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Steve Jackson Games Contents Introduction
Want to create a superhero? A wuxia fighter? An earth-shattering psi? A wizard or shaman with abilities beyond spells and rituals? A god? With the GURPS Basic Set and Powers, you have POWERS everything you need to create superhuman heroes: 5 Case-by-case advice on how to turn over 100 advantages from the Basic Set into superhuman abilities – with new modifiers, variant traits, optional rules, and plenty of examples. 5 Five flexible new advantages: Control, Create, Illusion, Leech, and Static. 5 Dozens of new enhancements and limitations to fine-tune your abilities. 5 Energy Reserves to fuel abilities, “alternative abilities” that don’t all work at once, and ways to substitute abilities you have for those you don’t. 5 Hundreds of sample abilities – energy blasts, curses, defenses, mental gifts, and more. 5 Rules for powers – groups of abilities linked by origin – with over 40 ready-to-use examples. 5 Guidelines on biological, chi, divine, elemental, magical, moral, nature, psionic, spirit, and super powers – even godlike cosmic powers – and their interactions. 5 Advice to GMs on how to keep it fun and prevent high-powered heroes from taking over! GURPS Powers requires the GURPS Basic Set, Fourth Edition, and replaces the Third Edition books GURPS Supers and GURPS Psionics. The advice on abilities and powers can be used with any game that features superhuman characters. By Sean Punch and Phil Masters Edited by Andrew Hackard Cover Art by Romas Kukalis, Bob Stevlic, Eva Widermann, and John Zeleznik Illustrated by Abrar Ajmal, Alex Fernandez, -
The Wild Child: Children Are Freaks in Antebellum Novels
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 The Wild Child: Children are Freaks in Antebellum Novels Heathe Bernadette Heim Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1711 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 Heim ii Heim © 2013 HEATHER BERNADETTE HEIM All Rights Reserved iii Heim This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Hildegard Hoeller_______________________ __________ ______________________________________ Date Chair of Examining Committee Mario DiGangi__________________________ ___________ ______________________________________ Date Executive Officer Hildegard Hoeller______________________________ William P. Kelly_______________________________ Marc Dolan___________________________________ Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv Heim Abstract The Wild Child: Children are Freaks in Antebellum Novels by Heather Bernadette Heim Advisor: Professor Hildegard Hoeller This dissertation investigates the spectacle of antebellum freak shows and focuses on how Phineas Taylor Barnum’s influence permeates five antebellum novels. The study concerns itself with wild children staged as freaks in Margaret by Sylvester Judd, City Crimes by George Thompson, The Scarlet Letter by Nathaniel Hawthorne, Uncle Tom’s Cabin by Harriet Beecher Stowe and Our Nig by Harriet Wilson. -
A Thesis Presented to the Faculty of Alfred University Clowning
A Thesis Presented to The Faculty of Alfred University Clowning as an Act of Social Critique, Subversive and Cathartic Laughter, and Compassion in the Modern Age by Danny Gray In Partial Fulfillment of the Requirements for The Alfred University Honors Program May 9th, 2016 Under the Supervision of: Chair: Stephen Crosby Committee Members: M. Nazim Kourgli David Terry “Behind clowns, sources of empathy, masters of the absurd, of humor, they who draw me into an inexplicable space-time capsule, who make my tears flow for no reason. Behind clowns, I am surprised to sense over and over again humble people, insignificant we might even say, stubbornly incapable of explaining, outside the ring, the unique magic of their art.” - Leandre Ribera “The genius of clowning is transforming the little, everyday annoyances, not only overcoming, but actually transforming them into something strange and terrific. It is the power to extract mirth for millions out of nothing and less than nothing.” - Grock 1 Contents Introduction 3 I: Defining Clown 5 II: Clowning as a Social Institution 13 III: The Development of Clown in Western Culture 21 IV: Clowns in the New Millennium 30 Conclusion 39 References 41 2 The black and white fuzz billowed across the screen as my grandmother popped in a VHS tape: Saltimbanco, a long-running Cirque du Soleil show recorded in the mid-90’s. I think she wanted to distract me for an hour while she worked on a pot of gumbo, rather than stimulate an interest in circus life. Regardless, I was well and truly engrossed in the program. -
Feral’ Humans Under the Light of the Human Self-Domestication Hypothesis
