An Adversarial Interface Design Pattern to Support Ideation
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User Experience Design: Design for Empowerment
NMDD 3450 / Summer 2020 User Experience Design: Design for Empowerment Session: Session I (June 1st – June 18th) Class Time: Mon, Tue, & Thur (1-5pm) w/ remaining time online asynchronously Location: TBD Professor: Ralph Vacca | [email protected] | Office @ Martino Hall (45 Columbus Ave) Room 716 Office Hours: Monday & Thursday 11:00 - 12:30pm Links: CMS Facebook: www.facebook.com/FordhamCMS | Twitter: www.Twitter.com/FordhamCMS This course focuses on how human-centered design and participatory design methods can be used as approaches to empowerment. Students will gain hands-on experience with conducting user research, synthesizing findings into insights, ideating, sketching, rapid prototyping, and validating concepts with users. Course readings, discussions, and activities will be organized into a user-experience project to help students get out and interact with real users, needs, and challenges. COURSE MATERIALS Textbooks: ● Quesenbery, W., Brooks, K. (2010). Storytelling for User Experience: Crafting Stories for Better Design. United States: Rosenfeld Media. ● Norman, D. (2013). The Design of Everyday Things: Revised and Expanded Edition. United States: Basic Books. ● Knapp, J., Zeratsky, J., Kowitz, B. (2016). Sprint: How to Solve Big Problems and Test New Ideas in Just Five Days. Spain: Simon & Schuster. ● Greenberg, S., Marquardt, N., Buxton, B., Carpendale, S. (2012). Sketching User Experiences: The Workbook. Netherlands: Elsevier Science. Additional Materials Needed: ● You are required to purchase a physical sketchbook for the course. Any blank paper (no lines) sketchbook that is 8 x 11 or larger. You want to have enough space. These sketchbooks are great, but feel free to find your own. COURSE GOALS ● Students will gain familiarity with human-centered design research methods ● Students will learn to generate typical user experience design outputs such as personas, journey maps, storyboards, and wireframes. -
Speculative – Post-Design Practice Or New Utopia?
1 The XXI International Exhibition photographs Curators of the Triennale di Milano, respective authors & Robert Sošić, Ivica Mitrović & Oleg Šuran “The 21st Century. Design Ivo Martinović, Glorija Lizde, After Design”, presentation Darko Škrobonja, kontejner.org Exhibition equipment design of the Republic of Croatia Filip Havranek & Kristina thanks to Lugonja ( Havranek+Lugonja ) National Museum od Science General Consulate of Republic 2 and Technology Leonardo of Croatia in Milano: Authors da Vinci / Cavallerizze ( Iva Pavić, Emina El Majzoub ), Lina Kovačević, Robert Čanak, 2 April – 12 September 2016 Dunja Miličić, Luciana Škabar, Anselmo Tumpić, Nikola Bojić, Maja Mrduljaš, Jure Grgić, Jelena Damir Prizmić, Ivica Mitrović, Speculative – Post-Design Perišić, Marko Golub, Filip Rogošić Oleg Šuran, Andreja Kulunčić, Practice or New Utopia? Nina Bačun, Anders Mellbrat English translation & Silvio Vujičić Publishers Mirna Herman Baletić & Leo Štedul Ministry of Culture of ( Jezični laboratorij d.o.o. ) Organisers the Republic of Croatia & Ministry of Culture of Croatian Designers Association Italian translation the Republic of Croatia & Erika Koporčić & Katja Anić Croatian Designers Association for publishers Zlatko Hasanbegović, PhD graphic design coordination & Ivana Borovnjak Oleg Šuran Mirjana Jakušić, Iva Mostarčić & Nevena Tudor Perković editors Typefaces Ivica Mitrović & Oleg Šuran Thema, Thema Moderato, speculative.hr Typonine Sans, texts Typonine Sans Condensed Zagreb, 2016 Ivica Mitrović & Marko Golub ( Nikola Đurek, Typonine -
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
Designing for Democracy: Using Design Activism to Re- Negotiate the Roles and Rights for Patients
Designing For Democracy: Using Design Activism to Re- negotiate the Roles and Rights for Patients Eva Knutz, Department of Communication Design, Kolding School of Design, Denmark Thomas Markussen, Department of Communication Design, Kolding School of Design, Denmark Signe Mårbjerg Thomsen, Department of Communication Design, Kolding School of Design, Denmark. Jette Ammentorp, Health Services Research Unit, Hospital Lillebaelt/IRS Vejle, University of Southern Denmark. Abstract In this paper we focus on ‘patient-democracy’ and ‘shared decision-making’ seen from the perspective of design practice and design research. In the research on democracy in healthcare it is rarely questioned what forms of democracy underlies these concepts. We