Congo Massacre SPRINSKNIGHT Inaug^Iration Day a Year Ago
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
Джоñ€Ð´Ð¶ Кñžðºð¾ñ€ Филм ÑпиÑÑšðº (ФÐ
Джордж Кюкор Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Susan and God https://bg.listvote.com/lists/film/movies/susan-and-god-2061328/actors Romeo and Juliet on screen https://bg.listvote.com/lists/film/movies/romeo-and-juliet-on-screen-4010240/actors Tarnished Lady https://bg.listvote.com/lists/film/movies/tarnished-lady-3794581/actors Girls About Town https://bg.listvote.com/lists/film/movies/girls-about-town-1504117/actors Grumpy https://bg.listvote.com/lists/film/movies/grumpy-3777253/actors Romeo and Juliet https://bg.listvote.com/lists/film/movies/romeo-and-juliet-1081181/actors No More Ladies https://bg.listvote.com/lists/film/movies/no-more-ladies-116349/actors David Copperfield https://bg.listvote.com/lists/film/movies/david-copperfield-1174069/actors The Blue Bird https://bg.listvote.com/lists/film/movies/the-blue-bird-1198394/actors Desire Me https://bg.listvote.com/lists/film/movies/desire-me-1200732/actors A Double Life https://bg.listvote.com/lists/film/movies/a-double-life-1232912/actors Edward, My Son https://bg.listvote.com/lists/film/movies/edward%2C-my-son-1291456/actors One Hour with You https://bg.listvote.com/lists/film/movies/one-hour-with-you-1306660/actors Let's Make Love https://bg.listvote.com/lists/film/movies/let%27s-make-love-1348409/actors The Actress https://bg.listvote.com/lists/film/movies/the-actress-1373591/actors Lust for Life https://bg.listvote.com/lists/film/movies/lust-for-life-1423854/actors The Animal Kingdom https://bg.listvote.com/lists/film/movies/the-animal-kingdom-1514624/actors -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
The Billboard 1909-06-19: Vol 21 Iss 25
PRICE TEN CENTS FIFTY-SIX PAGES, REGISTERED IN UNITED STATES PATENT OFFICE. IVolome XXL No. 25. CINCINNATI-NEW YORK-CHICAGO LILLIAN LORRAINE, in The Follies of 1909, pnge Fabius Henrion DON’T PATRONIZE US CHEAP If the prices that you paid before we made ELECTRIC PIANO MUSIC, HAbtolut*!; were satisfactory. Remember wo are Non-Braskabl* Rultabir for amsll forcing Piano Manufacturers to estab¬ tbratre and murlDS lish fair prices; if you want to always ptrlnra ahowa. VVa carry these chairs ONLY have them, and get music that is su¬ In Block and eaa perior in all respects to what you had ship Immedlattly. iWcoDd'band chairs NOISELESS to tahe and look pleased at, then give also aeatlns (or ost <«f door uae. kdd. us your business. Dept. B. 8TBB1 CARBONS KUKNITURE CO.. (> r a n d Rapida. MUSIC FOR ALL MAKES OF Mlchlfan. Boatos ON A. C. (NBce Conarsaa PIANOS at., Boaton, Maas Write for Samples and our List of Monadnock Bldf.. FILM EXCHANGES. San FYanclaco. Cal.; N. Y. Ollire, 44 Dark Ilacs. —Sole Importers— ^ li Z J Less than a dozen, fl.50 ei Edward E. Cary Co UNITED STATES MUSIC CO ■IHCORPORATEI LARGEST MAKERS IN THE WORLD 1030-36 N. Western Avenue, - • . CHICAGO, U. 8. A. - ■ -- Write for Catalorua. - Send In your orders for the Moving Picture Machines, PITTSBURG Stereopticons, Slides, Accessories. FOffTIIEt MADE II A tIMLE SEAtOI CHAS. M. STEBBINS, Operatina the “Ctrcllna Ware" Amuaement Oa CHIP RINGS 1028 MAIN STREET. - - KANSAS CITY, MO. Tice. If you want to KLEVATB MANKIND. If Trice, $2..'>G per doa. -
George Cukor
FİI~M YÖNETMENLERİ İLE SÖYLEŞİLER Çeviren: Andrew SARRIS İng. Ok. A. Fikret IŞIKYAKAR GEORGE CUKOR George Cukor: Biliyorsunuz, özür dilemekten daha kötü bir şey yok. Örneğin, bir film iyi olmadığı, ya da kötü biçimde eleş tirildiğiniz zaman, bunun hatası, şunun hatası yüzünden oldu demek çok kötü bir şey. Benim yaptığım sadece açık konuşmak: şansımız yaver gitmedi, bunu unutalım demek tir. Ama, mademki konunun detayına iniyorsunuz, size bu konuda bir şey söyliyelim. Gariptir ki, bir şeyler ortaya koy mak istediğim en iyi sahnelerin bazıları başarılı olamamış filmler içinde yer almaktadır. Bu, çok gariptir. Ama, Öykü• nün ana hatları böyle sahneleri içeriyor ise, o zaman, fil min sahneleri gerçekten bir şey ifade etmez. Ben, öykünün çok önemli olduğu kanısındayım. Kısaca öykünün anlatımı. Belki de öykü olmaksızın en iyi yapımı gerçekleştirebilir, rolü en güzel biçimde oynayabilirsiniz... ama, hepsi başa rısız olur, çünkü, izleyicinin dikkatini çekemezsiniz. 