1-Person Card Games
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Das Leben Ist Wie Fahrrad Fahren, Um Die Balance Zu Halten Musst Du In
Schnapsen Die Regeln Das Leben ist DAS ZIEL In den weiteren Spielen wechseln sich die Spieler in den Rollen des Gebers und der Vorhand jeweils ab. Ziel des Spieles ist es, durch Stche und Ansagen wie Fahrrad fahren, möglichst rasch 66 Augen oder mehr zu sammeln. Anmerkung: Die in den Stchen enthaltenen Karten DAS SPIEL zählen nach ihren Augen, für ein gewonnenes oder Die Vorhand spielt zum ersten Stch aus. Zu Beginn verlorenes Spiel gibt es Punkte. um die Balance zu des Spieles herrscht weder Farb- noch Stchzwang: DIE KARTEN Der Geber kann entweder mit einer höheren Karte derselben Farbe oder einem Trumpf stechen – in DOPPELDEUTSCHE FARBEN diesem Fall gewinnt er den Stch. Er kann aber auch eine halten musst du in beliebige Karte abwerfen und den Stch der Vorhand überlassen. Der Spieler, der den Stch gewonnen hat, nimmt die Bewegung bleiben. oberste Karte des Talons, sein Gegner die folgende. Dann spielt der Gewinner des Stchs zum nächsten Stch aus. Albert Einstein Auf diese Weise setzt sich das Spiel fort, bis der Talon DAS GEBEN aufgebraucht ist – es sei denn, ein Spieler meldet zuvor Der Geber mischt, lässt abheben und teilt wie folgt die 66 Punkte oder dreht zu (das heißt, er sperrt den Talon). Karten: Zuerst erhält die Vorhand und danach der Geber Ist der Talon aufgebraucht oder wurde er zugedreht, gilt drei Karten. Die siebente Karte wird aufgeschlagen, ab diesem Zeitpunkt Farb- und Stchzwang; das heißt woraufin die Vorhand und zuletzt der Geber zwei ein Spieler muss, wenn er an der Reihe ist: Karten erhält. Die verbleibenden Karten bilden den Talon und werden • mit einer höheren Karte der angespielten Farbe als verdeckter Stapel quer auf die aufgeschlagene Karte stechen. -
Pinochle & Bezique
Pinochle & Bezique by MeggieSoft Games User Guide Copyright © MeggieSoft Games 1996-2004 Pinochle & Bezique Copyright ® 1996-2005 MeggieSoft Games All rights reserved. No parts of this work may be reproduced in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems - without the written permission of the publisher. Products that are referred to in this document may be either trademarks and/or registered trademarks of the respective owners. The publisher and the author make no claim to these trademarks. While every precaution has been taken in the preparation of this document, the publisher and the author assume no responsibility for errors or omissions, or for damages resulting from the use of information contained in this document or from the use of programs and source code that may accompany it. In no event shall the publisher and the author be liable for any loss of profit or any other commercial damage caused or alleged to have been caused directly or indirectly by this document. Printed: February 2006 Special thanks to: Publisher All the users who contributed to the development of Pinochle & MeggieSoft Games Bezique by making suggestions, requesting features, and pointing out errors. Contents I Table of Contents Part I Introduction 6 1 MeggieSoft.. .Games............ .Software............... .License............. ...................................................................................... 6 2 Other MeggieSoft............ ..Games.......... -
Card Games for Individuals
Card Games for individuals Patience The game is played using a tableau of seven columns. Running from left to right, the first column contains one card, the second contains two, the third three, etc. In each column, the top card should be face up and the rest face down. Deal by placing one card, face up, on the table in front of you then, to this card’s right, six more face down. Repeat this row by row, dealing one less card each time. As well as the face-up cards in the tableau, you’ll work with every third card in the remaining pack, one at a time. Move through the pack by taking three cards from the top and turning them over, creating a new face-up pile. When you’ve passed through the deck, turn it over and start again. In the tableau, a card from the pack may be placed on another card that is one rank higher and of an alternate colour. An eight of hearts, for example, may be placed on either a nine of spades or a nine of clubs - both black suits. Sequences of grouped cards can be moved around according to the same rules as individual cards. Whenever you free up a face-down card on a tableau column, turn it over. If a column is emptied, you can shift any card or sequence into it. If an ace comes into play, position it face up above the tableau, thus beginning a foundation. Foundations are suited and built from ace to king. -
Heads Or Tails
