User Manual M32 User Manual

Total Page:16

File Type:pdf, Size:1020Kb

User Manual M32 User Manual User Manual M32 Digital Console for Live and Studio with 40 Input Channels, 32 MIDAS Microphone Preamplifiers and 25 Mix Buses 2 M32 User Manual Table of Contents Precautions ..................................................................... 4 Introduction.................................................................... 5 1. Control Surface .......................................................... 6 1.1 Channel Strip - Input Channels ...................................... 6 1.2 Channel Strip - Group/Bus Channels ........................... 7 1.3 Config/Preamp .................................................................... 8 1.4 Gate .......................................................................................... 8 1.5 Dynamics ............................................................................... 9 1.6 Equaliser ................................................................................. 9 1.7 Bus Sends ............................................................................. 10 1.8 Main Bus ............................................................................... 11 1.9 RECORDER ........................................................................... 11 1.10 Main Display (Summary) .............................................. 12 1.11 Monitor ............................................................................... 13 1.12 Talkback .............................................................................. 15 1.13 Show Control .................................................................... 16 1.14 Assign .................................................................................. 18 1.15 Mute Groups ................................................................... 19 2. Main Display ............................................................20 2.1 Main Display - Top Section ............................................20 2.2 Meters ...................................................................................24 2.3 Routing .................................................................................25 2.4 Setup .....................................................................................28 2.5 Library ................................................................................... 31 2.6 Effects ...................................................................................32 2.7 Mute Group ........................................................................33 2.8 Utility .....................................................................................33 2.9 Internal Effects ...................................................................34 3. Rear Panel.................................................................44 3.1 MONITOR / CONTROL ROOM OUT .............................44 3.2 AC / POWER ........................................................................44 3.3 XLR OUT 1-16 ......................................................................44 3.4 XLR IN 1-32 ..........................................................................44 3.5 KLARK TEKNIK DN32-USB ..............................................44 3.6 REMOTE CONTROL ...........................................................44 3.7 MIDI .......................................................................................45 3.8 AES / EBU OUT ...................................................................45 3.9 ULTRANET ............................................................................45 3.10 AES50 ..................................................................................45 3.11 AUX IN / OUT.....................................................................45 4. Appendices ..............................................................46 4.1 Appendix A: Technical Specifications ........................46 4.2 Appendix B: MIDI Operation ........................................48 4.3 Appendix C: Dimensions ...............................................50 4.4 Appendix D: Block Diagram ..........................................52 4.5 Appendix E: Service Information ................................53 4.6 Appendix F: Glossary .......................................................54 3 M32 User Manual Important Safety 9. Do not defeat the safety purpose of the polarized 20. Please keep the environmental aspects of battery Instructions or grounding-type plug. A polarized plug has two blades disposal in mind. Batteries must be disposed-of at a with one wider than the other. A grounding-type plug battery collection point. has two blades and a third grounding prong. The wide 21. Use this apparatus in tropical and/or blade or the third prong are provided for your safety. If the moderate climates. provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or LEGAL DISCLAIMER pinched particularly at plugs, convenience receptacles, Terminals marked with this symbol carry Music Tribe accepts no liability for any loss which and the point where they exit from the apparatus. electrical current of sufficient magnitude may be suffered by any person who relies either to constitute risk of electric shock. 