View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queensland University of Technology ePrints Archive This is the author’s version of a work that was submitted/accepted for pub- lication in the following source: Hansson, Karin, Choi, Jaz Hee-jeong, Pargman, Tessy Cerratto, Bardzell, Shaowen, Forlano, Laura, DiSalvo, Carl, Lindtner, Silvia, & Joshi, Somya (2016) Ting: making publics through provocation, conflict and appropriation. In Smith, Rachel Charlotte & Kanstrup, Anne Marie (Eds.) PDC ’16 Proceedings of the 14th Participatory Design Conference: Short Papers, Interactive Exhibitions, Workshops, ACM, Aarhus, Denmark, pp. 109-110. This file was downloaded from: https://eprints.qut.edu.au/103966/ c 2016 ACM Notice: Changes introduced as a result of publishing processes such as copy-editing and formatting may not be reflected in this document. For a definitive version of this work, please refer to the published source: https://doi.org/10.1145/2948076.2948092 Ting: Making publics through provocation, conflict and appropriation Karin Hansson Jaz Hee-jeong Choi Tessy Cerratto Shaowen Bardzell Stockholm University, Kista, Queensland University of Pargman Indiana University, Sweden Technology, Queensland, Stockholm University, Kista, Bloomington, Indiana, USA
[email protected] Australia Sweden
[email protected] [email protected] [email protected] Laura Forlano Somya Joshi Illinois Institute of Carl DiSalvo Silvia Lindtner Stockholm University, Kista, Technology, Chicago, Georgia Institute of School of Information, Sweden Illinois, USA Technology, Atlanta, University of Michigan, Ann
[email protected] [email protected] Georgia, USA Arbor, Michigan, USA
[email protected] [email protected] ABSTRACT the importance of the situatedness and materiality of the design In Swedish the word “ting” has different meanings.