A Review from Froots
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Here He Studied Jazz Piano and Composition
M U S I C L E S S O N S A UNIQUE OPPORTUNITY FOR INDIVIDUAL LESSONS IN GRANTOWN-ON-SPEY WITH LEADING SCOTTISH FOLK MUSICIAN HAMISH NAPIER BA, BSc Berklee College of Music Alumnus +44 (0) 7971561693 [email protected] www.hamishnapier.com 1 of 4 Hello, I'm Hamish. I'm a professional musician, composer and music tutor. I'm delighted to announce that I will now be giving individual music lessons for one day a month in my home at Cherrygrove, Grantown- on-Spey. I have had enquiries from musicians from all over Scotland, as well as from the local area. My mother, Marie-Lousie Napier, taught piano and clàrsach pupils regularly at Cherrygrove for over 25 years. It's a special thing for me to continue this family tradition. If you are interested, or know somebody who might be, please get in touch. Please see below for more details. Many thanks, INSTRUMENTS Wooden flute Tin Whistle Piano Step-dancing (Scottish Cape Breton) I also teach students that play other instruments, focus on the student's general music skills. trad music accompaniment chords & harmony chart-writing improvisation music theory ear training music notation software keyboard skills ensemble skills tunesmithery & composition FEES & DETAILS 1 hr = £34 1.5 hrs = £48 2 hrs = £60 I am a member of the Musician’s Union and use MU rates. I have full public liability insurance. Students who are travelling greater distances have tended to opt for 2-hour lessons. Please note for a refund of lessons fees, cancellation must be made within 48 hours of lesson time. -
January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
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Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Imagining Scotland in Music: Place, Audience, and Attraction Paul F. Moulton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC IMAGINING SCOTLAND IN MUSIC: PLACE, AUDIENCE, AND ATTRACTION By Paul F. Moulton A Dissertation submitted to the College of Music in partial fulfillment of the requirements of the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 The members of the Committee approve the Dissertation of Paul F. Moulton defended on 15 September, 2008. _____________________________ Douglass Seaton Professor Directing Dissertation _____________________________ Eric C. Walker Outside Committee Member _____________________________ Denise Von Glahn Committee Member _____________________________ Michael B. Bakan Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii To Alison iii ACKNOWLEDGMENTS In working on this project I have greatly benefitted from the valuable criticisms, suggestions, and encouragement of my dissertation committee. Douglass Seaton has served as an amazing advisor, spending many hours thoroughly reading and editing in a way that has shown his genuine desire to improve my skills as a scholar and to improve the final document. Denise Von Glahn, Michael Bakan, and Eric Walker have also asked pointed questions and made comments that have helped shape my thoughts and writing. Less visible in this document has been the constant support of my wife Alison. She has patiently supported me in my work that has taken us across the country. She has also been my best motivator, encouraging me to finish this work in a timely manner, and has been my devoted editor, whose sound judgement I have come to rely on. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Electric Scotland's Weekly Newsletter for January 29Th, 2016
