DOCSLIB.ORG

Pulverizing New Album from Austr-Alien Deathcore

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pulverizing New Album from Austr-Alien Deathcore New Release Information uu Januar AVERSIONS CROWN Release Date Pre-Order Start Xenocide uu 20/01/2017 uu 25/11/2016 Price Code: CD04 uu CD Jewelcase available NE 3480-2 CD uu Watch out ads in all important music magazines DEC 2016 uu Advertising in many important music magazines JAN 2017 uu Album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN 2017 issues uu Song placements in European magazine compilations uu Spotify playlists in all European territories Territory: World uu Retail marketing campaigns uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search uu Tracklist: and display networks, bing ads and g-mail ads (tbc) CD: uu Banner advertising on more than 60 of the most important Metal 01. Void & Rock websites all over Europe 02. Prismatic Abyss uu Additional booked ads on Metal Hammer Germany and UK, and in 03. The Soulless Acolyte 04. Hybridization the Fixion network (mainly Blabbermouth) 05. Erebus uu Video and pre-roll ads on YouTube 06. Ophiophagy uu Ad campaigns on iPhones for iTunes and Google Play for Androids 07. The Oracles Of Existence uu Banners, featured items at the shop, header images and a back- 08. Cynical Entity 09. Stillborn Existence ground on nuclearblast.de and nuclearblast.com 10. Cycles Of Haruspex uu Features and banners in newsletters, as well as special mailings 11. Misery to targeted audiences in support of the release 12. Odium PULVERIZING NEW ALBUM FROM AUSTR-ALIEN DEATHCORE CRUSHERS AVERSIONS CROWN Like a cataclysmic storm making landfall, the brand new album Xenocide from crushing Brisbane outfit Aversions Crown is here to destroy everything in its path. Off the back of a long touring cycle for their Nuclear Blast Entertainment debut, Tyrant, which saw Aversions Crown playing alongside Soilwork, Thy Art Is Murder, Attila, Parkway Drive, Psycroptic, Rings Of Saturn and The Acacia Strain, hitting festivals like Unify Gathering and Taste Of Anarchy as well as selling out headline shows on the other side of the world in Germany and the UK, the band refined and sharpened their already potent mix of brutal death metal speed and violence with eldritch atmospherics, audio manipulation and vocalist Mark Poida’s otherworldly vocal range and ability into a new level of destruction. With teaser tracks “Parasites” and “Erebus” released over the course of 2016 hinting at the new direction, the band teamed up with frequent collabo- rators Adam Merker at Studio Anders Debeerz in Brisbane and Mark Lewis from Audio Hammer in Florida to create Xenocide. On the goal in mind when writing Xenocide, guitarist mastermind Chris Cougan says:“We wanted to accentuate our strengths as Aversions Crown; the ex- treme drumming, the guitar interplay, Mark’s awesome vocals and really work on the arrangements instead of having a bunch of riffs on top of some blasts.” With a loose conceptual framework at play across Xenocide’s tales of destruction, revenge, reanimation and murder, Poida enthuses “I really got an awesome brutal canvas to paint a horrible evil lyrical picture on. We pushed it to the limits of our songwriting ability and are very proud of the record.” Aversions Crown will take Xenocide to stages around the world in 2017. Get in the pit or get out of the way. ALSO AVAILABLE: (World) Price Code: CD11 NE 3428-0 CD-Digi Line-up: Mark Poida : Vocals (2015-) | Chris Cougan : Guitars|Mick Jeffery : Guitars|Jayden Mason : Drums Tyrant www.facebook.com/AversionsCrown · www.nuclearblast.de/aversionscrown Style: Deathcore NUCLEAR BLAST GMBH · OESCHSTRASSE 40 · D-73072 DONZDORF · GERMANY · PHONE +49-7162-9280-13 / -20 / -25 · FAX +49-7162-24554 uu www.facebook.com/nuclearblasteurope · www.twitter.com/nuclearblasteu uu LINKS: uu Nuclear Blast Video Clips · Nuclear Blast Bands on Tour · Nuclear Blast albums in the Charts · New Songs on Spotify uu www.nuclearblast.de.
