Edinburgh Research Explorer Feminist interventions Citation for published version: Allmer, P 2016, Feminist interventions: Revising the canon. in D Hopkins (ed.), A Companion to Dada and Surrealism. Wiley-Blackwell. Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: A Companion to Dada and Surrealism General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact
[email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 22 Feminist Interventions: Revising the Canon Patricia Allmer Women have always been significant, even foundational, figures in the histories of Dada and Surrealism. Many women artists developed and used dada and surrealist techniques, or contributed in multiple ways to the productions of the movements. These women’s works helped create some of the conditions of representation necessary for subsequent women’s rights activism, along with contemporary feminisms and women’s wider political interventions into structures of oppression. Evidence of this political activism can be found, for example, in the lives of Hannah Höch, Adrienne Monnier, Baroness Elsa von Freytag‐Lohringhoven, Madame Yevonde, Lee Miller, Frida Kahlo, Claude Cahun, Toyen, Suzanne Césaire, Lucie Thésée, and Birgit Jürgenssen.