Heads or Tails Representation and Acceptance in Hadrian’s Imperial Coinage Name: Thomas van Erp Student number: S4501268 Course: Master’s Thesis Course code: (LET-GESM4300-2018-SCRSEM2-V) Supervisor: Mw. dr. E.E.J. Manders (Erika) 2 Table of Contents List of Figures ............................................................................................................................ 5 Figure 1: Proportions of Coin Types Hadrian ........................................................................ 5 Figure 2: Dynastic Representation in Comparison ................................................................ 5 Figure 3: Euergesia in Comparison ....................................................................................... 5 Figure 4: Virtues ..................................................................................................................... 5 Figure 5: Liberalitas in Comparison ...................................................................................... 5 Figure 6: Iustitias in Comparison ........................................................................................... 5 Figure 7: Military Representation in Comparison .................................................................. 5 Figure 8: Divine Association in Comparison ......................................................................... 5 Figure 9: Proportions of Coin Types Domitian ...................................................................... 5 Figure 10: Proportions of Coin Types Trajan ....................................................................... -
The Bulletin of the American Society of Papyrologists 44 (2007)
THE BULLETIN OF THE AMERICAN SOCIETY OF PapYROLOGIsts Volume 44 2007 ISSN 0003-1186 The current editorial address for the Bulletin of the American Society of Papyrologists is: Peter van Minnen Department of Classics University of Cincinnati 410 Blegen Library Cincinnati, OH 45221-0226 USA [email protected] The editors invite submissions not only fromN orth-American and other members of the Society but also from non-members throughout the world; contributions may be written in English, French, German, or Italian. Manu- scripts submitted for publication should be sent to the editor at the address above. Submissions can be sent as an e-mail attachment (.doc and .pdf) with little or no formatting. A double-spaced paper version should also be sent to make sure “we see what you see.” We also ask contributors to provide a brief abstract of their article for inclusion in L’ Année philologique, and to secure permission for any illustration they submit for publication. The editors ask contributors to observe the following guidelines: • Abbreviations for editions of papyri, ostraca, and tablets should follow the Checklist of Editions of Greek, Latin, Demotic and Coptic Papyri, Ostraca and Tablets (http://scriptorium.lib.duke.edu/papyrus/texts/clist.html). The volume number of the edition should be included in Arabic numerals: e.g., P.Oxy. 41.2943.1-3; 2968.5; P.Lond. 2.293.9-10 (p.187). • Other abbreviations should follow those of the American Journal of Ar- chaeology and the Transactions of the American Philological Association. • For ancient and Byzantine authors, contributors should consult the third edition of the Oxford Classical Dictionary, xxix-liv, and A Patristic Greek Lexi- con, xi-xiv. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
Easy Comeback for Skalleti
MONDAY, 22 MARCH 2021 MOGUL ON SONG FOR SHEEMA CLASSIC EASY COMEBACK Mogul (GB) (Galileo {Ire}) is in good form ahead of a start in FOR SKALLETI the $5-million G1 Dubai Sheema Classic at Meydan on Mar. 27. Last seen in action taking the G1 Longines Hong Kong Vase at Sha Tin in December, the Coolmore partners-owned 4-year-old also saluted in the 2020 G3 Gordon S. at Goodwood in July, ran second in the Aug. 19 Great Voltigeur S. and returned to the winner=s circle in the G1 Juddmonte Grand Prix de Paris at ParisLongchamp in September. Fifth in the GI Longines Breeders= Cup Turf a month prior to his Hong Kong triumph, the 3.4- million gns Tattersalls October Book 1 yearling will fly to Dubai on Monday and step out for morning trackwork after clearing 48 hours of quarantine on Thursday. AWe=re happy with everything he=s done,@ trainer Aidan O=Brien, who won the race with the late St Nicholas Abbey (Ire) (Montjeu {Ire}) in 2013, told the Tamarkuz Media notes team. Skalleti & Pierre-Charles Boudot winning for fun in the Prix Exbury Cont. p3 Scoop Dyga Freshened up since his foray to Sha Tin for the G1 Hong Kong IN TDN AMERICA TODAY Cup, Jean-Claude Seroul=s Skalleti (Fr) (Kendargent {Fr}) was all TIME TO BRING BACK DOWNHILL RACING AT SA class in Saint-Cloud=s deep ground as he sauntered to a In the latest The Week in Review, Bill Finley calls for the turn of confidence-restoring win in the G3 Prix Exbury. -
BLACKJACK It’S Easy to Ace the Game of Blackjack, One of the Most Popular Table Games at Hollywood Casino and Around the World
