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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Grindcore.Pdf
Obsah: 1. Úvod..........................................................................................................................2 1.1 Ideová východiska práce.............................................................................2 1.2 Stav bádání, primární a sekundární literatura.............................................3 1.3 Definice grindcore, důležité pojmy.............................................................3 1.4 Členění práce a metodologie.......................................................................6 1.5 Cíl práce......................................................................................................8 2. Historický úvod – žánrová typologie........................................................................9 2.1 Počátky žánru a dva hlavní proudy grindcoru............................................9 2.2 Další vývoj grindcoru................................................................................13 3. Grindcore – hledání extrémního hudebního projevu ….........................................17 3.1 Transformace zpěvu..................................................................................17 3.2 Vývoj rytmu, rytmické sekce....................................................................19 3.3 Vývoj hry na kytaru a baskytaru …..........................................................20 3.4 Vývoj formy a mikrostruktury..................................................................20 3.5 Goregrindové intro....................................................................................22 -
Pulverizing New Album from Austr-Alien Deathcore
New Release Information uu Januar AVERSIONS CROWN Release Date Pre-Order Start Xenocide uu 20/01/2017 uu 25/11/2016 Price Code: CD04 uu CD Jewelcase available NE 3480-2 CD uu Watch out ads in all important music magazines DEC 2016 uu Advertising in many important music magazines JAN 2017 uu Album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2017 issues uu Song placements in European magazine compilations uu Spotify playlists in all European territories Territory: World uu Retail marketing campaigns uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search uu Tracklist: and display networks, bing ads and g-mail ads (tbc) CD: uu Banner advertising on more than 60 of the most important Metal 01. Void & Rock websites all over Europe 02. Prismatic Abyss uu Additional booked ads on Metal Hammer Germany and UK, and in 03. The Soulless Acolyte 04. Hybridization the Fixion network (mainly Blabbermouth) 05. Erebus uu Video and pre-roll ads on YouTube 06. Ophiophagy uu Ad campaigns on iPhones for iTunes and Google Play for Androids 07. The Oracles Of Existence uu Banners, featured items at the shop, header images and a back- 08. Cynical Entity 09. Stillborn Existence ground on nuclearblast.de and nuclearblast.com 10. Cycles Of Haruspex uu Features and banners in newsletters, as well as special mailings 11. Misery to targeted audiences in support of the release 12. Odium PULVERIZING NEW ALBUM FROM AUSTR-ALIEN DEATHCORE CRUSHERS AVERSIONS CROWN Like a cataclysmic storm making landfall, the brand new album Xenocide from crushing Brisbane outfit Aversions Crown is here to destroy everything in its path. -
Piercings and Passports Exploring the Social Mobility of Adelaide’S Metalcore ‘Scene Kids’
Piercings and passports Exploring the social mobility of Adelaide’s metalcore ‘scene kids’ As young people continue to confront transition issues such as school-to-work pathways, they are concomitantly developing their own social and cultural priorities and responding to them in new and innovative ways. This process warrants a greater focus on young people’s identity work as they navigate their transitions through increasingly fluid social and cultural environments. Drawing on her current PhD research, Paula Rowe focuses attention on Adelaide’s ‘scene kids’, a community of interest based on a subgenre of heavy metal music. She utlises Bauman’s (2000) liquid modernity thesis to parallel the social dynamics of ‘liquid’ metal subgenres