11. Use only attachments/accessories specified by wholly or in part upon any description, photograph, Use only high-quality professional speaker cables with the manufacturer. or statement contained herein. Technical specifications, appearances and other information are subject to ¼" TS or twist-locking plugs pre-installed. All other 12. Use only with the change without notice. All trademarks are the property installation or modification should be performed only cart, stand, tripod, bracket, of their respective owners. Midas, Klark Teknik, by qualified personnel. or table specified by the Lab Gruppen, Lake, Tannoy, Turbosound, TC Electronic, manufacturer, or sold with This symbol, wherever it appears, TC Helicon, Behringer, Bugera and Coolaudio are the apparatus. When a cart alerts you to the presence of uninsulated trademarks or registered trademarks of Music Tribe is used, use caution when dangerous voltage inside the Global Brands Ltd. © Music Tribe Global Brands Ltd. moving the cart/apparatus enclosure - voltage that may be sufficient to constitute a 2018 All rights reserved. risk of shock. combination to avoid injury from tip-over. This symbol, wherever it appears, 13. Unplug this apparatus during lightning storms or alerts you to important operating and LIMITED WARRANTY when unused for long periods of time. maintenance instructions in the For the applicable warranty terms and conditions accompanying literature. Please read the manual. 14. Refer all servicing to qualified service personnel. and additional information regarding Music Tribe’s Servicing is required when the apparatus has been Limited Warranty, please see complete details online at Caution damaged in any way, such as power supply cord or plug musictribe.com/warranty. To reduce the risk of electric shock, do not is damaged, liquid has been spilled or objects have fallen remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has qualified personnel. been dropped. Caution 15. The apparatus shall be connected to a MAINS socket To reduce the risk of fire or electric shock, outlet with a protective earthing connection. do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall or splashing liquids and no objects filled with liquids, remain readily operable. such as vases, shall be placed on the apparatus. 17. Correct disposal of this Caution product: This symbol indicates that These service instructions are for use this product must not be disposed by qualified service personnel only. of with household waste, To reduce the risk of electric shock do not perform any according to the WEEE Directive servicing other than that contained in the operation (2012/19/EU) and your national instructions. Repairs have to be performed by qualified law. This product should be taken service personnel. to a collection center licensed for the recycling of waste electrical and electronic equipment (EEE). The 1. Read these instructions. mishandling of this type of waste could have a possible 2. Keep these instructions. negative impact on the environment and human health 3. Heed all warnings. due to potentially hazardous substances that are generally 4. Follow all instructions. associated with EEE. At the same time, your cooperation in the correct disposal of this product will contribute to 5. Do not use this apparatus near water. the efficient use of natural resources. For more 6. Clean only with dry cloth. information about where you can take your waste 7. Do not block any ventilation openings. Install in equipment for recycling, please contact your local city accordance with the manufacturer’s instructions. office, or your household waste collection service. 8. Do not install near any heat sources such as 18. Do not install in a confined space, such as a book radiators, heat registers, stoves, or other apparatus case or similar unit. (including amplifiers) that produce heat. 19. Do not place naked flame sources, such as lighted candles, on the apparatus. 4 M32 User Manual Precautions Before installing, setting up
Recommended publications
  • Preferred Levels for Background Ducking to Produce Esthetically Pleasing Audio for TV with Clear Speech” J
    PAPERS M. Torcoli, A. Freke-Morin, J. Paulus, C. Simon, and B. Shirley, “Preferred Levels for Background Ducking to Produce Esthetically Pleasing Audio for TV with Clear Speech” J. Audio Eng. Soc., vol. 67, no. 12, pp. 1003–1011, (2019 December.). DOI: https://doi.org/10.17743/jaes.2019.0052 Preferred Levels for Background Ducking to Produce Esthetically Pleasing Audio for TV with Clear Speech , MATTEO TORCOLI,1 AES Member, ALEX FREKE-MORIN,1 2 AES Associate Member, ([email protected]) ([email protected]) , JOUNI PAULUS1 3, CHRISTIAN SIMON,1 AES Associate Member, AND ([email protected]) ([email protected]) BEN SHIRLEY,2 AES Member ([email protected]) 1Fraunhofer Institute for Integrated Circuits IIS, Erlangen, Germany 2Acoustics Research Centre, University of Salford, UK 3International Audio Laboratories Erlangen, Germany, A joint institution of Universitat¨ Erlangen-Nurnberg¨ and Fraunhofer IIS. In audio production, background ducking facilitates speech intelligibility while allowing the background to fulfill its purpose, e.g., to create ambience, set the mood, or convey seman- tic cues. Technical details for recommended ducking practices are not currently documented in the literature. Hence, we first analyzed common practices found in TV documentaries. Second, a listening test investigated the preferences of 22 normal-hearing participants on the Loudness Difference (LD) between commentary and background during ducking. Highly personal preferences were observed, highlighting the importance of object-based personaliza- tion. Statistically significant difference was found between non-expert and expert listeners. On average, non-experts preferred LDs that were 4 LU higher than the ones preferred by experts.