Electric Scotland's Weekly Newsletter for January 29th, 2016 To see what we've added to the Electric Scotland site view our What's New page at: http://www.electricscotland.com/whatsnew.htm To see what we've added to the Electric Canadian site view our What's New page at: http://www.electriccanadian.com/whatsnew.htm For the latest news from Scotland see our ScotNews feed at: http://www.electricscotland.com/ Electric Scotland News Happy Birthday to Rabbie Burns Got an email in from Christopher Pratt which is an interesting way of celebrating our final Robert Burns tribute in which he said... Happy Birthday to Rabbie Burns, The Bard of Ayrshire and Scotland's national poet (25 January 1759 – 21 July 1796). Today we say, “Some hae meat and canna eat, And some wad eat that want it, But we hae meat and we can eat, And sae the Lord be thankit” And we celebrate with poems, song, and the Haggis, Tatties & Neeps https://www.youtube.com/watch?v=C8l2m3_2Xjg A Man For A' That - Sheena Wellington on the occasion of the Opening of Scottish Parliament: https://www.youtube.com/watch?v=hudNoXsUj0o&feature=youtu.be My Love Is Like a Red Red Rose - Karen Matheson https://www.youtube.com/watch?v=CJGaRb3WCT4 Ae Fond Kiss - Eddi Reader https://www.youtube.com/watch?v=RMmtBgMaF5I Annie Laurie - Jean Redpath https://www.youtube.com/watch?v=dHfE8VpQj70 Robert Burns: The Man And His Legend (Documentary) https://www.youtube.com/watch?v=e6yGVYhVM1g And so, . Here's tae us Wha's like us Damn few, And they're a' deid Mair's the pity! May those who live truly be always believed, And those who deceive us be always deceived. -
Matrix Become a Fan Without Being Irrevocably Cut Off from Any SF Roots
£1.25 110 NewsCetter Of tile Brittsll Science Yiction Association Ye6ruar9 - Marcil 1994 Morrix110 Datarife Determinants It seems to make more Sense to start a new year in February when the Membership weather is once more becoming civilised, rather than having it This costs £15 per year (UK and EC). immediately adjacent to the glullony and indulgence of Christmas. A British winter seems to be an endless tunnel of low-level misery and New members: Alison Cook, 27 Albemarle Drive. Grove, Wantage. dampness, so the first appearance of Ihe sun produces a primitive Oxon aXIl ON8 resurgence of joy. As the skeleton trees slowly blur into buds and the ground changes from mud to mud with stalks, there seems more point Renewals: Keith Freeman, 269 Wykeham Road, Reading RG6 IPL to life: and, perhaps, there may seem to be more to life than reading SF. USA: Cy Chauvin. 14248 Wilfred Street, Detroit. M148213, USA Unlike the metamorphosis from larva to dragon fly, an SF reader can Matrix become a fan without being irrevocably cut off from any SF roots. A fan will almost by definition stan as an SF reader who wishes to take Jenny and Steve Glover. 16 Aviary Place, Leeds LSl2 2NP a mOTe active role in the SF community. I'm not entirely convinced. Tel: 0532 791264 though, that people deliberately set out to become fans, There are a whole series of circumstances which seem to be coincidences and Vector which cascade onto the unwary reader but which will fail to activate anyone unless some spark of curiosity or sense of wonder gets ignited Catie Cary. -
A History of Family & Music
A History of Family & Music James “Brasser” Copper (1845 - 1924) by John Copper Born in Rottingdean village 1845, son of John a nearby growing crops, as well as assisting the Head farmworker and his wife Charlotte, James was their Shepherd with his daily tasks. It was hard and second child; the first had died in infancy as did tedious work for a youngster, but at least James four of his siblings. Although clearly from a humble was able to contribute a few shillings each week to background, James was to distinguish himself the family income. amongst his peers by a combination of hard work, determination and a powerful personality. At eighteen he voluntarily attended evening-classes with his brother Thomas (at their own expense) to John had been born on a farmstead outside the learn how to read, write and reckon. Literacy in village in Saltdean valley in 1817. Newlands was the1860s was by no means available to all. It tended tenanted “copyhold” by his father, George Copper to be the preserve of the sons and daughters of the (b.1784). This now defunct form of lease meant that better-off tradespeople and the privileged classes. as long as the tenant kept the ground tilled and in The efforts that the two brothers made towards their good heart the demesne was held rent free, with further education clearly paid off. Thomas, having the landlord retaining timber and mineral rights. first been elevated to Head Carter on the farm went Unfortunately this agreement usually expired on on to become landlord of the principal village pub the tenant’s death, which explains James’s lowly “The Black Horse”, whilst the older brother James birthplace in the little farmworker’s cottage in the worked his way up through the hierarchy of the farm village. -