136 Richard Overstreet: Bu açıdan, The Chapman Report'un (Şehvet li Kadınlar) başarılı olduğu kanısında mısınız? GC: Onun ile ilgili olarak size bazı şeyler söylemeliyim. O, üç kadın ve bu kadınların sorunları ile ilgili bir öykü idi. Jane Fonda'nın sorunu, soğukluk (frigidity) idi... Temel sorun, kitabın oldukça coşturucu olması idi. Kanımca kitabın ya zarı, bir süre sonra, yayın evinin ricası üzerine, kitabın ge nel havasını gözden geçirdi. Böylece tüm sonuç, hummalı bir hastalıktan sonra meydana çıkmış gibi oldu. Mamafih, kitap çok hoşuma gitti. RO Bu kitabı, sizden film yapmanız isterimeden önce, okumuş muydunuz? GC Kitabı daha önce okudum... ve bir şeyden etkilendiğimi söy• leyebilirim: Fox şirketi ile sözleşmem vardı. Beni mahke meye vermeyi, ya da buna benzer bir iş yapmayı planlıyor yorlardı. -
Lowell Is Gripped by Weekend Long Warnings
The Grand Valieu Ledger Serving Lowell Area Reader* Since 1893 Volume 10, Issue 44 September 17,1986 Lowell is gripped by weekend long warnings "Bcc-dcc-bcc-bcc-dce-bccp. Rather than evacuating the Shopkeepers began moving Bcc-dcc-bcc-bcc-dcc-bccp". curious flocked lo Belding hop- their merchandise to high alerted TV viewer* lo a scroll ing to witness the dam burst. ground, or out of the store com- announcement on the lube Fri- Hundreds gathered on bridges pletely. Fearing the worst, GAG day evening. The message came and other vantage points on the Reproductions and the Lowell as a shock to viewers here in Rat between Belding and Low- Sport Shoppe hauled their mer- Lowell. It said the Belding Dam ell. In downtown Lowell, traffic chandise away. Gary Timinkas, was in imminent danger of burst- was ' snarled as spectators whose business. The Gift Gal- ing and that the White's Bridge gathered on the bridge and river lery" is perched precariously and Burroughs Dams would banks Record rains on Tuesday, over the Rat River at 106 W. likely fail when a seven to eight Wednesday and Thursday drop- Mam St.. said Ml had a truck foot wall of water roared down ped up to 13 inches of rain on parked right out front, and was the Rat River. Residents along the area. By Friday several dams ready to start loading as soon as the Rat in Belding, Smyrna and had given out around the state, word came down that the Beld- Lowell were told to take meas- and the dams along the Rat were ing Dam had broken.** ures to safeguard property and being tested. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
No. BOWLING GREEK STATE Unwersiw LIBRARY
No. IRVING WALLACE: THE MAKING OF A BESTSELLER W. John Leverence A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY -June 1974 Approved by Doctoral Committee (/3. Advisor Department of English Graduate School Representative &-S-7} Janus ia£\^ BOWLING GREEK STATE UNWERSiW LIBRARY il ABSTRACT Having served as a newspaperman, a foreign correspondent during World War II, a major participant in the famous "Why We Fight Series" for the Army Signal Corps, a magazine writer, a studio contract writer, and a novelist, Irving Wallace's career is a number of careers in amal gam. During any stage of his life as a professional writer he could be considered a paradigm by which one could learn of the problems and pos sibilities of that area of professional writing. How he achieved his position as one of the world's most successful writers is a remarkable story, not only of Irving Wallace, but of the structures of success and failure in the day-to-day world of American commercial writers. In late January, 1973, Irving Wallace began depositing manuscripts, letters and ephemera in the archives of The Center For The Study of Popular Culture, Bowling Green University. This study is based upon those materials and further information provided this researcher by Mr. Wallace. This study concluded that the novels of Irving Wallace are the matic and structural extensions of his careers in journalism and film writing. The craft and discipline of journalism and film writing served him well in his apprenticeship as a writer, but were finally restrictive to him because of their commercial nature. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