    [Show full text]
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Metaflanger Table of Contents
    MetaFlanger Table of Contents Chapter 1 Introduction 2 Chapter 2 Quick Start 3 Flanger effects 5 Chorus effects 5 Producing a phaser effect 5 Chapter 3 More About Flanging 7 Chapter 4 Controls & Displa ys 11 Section 1: Mix, Feedback and Filter controls 11 Section 2: Delay, Rate and Depth controls 14 Section 3: Waveform, Modulation Display and Stereo controls 16 Section 4: Output level 18 Chapter 5 Frequently Asked Questions 19 Chapter 6 Block Diagram 20 Chapter 7.........................................................Tempo Sync in V5.0.............22 MetaFlanger Manual 1 Chapter 1 - Introduction Thanks for buying Waves processors. MetaFlanger is an audio plug-in that can be used to produce a variety of classic tape flanging, vintage phas- er emulation, chorusing, and some unexpected effects. It can emulate traditional analog flangers,fill out a simple sound, create intricate harmonic textures and even generate small rough reverbs and effects. The following pages explain how to use MetaFlanger. MetaFlanger’s Graphic Interface 2 MetaFlanger Manual Chapter 2 - Quick Start For mixing, you can use MetaFlanger as a direct insert and control the amount of flanging with the Mix control. Some applications also offer sends and returns; either way works quite well. 1 When you insert MetaFlanger, it will open with the default settings (click on the Reset button to reload these!). These settings produce a basic classic flanging effect that’s easily tweaked. 2 Preview your audio signal by clicking the Preview button. If you are using a real-time system (such as TDM, VST, or MAS), press ‘play’. You’ll hear the flanged signal.
    [Show full text]
  • Neural Modelling of Periodically Modulated Time-Varying Effects
    Proceedings of the 23rd International Conference on Digital Audio Effects (DAFx2020),(DAFx-20), Vienna, Vienna, Austria, Austria, September September 8–12, 2020-21 2020 NEURAL MODELLING OF PERIODICALLY MODULATED TIME-VARYING EFFECTS Alec Wright and Vesa Välimäki ∗ Acoustics Lab, Dept. of Signal Processing and Acoustics Aalto University Espoo, Finland [email protected] ABSTRACT In recent years, numerous studies on virtual analog modelling of guitar amplifiers [11, 12, 13, 14, 4, 15] and other nonlinear sys- This paper proposes a grey-box neural network based approach tems [16, 17] using neural networks have been published. Neural to modelling LFO modulated time-varying effects. The neural network modelling of time-varying audio effects has received less network model receives both the unprocessed audio, as well as attention, with the first publications being published over the past the LFO signal, as input. This allows complete control over the year [18, 3]. Whilst Martínez et al. report that accurate emulations model’s LFO frequency and shape. The neural networks are trained of several time-varying effects were achieved, the model utilises using guitar audio, which has to be processed by the target effect bi-directional Long Short Term Memory (LSTM) and is therefore and also annotated with the predicted LFO signal before training. non-causal and unsuitable for real-time applications. A measurement signal based on regularly spaced chirps was used In this paper we present a general approach for real-time mod- to accurately predict the LFO signal. The model architecture has elling of audio effects with parameters that are modulated by a been previously shown to be capable of running in real-time on a Low Frequency Oscillator (LFO) signal.