have examined three different theories of democracy and the democratic practices that belong to each of these. For designers working to increase patient democracy it is of vital importance to be able to distinguish different structures underlying democratic practices and to work out methods for prototyping democracy. In design research there are already a number of approaches available which in one way or the other address the relationship between design, democracy and power. We provide an account of participatory design, adversarial design and design activism thereby pointing towards design’s potential for re-distributing power and authority in healthcare. Positioning ourselves within design activism, we have set up a series of disruptive design experiments at a Danish Hospital. The aim of these experiments is to make inquiries into the hospital’s own conception of democracy and to use design activism to re-negotiate the roles and rights for patients thereby exploring various disruptive realities wherein the patient becomes a citizen with democratic rights. -
SPILL Study Room Guide
Study Room Guide SPILL STUDY BOXES November 2012 In 2012 SPILL Festival of Performance, Ipswich invited the Agency to create a special pop-up version of the Study Room for the SPILL Study Café. For the Study Café the Agency curated a selection of 20 Study Boxes each containing a range of hand picked DVDs, books and other materials around specific themes that we believed would inspire, excite and intrigue artists and audiences attending the Festival in Ipswich. The Study Boxes reflected the work of a huge range of UK and international artists and represent a diversity of themes including issues of identity politics in performance, the explicit body in performance, large scale performance, sound and music in performance, activism and performance, ritual and magic, large scale performance, strange theatre, life long performances, participatory performance, critical writing, non Western performance, do it yourself, trash performance, and many more. Each Study Box contained between four and eight items and could be used for a quick browse or for a day-long study. “Completely brilliant.” (Andy Field, Forest Fringe) “The openness and democracy of the Study Café is essential in a festival where questions of access are so present. It illustrates the need to offer the work of artists up for wider consumption rather than limited to the tight circle of those in the know. Proximity cuts both ways, and as a group of performance makers, it falls to artists, writers and enthusiasts to collapse these referential gaps between audiences. As funding shrinks and organisations falter, the ability to bring those without any history of performance in, to speak to issues outside of the intellectual concerns of Live Art becomes essential for the survival of the form and any community around it. -
26. April 2015 Ausstellung 22. April - 26
22. April - 26. April 2015 Ausstellung 22. April - 26. Mai 2015 "Now" CONTENT Imprint 24 Words of Welcome 26 FilmFestSpezial-TV 34 Film- & Videokommission 35 INTERNATIONALE AUSWAHL 36 Being There 36 Curious Correlations 40 Ecstatic Realism 44 Freestyle 48 Gold Diggers 52 Home Made Video 55 Life - Art - Balance 56 New Order 59 Oblique Strategies 63 Of Hope And Glory 67 Orgy of the Devil 68 Parandroids 69 Past's Present 72 (Re)Visionaries 74 State of Passage 76 Through Time And Space 78 Tick Tack Ton 80 IRONY Ash & Money 86 Displaced Persons 87 A Pigeon Sits on a Branch Reflecting on Existence 88 Jedes Bild ist ein leeres Bild 89 The Yes Men Are Revolting 90 Werk 91 RETROSPECTIVE 92 Irony as Subversive Intervention 92 La vie en rose 93 Film als Message 98 The Crisis of Today is the Joke of Tomorrow 101 Wir haben's doch! 104 Zaun schärfen in Dunkeldeutschland oder Das tätowierte Schwein ohne Sonnenschein 108 MEDIA CAMPUS 110 A Hard Day's Life 110 Alienation 114 Connexions 118 Family Affairs 122 No Place Like Home 125 MEDIA CAMPUS SPECIAL 128 Multimedia University in Malaysia 128 EXHIBITION IRONY 130 Ironie in der Medienkunst - Subversive Interventionen 130 Oferta Especial - Ruben Aubrecht 133 Loophole for all - Paolo Cirio 134 This Unfortunate Thing Between Us (TUTBU) - Phil Collins 136 Autoscopy for Dummies - Antonin De Bemels 138 22 Dear Lorde - Emily Vey Duke, Cooper Battersby 139 Justified Beliefs - Christian Falsnaes 140 Rise - Christian Falsnaes 141 Bigasso Baby - annette hollywood 142 Casting Jesus - Christian Jankowski 143 Forbidden Blood - Istvan Kantor 144 Turmlaute 2: Watchtower - georg klein 146 Van Gogh Variationen - Marcello Mercado 147 TSE (Out) - Roee Rosen 148 The Wall - Egill Sæbjörnsson 150 Leaving A User's Manual - *Iron A Hare * Leave A Desire * Climb Up Hight - Meggie Schneider 152 EXHIBITION MEDIA CAMPUS 154 KHM_section - Kooperation mit Prof. -