with those of the ‘liquid’ modern world. Exploring the social processes of scene kids highlights ways in which socioeconomic circumstances can affect young people’s level of engagement with lifestyle options. This in turn raises questions as to how “scene kid identities” might impact on other life pursuits and social transitions. by Paula Rowe outh transitions have dominated the youth research agenda for several decades, with a continuing focus on structural processes and institutional arrangements that Y shape and constrain young people’s holistic development, particularly in geographic locations characterised by conditions of social and economic disadvantage (Heath et al. 2009). More recently, there has been increasing interest in the ways in which young people’s identity work intersects and influences various social transitions within school, domestic and broader social contexts, and vice versa (Stokes & Wyn 2009). Despite the known social, economic and psychological constraints of marginalisation, young people still manage to find a space in which to express their identity and live a “life of one’s own”, yet not enough is known about the ways in which young people use cultural affiliations and lifestyle choices to express their identity and demonstrate personal agency in their social worlds (Miles 2000; Shildrick 2006). -
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ...................................................................................... -
Elena Is Not What I Body and Remove Toxins
VISIT HTTP://SPARTANDAILY.COM VIDEO SPORTS Hi: 68o A WEEKEND SPARTANS HOLD STROLL Lo: 43o ALONG THE ON TO CLOSE WIN OVER DONS GUADALUPE Tuesday RIVER PAGE 10 February 3, 2015 Volume 144 • Issue 4 Serving San Jose State University since 1934 LOCAL NEWS Electronic duo amps up Philz Coff ee Disney opens doors for SJSU design team BY VANESSA GONGORA @_princessness_ Disney continues to make dreams come true for future designers. Four students from San Jose State University were chosen by Walt Disney Imagineering as one of the top six college teams of its 24th Imaginations Design Competition. The top six fi nal teams were awarded a fi ve-day, all-expense-paid trip to Glendale, Calif., from Jan. 26–30, where they presented their projects to Imag- ineering executives and took part in an awards cere- mony on Jan. 30. According to the press release from Walt Disney Imagineering, the competition was created and spon- sored by Walt Disney Imagineering with the purpose of seeking out and nurturing the next generation of diverse Imagineers. This year’s Imaginations Design Competition consisted of students from American universities and Samson So | Spartan Daily colleges taking what Disney does best today and ap- Gavin Neves, one-half of the San Jose electronic duo “Hexes” performs “Witchhunt” at Philz plying it to transportation within a well-known city. Coffee’s weekly open mic night on Monday, Feb. 2. Open mic nights take place every Monday at The team’s Disney transportation creation needed the coffee shop from 6:30 p.m. to 9:15 p.m. -
GOREGRIND: Música Extrema E Política Underground1 Evelyn
GOREGRIND: música extrema e política underground1 Evelyn Christine da Silva Matos2 Resumo Este estudo relata pontos centrais que definem o gênero musical goregrind. A análise visa delinear o estilo, atentando a nuances e pertinências deste na vida social urbana. Utiliza-se dos conceitos “subcultura” e “cultura juvenil” nas reflexões, além de atender à legitimação baseada em compreensões simbólicas e sensoriais para formação de grupos; e situa o paradigma da hegemonia através da tradição e da normalização dos formatos sociais a fim de aproximar estilos que o subvertem. O artigo contribui com a apresentação do underground por meio de um dos estilos que o corresponde e encaminha à concepção parceira entre estilos subversivos da modernidade e pós-modernidade. Palavras-chave: música extrema; underground; cena. Abstract This study reports central points that define the musical genre goregrind. The analysis aims to delineate the style, considering the nuances and pertinences of this in urban social life. The concepts "subculture" and "youth culture" are used in the reflections, in addition to attending the legitimation based on symbolic and sensorial understandings for group formation; and situates the paradigm of hegemony through tradition and the normalization of social formats in order to approximate styles that subvert it. The article contributes to the presentation of the underground through one of the styles that corresponds to it and leads to the conception of the subversive styles of modernity and postmodernity. Key-words: extreme music; underground; scene. 