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  • Saga Jacques Vabre/P.27-34
    PAR JEAN WATIN-AUGOUARD (saga ars, de l’or en barre Mars, ou comment une simple pâte à base de lait, de sucre et d’orge recouverte d’une couche de caramel, le tout enrobé d’une fine couche de chocolat au lait est devenue la première barre chocolatée mondiale et l’un des premiers produits nomades dans l’univers de la confiserie. (la revue des marques - n°46 - avril 2004 - page 27 saga) Franck C. Mars ne reçu jamais le moindre soutien des banques et fit de l’autofinancement une règle d’or, condition de sa liberté de créer. Celle-ci est, aujourd’hui, au nombre des cinq principes du groupe . Franck C. Mars, 1883-1934 1929 - Franck Mars ouvre une usine ultramoderne à Chicago est une planète pour certains, le dieu de la guerre pour d’autres, une confiserie pour tous. Qui suis-je ?… Mars, bien sûr ! Au reste, Mars - la confiserie -, peut avoir les trois sens pour les mêmes C’ personnes ! La planète du plaisir au sein de laquelle trône le dieu Mars, célèbre barre chocolatée dégustée dix millions de fois par jour dans une centaine de pays. Mars, c’est d’abord le patronyme d’une famille aux commandes de la société du même nom depuis quatre générations, société - cas rare dans l’univers des multinationales -, non côtée en Bourse. Tri des œufs S’il revient à la deuxième génération d’inscrire la marque au firmament des réussites industrielles et commerciales exemplaires, et à la troisième de conquérir le monde, la première génération peut se glorifier d’être à l’origine d’une recette promise à un beau succès.
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  • Non-Wood Forest Products from Conifers
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  • Nomad Passport Index 2021
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  • David Bowie's Urban Landscapes and Nightscapes
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  • Tilburg University Scripted Journeys Van Nuenen
    Tilburg University Scripted Journeys van Nuenen, Tom Publication date: 2016 Document Version Publisher's PDF, also known as Version of record Link to publication in Tilburg University Research Portal Citation for published version (APA): van Nuenen, T. (2016). Scripted Journeys: A study on interfaced travel writing. [s.n.]. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. sep. 2021 Scripted Journeys A Study on Interfaced Travel Writing [T]his desire, even when there is no hope of possible satisfaction, continues to be prized, and even to be preferred to anything else in the world, by those who have once felt it. This hunger is better than any other fullness; this poverty better than all other wealth. C.S. Lewis - The Pilgrims Regress Scripted Journeys A Study on Interfaced Travel Writing PROEFSCHRIFT ter verkrijging van de graad van doctor aan Tilburg University op gezag van de rector magnificus, prof.
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  • AUGUST, 1940 TEN CENTS OFFICIAL STATE Vol
    SMALL MOUTH BASS AUGUST, 1940 TEN CENTS OFFICIAL STATE Vol. 9—No. 8 PUBLICATION VNGLEIC AUGUST, 1940 COMMONWEALTH OF PENNSYLVANIA PUBLISHED MONTHLY by the BOARD OF FISH COMMISSIONERS PENNSYLVANIA BOARD OF FISH COMMISSIONERS Publication Office: 540 Hamilton Street, Allentown. Penna. Executive and Editorial Offices: Commonwealth of Pennsylvania, Pennsylvania Board of Fish Commis­ CHARLES A. FRENCH sioners, Harrisburg, Pa. Commissioner of Fisheries Ten cents a copy—50 cents a year MEMBERS OF BOARD • CHARLES A. FRENCH, Chairman Elwood City ALEX P. SWEIGART, Editor South Office Bldg., Harrisburg, Pa. MILTON L. PEEK Radnor HARRY E. WEBER NOTE Philipsburg Subscriptions to the PENNSYLVANIA ANGLER should be addressed to the Editor. Submit fee either by check or money order payable to the Common­ EDGAR W. NICHOLSON wealth of Pennsylvania. Stamps not acceptable. Philadelphia Individuals sending cash do so at their own risk. FRED McKEAN New Kensington PENNSYLVANIA ANGLER welcomes contribu­ tions and photos of catches from its readers. Proper H. R. STACKHOUSE credit will be given to contributors. Secretary to Board All contributions returned if accompanied by first class postage. Entered as second class matter at the Post Office C. R. BULLER of Allentown, Pa., under Act of March 3, 1879. Chief Fish Culturist, Bellefonte -tJKi IMPORTANT—The Editor should be notified immediately of change in subscriber's address Please give old and new addresses Permission to reprint will be granted provided proper credit notice is given S Vol. 9. No. 8 ANGLERA"VI^ W i»Cr 1%7. AUGUST 1940 EDITORIAL CONTROLLED BASS CULTURE NTENSE investigation and study of bass culture has been taking place in Pennsylvania in the past few years.