    [Show full text]
  • Metaflanger User Manual
    MetaFlanger Table of Contents Chapter 1 Introduction 2 Chapter 2 Quick Start 3 Flanger effects 5 Chorus effects 5 Producing a phaser effect 5 Chapter 3 More About Flanging 7 Chapter 4 Controls & Displa ys 11 Section 1: Mix, Feedback and Filter controls 11 Section 2: Delay, Rate and Depth controls 14 Section 3: Waveform, Modulation Display and Stereo controls 16 Section 4: Output level 18 Section 5: WaveSystem Toolbar 18 Chapter 5 Frequently Asked Questions 19 Chapter 6 Block Diagram 20 Chapter 7.........................................................Tempo Sync in V5.0.............22 MetaFlanger Manual 1 Chapter 1 - Introduction Thanks for buying Waves processors. Thank you for choosing Waves! In order to get the most out of your new Waves plugin, please take a moment to read this user guide. To install software and manage your licenses, you need to have a free Waves account. Sign up at www.waves.com. With a Waves account you can keep track of your products, renew your Waves Update Plan, participate in bonus programs, and keep up to date with important information. We suggest that you become familiar with the Waves Support pages: www.waves.com/support. There are technical articles about installation, troubleshooting, specifications, and more. Plus, you’ll find company contact information and Waves Support news. The following pages explain how to use MetaFlanger. MetaFlanger’s Graphic Interface 2 MetaFlanger Manual Chapter 2 - Quick Start For mixing, you can use MetaFlanger as a direct insert and control the amount of flanging with the Mix control. Some applications also offer sends and returns; either way works quite well.
    [Show full text]
  • 506 Operation Manual
    Operation Manual Thank you for selecting the ZOOM 506 (hereafter simply called the "506"). Please take the time to read this manual carefully so as to get the most out of your 506 and to ensure optimum performance and reliability. Retain this manual for future reference. ZOOM CORPORATION NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183, Japan PHONE: 0423-69-7111 FAX: 0423-69-7115 Printed in Japan 506-5000 1 Major Features • 24 individual built-in effects provide maximum flexibility. Up to 8 effects can be used simultaneously in any combination. • Memory capacity for up to 24 user-programmable patches. • Integrated auto-chromatic bass guitar tuner for simple and precise tuning anywhere. • Optional foot controller FP01 can be used for pedal wah or pedal pitch, and volume control is also possible. • Optional foot switch FS01 can be used for bank switching, resulting in enhanced playability. • Dual power supply principle allows the unit to be powered from an alkaline battery or an AC adapter. • New DSP (digital signal processor) ZFx-2 developed by Zoom produces high-quality effects from an amazingly compact package. 2 Safety Precautions USAGE AND SAFETY PRECAUTIONS Usage precautions In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The Electrical interference meanings of these symbols are as follows: This symbol indicates explanations about extremely For safety considerations, the 506 has been designed to provide dangerous matters. If users ignore this symbol and maximum protection against the emission of electromagnetic !� handle the device the wrong way, serious injury or radiation from inside the device, and from external death could result.
    [Show full text]
  • Ministudio PERSONAL US-32
    D01288520D MiNiSTUDIO PERSONAL US-32 OWNER'S MANUAL IMPORTANT SAFETY PRECAUTIONS This product complies with the European Directives request and the For U.S.A. other Commission Regulations. INFORMATION TO THE USER This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful inter- ference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following Nameplate measures. a) Reorient or relocate the receiving antenna. b) Increase the separation between the equipment and receiver. c) Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. IMPORTANT SAFETY INSTRUCTIONS d) Consult the dealer or an experienced radio/TV 1 Read these instructions. technician for help. 2 Keep these instructions. CAUTION 3 Heed all warnings. Changes or modifications to this equipment not 4 Follow all instructions. expressly approved by TEAC CORPORATION for 5 Do not use this apparatus near water. compliance could void the user’s authority to operate 6 Clean only with dry cloth.
