Rabbi Banet's Charming Snake
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Sepharad in Ashkenaz. Medieval Knowledge and Eighteenth-Century
Summaries Wout van Bekkum, Some Thoughts on the ‘Secularization’ of Hebrew Liturgical Poetry in Pre-Modern and Modern Times In this article a few thoughts are shared on the historical range of attitudes towards He- brew liturgical poetry or piyyu†, from the highly religious point of view to the more his- torical and scientific approach in pre-Wissenschaft and Wissenschaft times. Substantial contributions to a new understanding of piyyu† were made by Wolf Heidenheim and Leopold Zunz, each within their own framework of time and historical circumstances. These and other Jewish intellectuals reflect in their exploration and judgment of piyyu† the contemporary understanding of Judaism. As being a modern Jew seemed to require adapting to the culture of the environment without actually assimilating into it, what of Jewish worship should be adapted to new standards? On this issue in particular German Jews came to disagree among themselves when it came to the evaluation of piyyu† ac- cording to the norms of Spanish-Hebrew religious and secular poetry. The historical discussion of piyyu† as a dynamic literary phenomenon within Judaism is part of an amplification process of Jewish self-awareness in the modern world. Shlomo Berger, From Philosophy to Popular Ethics: Two Seventeenth-Century Translations of Ibn Gabirol’s Keter malkhut During the seventeenth century two Yiddish translations of Solomon ibn Gabirol’s Keter malkhut were published: one (in verse) was published in 1600 in Venice, the second (in prose) in 1673 in Amsterdam. The text that served as the basis of both Yid- dish versions was the one found in the prayer book for the Day of Atonement accord- ing to the Sephardi rite. -
Two Notes on the Exceptional Shalshelet
TWO NOTES ON THE EXCEPTIONAL SHALSHELET GILAD J. GEVARYAHU THE FOUR INSTANCES OF SHALSHELET IN THE TORAH The cantillation mark shalshelet appears only four times in the Torah. The root of this word is shin-lamed-shin, meaning three, and, in the Ashkenazic tradition as well as in many Sephardic traditions, the melody ascends and descends three times. It appears three times in the book of Genesis and one time in the book of Leviticus. In the Mesorah it is referred to as Mar’imin u’Mafsikin (Mesorah Gedolah, Lev. 8:23). Mar’imin means thunderous, and Mafsikin means pausing, terms that appear to describe the sound of its melody.1 In this article, we will see how all four shalshelot in the Torah consistently relate to the texts in which they are used. These are the four instances of the shalshelet in the Torah: 1. Genesis 19:16: Shalshelet appears in the story of Lot in Sodom, when the angels tell Lot that he must leave the city, for God is about to destroy it. The word with the shalshelet is the first word in the verse, Still he delayed [vayitmahameha]. So the men [angels] seized his hand . Although not directly mentioning the shalshelet, many commentators note here that Lot hesitated to leave and responded in an unusually slow manner. This approach is found for example in Pseudo-Jonathan, Rashi, Ibn-Ezra, and Radak on this verse. This is based in Genesis Rabbah 50:11, that Lot was concerned about losing all the property he had accumulated and was hesitant to leave Sodom. -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
Schreiber QX
AARON M. SCHREIBER The H. atam Sofer’s Nuanced Attitude Towards Secular Learning, Maskilim, and Reformers Introduction abbi Moshe Sofer (1762-1839), commonly referred to as H. atam RSofer (after the title of his famous halakhic work), served as Rabbi of Pressburg, a major city in the Austro-Hungarian Empire, beginning in 1806. Subsequently, he became one of the principal leaders of the Orthodox Jewish community in Central Europe in the first four decades of the 19th century. R. Sofer was at the forefront of the orthodox strug- gles against the Jewish Reform movement.1 A towering halakhic author- ity whose rulings and opinions were sought by many from near and far, he was also known as a z.addik and as a person of unwavering principles to which he adhered regardless of the personal struggle required.2 He was charismatic and was reputed to be graced with the Divine Spirit, AARON M. SCHREIBER has been a tenured Professor of Law at a number of American law schools, and a founder and Professor of Law at Bar-Ilan University Faculty of Law in Israel. His published books include Jewish Law and Decision Making: A Study Through Time, and Jurisprudence: Understanding and Shaping Law (with W. Michael Reisman of Yale Law School). He has authored numerous articles on law, jurisprudence, and Jewish subjects, and was the Principal Investigator for many years of the computerized Jewish Responsa (She’elot u-Teshuvot) Project at Bar-Ilan University. 123 The Torah u-Madda Journal (11/2002-03) 124 The Torah u-Madda Journal even to receive visions of events in the future and in far away places.3 As a result, he had a profound influence on religious Jewry, particularly in Hungary, Poland, and all of Central Europe, both during and after his lifetime. -