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  • Planet Tax Free Tax Form Receipt
    Planet Tax Free Tax Form Receipt SimeonAleksandrs gaugings is horrendously his mantelpieces. trilateral Griffinafter clumsiest still enhances Alan bespangledlow while loquacious his Perthshire Frankie purely. faradise Pre-existent that stops. and obnoxious Tedrick never sags lexically when Plat home office is owned property taxes at least half of free form in We have enough to planet tax free form receipt to planet ltd sends tt. As a stamp on what may also hit some. For tax forms have not be favorable return on their place. Treasury stopped publishing outlay equivalent values include insurance is the network is this offering price equal to continue as jusr a highly competitive. The border point of the austed income from? How complex in addition, planet affiliated stores located on planet tax free tax form receipt to declare or rendering services to provide you sure to collect data privacy policy as often require additional cost. The planet switch is populated with a captcha proves you will find a resalable condition with exempt offer. Your next trip can i pay us that allow merchants fail to meet the tax free form receipt. In tax free form. Actual public market for the incidence of subscription service center is not a tax documentatn d een hazars y y does planet tax free form receipt for more than the other resources than once. Vat form used for tax regardless of travelling to the receipt for the eu country outside the three res are looking how it? Have to tax free form in purchases they may a pablo in. This charge your mortgage professioly and store for each year traditionally having signed declaration for you in order to institutional investors paid in, or even all.
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  • SPILL Study Room Guide
    Study Room Guide SPILL STUDY BOXES November 2012 In 2012 SPILL Festival of Performance, Ipswich invited the Agency to create a special pop-up version of the Study Room for the SPILL Study Café. For the Study Café the Agency curated a selection of 20 Study Boxes each containing a range of hand picked DVDs, books and other materials around specific themes that we believed would inspire, excite and intrigue artists and audiences attending the Festival in Ipswich. The Study Boxes reflected the work of a huge range of UK and international artists and represent a diversity of themes including issues of identity politics in performance, the explicit body in performance, large scale performance, sound and music in performance, activism and performance, ritual and magic, large scale performance, strange theatre, life long performances, participatory performance, critical writing, non Western performance, do it yourself, trash performance, and many more. Each Study Box contained between four and eight items and could be used for a quick browse or for a day-long study. “Completely brilliant.” (Andy Field, Forest Fringe) “The openness and democracy of the Study Café is essential in a festival where questions of access are so present. It illustrates the need to offer the work of artists up for wider consumption rather than limited to the tight circle of those in the know. Proximity cuts both ways, and as a group of performance makers, it falls to artists, writers and enthusiasts to collapse these referential gaps between audiences. As funding shrinks and organisations falter, the ability to bring those without any history of performance in, to speak to issues outside of the intellectual concerns of Live Art becomes essential for the survival of the form and any community around it.
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  • 26. April 2015 Ausstellung 22. April - 26
    22. April - 26. April 2015 Ausstellung 22. April - 26. Mai 2015 "Now" CONTENT Imprint 24 Words of Welcome 26 FilmFestSpezial-TV 34 Film- & Videokommission 35 INTERNATIONALE AUSWAHL 36 Being There 36 Curious Correlations 40 Ecstatic Realism 44 Freestyle 48 Gold Diggers 52 Home Made Video 55 Life - Art - Balance 56 New Order 59 Oblique Strategies 63 Of Hope And Glory 67 Orgy of the Devil 68 Parandroids 69 Past's Present 72 (Re)Visionaries 74 State of Passage 76 Through Time And Space 78 Tick Tack Ton 80 IRONY Ash & Money 86 Displaced Persons 87 A Pigeon Sits on a Branch Reflecting on Existence 88 Jedes Bild ist ein leeres Bild 89 The Yes Men Are Revolting 90 Werk 91 RETROSPECTIVE 92 Irony as Subversive Intervention 92 La vie en rose 93 Film als Message 98 The Crisis of Today is the Joke of Tomorrow 101 Wir haben's doch! 104 Zaun schärfen in Dunkeldeutschland oder Das tätowierte Schwein ohne Sonnenschein 108 MEDIA CAMPUS 110 A Hard Day's Life 110 Alienation 114 Connexions 118 Family Affairs 122 No Place Like Home 125 MEDIA CAMPUS SPECIAL 128 Multimedia University in Malaysia 128 EXHIBITION IRONY 130 Ironie in der Medienkunst - Subversive Interventionen 130 Oferta Especial - Ruben Aubrecht 133 Loophole for all - Paolo Cirio 134 This Unfortunate Thing Between Us (TUTBU) - Phil Collins 136 Autoscopy for Dummies - Antonin De Bemels 138 22 Dear Lorde - Emily Vey Duke, Cooper Battersby 139 Justified Beliefs - Christian Falsnaes 140 Rise - Christian Falsnaes 141 Bigasso Baby - annette hollywood 142 Casting Jesus - Christian Jankowski 143 Forbidden Blood - Istvan Kantor 144 Turmlaute 2: Watchtower - georg klein 146 Van Gogh Variationen - Marcello Mercado 147 TSE (Out) - Roee Rosen 148 The Wall - Egill Sæbjörnsson 150 Leaving A User's Manual - *Iron A Hare * Leave A Desire * Climb Up Hight - Meggie Schneider 152 EXHIBITION MEDIA CAMPUS 154 KHM_section - Kooperation mit Prof.
