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David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
26. April 2015 Ausstellung 22. April - 26
22. April - 26. April 2015 Ausstellung 22. April - 26. Mai 2015 "Now" CONTENT Imprint 24 Words of Welcome 26 FilmFestSpezial-TV 34 Film- & Videokommission 35 INTERNATIONALE AUSWAHL 36 Being There 36 Curious Correlations 40 Ecstatic Realism 44 Freestyle 48 Gold Diggers 52 Home Made Video 55 Life - Art - Balance 56 New Order 59 Oblique Strategies 63 Of Hope And Glory 67 Orgy of the Devil 68 Parandroids 69 Past's Present 72 (Re)Visionaries 74 State of Passage 76 Through Time And Space 78 Tick Tack Ton 80 IRONY Ash & Money 86 Displaced Persons 87 A Pigeon Sits on a Branch Reflecting on Existence 88 Jedes Bild ist ein leeres Bild 89 The Yes Men Are Revolting 90 Werk 91 RETROSPECTIVE 92 Irony as Subversive Intervention 92 La vie en rose 93 Film als Message 98 The Crisis of Today is the Joke of Tomorrow 101 Wir haben's doch! 104 Zaun schärfen in Dunkeldeutschland oder Das tätowierte Schwein ohne Sonnenschein 108 MEDIA CAMPUS 110 A Hard Day's Life 110 Alienation 114 Connexions 118 Family Affairs 122 No Place Like Home 125 MEDIA CAMPUS SPECIAL 128 Multimedia University in Malaysia 128 EXHIBITION IRONY 130 Ironie in der Medienkunst - Subversive Interventionen 130 Oferta Especial - Ruben Aubrecht 133 Loophole for all - Paolo Cirio 134 This Unfortunate Thing Between Us (TUTBU) - Phil Collins 136 Autoscopy for Dummies - Antonin De Bemels 138 22 Dear Lorde - Emily Vey Duke, Cooper Battersby 139 Justified Beliefs - Christian Falsnaes 140 Rise - Christian Falsnaes 141 Bigasso Baby - annette hollywood 142 Casting Jesus - Christian Jankowski 143 Forbidden Blood - Istvan Kantor 144 Turmlaute 2: Watchtower - georg klein 146 Van Gogh Variationen - Marcello Mercado 147 TSE (Out) - Roee Rosen 148 The Wall - Egill Sæbjörnsson 150 Leaving A User's Manual - *Iron A Hare * Leave A Desire * Climb Up Hight - Meggie Schneider 152 EXHIBITION MEDIA CAMPUS 154 KHM_section - Kooperation mit Prof. -
Oblique Strategies
Remove specifics and convert to ambiguities Think of the radio Don't be frightened of clichés Allow an easement (an easement is the abandonment of a stricture) What is the reality of the situation? Simple subtraction Are there sections? Consider transitions Remove specifics and convert to ambiguities Turn it upside down Go slowly all the way round the outside Oblique Strategies © 1975, 1978, 1979 Brian Eno/Peter Schmidt PDF file created by Matthew Davidson http://www.stretta.com A line has two sides Infinitesimal gradations Make an exhaustive list of everything you might do Change instrument roles and do the last thing on the list Into the impossible Accretion Ask people to work against their better judgment Disconnect from desire Take away the elements in order Emphasize repetitions of apparent non-importance Don't be afraid of things because they're easy to do Is there something missing? Don't be frightened to display your talents Use unqualified people Breathe more deeply How would you have done it? Honor thy error as a hidden intention Emphasize differences Only one element of each kind Do nothing for as long as possible Bridges -build Water -burn You don't have to be ashamed of using your own ideas Make a sudden, destructive unpredictable action; incorporate Consult other sources Tidy up Do the words need changing? Use an unacceptable color Ask your body Humanize something free of error Use filters Balance the consistency principle with the inconsistency principle Fill every beat with something Do nothing for as long as possible -
Journal of Language, Literature and Culture Studies Dil, Edebiyat Ve