1 Artigo submetido à 31ª Reunião Brasileira de Antropologia, realizada entre os dias 09 e 12 de dezembro de 2018, Brasília/DF. -
La Dérive Des Sentiments Troisième Album Pour La Formation Dark Rock À Géométrie Variable De Michael Sele
www.daily-rock.com UNE PUBLICATION No 41 DU COLLECTIF ÉTÉ 2010 MENSUEL Daily Rock GRATUIT TOUTE L’ACTUALITÉ BRÛLANTE DU ROCK EN ROMANDIE ZZ Top Melissa Auf der Maur : Petrus au cœur du sujet p. 6 négatif p. 11 en Europe p.! 2 © Joseph Carlucci The Beauty Of Gemina, la dérive des sentiments Troisième album pour la formation dark rock à géométrie variable de Michael Sele. Une fois de plus, les hymnes, épiques et dramatiques, répondent présents. Peut-être enfin la reconnaissance à l'échelon planétaire ? Entretien avec le maître du château en personne. Est-ce ok d'être un artiste dans une société dominée par la médiocrité et la musique jetable ? Michael Sele : C'est un privilège d'écrire des chansons qui viennent de Edito l'intérieur et de jouer la musique que tu aimes. Cela rend la composition Maman, Papa agréable, surtout quand tu n'as pas à te conformer au mainstrean et aux J'avoue, j'ai fauté. En 2010, je me standards commerciaux. Avoir un suis tellement éloigné de mon rock nombre remarquable de personnes, chéri de mon enfance, que je me suis fans, journalistes et critiques qui retrouvée à chercher des tickets pour estiment ton travail, voilà ce qui me le concert de Lady Gaga à Dublin. rend fier et me motives à continuer. A la fin de la journée, un sentiment de Et pourtant, comme elle assure, cette Lady Gaga ! gratitude mélangé à un grand respect Là ou le rock'n'roll devient de plus en plus demeure. soft questions clips et complètement has-been question provocation, Stefani Germanotta nous Certaines personnes pensent que tu es balance un clip censuré de huit minutes et fait « At the End of the Sea » preuve d'imagination débordante, notamment en un vampire.. -
Deutsche Nationalbibliografie 2018 T 11
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2018 T 11 Stand: 07. November 2018 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2018 ISSN 1613-8945 urn:nbn:de:101-201711171918 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
The Parthenon, May 2, 2014
Marshall University Marshall Digital Scholar The aP rthenon University Archives Spring 5-2-2014 The aP rthenon, May 2, 2014 Bishop Nash [email protected] Follow this and additional works at: http://mds.marshall.edu/parthenon Recommended Citation Nash, Bishop, "The aP rthenon, May 2, 2014" (2014). The Parthenon. Paper 366. http://mds.marshall.edu/parthenon/366 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The aP rthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. MARSHALL UNIVERSITY SOFTBALL TAKES ON LA TECH AT HOME FOR THE FINAL REGULAR SEASON SERIES. MORE SOFTBALL >>> PAGE 3 ANDREA STEELE | THE PARTHENON FRIDAY, MAY 2, 2014 | VOL. 117 NO. 128 | MARSHALL UNIVERSITY’S STUDENT NEWSPAPER | marshallparthenon.com WEEKEND EDITION AMY MCCALLISTER-ETHEL | THE PARTHENON “YOU GO IN THINKING THAT YOU’RE GOING TO BE LIKE THE FOOD NETWORK AND THAT EVERYTHING IS GOING TO BE NEAT AND ORDERLY. THAT’S NOT REALLY THE WAY — BRITTANY BARKER, IT IS, BUT IT ENDED UP BEING SORT EXECUTIVE CHEF, LE BISTRO OF AN OBSESSION FOR ME.” MORE LE BISTRO >>> PAGE 2 GREEK ARTIST NIKOS KARABETSOS SHOWCASES PIECES REFERENCING HIS HERITAGE IN AN EXHIBITION AT BIRKE ART GALLERY. MORE NIKOS KARABETSOS >>> PAGE 4 HERITAGE STATION HEATS UP WITH SUMMER ACTIVITIES. CHECK OUT A PREVIEW OF EVENTS THROUGH MORE HERITAGE THE NEXT THREE MONTHS. STATION >>> PAGE 2 DWIGHT JORGE | THE PARTHENON “I DON’T STRIVE TO CREATE FOR ANY OTHER REASON THAN THE FACT THAT SOMETHING INSIDE ME CAN’T STOP.