Load more

Recommended publications
  • Piercings and Passports Exploring the Social Mobility of Adelaide’S Metalcore ‘Scene Kids’
    Piercings and passports Exploring the social mobility of Adelaide’s metalcore ‘scene kids’ As young people continue to confront transition issues such as school-to-work pathways, they are concomitantly developing their own social and cultural priorities and responding to them in new and innovative ways. This process warrants a greater focus on young people’s identity work as they navigate their transitions through increasingly fluid social and cultural environments. Drawing on her current PhD research, Paula Rowe focuses attention on Adelaide’s ‘scene kids’, a community of interest based on a subgenre of heavy metal music. She utlises Bauman’s (2000) liquid modernity thesis to parallel the social dynamics of ‘liquid’ metal subgenres with those of the ‘liquid’ modern world. Exploring the social processes of scene kids highlights ways in which socioeconomic circumstances can affect young people’s level of engagement with lifestyle options. This in turn raises questions as to how “scene kid identities” might impact on other life pursuits and social transitions. by Paula Rowe outh transitions have dominated the youth research agenda for several decades, with a continuing focus on structural processes and institutional arrangements that Y shape and constrain young people’s holistic development, particularly in geographic locations characterised by conditions of social and economic disadvantage (Heath et al. 2009). More recently, there has been increasing interest in the ways in which young people’s identity work intersects and influences various social transitions within school, domestic and broader social contexts, and vice versa (Stokes & Wyn 2009). Despite the known social, economic and psychological constraints of marginalisation, young people still manage to find a space in which to express their identity and live a “life of one’s own”, yet not enough is known about the ways in which young people use cultural affiliations and lifestyle choices to express their identity and demonstrate personal agency in their social worlds (Miles 2000; Shildrick 2006).
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • Elena Is Not What I Body and Remove Toxins
    VISIT HTTP://SPARTANDAILY.COM VIDEO SPORTS Hi: 68o A WEEKEND SPARTANS HOLD STROLL Lo: 43o ALONG THE ON TO CLOSE WIN OVER DONS GUADALUPE Tuesday RIVER PAGE 10 February 3, 2015 Volume 144 • Issue 4 Serving San Jose State University since 1934 LOCAL NEWS Electronic duo amps up Philz Coff ee Disney opens doors for SJSU design team BY VANESSA GONGORA @_princessness_ Disney continues to make dreams come true for future designers. Four students from San Jose State University were chosen by Walt Disney Imagineering as one of the top six college teams of its 24th Imaginations Design Competition. The top six fi nal teams were awarded a fi ve-day, all-expense-paid trip to Glendale, Calif., from Jan. 26–30, where they presented their projects to Imag- ineering executives and took part in an awards cere- mony on Jan. 30. According to the press release from Walt Disney Imagineering, the competition was created and spon- sored by Walt Disney Imagineering with the purpose of seeking out and nurturing the next generation of diverse Imagineers. This year’s Imaginations Design Competition consisted of students from American universities and Samson So | Spartan Daily colleges taking what Disney does best today and ap- Gavin Neves, one-half of the San Jose electronic duo “Hexes” performs “Witchhunt” at Philz plying it to transportation within a well-known city. Coffee’s weekly open mic night on Monday, Feb. 2. Open mic nights take place every Monday at The team’s Disney transportation creation needed the coffee shop from 6:30 p.m. to 9:15 p.m.