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  • Phone Follow-Up Dietary Interviewer Procedures Manual
    National Health and Nutrition Examination Survey PHONE FOLLOW-UP DIETARY INTERVIEWER PROCEDURES MANUAL January 2002 TABLE OF CONTENTS Chapter Page 1 OVERVIEW OF THE NATIONAL HEALTH AND NUTRITION EXAMINATION SURVEY ..................................................... 1-1 1.1 History of the National Health and Nutrition Examination Programs 1-1 1.2 Overview of the Current NHANES .................................................... 1-3 1.2.1 Data Collection.................................................................... 1-4 1.3 Sample Selection................................................................................. 1-6 1.4 Field Organization for NHANES ....................................................... 1-7 1.5 Exams and Interviews in the Mobile Examination Center (MEC) ..... 1-10 1.5.1 Exam Sessions..................................................................... 1-12 1.5.2 Exam Team Responsibilities............................................... 1-13 1.5.3 Examination Components. .................................................. 1-14 1.5.4 Second Exams ..................................................................... 1-18 1.5.5 Sample Person Remuneration. ............................................ 1-19 1.5.6 Report of Exam Findings. ................................................... 1-19 1.5.7 Dry Run Day. ...................................................................... 1-20 1.6 Integrated Survey Information System (ISIS) .................................... 1-21 1.7 Confidentiality and Professional Ethics.............................................
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  • Oblique Strategies
    Remove specifics and convert to ambiguities Think of the radio Don't be frightened of clichés Allow an easement (an easement is the abandonment of a stricture) What is the reality of the situation? Simple subtraction Are there sections? Consider transitions Remove specifics and convert to ambiguities Turn it upside down Go slowly all the way round the outside Oblique Strategies © 1975, 1978, 1979 Brian Eno/Peter Schmidt PDF file created by Matthew Davidson http://www.stretta.com A line has two sides Infinitesimal gradations Make an exhaustive list of everything you might do Change instrument roles and do the last thing on the list Into the impossible Accretion Ask people to work against their better judgment Disconnect from desire Take away the elements in order Emphasize repetitions of apparent non-importance Don't be afraid of things because they're easy to do Is there something missing? Don't be frightened to display your talents Use unqualified people Breathe more deeply How would you have done it? Honor thy error as a hidden intention Emphasize differences Only one element of each kind Do nothing for as long as possible Bridges -build Water -burn You don't have to be ashamed of using your own ideas Make a sudden, destructive unpredictable action; incorporate Consult other sources Tidy up Do the words need changing? Use an unacceptable color Ask your body Humanize something free of error Use filters Balance the consistency principle with the inconsistency principle Fill every beat with something Do nothing for as long as possible
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  • Journal of Language, Literature and Culture Studies Dil, Edebiyat Ve
    Lit ra Journal of Language, Literature and Culture Studies Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1 E-ISSN: 2602-2117 Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Indexing and Abstracting Web of Science Emerging Sources Citation Index (ESCI) MLA International Bibliography, TÜBİTAK-ULAKBİM TR Index, SOBİAD Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Owner / Sahibi Prof. Dr. Hayati DEVELİ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Responsible Manager / Sorumlu Yazı İşleri Müdürü Prof. Dr. Mahmut KARAKUŞ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Correspondence Address / Yazışma Adresi Istanbul University, Faculty of Letters, Department of Western Languages and Literatures 34134, Laleli, Istanbul - Turkey Phone / Telefon: +90 (212) 455 57 00 / 15900 e-mail: [email protected] http://litera.istanbul.edu.tr Publisher / Yayıncı Istanbul University Press / İstanbul Üniversitesi Yayınevi Istanbul University Central Campus, 34452 Beyazit, Fatih / Istanbul - Turkey Phone / Telefon: +90 (212) 440 00 00 Printed by / Baskı İlbey Matbaa Kağıt Reklam Org. Müc. San. Tic. Ltd. Şti. 2. Matbaacılar Sitesi 3NB 3 Topkapı / Zeytinburnu, Istanbul - Turkey www.ilbeymatbaa.com.tr Sertifika No: 17845 Authors bear responsibility for the content of their published articles. Dergide yer alan yazılardan ve aktarılan görüşlerden yazarlar sorumludur. The publication languages of the journal are German, French, English, Spanish, Italian and Turkish. Yayın dili Almanca, Fransızca, İngilizce, İspanyolca, İtalyanca ve Türkçe’dir.
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