    [Show full text]
  • Contents About the Author
    2 THE SERIOUS GUITARIST | EsseNtiaL BOOK OF Gear CONTENTS About the Author ..................................................... 3 2000 and Beyond ............................................38 Part 3: The Technical Stuff ..................................82 Introduction .............................................................. 4 Amp Modeling ...............................................39 The Science of Sound .....................................82 Guitar Apps ...................................................39 Vibrations........................................................82 Part 1: The History of Guitar Gear ...................... 5 8- and 9-String Guitars ...............................39 Amplitude and Types of Waves .................82 The1930s ............................................................. 5 Guitar-Based Video Games ......................40 Overtones (Harmonics) ..............................82 The First Electric Guitars .............................. 5 Look, Ma, No Amp! ......................................40 Modulation .....................................................83 The First Amplifiers ........................................ 6 Fractal Audio Systems Axe-FX II ..............40 The Order of Effects ....................................83 Early 7-String Guitar ...................................... 8 Looking Ahead ..............................................41 Understanding Guitar Amps ..........................84 Early Talk Box .................................................. 8 Tube Amps .....................................................84
    [Show full text]
  • Frequently Asked Questions Dolby Digital Plus
    Frequently Asked Questions Dolby® Digital Plus redefines the home theater surround experience for new formats like high-definition video discs. What is Dolby Digital Plus? Dolby® Digital Plus is Dolby’s new-generation multichannel audio technology developed to enhance the premium experience of high-definition media. Built on industry-standard Dolby Digital technology, Dolby Digital Plus as implemented in Blu-ray Disc™ features more channels, less compression, and higher data rates for a warmer, richer, more compelling audio experience than you get from standard-definition DVDs. What other applications are there for Dolby Digital Plus? The advanced spectral coding efficiencies of Dolby Digital Plus enable content producers to deliver high-resolution multichannel soundtracks at lower bit rates than with Dolby Digital. This makes it ideal for emerging bandwidth-critical applications including cable, IPTV, IP streaming, and satellite (DBS) and terrestrial broadcast. Dolby Digital Plus is also a preferred medium for delivering BonusView (Profile 1.1) and BD-Live™ (Profile 2.0) interactive audio content on Blu-ray Disc. Delivering higher quality and more channels at higher bit rates, plus greater efficiency at lower bit rates, Dolby Digital Plus has the flexibility to fulfill the needs of new content delivery formats for years to come. Is Dolby Digital Plus content backward-compatible? Because Dolby Digital Plus is built on core Dolby Digital technologies, content that is encoded with Dolby Digital Plus is fully compatible with the millions of existing home theaters and playback systems worldwide equipped for Dolby Digital playback. Dolby Digital Plus soundtracks are easily converted to a 640 kbps Dolby Digital signal without decoding and reencoding, for output via S/PDIF.
    [Show full text]
  • User Guide Multi Processor FX
    MPX 1 Multi Processor FX User Guide Unpacking and Inspection After unpacking the MPX 1, save all packing materials in case you ever need to ship the unit. Thoroughly inspect the unit and packing materials for signs of damage. Report any shipment damage to the carrier at once; report equipment malfunction to your dealer. Precautions Save these instructions for later use. Follow all instructions and warnings marked on the unit. Always use with the correct line voltage. Refer to the manufacturer's operating instructions for power requirements. Be advised that different operating voltages may require the use of a different line cord and/or attachment plug. Do not install the unit in an unventilated rack, or directly above heat producing equipment such as power amplifiers. Observe the maximum ambient operating temperature listed in the product specification. Slots and openings on the case are provided for ventilation; to ensure reliable operation and prevent it from overheating, these openings must not be blocked or covered. Never push objects of any kind through any of the ventilation slots. Never spill a liquid of any kind on the unit. This product is equipped with a 3-wire grounding type plug. This is a safety feature and should not be defeated. Never attach audio power amplifier outputs directly to any of the unit's connectors. To prevent shock or fire hazard, do not expose the unit to rain or moisture, or operate it where it will be exposed to water. Do not attempt to operate the unit if it has been dropped, damaged, exposed to liquids, or if it exhibits a distinct change in performance indicating the need for service.
