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Presskit Band Info WILD EVEL & THE TRASHBONES PRESSKIT BAND INFO Being a feral child lost in an era of music, delivering their own ideas and the drums you might be tempted to Wild Evel & the Trashbones already uninspiring music, the frontman of The ideals through tight and catchy lyrics look for the reincarnation of Keith performed at Staggers, Wild Evel, decided to team telling the conservative society, “Here Moon seated at the drum stool! The up with members of former teenbeat- we are!” overdriven fuzz guitars will blaring. • Cosmic Trip Festival (FR / 2013) ers the Roadrunners to form a super- And the recent addition of Fernando group, with the intention of providing The sound that those ’60s proto-punks Terror taking over keyboard duties will • Gutterball Festival (NOR / 2013) serious garage punk at its best. created is the same sound the four fully unleash Evel to higher levels of Austrian freaks play – succinct fuzz- on-stage insanity. • Sauzipf Rocks (A / 2012) Take some of Billy Childish’s trashy gui- guitars, farfisa organ, furious drum- tar solos, some of the Miracle Workers’ ming, and wild, howling vocals that Since their formation in February 2009, • Le Beat Bespoke (UK / 2012) and The Stomachmouths’ catchy melo- represent a one hundred per cent the Trashbones have toured all across dies, add some “three-finger organ”, high-voltage rock’n’roll attitude. Europe, from England to Russia and • FM4 Frequency Festival (A / 2011) combine them with invisible monsters from Norway to Spain, where their and cavemen, in the spirit of the late Apart from the actual sound that they distinctive sound, look, and furious live with bands like Monster Magnet, The great Screaming Lord Sutch, and you’ll create, Wild Evel & the Trashbones performances continue to astonish Masonics, King Salami & the Cumber- have the gist of what these guys are stand out with their untamed live people at club gigs and major festivals land Three, The Trashmen, up to. The Trashbones have their roots performance, for which each member alike. The Satelliters, King Khan & The Shrines, in 1960s US garage punk, a time when pushes his plan through. On hearing The Monsters, The Fuzztones teenagers started playing their own and many more... photos: © Sebastian Patter, 2011 DISCOGRAPHY V.A. - styrianstylez 09 2xCD Let’s Go Right Now 7” Where You Gonna Go? Split 7” Why Can’t We Be? Split 7” (Zeiger Records, AT/2009) (Hey Girl! Records, ES/2009) (Screaming Apple Records, DE/2010) (Decoy Industry Records, DE/2011) compilation of the styrianstylez festival “...Besides the awesome party-frat “...Wild Evel presents his newest Another split 7”. For this one The 2009. monster titletrack you’ll get “It’s a creation, WILD EVEL AND THE TRASH- Trashbones were delighted to share Monster” on the flip, which will knock BONES!!!! And what else can you the vinyl with one of the best Garage- Track: you outta yer Chelsea boots from expect than totally freaked-out teen Psych bands of the modern age, THE Let’s go Right Now (Sailer/Klug) the first fuzztone on!!!” garage punk at it’s loudest! Deep in SATELLITERS. the tradition of the US punk of the (Soundflat, 2009) sixties and 80’s swedish garage Side A: (sounding a lot like THE STOMACH The Satelliters - It’s Gotta Be You “...the Trashbones have come up with a MOUTHS) they turn Art Guy’s 60’s all killer two track 7”, coming in an eye punk classic “Where you gonna go?” Side B: piercing colour picture sleeve! This is into a real thunderstorm of fuzz. The Trashbones - Why Can’t We Be? classic Caveman beat Fuzz Garage with THIS IS THE SHIT!!!!” nods to the 80’s Swedish scene, the best soundtrack for a world of fast cars, (Soundflat, 2010) tight pants and burlesque goddesses...” (Fuzzoverdose Records, 2009) DISCOGRAPHY Tales from the Cave LP/CD Schlager Battle Split 7” The Mess I’m In 7” Fried Chicken Legs 7” (Soundflat Records, DE/2012 (Squoodge Records, DE/2012) (Substance Records, AT/2012) (Supersense, AT/2015) Wohnzimmer Records AT/2012) Side A: 7” released for the Record Store Day Our second record store day release! “TALES FROM THE CAVE contains 17 Batman - Fräulein, Fräulein, Fräulein in 2012 and contains two unreleased Limited to 77 pieces, this record con- freaked out Garagepunk-hits per- tracks. tains two blues stompers arranged for formed by these 5 cavemen plus Side B: the all analog recording session at Su- guest appearances by Bernhard Gold The Trashbones - Motorbiene Side A: The Mess I’m In persense Vienna. Backed by Bernhard of the Austrian Mod-Beat Group THE Side B: I’m Gonna Cry Gold on harp this handcut acetate JAYBIRDS on the blues-harp, and 7-inch is a true collectible! Buddy Grabner, former saxophonist of Shock-and-Horror-Rocker SCREAMING