Albuquerque Morning Journal, 11-02-1911 Journal Publishing Company
University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 11-2-1911 Albuquerque Morning Journal, 11-02-1911 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 11-02-1911." (1911). https://digitalrepository.unm.edu/ abq_mj_news/2193 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ALBUQUEBQUE MORNING JOUENAL. Ujr Mail oQ Crau Month; Single Coptc. & OnM. THIRTY-THIR- D YEAR, VOL CXXXII, No. NEW MEXICO, THURSDAY, NOVEMBER 33. ALBUQUERQUE, 2, 1911 By Carrier, (0 Cent a Month. iliiTlIfi LOSE LIS IMPERIAL ARWIY wmmh ' ion eon m powder mtssam u riw mm. WILL CEASE belief . factory IS FIGHTING OF POLICE DESTROYED Appointment of Yuan Shi Kai as Premier to Mark Opening of Negotiations With Revolu- I V lit 1 a Chicago Authorities Conducting r ire in tneaiis, wash., Mil tionists, Rigid Investigation of Nine Burns Seven to Death Out- Deaths Occurring in Wo- right While Eighth Will Bjr Maralng Jnnrul KpeHol Iaa4 W1r.1 IVktiia. Xut. 8. The war ef- - man's Boarding House. Succumb, fice has received a report that the Imperialists captured Han kow and massacredhe the nopula- - TOXICOLOGISTS EXAMINING CARELESS WORKMAN tion. VISCERA OF DEAD PERSONS CAUSE OF DISASTER Peking. Nov. 1. The appointment of Yuan Shi Kai today hs uremier of China, will be followed by a cessation New Facts Unearthed in Case Let Pot of Paraffin Bcil Over, of hostilities on the pari of the Im Resulting in Fatal Flash; Bod- perialists and the opening of negotia Indicate Murder of Relatives tions with General 1,1 Yuen Hens, Friends By Administrat- ies Impossible of Identifi- leader of the revolutionists tit Han- and kow. -
George Eastman House Annual Report 2013
George Eastman House Annual Report 2013 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Program Highlights 5 Online Access 6 Education 7 Loans 9 Acquisitions 13 Conservation & Preservation 18 Financial 20 Fundraising 22 Trustees, Advisors & Staff 31 900 East Avenue, Rochester, NY 14607 | eastmanhouse.org Exhibitions Ballyhoo: The History of Space Photography Ongoing The Art of Selling the Movies Curated by Jay Belloli for the Curated by Caroline Yeager, California/International Arts Kodak Camera at 125 assistant curator of motion pictures Foundation, Los Angeles, California Curated by Todd Gustavson, March 10, 2012–January 27, 2013 October 26, 2013–January 12, 2014 technology curator Opened September 2013 60 from the 60s Astro-Visions Curated by Alison Nordström, Curated by Jamie Allen, assistant Machines of Memory: Cameras senior curator of photographs; and curator of photographs from the Technology Collection Jamie Allen, assistant curator of October 26, 2013–January 12, 2014 Curated by Todd Gustavson, photographs technology curator October 6, 2012–January 27, 2013 Bigger Than Life: CinemaScope at 60 Photo/Film History Timeline Camera Obscura Curated by James Layton, assistant Curated by Jessica Johnston, Curated by Jessica Johnston, archivist; Shota Ogawa, University assistant curator of photographs assistant curator of photographs; and of Rochester fellow; Edward S. The Remarkable George Eastman Todd Gustavson, technology curator Stratmann, associate curator; and Curated by Kathy Connor, curator of December 22, 2012–May 12, 2013 Anthony L’Abbate, preservation George Eastman Legacy Collection; officer, of the Motion Picture and Rick Hock, director of exhibitions Dutch Connection Department Curated by Amy Kinsey, Nancy R. -
Richard W. Lichty
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