO SAMPLE RATES THEY CAN handle. Sometimes, A NUMBER OF ALGORITHMS MAY SHARE THE SAME BASIC STRUCTURE OR algorithm. DiffERENT VERSIONS OF THIS STRUCTURE WILL BE PROvided, WITH THEIR PARAMETER VALUES CAREFULLY TUNED TO PRODUCE A DESIRED EffECT - THESE VARIANTS ARE POPULARLY KNOWN AS tweaks. 3 I/O Each ALGORITHM WILL BE LABELED EITHER 48, MEANING THAT IT CAN ONLY OPERATE UP TO 48kHz sampling, OR 96, MEANING THAT IT CAN OPERATE AT ALL THE H9000’S SUPPORTED SAMPLE Rates. A GIVEN PRESET MAY HAVE FROM 0 TO 8 INPUTS AND FROM 0 TO 8 outputs. A PRESET WITH NO INPUTS IS TYPICALLY AN OSCILLATOR OR OTHER GENERator, WHEREAS A PRESET WITH NO OUTPUTS IS USUALLY A display-only DEvice. Some UTILITY CALCULATORS HAVE NEITHER INPUTS OR OUTPUTS – THESE WILL BLOCK ANY SIGNAL ROUTED THROUGH them. 4 KeY Many PRESETS ARE flAGGED WITH RECOMMENDED SOURCE MATERIAL OR APPLICATION types: • [V] VOCAL • [G] Guitar • [D] Drums • [B] Bass • [H] BrASS • [S] SurrOUND • [P] SpokEN VOICE • [R] Strings • [K] KeYBOARD • [X] Special EffECTS The H9000 OffERS THE FOLLOWING EffECT TYPES - ANY GIVEN PRESET MAY HAVE A COMBINATION OF SOME OR ALL OF them: • {P} Pitch: Eventide INVENTED THE CONCEPT OF THE PITCH SHIFTING EffECT AND IS THE LEADER IN THE field. The PITCH SHIFTERS OffERED INCLUDE Diatonic shifters, WHICH SHIFT BY A MUSICAL INTERVAL WITHIN A SPECIfiED KEY AND Ultrashifter, A formant-corrECTED VOCAL shifter. TherE ARE ALSO ReVERSE AND Custom Scales shifters, AS WELL AS THE MORE FAMILIAR ChrOMATIC VARIETY. • {R} Reverb: A REVERB MAY RANGE FROM AN EMULATION OF A SPRING LINE TO A GRAND canyon. • {D} Delay: Digital DELAYS RANGING FROM A FEW SAMPLES UP TO SEVERAL MINUTES AT 48kHz sampling. • {E} EQ: The EQUALIZATION OffERED BY THE H8000 RANGES FROM SIMPLE “HIGH CUT” TONE CONTROLS TO 32 BAND multi-channel PARAMETRIC equalizers. • {M} Modulation: The WAY A PARAMETER OF THE EffECT MAY BE CONTROLLED OR SWEPT BY A SLOw-running OSCILLATOR OR OTHER SIGNAL SOURce. This ALLOWS A RANGE OF EffECTS INCLUDING auto-panners, TREMOLOS AND VIBRatos, AS WELL AS flANGERS AND PHASERS WHEN MODULATION IS APPLIED TO DELAY OR fiLTER elements. • {Y} Dynamics: A GENERAL TERM DESCRIBING A RANGE OF amplitude-sensitive Effects, COVERING THE fiELD FROM COMPRESSORS TO ENVELOPE FOLLOwers. • {N} Enhancer: Add air, shine, sparkle, thickness, width. Our “SOUND BETTER” BOXes. • {Z} Distortion: IMPART GENTLE TUBE WARMTH OR SHRED THROUGH A DYING POWER SUPPLY. Up TO you. • {U} Utilities: Simple, Effective. 5 H9000 Algorithms Manual, Release 1.2.1[5] • {O} Other: Hybrid AND OTHERWISE HARD TO CATEGORIZE Effects. 