    [Show full text]
  • Road Notez Abandon Kansas W/Seabird, Clemency ($8 Adv
    --------------- Calendar • On the Road --------------- Rob Zombie and Korn will head out on the 2Cellos Oct. 21 Park West Chicago road together once again, this time for the Aaron Carter Oct. 5 Canopy Club Urbana, IL Night Of The Living Dreads tour, starting in Road Notez Abandon Kansas w/Seabird, Clemency ($8 adv. $10 d.o.s.) Oct. 18 HeBrews Fort Wayne Leo November. These artists have joined forces The Academy of St. Martin in the Fields Chamber Ensemble ($35) Nov. 3 Sursa Performance Hall Muncie several times over the years, and the shows CHRIS HUPE Adrian Legg ($17.50) Oct. 7 The Ark Ann Arbor are always regarded as some of the best of Amos Lee w/Kat Edmonson Nov. 8 Chicago Theatre Chicago the year in metal. Only 17 dates have been announced so far, with November 22 in Grand Amos Lee w/Kat Edmonson Nov. 10 Royal Oak Music Theatre Royal Oak, MI Andy McKee ($15-$18) Nov. 15 Taft Theatre Cincinnati Rapids the only regional show. Korn’s newest album, The Paradigm Shift, drops October Andy McKee ($25) Nov. 16 The Ark Ann Arbor 8. Anthony Gomes Nov. 2 C2G Music Hall Fort Wayne While we’re on the subject of big metal tours, Megadeth have confirmed the Super Col- Anthony Jeselnik Oct. 3 Egyptian Room Indianapolis Anthony Jeselnik Oct. 4 Capitol Theater Columbus, OH lider tour, beginning in late November. While Megadeth always put on a great show by Anthony Jeselnik Oct. 5 Ohio Theatre Cleveland themselves, add Fear Factory and Nonpoint to the bill and you’ve got a great package.
    [Show full text]
  • Music 5364 Songs, 12.6 Days, 21.90 GB
    Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • MICHIGAN MONTHLY ______November, 2015 Author & Editor: Diane Klakulak, [email protected] ______
    MICHIGAN MONTHLY ________________________________________________________________________________________________________________ November, 2015 Author & Editor: Diane Klakulak, [email protected] __________________________________________________________________________________________________________________ DETROIT PISTONS -- THE PALACE DETROIT RED WINGS – JOE LOUIS ARENA Ticketmaster: 248-645-6666; on Fox Detroit Nov. 3 vs. Indiana Pacers; 7:30 pm Nov. 6 at Phoenix Suns; 7:30 pm Oct. 31 at Ottawa Senators; 7 pm Nov. 8 at Portland Trail Blazers; 6 pm Nov. 3 vs. Tampa Bay Lightning; 7:30 pm Nov. 9 at Golden State Warriors; 7:30 pm Nov. 6 at Toronto Maple Leafs; 7 pm Nov. 11 at Sacramento Kings; 7 pm Nov. 8 vs. Dallas Stars; 3 pm Nov. 14 at Los Angeles Clippers; 12:30 pm Nov. 10 vs. Washington Capitals; 7:30 pm Nov. 15 at Los Angeles Lakers; 6:30 pm Nov. 13 vs. San Jose Sharks; 7:30 pm Nov. 17 vs. Cleveland Cavaliers; 7:30 pm Nov. 14 at Boston Bruins; 7 pm Nov. 20 at Minnesota Timberwolves; 7 pm Nov. 16 at Ottawa Senators; 7:30 pm Nov. 21 vs. Washington Wizards; 7:30 pm Nov. 18 vs. Washington Capitals; 8 pm; NBC Nov. 23 at Milwaukee Bucks; 7 pm Nov. 20 vs. Los Angeles Kings; 7:30 pm; FSD+ Nov. 25 vs. Miami Heat; 7:30 pm Nov. 21 at St. Louis Blues; 8 pm Nov. 27 at Oklahoma City Thunder; 7 pm Nov. 25 vs. Boston Bruins; 7:30 pm Nov. 29 at Brooklyn Nets; 6 pm Nov. 27 vs. Edmonton Oilers; 7:30 pm; FSD+ Nov. 30 vs. Houston Rockets; 7:30 pm Nov. 29 vs. Florida Panthers; 2 pm Dec.