Oblique Strategies
Remove specifics and convert to ambiguities Think of the radio Don't be frightened of clichés Allow an easement (an easement is the abandonment of a stricture) What is the reality of the situation? Simple subtraction Are there sections? Consider transitions Remove specifics and convert to ambiguities Turn it upside down Go slowly all the way round the outside Oblique Strategies © 1975, 1978, 1979 Brian Eno/Peter Schmidt PDF file created by Matthew Davidson http://www.stretta.com A line has two sides Infinitesimal gradations Make an exhaustive list of everything you might do Change instrument roles and do the last thing on the list Into the impossible Accretion Ask people to work against their better judgment Disconnect from desire Take away the elements in order Emphasize repetitions of apparent non-importance Don't be afraid of things because they're easy to do Is there something missing? Don't be frightened to display your talents Use unqualified people Breathe more deeply How would you have done it? Honor thy error as a hidden intention Emphasize differences Only one element of each kind Do nothing for as long as possible Bridges -build Water -burn You don't have to be ashamed of using your own ideas Make a sudden, destructive unpredictable action; incorporate Consult other sources Tidy up Do the words need changing? Use an unacceptable color Ask your body Humanize something free of error Use filters Balance the consistency principle with the inconsistency principle Fill every beat with something Do nothing for as long as possible -
Journal of Language, Literature and Culture Studies Dil, Edebiyat Ve
Lit ra Journal of Language, Literature and Culture Studies Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1 E-ISSN: 2602-2117 Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Indexing and Abstracting Web of Science Emerging Sources Citation Index (ESCI) MLA International Bibliography, TÜBİTAK-ULAKBİM TR Index, SOBİAD Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Owner / Sahibi Prof. Dr. Hayati DEVELİ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Responsible Manager / Sorumlu Yazı İşleri Müdürü Prof. Dr. Mahmut KARAKUŞ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Correspondence Address / Yazışma Adresi Istanbul University, Faculty of Letters, Department of Western Languages and Literatures 34134, Laleli, Istanbul - Turkey Phone / Telefon: +90 (212) 455 57 00 / 15900 e-mail: [email protected] http://litera.istanbul.edu.tr Publisher / Yayıncı Istanbul University Press / İstanbul Üniversitesi Yayınevi Istanbul University Central Campus, 34452 Beyazit, Fatih / Istanbul - Turkey Phone / Telefon: +90 (212) 440 00 00 Printed by / Baskı İlbey Matbaa Kağıt Reklam Org. Müc. San. Tic. Ltd. Şti. 2. Matbaacılar Sitesi 3NB 3 Topkapı / Zeytinburnu, Istanbul - Turkey www.ilbeymatbaa.com.tr Sertifika No: 17845 Authors bear responsibility for the content of their published articles. Dergide yer alan yazılardan ve aktarılan görüşlerden yazarlar sorumludur. The publication languages of the journal are German, French, English, Spanish, Italian and Turkish. Yayın dili Almanca, Fransızca, İngilizce, İspanyolca, İtalyanca ve Türkçe’dir. -
Practice-Based Ontological Design for Multiplying Realities
Strategic Design Research Journal, 11(2): 58-64 May-August 2018 Unisinos – doi: 10.4013/sdrj.2018.112.02 Practice-based ontological design for multiplying realities Christian Nold [email protected] University College London. Department of Geography. Pearson Building, Gower Street WC1E 6BT, London, United Kingdom ABSTRACT This text argues that a practice-based notion of ontological design is useful for designers to transform the politics of the already designed world. The text analyzes three approaches to the philosophical concept of ontology and suggests that a Science and Technology Studies approach focused on observing ontologies in practice provides pragmatic potential for designers to intervene in public controversies. The author’s case study of a contested airport expansion demonstrates that this approach can sensitize the designer to multiple realities, identify ‘where’ the ontological infrastructure of a problem is located, and define ‘what’ design is needed to transform a controversy. The text uses these findings to propose principles of practice-based ontological design that can