Insights Into Kinah 11: the Eulogy for Yoshiyahu Hamelech
Insights into Kinah 11: The Eulogy for Yoshiyahu HaMelech f the myriad Tisha B’Av Kinnos recited by Ashkenazic Jewry, the dirge devoted to Rabbi Elchanan Adler Othe tragic, untimely death of King Rosh Yeshiva, RIETS Yoshiyahu (no. 11 in most editions of Ashkenazi Kinnos) is especially poignant. Thiskinnah , like many of the others, was composed by R. Elazar his reign, he set the Jewish people the righteousness of his people and HaKalir, whose name is synonymous back on the path of Torah, cleansed thinking that they were worthy of 4 with the genre of Ashkenazi piyut the Beis HaMikdash and rid the Land this blessing. The Midrash Eicha( (poetic liturgical compositions). of idolatry. Yoshiyahu was tragically Rabbah 1:57), provides further While the identity of HaKalir and killed in battle when he tried to stop detail: Yoshiyahu assumed that he the time period in which he lived are Pharaoh Necho, King of Egypt, from had successfully eradicated idolatry the subject of much discussion and passing through Eretz Yisrael in from all Jewish homes after having debate,1 the high regard with which he order to reach the Euphrates to wage sent messengers to inspect each and his compositions have long been war. The pasuk in Divrei HaYamim home. However, unbeknown to held are undeniable.2 (2, 35:25) records that Yirmiyahu the inspectors, there were some composed a kinnah upon the tragedy duplicitous people who stealthily R. Elazar HaKalir’s kinnos generally of Yoshiyahu’s death. Tradition placed half an idol on each side of the follow an aleph-beis acrostic teaches that this kinnah is the fourth door so that when the doors would or a permutation of the aleph- chapter of Eicha. -
Intellectual Property: Can You Steal It If You Can’T Touch It? HM 203:1 2007 Rabbi Dr
Intellectual Property: Can you steal it if you can’t touch it? HM 203:1 2007 Rabbi Dr. Barry Leff This responsum was approved by the CJLS on December 12, 2007 by a vote of eighteen in favor, one opposed, and two abstaining (18-1-2). Members voting in favor: Rabbis Kassel Abelson, Elliot Dorff, Jerome Epstein, Robert Fine, Baruch Frydman-Kohl, Myron Geller, Susan Grossman, Reuven Hammer, Robert Harris, David Hoffman, Adam Kligfeld, Alan Lucas, Aaron Mackler, Daniel Nevins, Philip Scheim, Jay Stein, Loel Weiss, David Wise. Members voting against: Rabbi Paul Plotkin. Members abstaining: Rabbis Pamela Barmash, and Elie Spitz. Question: Is it stealing to copy or download music, videos, software, or other forms of intellectual property without paying for it? Many people who would never consider walking into a store and stealing something off the shelf have no qualms whatsoever about copying a friend’s CD, DVD or software. Even more prolific is the practice of swapping music files on peer-to-peer (“P2P”) networks. Despite famous court cases against Napster and Grokster, and lawsuits brought against individuals by the Recording Industry Association of America (RIAA), millions of people continue to swap music and video files. The laws of the United States (and nearly all other countries around the world) are clear that such activity is illegal. So why do we need a teshuvah on the subject? Shouldn’t it ?the law of the land is the law, and leave it at that , דינא דמלכותא דינא be enough to cite Many people view downloading or sharing music or video files as a form of victimless crime. -
Solomon Dubno, His Eastern European Scholarship, and the German Haskalah