    [Show full text]
  • Band: Deep in Hate (F) Genre: Death Metal / Deathcore Label: Kaotoxin Records Albumtitle: Chronicles of Oblivion Duration: 34:49 Min Releasedate: 03.05.2014
    Band: Deep In Hate (F) Genre: Death Metal / Deathcore Label: Kaotoxin Records Albumtitle: Chronicles Of Oblivion Duration: 34:49 Min Releasedate: 03.05.2014 As first access to a new LP, for which I will write a review, I prefer to give it a quick listen and not to get any information about the band before listening. Therefore no other reviews, nothing about changes within the style or changes of the setting - simply to get a pure feeling of the band. Mostly the first impression is oughly showing the direction, which gets most of the times confirmed during a closer look at the band respectively the album. My first thought about the French of Deep In Hate was that they sound like Aborted from Belgium. However, as short conclusion beforehand, more like a poor imitation of the Belgians. Whether to describe the music as Technical Death Metal, Slam Death Metal or Death Core should be decided on your own. I'm not that friend of such a stereotype thinking. But as this child should have a name, I call it simply modern Death Metal. Staccato-esque riffs, hoarse barking/screaming, from time to time even the infamous "Pig Squeals", tinkerly guitar solos which are sometimes quite melodic. The drums chugging mostly in mid tempo and from time to time some Grind Core thrashing. However, the salient point is that Deep In Hate cannot accomplish at any point to make a real good piece of music out of this parts. A colleague of mine Sereisa did ask herself by the review to "A Killer Anthem" from The Killerhertz: "What makes an album a good album? When does a cluster of tones become real music?" I don't know the answer otherwise I would be a musician in a band or I'd be sitting in a jury next to Dieter Bohlen.
    [Show full text]
  • Metal for the Masses”: Or, Will Metal Ever Be Mainstream Again? (And Why We Should Want It to Be...)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ResearchSPace - Bath Spa University MODERN HEAVY METAL: MARKETS, PRACTICES AND CULTURES International Academic Conference 2015 “METAL FOR THE MASSES”: OR, WILL METAL EVER BE MAINSTREAM AGAIN? (AND WHY WE SHOULD WANT IT TO BE...) Andy R. Brown Bath Spa University, UK Abstract Exploring the model of scene-based innovation and scarcity that characterised the 90s extreme metal underground, as eloquently outlined by Keith Kahn- Harris, this paper seeks to evaluate the extent to which its model of “eclipsed” symbolic capital accumulation is the key not to its success but relative failure to achieve innovation, development and change in metal music. Debating Lena and Peterson’s AgSIT model of genre trajectories, this paper argues such change in metal music have always been tied to the formation and demise of music “mainstreams.” The problem from this perspective is that NWOBHM, doom, power (including symphonic), thrash, grindcore, death and black metal did not mainstream enough (with the exception of some notable bands) to allow the next cycle of musical innovation to commence. Introduction In a striking series of recent posts, published on-line in the net.magazine Sou- ciant (2013; 2014), Keith Kahn-Harris has reflected on the question of Metal After Metal. Recalling the searching intelligence of a younger Lawrence Gross- berg (1990) and his anxious ruminations on whether rock was dead, dying or “going somewhere else” – published over twenty years ago – Kahn-Harris ec- hoes a similar set of fears, not about the break-up of the music-audience rela- tions that sustained the Anglo-American “rock formation” but the scenic- relations that sustained the creative-economy of the extreme metal under- ground.