Full title: Revisiting the case for ‘feral’ humans under the light of the human self-domestication hypothesis Running title: ‘Feral’ humans, self-domestication, and language Authors: Amy Niego1 and Antonio Benítez-Burraco2 1. PhD Program, Faculty of Philology, University of Seville, Seville, Spain 2. Department of Spanish, Linguistics, and Theory of Literature (Linguistics), Faculty of Philology, University of Seville, Seville, Spain Corresponding author: Antonio Benítez Burraco Antonio Benítez Burraco orcid.org/0000-0003-4574-5666 Email: [email protected] Telephone: +34 955 420 225 Correspondence: Dr. Antonio Benítez Burraco Área de Lingüística. Departamento de Lengua Española, Lingüística y Teoría de la Literatura. Facultad de Filología. Universidad de Sevilla. C/ Palos de la Frontera s/n. 41004-Sevilla (España/Spain) 1 Acknowledgments This research was funded by the Spanish Ministry of Science and Innovation (grant PID2020- 114516GB-I00 [AEI/FEDER, UE] to ABB). Statement of Ethics The research conducted for the paper relied on previously published data by others and available datasets, hence no ethics approval was required. Disclosure Statement The authors have no conflicts of interest to declare. Author Contributions ABB and AN conceived the paper, reviewed the literature, performed the data analyses and wrote and approved the final manuscript. Data availability The data that supports the findings of this study are available in the supplementary material of this article. 2 Abstract Historically, some cases of ‘feral’ children have been reported. Contemporary descriptions generally preclude any insightful inference about the nature and the extent of the language deficits exhibited by these children, as well as the ultimate causes of their problems with language. -
GURPS Powers.Qxp
SAVE THE WORLD . OR DESTROY IT! GURPS Powers is the ultimate book for the ultimate characters in the new Fourth Edition of GURPS! Here’s everything you need to cre- ate every kind of amazing, off-the-chart super- hero you can imagine . as well as amazing wizards, wuxia fighters, shamans who com- mand spirits . even gods! Written by GURPS Line Editor and Fourth Edition co-author Sean Punch, GURPS Powers introduces some new rules, but it is mostly about using the rules that are already in the GURPS Basic Set to cover superpowered characters, megawizards, and earth-shattering psionics. GURPS Powers also includes guide- lines for “special effects” and several different ways to vary a power on the fly – two crucial concepts for comic-book superheroics. If you’ve got a high-powered campaign . or high-powered players . you want GURPS Powers! This PDF is an electronic copy of the recently released printed edition of GURPS Powers. All known errata from that edition have been corrected, as of the publication date, listed below. GURPS, Warehouse 23, and the all-seeing pyramid are registered trademarks DOWNLOAD. of Steve Jackson Games Incorporated. Pyramid, GURPS Powers, and the PRINT. names of all products published by Steve Jackson Games Incorporated are reg- PLAY. istered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. All rights reserved. GURPS Powers is copyright © 2005, 2006 by Steve Jackson Games Incorporated. The scanning, uploading, and distribution of this material via the Internet or e23 via any other means without the permission of the publisher is illegal, and pun- ishable by law. -
Automobiles Performing the Trickster in Modern and Contemporary Work by Artists
Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern and Contemporary Work by Artists from Plains Cultures By AARON MOSES Bachelor of Arts in History A&M University Corpus Christi Corpus Christi, Texas 2014 Submitted to the Faculty of the Graduate College of Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2017 NOT YOUR GRANDFATHER’S HORSE: AUTOMOBILES PERFORMING THE TRICKSTER IN MODERN AND CONTEMPORARY WORK BY ARTISTS FROM PLAINS CULTURES Thesis Approved: Dr. Louise Siddons Thesis Adviser Dr. Irene Backus Dr. Douglas Miller *--Delete this paragraph before submission—Type Committee Member names on the Approval page of the electronic copy. If Dr. is used for one name, a similar title must appear on all names. ii ACKNOWLEDGEMENTS A special thanks to Dr. Louise Siddons, Dr. Douglas Miller, and the entire Art History department of Oklahoma State University for supporting the creation of this thesis; to my father and grandfather, for inspiring my interest in automobiles at a young age; and to my Jeep, whose regular maintenance issues never ceased to promote an appreciation for the importance of mobility. iii Acknowledgements reflect the views of the author and are not endorsed by committee members or Oklahoma State University. Name: Aaron Moses Date of Degree: May, 2017 Title of Study: Not Your Grandfather’s Horse: Automobiles Performing the Trickster in Modern Modern and Contemporary Work by Artists from Plains Cultures Major Field: Art History Abstract: The automobile is a recurring motif among modern and contemporary Native American artists that has gone severely understudied. -
The Charlotte Zolotow Award Observations About Publishing in 1998