The Fox Jumps Over the Parson's Gate
The Fox jumps over the Parson’s Gate Peter Bellamy 1 The Spotted Cow,acc. concertina 2 Two Pretty Boys (The Two Brothers) 3 The Female Drummer 4 Here’s Adieu, Sweet Lovely Nancy, vocal duet with Chris Birch 5 The Ghost Song (The Cruel Ship’s Carpenter) 6 The Carnal and the Crane 7 The Little Black Horse (The Penny Wager), acc. fiddle 8 The Barley and the Rye,acc. fiddle 9 The Turkish Lady 10 Warlike Seamen (The Irish Captain),vocal duet with Chris Birch 11 The Blackberry Fold 12 Saint Stephen 13 The Rigs of London Town 14 The Fox Jumps Over the Parson’s Gate,acc. concertina Recorded at City of London Studios, 1969 First Published by Topic 1970 Notes by A. L. Lloyd Production A. L. Lloyd Cover Drawing: Randolph Caldecott Peter Bellamy became well-known to folk music revival Since October 1969, he has been performing as a solo singer, enthusiasts in England and the United States when he was concentrating mainly on deeply traditional song sung in a the luminary of the Young Tradition. Since the break-up of deeply traditional-sounding manner that owes much to his that group, he has been singing solo and has established admired Norfolk models, Harry Cox and Sam Larner. These himself as one of the most forthright and impressive of grand old-timers, it seems, still have as much to say to us all, younger singers of English folk song - indeed, there are good even those who are very much the young men of our time, judges who reckon he’s the best. -
Track Artist Album Format Ref # Titirangi Folk Music Club
Titirangi Folk Music Club - Library Tracks List Track Artist Album Format Ref # 12 Bar Blues Bron Ault-Connell Bron Ault-Connell CD B-CD00126 12 Gates Bruce Hall Sounds Of Titirangi 1982 - 1995 CD V-CD00031 The 12th Day of July Various Artists Loyalist Prisoners Aid - UDA Vinyl LP V-VB00090 1-800-799-7233 [Live] Saffire - the Uppity Blues Women Live & Uppity CD S-CD00074 1891 Bushwackers Faces in the Street Vinyl LP B-VN00057 1913 Massacre Ramblin' Jack Elliot The Essential Ramblin' Jack Elliot Vinyl LP R-VA00014 1913 Massacre Ramblin' Jack Elliot The Greatest Songs of Woodie Guthrie Vinyl LP X W-VA00018 The 23rd of June Danny Spooner & Gordon McIntyre Revived & Relieved! Vinyl LP D-VN00020 The 23rd Of June the Clancy Brothers & Tommy Makem Hearty And Hellish Vinyl LP C-VB00020 3 Morris Tunes - Wheatley Processional / Twenty-ninth of May George Deacon & Marion Ross Sweet William's Ghost Vinyl LP G-VB00033 3/4 and 6/8 Time Pete Seeger How to play the Old Time Banjo Vinyl LP P-VA00009 30 Years Ago Various Artists & Lindsey Baker Hamilton Acoustic Music Club CD H-CD00067 35 Below Lorina Harding Lucky Damn Woman CD L-CD00004 4th July James RAy James RAy - Live At TFMC - October 2003 CD - TFMC J-CN00197 500 Miles Peter Paul & Mary In Concert Vinyl LP X P-VA00145 500 Miles Peter Paul & Mary Best of Peter, Paul & Mary: Ten Years Together Vinyl LP P-VA00101 500 Miles The Kingston Trio Greatest Hits Vinyl LP K-VA00124 70 Miles Pete Seeger God Bless the Grass Vinyl LP S-VA00042 900 Miles Cisco Houston The Greatest Songs of Woodie Guthrie Vinyl LP -
Capercaillie Press Release
PRESS RELEASE Capercaillie GRACE AND PRIDE The anthology 2004 – 1984 To celebrate the 20th anniversary of Britain’s leading Celtic band, Survival Records release on the 13th September, the double CD anthology “Grace and Pride”. The album has 38 tracks taken from each of the band’s 15 albums, including previously unreleased, ultra rare and long deleted tracks. Throughout their career Capercaillie have drawn on two great strengths to inspire them. The first of these is the astonishing musical dexterity of the various fiddle, whistle, flute and pipe players who have performed with them over the years, lead by the accordion and keyboards of band founder Donald Shaw. The other foundation of the band