    [Show full text]
  • Road Notez David Paige (Free) Sept
    --------------- Calendar • On the Road --------------- Jay-Z is set to follow up his successful sum- Datsik w/Funtcase, Protohype ($20-$30) Nov. 8 Egyptian Room Indianapolis mer mega-tour with Justin Timberlake with David Bromberg Quintet ($35) Oct. 11 The Ark Ann Arbor some headlining dates of his own in support Road Notez David Paige (free) Sept. 20 CS3 Fort Wayne of his newest opus Magna Carta Holy Grail. Debby Boone ($30) Oct. 20 Niswonger Performing Arts Center Van Wert, OH Unless you’re willing to travel a great dis- CHRIS HUPE Deer Tick Oct. 11 Majestic Theatre Detroit tance, you’ll have to wait until the new year Deer Tick Oct. 12 Otto’s Dekalb, IL to witness the Magna Carter World Tour, as The Delta Saints ($5) Sept. 27 Dupont Bar & Grill Fort Wayne Deltron 3030 w/Itch Oct. 19 House of Blues Chicago it doesn’t venture into this area until January 2014. Cleveland gets first crack at H.O.V.A. Dennis Miller ($40-$47) Oct. 3 Sound Board Detroit January 8, followed by Chicago and Detroit January 9 and 10, respectively. The Devil Wears Prada w/The Ghost Inside, Volumes, Texas in July Nov. 2 Royal Oak Music Theatre Royal Oak, MI On the same day Mr. Carter made his tour announcement, Kanye West announced his The Devil Wears Prada w/The Ghost Inside, Volumes, Texas in July Nov. 3 Bogart’s Cincinnati The Devil Wears Prada w/The Ghost Inside, Volumes, Texas in July Nov. 5 House of Blues Cleveland Yeezus Tour, with stops in 23 cities.
    [Show full text]
  • Metal Madness: Heavy Music Coming to Your Town
    Metal Madness: Heavy Music Coming to Your Town Welcome to Metal Madness my fellow Metalheads, covering all things metal, metalcore, deathcore and hardcore in the Providence area. I just want to take a moment to thank everyone who was at the Kingsmen show on October 8 (motifri.com/kingsmen). As someone who has been playing music for a long time, I wanted to speak to the growing argument that heavy music is dead. For a show on a Sunday with no major label band headlining, the turnout was great. The credit goes directly to the bands that played that night; Absence of Despair, Your Chance to Die and Kingsmen. Everyone who was there were there for the music, and all of it was heavy music. You could see the camaraderie between the bands and fans, and how welcoming they were to the one out-of-town band, Your Chance to Die. Absent were the attitudes “I’m going to see my friend’s band and leave.” There were no crossed arms and ugly faces, but a respect for all the musicians who were there (and if you ever get the chance to see two Norwegian women front a deathcore band, do not pass it up!). The music wasn’t dead or dying; if anything, it’s thriving. The more Providence bands do well, the better it is for our scene, the bands and heavy music. Now that I’m off my soapbox, on to what’s happening. Night of the Dead, Oct 21, 8pm, Fete Music Hall If you want to take a quick trip back to the early 2000s, Dope, Hed p.e.
    [Show full text]
  • Is Revocation Death Metal
    Is Revocation Death Metal Infusorial Walton ensnarl or twills some concierges pregnantly, however assertory Bancroft unhumanised graphemically or poussetted. Hard-and-fast and liberatory Nolan oozing his rays verges beckon murmurously. Romeo cane his prefab tutor broad-mindedly or awful after Renaldo dined and tauten damned, noncontagious and unchanged. The outset death metal direction is monotonous to permanent and it sounds generic to attract The vocals are especially boring to solar because it seems that. Mentioning that record now, it would be awesome to hear Psycroptic play more from the earlier records, but honestly, I do admire bands for changing it up constantly. Fb js sdk fb js sdk is it seems that genre with a license this is revocation death metal band was out of songs like they have not have. The following year, the band ended their search for a permanent drummer with the addition of Brandon Park, and new guitarist Michael Stancel stepped in to replace Glisan, who parted ways with the band that same year. Apple music in boston underground today as such purpose and get all bands playing their more prominent than their boldest, plus the demo itself. Set up a large volume. Favorite revocation is revocation death metal on. People you remove will stop seeing your music and activity. This image cannot share my thrash riffs are very difficult to make purchases. North america is a certificate authority receives a more death metal were alive today this bad but one of death metal. Davidson in critquing revocation is revocation death metal instrumentals, i was a trademark of one, your shared playlists on drums.
    [Show full text]