Side A: Fried Chicken Legs LORD SUTCH. Wild Evel’s characteristic Side B: So Wrong howling vocals, the incisive fuzz-guitar, the catchy Farfisa organ, outstanding harmonica elements and the furious drumbeats will make you feel their 1960’s US Garage Punk roots and will stir you up properly.” (Soundflat, 2012) DISCOGRAPHY an ear grabbing first single and a couple flourishes of Fernando Terror’s farfisa organ and sound before Coyote has hips and of splits with Wild Evel’s day job and The with arcane intent, together it all making imagination hooked with its primarily Satelliters respectively, 2012 saw the band for a death dealing party impossible to not instrumental playfulness. released acclaim gathering debut album gate crash. Tales From The Cave. It was an attention The excellent dark toned Telling Lies eas- grabbing, reputation building stomp more The following Bugs On My Back has a light- ily courts attention next with its dirtier than backed by another split, this time er touch with vocal expression to match garage punk rumbles. With rhythms a with Batman that same year, and more but equally has an underlining psychosis tenaciously unpredictable incitement irreverent slices of sound posing as singles. which inflames its air from time to time. An beneath the electrified melodic frolics of Now we have Digging My Grave to greed- inescapably catchy piece of beat infused voice, organ and guitar, the song refuses ily get down and dirty with; a collusion garage rock around the pulsating prowess to be ignored while Gotta Leave Town easy to grab straight away but with greater of bassist Murphy Morphine and the in- strolls along with an Escobar like volatility lust thereon in. creasingly venomous swings of Trashbone, to its ravenously infectious and increas- the song is as invasively infectious as its ingly strung out rock ‘n’ roll. Both tracks Digging My Grave LP/CD In its press release, the likes of Billy predecessor and soon matched in success are major favourites in nothing but and (Dirty Water Records, UK/2017) Childish, The Miracle Workers, and The and contagion by power pop infused punk swiftly joined by the vampish jest of Fried Stomachmouths are referenced, all easy ‘n’ roll of The Mess I’m In. Its own swagger Chicken Legs with its blues kissed harmon- Digging My Grave sees the Austrian infes- to understand as too the constant com- needs barely seconds to get under the ica and garage pop instincts. tation that is Wild Evel and the Trashbones parison to Screaming Lord Sutch but as skin, fuzzy textures and flaming melodies return with a second full dose of their Digging My Grave proves, the Vienna/Graz escalating the temptation before eager The final promiscuous throes of the salaciously offered, instinctively untamed hailing Wild Evel and the Trashbones pro- ears and appetite are incited to greater album come through firstly I Lost My rock ‘n’ roll. Unleashing thirteen tracks of vide their own very individual proposal. greed by the rhythm ‘n’ blues soaked 300 Mind, a track which whilst not grabbing sixties bred garage punk with an appetite It all starts with Der Bucklige, a brief slice Pounds with its King Salami and the Cum- the passions as tightly as its companions for similarly spawned beat and garage of devilish instrumental bait warming up berland 3 styled shenanigans. The track is certainly left the imagination bound and rock, all tenaciously messed up with the crypt cold setting the band will parade superb, quite simply close on two minutes an appetite for more even greedier before decades of misconduct and devilment, their primitive rascality from. Its character of pure addiction stoking flirtation. T-R-A-S-H-B-O-N-E-S simply enslaves with the album is a rabid trespass of sound and is sheer temptation and revs up ears and its anthemic chant. You can just see the feral fun which just gets more addictive by appetite in no time ready for predacious The melodically webbed garage rock waves of manipulated bodies bouncing in the second. antics of the album’s title track. Raw and saunter of Ain’t It Hard and the dark garage unison to the track at live shows as it plays scuzzy with an instantly virulent swing, punk chicanery of Why Can’t We Be ensure its tricks on the senses and spirit. The track Wild Evel and the Trashbones first escaped Digging My Grave brings its soiled swag- pleasure is thick and unrelenting even if provides a quite simply glorious end to to tease and violate ears back in 2008 ger to bear on the imagination, Wild Evel the tracks just miss the pinnacle of their an album which just gets more immorally when Wild Evel, the frontman of Austrian roaring with rapacious intent as the rhyth- predecessors for personal instincts.
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