support designers who are seeking to transform the world into a series of situated controversies. Keywords: ontological design, ontological politics, design interventions Introduction: searching for a a better world requires alternative ontological models; “it new kind of design is about the making of ‘worlds and knowledges otherwise’, that is, worlds and knowledges constructed on the basis of different ontological commitments” (Escobar, 2013, This text joins a growing movement for political de- sign that can transform the world and move beyond com- p. 34). By replacing modernist design with new ontological mercial and functionalist imperatives. This can be seen in commitments, they hope this will correct the imbalance be- approaches such as adversarial design (DiSalvo, 2012), tween the Global North and South and create new forms of critical making (Ratto et al., 2014) and participatory design autonomy and collectivity. -
Tricky Design Probes: Triggering Reflection on Design Research Methods Anaëlle Beignon, Emeline Brulé, Jean-Baptiste Joatton, Aurélien Tabard
Tricky Design Probes: Triggering Reflection on Design Research Methods Anaëlle Beignon, Emeline Brulé, Jean-Baptiste Joatton, Aurélien Tabard To cite this version: Anaëlle Beignon, Emeline Brulé, Jean-Baptiste Joatton, Aurélien Tabard. Tricky Design Probes: Trig- gering Reflection on Design Research Methods. Designing Interactive Systems, Jul 2020, Eindhoven, Netherlands. 10.1145/3357236.3395572. hal-02869220 HAL Id: hal-02869220 https://hal.archives-ouvertes.fr/hal-02869220 Submitted on 25 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Tricky Design Probes Triggering Reflection on Design Research Methods Anaëlle Beignon1,2, Emeline Brulé3 *, Jean-Baptiste Joatton1 *, Aurélien Tabard2 * * Listed by alphabetical order - the authors contributed equally 1Pôle supérieur de design 2Univ Lyon, Université Lyon 1, 3University of Sussex Villefontaine, France CNRS, LIRIS, UMR5205 Falmer, United Kingdom [email protected] F-69621, France [email protected] [email protected] [email protected] ABSTRACT INTRODUCTION However, this does not bring the critique to the Design research methods are increasingly used as In the last decades, design toolkits for research everyday design process itself - where values are being ready-made recipes for success in a variety of fields or ideation have found their way into businesses, generated and negotiated-therefore missing out on and multidisciplinary teams. -
CV DI SALVO Carl
Carl DiSalvo, Ph.D. Assistant Professor School of Literature, Media, and Communication Georgia Institute of Technology [email protected] http://carldisalvo.com EARNED DEGREES Ph.D., Design, Carnegie Mellon University, 2006 M.L.S., Liberal Studies, University of Minnesota, 1997 B.F.A., Studio Art, University of Minnesota, 1994 EMPLOYMENT Assistant Professor, School of Literature, Communication, and Culture, The Georgia Institute of Technology, Atlanta, GA, USA (2007 – present) Affiliated Faculty, Graphics, Visualization, and Usability Center (GVU) The Georgia Institute of Technology, Atlanta, GA, USA (2007 – present) Post-doctoral Fellow, The Center for the Arts in Society and The Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh, PA, USA (2006 – 2007) Founding Partner, DeepLocal, Inc., Pittsburgh, PA, USA (2006 – 2007) Senior Designer, MetaDesign, San Francisco, CA, USA (2000 – 2001) SCHOLARLY ACCOMPLISHMENTS Books Adversarial Design, Cambridge: MIT Press, 2012. Refereed Book Chapters DiSalvo, Carl. “DIY Speculation Through Design.” DIY Citizenship. Eds. Matt Ratto and Megan Bohler. Cambridge: MIT Press. Forthcoming, Fall 2012. DiSalvo, Carl, Andrew Clement, and Volkmar Pipek. “Participatory Design For, With, and By Communities.” International Handbook of Participatory Design . Eds. Jesper Simonsen and Toni Robertson. Oxford: Routledge. 2012: 182-209. DiSalvo, Carl, and Jonathan Lukens. “Nonanthropocentrism and the Nonhuman in Design: Possibilities for Designing New Forms of Engagement With and Through Technology.” From Social Butterfly to Engaged Citizen . Eds. Marcus Foth, Laura Forlano, Christine Satchell, and Martin Gibbs. Cambridge: MIT Press. 2012, 421-435. DiSalvo / CV ## Refereed Journal Publications Freeman, Jason, Carl DiSalvo, and Michael Nitsche. “Rediscovering the City with UrbanRemix.” Leonardo . Forthcoming, Vol. 45, No. 5 (2012): 478-479. -
{ Brad Brace } Pleated Plaid Pamphlet 4 [Accompanies Insatiable
{ brad brace } Pleated Plaid Pamphlet Volume 54 [accompaniment to insatiable abstraction engine] http://www.bbrace.net/abstraction-engine.html bbrace@eskimo.