CCBC Choices Kathleen T. Horning Ginny Moore Kruse Megan Schliesman Cooperative Children's Book Center School of Education University of Wisconsin-Madison Copyright 01999, Friends of the CCBC, Inc. (ISBN 0-931641-98-5) CCBC Choices was produced by University Publications, University of Wisconsin-Madison. Cover design: Lois Ehlert For information about other CCBC publications, send a self- addressed, stamped envelope to: Cooperative Children's Book Cenrer, 4290 Helen C. White Hall, School of Education, University of Wisconsin-Madison, 600 N. Park St., Madison, WI 53706-1403 USA. Inquiries may also be made via fax (6081262-4933) or e-mail ([email protected]).See the World Wide Web (http://www.soemadison.wisc.edu/ccbc/)for information about CCBC publications and the Cooperative Children's Book Center. Contents Acknowledgments Introduction Results of the CCBC Award Discussions The Charlotte Zolotow Award Observations about Publishing in 1998 The Choices The Natural World Seasons and Celebrations Folklore, Mythology and Traditional Literature Historical People, Places and Events Biography 1 Autobiography Contemporary People, Places and Events Issues in Today's World Understanding Oneself and Others The Arts Poetry Concept Books Board Books Picture Books for Younger Children Picture Books for Older Children Easy Fiction Fiction for Children Fiction for Teenagers New Editions of Old Favorites Appendices Appendix I: How to Obtain the Books in CCBC Choices and CCBC Publications Appendix 11: The Cooperative Children's Book Center (CCBC) Appendix 111: CCBC Book Discussion Guidelines Appendix IV: The Compilers of CCBC Choices 1998 Appendix V:The Friends of the CCBC, Inc. Index CCBC Choices 1778 5 Acknowledgments Thank you to Friends of the CCBC member Tana Elias for creating the index for this edition of CCBC Choices. -
Presskit Band Info
WILD EVEL & THE TRASHBONES PRESSKIT BAND INFO Being a feral child lost in an era of music, delivering their own ideas and the drums you might be tempted to Wild Evel & the Trashbones already uninspiring music, the frontman of The ideals through tight and catchy lyrics look for the reincarnation of Keith performed at Staggers, Wild Evel, decided to team telling the conservative society, “Here Moon seated at the drum stool! The up with members of former teenbeat- we are!” overdriven fuzz guitars will blaring. • Cosmic Trip Festival (FR / 2013) ers the Roadrunners to form a super- And the recent addition of Fernando group, with the intention of providing The sound that those ’60s proto-punks Terror taking over keyboard duties will • Gutterball Festival (NOR / 2013) serious garage punk at its best. created is the same sound the four fully unleash Evel to higher levels of Austrian freaks play – succinct fuzz- on-stage insanity. • Sauzipf Rocks (A / 2012) Take some of Billy Childish’s trashy gui- guitars, farfisa organ, furious drum- tar solos, some of the Miracle Workers’ ming, and wild, howling vocals that Since their formation in February 2009, • Le Beat Bespoke (UK / 2012) and The Stomachmouths’ catchy melo- represent a one hundred per cent the Trashbones have toured all across dies, add some “three-finger organ”, high-voltage rock’n’roll attitude. Europe, from England to Russia and • FM4 Frequency Festival (A / 2011) combine them with invisible monsters from Norway to Spain, where their and cavemen, in the spirit of the late Apart from the actual sound that they distinctive sound, look, and furious live with bands like Monster Magnet, The great Screaming Lord Sutch, and you’ll create, Wild Evel & the Trashbones performances continue to astonish Masonics, King Salami & the Cumber- have the gist of what these guys are stand out with their untamed live people at club gigs and major festivals land Three, The Trashmen, up to. -
An Investigation of Feral Children and Original Sin
Verbum Volume 8 Issue 1 Article 9 December 2010 An Investigation of Feral Children and Original Sin Christina Regelsberger St. John Fisher College Follow this and additional works at: https://fisherpub.sjfc.edu/verbum Part of the Religion Commons How has open access to Fisher Digital Publications benefited ou?y Recommended Citation Regelsberger, Christina (2010) "An Investigation of Feral Children and Original Sin," Verbum: Vol. 8 : Iss. 1 , Article 9. Available at: https://fisherpub.sjfc.edu/verbum/vol8/iss1/9 This document is posted at https://fisherpub.sjfc.edu/verbum/vol8/iss1/9 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. An Investigation of Feral Children and Original Sin Abstract In lieu of an abstract, below is the essay's first paragraph. "The subject of feral children has often been explored from a variety of viewpoints and angles. Frequently, such topics as education, language acquisition, emotional stability, mental stability and behavioral patterns are reviewed. However, the motive of actions or the inherent tendency of feral children to behave one way or another is often overlooked. The question remains whether feral children (prior to their integration into society), are in possession of original sin. Many maintain that all humans are born with an inherent desire to do evil. However, is it the result of social stimulation or merely an innate propensity to sin? Before such a question can be answered, a short discourse on original sin is necessary. Thus, I intend to explore and discuss the theories of original sin presented by both St. -