BLACKJACK It’s easy to ace the game of Blackjack, one of the most popular table games at Hollywood Casino and around the world. Object of the Game Your goal is to draw cards that total 21, or come closer to 21 than the dealer without going over. How To Play • The dealer and each player start with two cards. The dealer’s first card faces up, the second faces down. Face cards each count as 10, Aces count as 1 or 11, all others count at face value. An Ace with any 10, Jack, Queen, or King is a “Blackjack.” • If you have a Blackjack, the dealer pays you one-and-a-half times your bet — unless the dealer also has a Blackjack, in which case it’s a “push” and neither wins. • If you don’t have Blackjack, you can ask the dealer to “hit” you by using a scratching motion with your fingers on the table. • You may draw as many cards as you like (one at a time), but if you go over 21, you “bust” and lose. If you do not want to “hit,” you may “stand” by making a side-to-side waving motion with you hand. • After all players are satisfied with their hands the dealer will turn his or her down card face up and stand or draw as necessary. The dealer stands on 17 or higher. BLACKJACK Payoff Schedule All winning bets are paid even money (1 to 1), except for Blackjack, which pays you one-and-a-half times your bet or 3 to 2. -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
The Penguin Book of Card Games
PENGUIN BOOKS The Penguin Book of Card Games A former language-teacher and technical journalist, David Parlett began freelancing in 1975 as a games inventor and author of books on games, a field in which he has built up an impressive international reputation. He is an accredited consultant on gaming terminology to the Oxford English Dictionary and regularly advises on the staging of card games in films and television productions. His many books include The Oxford History of Board Games, The Oxford History of Card Games, The Penguin Book of Word Games, The Penguin Book of Card Games and the The Penguin Book of Patience. His board game Hare and Tortoise has been in print since 1974, was the first ever winner of the prestigious German Game of the Year Award in 1979, and has recently appeared in a new edition. His website at http://www.davpar.com is a rich source of information about games and other interests. David Parlett is a native of south London, where he still resides with his wife Barbara. The Penguin Book of Card Games David Parlett PENGUIN BOOKS PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia) Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia -
The European Destruction of the Palace of the Emperor of China
Liberal Barbarism: The European Destruction of the Palace of the Emperor of China Ringmar, Erik 2013 Link to publication Citation for published version (APA): Ringmar, E. (2013). Liberal Barbarism: The European Destruction of the Palace of the Emperor of China. Palgrave Macmillan. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Download date: 06. Oct. 2021 Part I Introduction 99781137268914_02_ch01.indd781137268914_02_ch01.indd 1 77/16/2013/16/2013 1:06:311:06:31 PPMM 99781137268914_02_ch01.indd781137268914_02_ch01.indd 2 77/16/2013/16/2013 1:06:321:06:32 PPMM Chapter 1 Liberals and Barbarians Yuanmingyuan was the palace of the emperor of China, but that is a hope lessly deficient description since it was not just a palace but instead a large com- pound filled with hundreds of different buildings, including pavilions, galleries, temples, pagodas, libraries, audience halls, and so on. -
Northwest Accordion News
NORTHWEST ACCORDION NEWS Wine Festival The Great Accordion Myth Uncovered Improvising Duets: Comping for All Seasons Leavenworth International Accordion Celebration! News about Cory Pesaturo, Alicia Baker and Stas Venglevski! VOL. 21 NO. 3 Northwest Accordion Society Fall Quarter 2011 Northwest Accordion News Northwest Accordion News Staff Doris Osgood............................................(503) 357-0417 NWAS PUBLICATION PRIORITIES [email protected] Advertising Judith Ames .............................................(360) 254-5245 Original Compositions [email protected] News from Our Members Colleen Halverson (Advertising) ..............(503) 484-5064 Instructive/Technical Articles [email protected] Summaries from Regional Socials and NW Accordion Society Offi cers Events Bonnie Birch, President/Treasurer ................................. (206) 622-4786 Coming Events Doris Osgood, Vice President/Communications ............. (503) 357-0417 Articles will be printed if received prior to the Judith Ames, Secretary/Technology ............................... (360) 254-5245 publishing deadline. Should space be an issue, Advisory Board articles will be printed in the order in which they are Rick Hatley, ..................................................................... (253) 288-0442 submitted. All decisions regarding publication will be Shirlee Holmes .............................................................. (206) 282-4934 made by the editors of the NWAS News. Dick Myking ...................................................................