6 Chapter 3. KeY Part II Algorithms 7 1 - Simple List OF BANKS AND ALSO BASIC Mute, Thru AND Oscillator PResets. #11 Mute Nothing in, NOTHING out. EffECT TYPE Suggested Use Max Sample Rate In/Out {U} ~ 96kHz 4, 4 #12 Thru The PRESET’S INPUT IS ELECTRONICALLY CONNECTED TO THE output. Octal in, OCTAL out. EffECT TYPE Suggested Use Max Sample Rate In/Out {U} ~ 96kHz 8, 8 #13 Oscillator (440) General-purpose oscillator. On LOADING IT IS SET TO A 440 Hz SINE WAVE FOR tuning. Lfo (fm) ALLOWS ADDITION OF AN OffSET AND modulation. Output WILL CLIPABOVE +12dB. Aliasing WILL BE AUDIBLE ON TRIANGULAR AND SQUARE WAVES AT HIGHER FRequencies. Nothing in, MONO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {U} ~ 96kHz 2, 8 #14 Note Oscillator A FEW HELPFUL conversions. No NEED TO RUN FOR THE calculator. Nothing in, NOTHING out. 9 H9000 Algorithms Manual, Release 1.2.1[5] EffECT TYPE Suggested Use Max Sample Rate In/Out {U} ~ 96kHz 4, 4 10 Chapter 4. 1 - Simple 2 - Artist This BANK INCLUDES SOME OF THE CLASSIC PRESETS WRITTEN BY AND FOR artists, USING Eventide EffECTS units. #210 Amp-u-lation TUBE POWER amp/speakER emulation. This LITTLE GUY CAN REALLY DO THE TRICK OF CLEANING UP HARSH FUZZ OR TO FEED A P.A. SterEO in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {F}{C}{O} [G] 96kHz 2, 2 #211 AMS DMX Guitar AMS EMULATION WITH PARAMETERS SET FOR ‘THICKENING’ Effect. SterEO in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {D}{P} [G] 96kHz 2, 2 #212 AMS Lucky Man Vintage AMS TYPE PITCH AND DELAY. TWEAKED FOR THE VOCAL performance. SterEO in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {D}{P} [G][V] 96kHz 2, 2 #213 BackwardGarden3 ReVERSE ‘TYPE’ SOUND VIA MULTITAP AND verb. Nice ATMOSPHERe. Summed in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {D}{R}{O} [R] 96kHz 2, 2 11 H9000 Algorithms Manual, Release 1.2.1[5] #214 BadBadThing Vintage PREAMP >trem>delay>diffUSE verb. Summed in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {C}{Y}{R}{S} [G] 96kHz 2, 2 #215 Big Muff W/ Dead 9v As USED BY S.Vai. This PRESET HAS BEEN MODIfiED WITH AN ATTENUATION SO THAT SPEAKERS AND EARS ARE safe. TO GET THE ORIGINAL QUALITY OF SOUND WITH ALL THE GURgles, TURN DOWN YOUR LISTENING AMP WAY DOWN !!! AND PUT THE ‘ATTEN’ PARAMETER ALL THE WAY up. This IS ADC CONVERTER Overload. Sounds LIKE ITS TIME TO CHANGE THAT 9-volt BATTERY IN YOUR DISTORTION pedal. Distortion AND EQ. Mono in, MONO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {Z} [G] 96kHz 2, 2 #216 Enhancer As USED BY Mr.Satriani. SloW chorus-likE ROTATION AND TIGHT REVERB Effect. Full AND warm. A VERY SMOOTH AND RICH SHIMMER IS ADDED TO YOUR sound. This WILL NOT GET IN YOUR WAY AND ADDS A lot. Summed in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {N}{R} [G] 96kHz 2, 2 #217 GarDEN Halo ReVERSE ‘TYPE’ SOUND VIA MULTITAP AND verb. Nice ATMOSPHERe. Summed in, STEREO out. EffECT TYPE Suggested Use Max Sample Rate In/Out {D}{R} [R] 96kHz 2, 2 #218 GorGEOUS Delay WARM ECHOES PROVIDED BY LOWPASS filters.
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