Aspects of Historical and Contemporary Oglala Lakota Belief and Ritual
TRANSMITTING SACRED KNOWLEDGE: ASPECTS OF HISTORICAL AND CONTEMPORARY OGLALA LAKOTA BELIEF AND RITUAL David C. Posthumus Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Anthropology, Indiana University April 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee __________________________________________ Raymond J. DeMallie, Ph.D. __________________________________________ Douglas R. Parks, Ph.D. __________________________________________ Jason B. Jackson, Ph.D. __________________________________________ Christina Snyder, Ph.D. March 12, 2015 ii Copyright © 2015 David C. Posthumus iii Acknowledgements I am indebted to many people for their friendship, encouragement, criticism, patience, and support. This work would have never been completed or possible without them. First of all I want to thank my Lakota friends and adoptive relatives for sharing their lives and deep knowledge with me. I am very thankful for your friendship, acceptance, generosity, enduring support, and for allowing me to tag along with you on your many adventures. I am eternally grateful to each and every one of you and consider you as relatives. Thank you to Robert Brave Heart, Sr. and the entire Brave Heart family; Stanley Good Voice Elk; Alvin and Steve Slow Bear; Tom Cook and Loretta Afraid of Bear; Joe Giago, Richard Giago, and Tyler Lunderman; John Gibbons and his family; and Russ and Foster “Boomer” Cournoyer. Special thanks go to Arthur Amiotte and his wife Janet Murray, the late Wilmer “Stampede” Mesteth and his wife Lisa, Richard Two Dogs and his wife Ethleen, and their families. -
Clown for Change - Cartoonist Marty Two Bulls As a Modern Heyoka, EJSS Vol
Clown for Change - Cartoonist Marty Two Bulls as a Modern Heyoka, EJSS Vol. 4, No. 2, Dec, 2018. Clown for Change - Cartoonist Marty Two Bulls as a Modern Heyoka Sonja John1 Abstract Most Native American societies have trickster stories and roles which are used as an instrument for negotiating moral behavior. In Lakota country, the heyoka fulfills the clownish role to address taboos and sensitive issues. The late Severt Young Bear, Sr. noted that the heyoka no longer exists. Against this position, this article argues that the role and function of the traditional heyoka lives on in different art forms through highlighting the work of the renowned Oglala Lakota cartoonist Marty Two Bulls. By addressing sensitive issues like alcohol consumption in a humorous way, Two Bulls offers a space for new interpretations and renegotiation. In the past, due to the close link between representation and identity, Native cultural self-understanding has been adversely affected by stereotypes, most prominently the stereotype of the drunk Native. As a matter of cultural revitalization, Two Bulls uses this same interconnection as an opportunity for initiating change and encouraging Lakota to reclaim control over their lives. Through the lens of Native humor as a methodological tool to analyze cartoons, this article presents an example of how cultural productions can serve as an interpretive instrument and as a tool for tribal self-presentation. Keywords: Native Humor, Lakota, Indigeneity, heyoka, Marty Two Bulls, Whiteclay 1 Dr. Sonja John, Assistant Professor, Political Science and International Studies, Bahir Dar University, Ethiopia. Contact: [email protected] Clown for Change - Cartoonist Marty Two Bulls as a Modern Heyoka, EJSS Vol. -
Ebook Download Zombie
ZOMBIE PDF, EPUB, EBOOK Joyce Carol Oates | 192 pages | 15 Sep 2009 | HarperCollins | 9780061778919 | English | New York, NY, United Kingdom Zombie PDF Book Movies List [Update Part 2]. Double agent Evil twin. The Serpent and the Rainbow. Zed and Addison work together to show Seabrook what they can achieve when they embrace their differences and celebrate what makes them a community. Log out. In the s and early s, the American horror author H. The kids in the audience were stunned. Retrieved 27 February Retrieved 31 October Save Word. Such stories are often squarely focused on the way their characters react to such an extreme catastrophe, and how their personalities are changed by the stress, often acting on more primal motivations fear, self-preservation than they would display in normal life. Retrieved 10 May These games were followed by a wave of low-budget Asian zombie films such as the zombie comedy Bio Zombie and action film Versus , and then a new wave of Western zombie films in the early s, including films featuring fast-running zombies such as 28 Days Later , the Resident Evil and House of the Dead films, and the Dawn of the Dead remake , while the British film Shaun of the Dead was in the zombie comedy subgenre. All Family,disney movies that I saw. Its first sequel, Dawn of the Dead , was released in There has been a growth in the number of zombie manga in the last decade, and in a list of "10 Great Zombie Manga", Anime News Network 's Jason Thompson placed I Am a Hero at number 1, considering it "probably the greatest zombie manga ever".