Lit ra Journal of Language, Literature and Culture Studies Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1 E-ISSN: 2602-2117 Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Indexing and Abstracting Web of Science Emerging Sources Citation Index (ESCI) MLA International Bibliography, TÜBİTAK-ULAKBİM TR Index, SOBİAD Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Owner / Sahibi Prof. Dr. Hayati DEVELİ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Responsible Manager / Sorumlu Yazı İşleri Müdürü Prof. Dr. Mahmut KARAKUŞ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Correspondence Address / Yazışma Adresi Istanbul University, Faculty of Letters, Department of Western Languages and Literatures 34134, Laleli, Istanbul - Turkey Phone / Telefon: +90 (212) 455 57 00 / 15900 e-mail: [email protected] http://litera.istanbul.edu.tr Publisher / Yayıncı Istanbul University Press / İstanbul Üniversitesi Yayınevi Istanbul University Central Campus, 34452 Beyazit, Fatih / Istanbul - Turkey Phone / Telefon: +90 (212) 440 00 00 Printed by / Baskı İlbey Matbaa Kağıt Reklam Org. Müc. San. Tic. Ltd. Şti. 2. Matbaacılar Sitesi 3NB 3 Topkapı / Zeytinburnu, Istanbul - Turkey www.ilbeymatbaa.com.tr Sertifika No: 17845 Authors bear responsibility for the content of their published articles. Dergide yer alan yazılardan ve aktarılan görüşlerden yazarlar sorumludur. The publication languages of the journal are German, French, English, Spanish, Italian and Turkish. Yayın dili Almanca, Fransızca, İngilizce, İspanyolca, İtalyanca ve Türkçe’dir. -
To Make Time Ppear
! ∀#∃∃! ! % &#∋() ! ∗+,−(! . / 0 ! 1 22 !30!!2&∃#∀2 0 0 1 0 0 ∋ ) 0 1 3 0 3 ! 4 0 4 0 0 4 0 1 56 3 7! 4 0 00 ! 1 0 0 03 3 ! 4 4 4 8 0 0 9 : 4 7 1 1 0 7 7 4 3 0 2 ! 22 ,3!30 !! 8 0 1, ;30!! Art Journal The mission of Art Journal, founded in %)'%, is to provide a forum for In This Issue Vol. !", no. # scholarship and visual exploration in the visual arts; to be a unique voice in the Fall $"%% fi eld as a peer-reviewed, professionally mediated forum for the arts; to operate ! Katy Siegel in the spaces between commercial publishing, academic presses, and artist Title TKTK Editor in Chief Katy Siegel presses; to be pedagogically useful by making links between theoretical issues Editor Designate Lane Relyea and their use in teaching at the college and university levels; to explore rela- Reviews Editor Howard Singerman tionships among diverse forms of art practice and production, as well as among Senior Editor Joe Hannan art making, art history, visual studies, theory, and criticism; to give voice and Centennial Essay Editorial Assistant Mara Hoberman publication opportunity to artists, art historians, and other writers in the arts; Digital Fellow Katherine Behar to be responsive to issues of the moment in the arts, both nationally and glob- " Krista Thompson Designer Katy Homans ally; to focus on topics related to twentieth- and twenty-fi rst-century concerns; A Sidelong Glance: The Practice of African Diaspora Art History in the United States Production Nerissa Vales to promote dialogue and debate. -
How We Talk About the Work Is the Work: Performing Critical Writing
King’s Research Portal DOI: 10.1080/13528165.2018.1464751 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Schmidt, T. (2018). How We Talk About The Work Is The Work: Performing Critical Writing. PERFORMANCE RESEARCH , 23(2), 37-43. https://doi.org/10.1080/13528165.2018.1464751 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
{ Brad Brace } Pleated Plaid Pamphlet 4 [Accompanies Insatiable
{ brad brace } Pleated Plaid Pamphlet Volume 54 [accompaniment to insatiable abstraction engine] http://www.bbrace.net/abstraction-engine.html bbrace@eskimo. -
A Companion to Digital Art WILEY BLACKWELL COMPANIONS to ART HISTORY