Zuzanna Krzemien Solomon Dubno, His Eastern European Scholarship, and the German Haskalah This article examines the life and works of Solomon Dubno (1738–1813), an Eastern European intellectual who lived and worked in Berlin over a period of ten years. While he is remembered as an initiator of the publication Sefer netivot ha-shalom [Paths of Peace], and for his work on the commentary (Bi’ur) of Moses Mendelssohn’s Pentateuch translation,1 Dubno’s influence on the early German Jewish Enlightenment, as a commentator of the book of Genesis, has been largely forgotten. Following a dispute with Mendelssohn, Dubno abandoned the Bi’ur project and headed for Vilna. There, he persuaded several members of the rabbinical elite of the need to create a new Bible commentary under his authorship, which could be published together with the Aramaic translation of Onkelos. He aimed to facilitate a correct understanding of the sacred text among Eastern European Jews, for whom Mendelssohn’s translation was not easily understandable, and which was regarded as a German textbook rather than a tool for enhanced study of the Torah. In this way, Dubno combined the maskilic program of Berlin Jewry with the Eastern European reverence for a traditional religious education. The Life and Works of Solomon Dubno Solomon ben Yoel Dubno was a renowned scholar from Eastern Europe and a preeminent representative of the early Jewish Enlightenment (Haskalah), who found recognition among his contemporaries through his poetry and expertise in Hebrew grammar. He was educated under the tutelage of Solomon Chelm (1717–1781),2 whose Sha’arei ne’imah [Gates of Melody], a work on accentuation in 1 Moses Mendelssohn (ed.), Sefer netivot ha-shalom [Paths of Peace] (Berlin: George Friederich Starcke, 1780–1783). -
106205 Manna 81 GALLEYS
Hebrew poems praised the art which republished the mahzor arguing that ‘enables one man to write with many the Heidenheim edition had sold out. pens’ (Abrams, 1993). Rabbi Mordecai Benet supported the Realizing that economic conditions Dirhenport publishers, on the basis that were changing, the rabbis set out to the herem only had binding force in the create halachic decisions that would area of jurisdiction of the rabbi that reward investments made in printing. issued it, and the law of the land did They were afraid that as there was now not forbid republication. Heidenheim an alternative to hand written scrolls won on the basis that he needed to sell for study purposes, unless they multiple editions to repay his intervened to offer protection to investment in the annotations (Herzog, printers and publishers, Torah study 1965). texts might disappear altogether. R. Joseph Saul Nathansohn (d.1875) ANOTHER PENNY A counter argument was put by R. said ‘Jewish law, even in the absence FOR YOUR Schmelkes of Przemysl: ‘Everyone of an express herem, lays down that it retains the right to study and teach. is unlawful to reprint an original work THOUGHTS Why should another not be able to without permission, for the creation of benefit his fellow men and print and the author’s mind is his property.’ He sell cheaply?’ When Rabbi Meir may have been influenced in his Katzenellenbogen published an opinion by emerging patent law in Ruth Soetendorp improved edition of Maimonides’ contemporary Poland. The rabbis code, a non-Jewish publisher printed debated the geographic scope of a In MANNA 86 (Winter 2005) the same work and sold it at a lower herem within a haskamah on the basis Professor Ruth Soetendorp began price. -
Download Catalogue
F i n e Ju d a i C a . pr i n t e d bo o K s , ma n u s C r i p t s , au t o g r a p h Le t t e r s , gr a p h i C & Ce r e m o n i a L ar t K e s t e n b a u m & Co m p a n y We d n e s d a y , ma r C h 21s t , 2012 K e s t e n b a u m & Co m p a n y . Auctioneers of Rare Books, Manuscripts and Fine Art A Lot 275 Catalogue of F i n e Ju d a i C a . PRINTED BOOKS , MANUSCRI P TS , AUTOGRA P H LETTERS , GRA P HIC & CERE M ONIA L ART Featuring: Property from the Library of a New England Scholar ——— To be Offered for Sale by Auction, Wednesday, 21st March, 2012 at 3:00 pm precisely ——— Viewing Beforehand: Sunday, 18th March - 12:00 pm - 6:00 pm Monday, 19th March - 10:00 am - 6:00 pm Tuesday, 20th March - 10:00 am - 6:00 pm No Viewing on the Day of Sale This Sale may be referred to as: “Maymyo” Sale Number Fifty Four Illustrated Catalogues: $38 (US) * $45 (Overseas) KestenbauM & CoMpAny Auctioneers of Rare Books, Manuscripts and Fine Art . 242 West 30th street, 12th Floor, new york, NY 10001 • tel: 212 366-1197 • Fax: 212 366-1368 e-mail: [email protected] • World Wide Web site: www.Kestenbaum.net K e s t e n b a u m & Co m p a n y . -
Daf Ditty Eruvin 104: the Sound of (Shabbes) Music