has been the peerless voice of co-founder Karen Matheson, described by Sean Connery as having “a throat that is surely touched by God”. Universally recognised as one of the finest Gaelic singers alive today, Karen’s exquisite voice has been at the centre of the band’s music, whether breathing new life into 400-year old Gaelic songs or bringing her luscious vocals to the band’s contemporary compositions. Release date;- There have been many milestones for a band who have 13 September 2004 sold over a million albums world wide. These include Record label:- three silver and one gold album in the UK, the first Gaelic Survival Records Top 40 single, writing the music for, and appearing in the Catalogue No:- Hollywood movie “Rob Roy”, and performing in over thirty countries including Iraq, Macedonia and the Sudan. SURCD 030 Capercaillie have been credited with being the major Distribution:- force in bringing Celtic music to the world stage, and their Pinnacle unique fusion of Gaelic culture and contemporary sound has always stretched boundaries in their quest to keep the music evolving. -
The Musicians______
The musicians_______________________________________________________________________ Ross Ainslie Bagpipes & Whistle Ross hails from Bridge of Earn in Perthshire. He began playing chanter at the age of 8 and like Ali Hutton studied under the watchful eye of the late great Gordon Duncan and was a member of the Vale of Atholl pipe band. Ross also plays with Salsa Celtica, Dougie Maclean's band, India Alba, Tunebook, Charlie Mckerron's trio and in a duo with Irish piper Jarlath Henderson. He released his début solo album "Wide Open" in 2013 which was voted 9th out of 50 in the Sunday Herald "The Scottish albums of 2013". He was nominated for "musician of the year" at the Radio 2 folk awards 2013 and also for "Best Instrumentalist" at the Scots Trad Music Awards in 2010 and 2012. Ali Hutton Bagpipes & Whistle Ali, from Methven in Perthshire, was inspired at the age of 7 to take up the bagpipes and came up through the ranks at the Vale of Atholl pipe band. He was taught alongside Ross Ainslie by the late, great Gordon Duncan and has gone on to become a successful multi‐instrumentalist on the Scottish music scene. He has produced and co‐produced several albums such as Treacherous Orchestra’s “Origins”, Maeve Mackinnon's “Don't sing love songs”, The Long Notes’ “In the Shadow of Stromboli” and Old Blind Dogs’ “Wherever Yet May Be”. Ali is also currently a member of Old Blind Dogs and the Ross Ainslie band but has played with Capercaillie, Deaf Shepherd, Emily Smith Band, Dougie Maclean, Back of the Moon and Brolum amongst many others. -
Morris Matters Vol 28 Issue 2
N .:..: Ci) .0 E ::, z 00 N cJ E ::, 5 ~ @) Morris Matters Volume 28, Number 2 July 2009 Contents of Volume 28, Number 2 New tunes for the Morris - part 3 2 by Barry Goodman "A life changing moment for a former rugby player" 9 by Tony Barrand (with an anecdote by Rhett Krause) Bert Lloyd Centenary Event Announced 12 A Penny for the Plough boys, Only Once a Year 13 by George Frampton Pub Morris 15 'Mary Neal Day' at Cecil Sharp House, 7th February 2009 16 by Shirley Dixon Finding Vida 17 By Rhett Krause The Mayor of Ock Street 20 by Jerry West Where The Pavement Ends - Moulton Morris Men 23 CD review by Malcolm Major Rosie Turner-Bisset (1950 - 2009) 24 obituary by Bev & Richard Ashe This is summer. The weather has varied from wintry to moderate heatwave. In the news I have read reports of my local MP "having a go" at morris dancing with sticks, of a Plymouth artist who realised that almost no-one ever actually paints morris dancers and is hoping to remedy that with lifesize portraits - and own up, who was the 36-year old Bradford man who wrote on the "Secrets" Times blackboard, "I'm a Morris Dancer"? But it's been a good year for events. I have a report of the Plough Monday celebrations in Ramsey in January from George Frampton. I was fortunate enough to attend the Mary Neal day at Cecil Sharp House in February where the climax was the handing over of the Mary Neal papers by Lucy Neal to the care of Vaughan Williams Memorial Library.