    [Show full text]
  • Products of Interest
    Products of Interest Neat Microphones Bee Range 134 dB (at 2.5K ohms) and a maxi- and the Bumblebee for US$ 199. mum SPL of 140 dB (at 2.5K ohms and Contact: Neat Microphones; Web The new Bee range from Neat Mi- 0.5 percent total harmonic distortion neatmic.com. crophones includes condenser mi- [THD]). The signal-to-noise ratio is crophones with large and medium 89 dB (A weighted). It measures 216 × diaphragms, as well as a desktop USB 76 mm and weighs 785 g. Shure MOTIV Microphone Range microphone. The King Bee is a large The Worker Bee is a similar but diaphragm condenser microphone lower cost microphone with a smaller Shure has released a new range of digi- with Class A discrete electronics, 25-mm capsule. It offers the user tal microphones that connect directly designed for high-sensitivity and a frequency response of 20 Hz to to computers, laptops, and iOS de- low-noise recording (see Figure 1). It 20 kHz. The dynamic range and SPL vices (see Figure 2). Among this range features a 34-mm center-terminated, are slightly higher at 135.5 dB and is the MV88, a digital stereo con- gold-sputtered condenser capsule 145 dB, respectively. The signal-to- denser microphone for iOS devices, with external polarization. The polar noise ratio for this microphone is which connects directly using the pattern is cardioid. The microphone 79 dB (A weighted). It measures 152 × Lightning connector. It is mounted offers a frequency response of 16 Hz 76 mm and weighs 446 g.
    [Show full text]
  • LINE 6 HELIX AMP MODELS Amp Models That Helix Will Be Shipped With
    LINE 6 HELIX AMP MODELS Amp models that helix will be shipped with T his list contains all amp models that helix will contain when it is shipped. The right column shows the real amps they are based on. Guitar Amps Model Based on WhoWattlOO Hiwatt® DR-103 Brill Soup Pro Supra® S6616 Stone Age 185 Gibson® EH-185 Tweed Blues Nm1 Fender® Bassman® (nonnal channel) Tweed Blues Brt Fender® Bassman® (bright channel) US Small Tweed Fender® Champ US Deluxe Nrm Fender® Deluxe Reverb® (normal channel) US Deluxe Vib Fender® Deluxe Reverb® (vibrato channel) US Double Nm1 Fender® Twin Reverb® (normal channel) US Double Vib Fender® Twin Reverb® (vibrato channel) Mail Order Twin Silvertone® 1484 Divided Duo +13 JRT 9/15 Interstate Zed Dr z® Route 66 Jazz Rivet 120 Roland® JC-120 Jazz Chorus EssexA-15 Vox®AC-15 EssexA-30 Vox® AC-30 with top boost A-30 Fawn Nrm Vox® AC-30 Fawn (normal channel) A-30 Fawn Brt Vox® AC-30 Fawn (bright channel) ™ Mandarin So Orange ORSO Brit J-45 Nrm Marshall® JTM-45 (normal channel) Brit J-45 Brt Marshall® JTM-45 (bright channel) Brit Plexi Nrm Marshall® Super Lead 100 (normal channel) Brit Plexi Brt Marshall® Super Lead 100 (bright channel) Brit Plexi Jump Marshall® Super Lead 100 (jumped) Brit P-75 Nrm Park® 75 (nonnal channel) Brit P-75 Brt Park® 75 (bright channel) Brit2204 Marshall® JCM-800 German Mahadeva Bogner® Shiva® German Ubersonic Bogner® Oberschall® Cali Rectifire MESA/Boogie® Dual Rectifier® ANGLMeteor ENGL® Fireball 100 Solo Lead Clean Soldano® SL0-100 (clean channel) Solo Lead Crunch Soldano® SL0-100 (crunch
    [Show full text]