Daf Ditty Eruvin 104: The Sound of (Shabbes) Music 1 once went to בש ת . אלוע using a wheel on שדקמה יבת We may draw water from the two wells in the בש ת commented that the person was אלוע and בש ת A man knocked on the door on. הנמש בר visit however, defended the person and said; musical , ברה .by making noise with his knocking ללחמ . בש ת sounds on אל רסא ו אלא לוק לש יש ר – only is it סא ו ר produce to We learned in the Mishna: One may draw water from the Cistern of the Exiles by means of a wheel. The Gemara relates: Ulla happened to come to the house of Rav Menashe when a certain man came and knocked at the door. Ulla said: Who is that? May his body be desecrated, as he desecrates Shabbat by producing a sound. 2 onto a metal plate for לכ י only allows causing the noise of water dripping from a רב י י את The but not for a regular person, apparently because even making non-musical הלוח the sake of a ? סא ו ר sounds that would help wake a person, is Rabba said to him: The Sages prohibited only a pleasant musical sound on Shabbat, not the rasping sound of knocking on a door. Abaye raised an objection to Rabba from a baraita: One may draw up wine from a barrel with a siphon [diyofei], and one may drip water from a vessel that releases water in drops [miarak], for an ill person on Shabbat. -
4 1917 Jewish Publication Society Edition
ADDENDUM Baer, Seligman (Sekel) From the Jewish Encyclopedia (1906): Writer on the Masorah, and editor of the Hebrew Bible; born at Mosbach (Baden)1, Sept. 18, 1825; died at Biebrich-on-the-Rhine, March, 1897. As early as 1844, Baer commenced his Masoretic studies. He belonged to the school of Wolf Heidenheim2, some of whose original manuscripts were in his possession. Few scholars in the nineteenth century had so intimate an acquaintance with all the details of the Masorah as had Baer; and it was largely due to him that the study of this branch of Hebrew philology was brought to the notice of Biblical critics. His friendship with Franz Delitzsch, who stood sponsor for much of his work, aided him in making known to the world the results of his studies. He never occupied an academic position, but was contented with the office of Hebrew teacher to the Jewish community of Biebrich. In recognition of his services to the Commission for the History of the Jews in Germany, the honorary degree of doctor of philosophy was conferred upon him by the University of Leipsic. In conjunction with Delitzsch he published in 1861 an edition of the Psalms (Leipsic, Doerfling und Franke). A second edition was published a few years later (Leipsic, Brockhaus). Seligman Baer.Collaborates with Franz Delitzsch3. In the mean time, in connection with Delitzsch, Baer had conceived the plan of editing anew the books of the Old Testament in Hebrew, following strictly the Masoretic tradition. The volumes, with a Latin preface by Delitzsch, appeared (Leipsic, Tauchnitz) in the following order: Genesis, 1869; Isaiah, 1872; Job, 1875; Minor Prophets, 1878; Psalms (together with a treatise "Elementa Accentuationis Metricæ"), 1880; Proverbs (together with "De Primorum Vocabulorum Dagessatione"), 1880; Daniel, Ezra, and Nehemiah (together with "Chaldaismi Biblici Adumbratio" and a treatise by Friedrich Delitzsch on the Babylonian proper names in these books), were published 1 This is incorrect. -
F Ine J Udaica
F INE J UDAICA . HEBREW PRINTED BOOKS, MANUSCRIPTS &CEREMONIAL ART K ESTENBAUM & COMPANY TUESDAY, JUNE 29TH, 2004 K ESTENBAUM & COMPANY . Auctioneers of Rare Books, Manuscripts and Fine Art Lot 340 Catalogue of F INE J UDAICA . HEBREW PRINTED BOOKS, MANUSCRIPTS &CEREMONIAL ART Including Judaic Ceremonial Art: From the Collection of Daniel M. Friedenberg, Greenwich, Conn. And a Collection of Holy Land Maps and Views To be Offered for Sale by Auction on Tuesday, 29th June, 2004 at 3:00 pm precisely ——— Viewing Beforehand on Sunday, 27th June: 10:00 am–5:30 pm Monday, 28th June: 10:00 am–6:00 pm Tuesday, 29th June: 10:00 am–2:30 pm Important Notice: The Exhibition and Sale will take place in our New Galleries located at 12 West 27th Street, 13th floor, New York City. This Sale may be referred to as “Sheldon” Sale Number Twenty Four. Illustrated Catalogues: $35 • $42 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 12 West 27th Street, 13th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K ESTENBAUM & COMPANY . Chairman: Daniel E. Kestenbaum Operations Manager & Client Accounts: Margaret M. Williams Press & Public Relations: Jackie Insel Printed Books: Rabbi Bezalel Naor Manuscripts & Autographed Letters: Rabbi Eliezer Katzman Ceremonial Art: Aviva J. Hoch (Consultant) Catalogue Photography: Anthony Leonardo Auctioneer: Harmer F. Johnson (NYCDCA License no. 0691878) ❧ ❧ ❧ For all inquiries relating to this sale please contact: Daniel E. Kestenbaum ❧ ❧ ❧ ORDER OF SALE Printed Books: Lots 1 – 224 Manuscripts: Lots 225 - 271 Holy Land Maps: Lots 272 - 285 Ceremonial Art:s Lots 300 - End of Sale Front Cover: Lot 242 Rear Cover: A Selection of Bindings List of prices realized will be posted on our Web site, www.kestenbaum.net, following the sale.