A Companion to Digital Art WILEY BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English‐speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state‐ of‐the‐art synthesis of art history. 1 A Companion to Contemporary Art since 1945 edited by Amelia Jones 2 A Companion to Medieval Art edited by Conrad Rudolph 3 A Companion to Asian Art and Architecture edited by Rebecca M. Brown and Deborah S. Hutton 4 A Companion to Renaissance and Baroque Art edited by Babette Bohn and James M. Saslow 5 A Companion to British Art: 1600 to the Present edited by Dana Arnold and David Peters Corbett 6 A Companion to Modern African Art edited by Gitti Salami and Monica Blackmun Visonà 7 A Companion to Chinese Art edited by Martin J. Powers and Katherine R. Tsiang 8 A Companion to American Art edited by John Davis, Jennifer A. Greenhill and Jason D. LaFountain 9 A Companion to Digital Art edited by Christiane Paul 10 A Companion to Public Art edited by Cher Krause Knight and Harriet F. Senie A Companion to Digital Art Edited by Christiane Paul -
Nur Ein Mü? 6 Der Weg in Semestern 10 Ein Studienort Mit Herz Und Tradition 12 Mediendesign B.A
Nur ein Mü? 6 Der Weg in Semestern 10 Ein Studienort mit Herz und Tradition 12 Mediendesign B.A. 30 Fotografie 32 Typografie, Editorial 42 Service Design 56 Interaction Design 64 Information Design 74 Designblick, Studienfahrten, Workshops 82 Partner, Nachbarn, Gäste 94 Praxis, Forschung 100 3 4 Willkommen in Münchberg 5 Nur ein Mü? 6 7 und das Kennenlernen aktueller Möglichkeiten, Methoden und Technologien in Lehre und Forschung. Unser Mediendesign-Studiengang ist durch eine innovative und zukunftsorientierte Ausrichtung geprägt. Wir begreifen Design als die Basis für Design steht für vieles: für Vielfalt, Verantwortung Innovation – und gleichzeitig als Schlüssel zur Ent- und Entfaltung, für Lebensstil und Lebensqualität. wicklung kreativer, nachhaltiger Strategien innerhalb Wer ein eigenes Verständnis davon entwickeln wirtschaftlicher Entscheidungsprozesse. möchte, was Design tatsächlich ist, steht einer Das zeigt sich in der hier vertretenen konzept- und großen Menge von Interpretationen und Eindrücken strategieorientierten Gestaltungslehre, aber auch gegenüber. darin, dass wir Teil der Fakultät für Wirtschafts- Der Bachelor-Studiengang Mediendesign der wissenschaften sind. Unser Lehrangebot geht dadurch Hochschule Hof befähigt die Studierenden, sich mit über eine klassische Designausbildung hinaus dem auseinanderzusetzen, was eine sich schnell und integriert Design- und Wirtschaftskompetenzen. verändernde Welt an Herausforderungen bereithält. So lernen die Studierenden ihr kreatives Potenzial Er lehrt Zusammenhänge zu erkennen und Lösungs- nicht nur für gestalterische und konzeptuelle, sondern strategien zu entwickeln. Der eigene Campus auch für wirtschaftliche Innovationen professionell im oberfränkischen Münchberg – auf dem auch und erfolgreich zu nutzen. die Studiengänge Textildesign und Innovative Das Mediendesign-Studium am Campus Münchberg Textilien angesiedelt sind – bietet dafür ein kreatives erstreckt sich über sieben Semester und schließt und lebendiges Umfeld. -
Blood,Ink, and Tears
CHICAGO’SFREEWEEKLYSINCE | JANUARY | JANUARY CHICAGO’SFREEWEEKLYSINCE Blood,ink, and tears Tattooing is still dominated by white men, but women, nonbinary people, and people of color are making their mark. By Meggie Gates 10 THIS WEEK CHICAGOREADER | JANUARY | VOLUME NUMBER IN THIS ISSUE T R - taughtarookiereporterabout joyofreadingtranscendsspeciesin 33 TheSecretHistoryof @ Chicagopolitics Bunny’sBookClub ChicagoMusicGeorge“Wild Child”Butlerbreathednewlifeinto PTB rawoldfashionedblues ECS K KH 35 EarlyWarningsDerrickCarter CL MEP M AmirElSaff arNacrobatsandmore TDKR justannouncedconcerts CEBW 35 GossipWolfLongtimeReckless AEJL SWMD L G RecordsbuyerJimMagasquitsto DIBJ MS spendmoretimewithhismusic EAS N L emofourpieceKittyhawkplaytheir LCSC -J CITYLIFE CE BN B 03 TransportationNewYorkCity fi rstshowinmorethanthreeyears L C MDLC M spedupbusesonthStreetby andmore C J F SF J largelykickingcarsoff theroad 08 NewsHowwouldanyone H IH C MJ M K S K Let’sdothatinChicago benefi tfromsendingunsolicited FILM N DLJL freeAmazonpackagestorandom 20 Review Dolittle’sprocolonialism MMA M-K FOOD&DRINK addresses? narrativeleavessomethingtobe JRN JN M O M S C S 05 FoodFeatureOurfoodcritic desired ---------------------------------------------------------------- assemblesadistinguishedpanelof 21 MoviesofnoteJezebel ARTS&CULTURE DDJ D tasterstoteachussomelessonsin 10 CommunityMorewomenand exploressexworkasitapplies DPE &P potatochipdiplomacy nonbinarypeoplethaneverare toBlackwomenwithimpressive K K takingpartinthehistoricallymale -
ARTISTS in the ARCHIVE Taylor & Francis Taylor & Francis Group Http:/Taylorandfrancis.Com ARTISTS in the ARCHIVE
ARTISTS IN THE ARCHIVE Taylor & Francis Taylor & Francis Group http:/taylorandfrancis.com ARTISTS IN THE ARCHIVE Creative and Curatorial Engagements with Documents of Art and Performance Edited by Paul Clarke, Simon Jones, Nick Kaye and Johanna Linsley Taylor & Francis Taylor & Francis Group http://taylorandfrancis.com Artists in the Archive Artists in the Archive explores the agency and materiality of the archival document through a stunning collection of critical writings and original artworks. It examines the politics and philosophy behind re-using remains, historicising this artistic practice and considering the breadth of ways in which archival materials inform, inflect and influence new works. Taking a fresh look at the relationships between insider know-how and outsider knowledge, Artists in the Archive opens a vital dialogue between a global range of artists and scholars. It seeks to trouble the distinction between artistic practice and scholarly research, offering disciplinary perspectives from experimental theatre, performance art, choreography and dance, to visual art making, archiving and curating. PAUL CLARKE is an artist, theatre director, and Lecturer in Performance Studies at the University of Bristol. SIMON JONES is Professor of Performance at the University of Bristol, a writer and scholar, and founder and co-director of physical theatre company Bodies in Flight. NICK KAYE is Professor of Performance Studies at the University of Exeter. JOHANNA LINSLEY is an artist, researcher and producer, a founder of the performance/producing -
An Adversarial Interface Design Pattern to Support Ideation
Bachelorarbeit am Institut für Informatik der Freien Universität Berlin Human-Centered Computing (HCC) An adversarial interface design pattern to support ideation Gerold Schneider Betreuer: Maximilian Mackeprang Erstgutachterin: Prof. Dr. Claudia Müller-Birn Zweitgutachter: Prof. Dr. Lutz Prechelt Berlin, July 30, 2019 Eidesstattliche Erklärung Ich versichere hiermit an Eides Statt, dass diese Arbeit von niemand anderem als meiner Person verfasst worden ist. Alle verwendeten Hilfsmittel wie Berich- te, Bücher, Internetseiten oder ähnliches sind im Literaturverzeichnis angegeben, Zitate aus fremden Arbeiten sind als solche kenntlich gemacht. Die Arbeit wur- de bisher in gleicher oder ähnlicher Form keiner anderen Prüfungskommission vorgelegt und auch nicht veröffentlicht. Berlin, July 30, 2019 Gerold Schneider Abstract This project has identified a software user interface design pattern that captures the essential nature of problem oriented ideation processes and possibly improves their outcome and efficiency by providing mechanisms to overcome common problems encountered in such processes. In particular creative block, the blank page, loss of focus and methodical constraints. As far as the yet limited evaluation of the pattern through a prototype implementation and a hand full of expert in- quiries allows valid inference, its utility is clear and demonstrable. Of particular note seems to be the observation that the pattern does not formulate or enforce a particular method or paradigm but instead provides just enough structure for the user to feel secure while being flexible enough to become an extension of any users personal method. It is therefore well received by users that generally re- ject method-driven creativity. In contrast to existing tools (offline and online) this pattern seems to resolve all critical issues that constrain productive use (con- strained space, problem-solution mismatch, cost of complexity, overhead), leav- ing only issues that could improve its standalone effectiveness and complement value through integration into existing workflows.