The Secret of Kells
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The Making of the Book of Kells: Two Masters and Two Campaigns
The making of the Book of Kells: two Masters and two Campaigns Vol. I - Text and Illustrations Donncha MacGabhann PhD Thesis - 2015 Institute of English Studies, School of Advanced Study, University of London 1 Declaration: I hereby declare that this thesis has not been submitted as an exercise for a degree at any other university, and that it is entirely my own work. _________________________________ Donncha MacGabhann 2 Abstract This thesis investigates the number of individuals involved in the making of the Book of Kells. It demonstrates that only two individuals, identified as the Scribe-Artist and the Master-Artist, were involved in its creation. It also demonstrates that the script is the work of a single individual - the Scribe-Artist. More specific questions are answered regarding the working relationships between the book’s creators and the sequence of production. This thesis also demonstrates that the manuscript was created over two separate campaigns of work. The comprehensive nature of this study focuses on all aspects of the manuscript including, script, initials, display-lettering, decoration and illumination. The first part of chapter one outlines the main questions addressed in this thesis. This is followed by a summary of the main conclusions and ends with a summary of the chapter- structure. The second part of chapter one presents a literature review and the final section outlines the methodologies used in the research. Chapter two is devoted to the script and illumination of the canon tables. The resolution of a number of problematic issues within this series of tables in Kells is essential to an understanding of the creation of the manuscript and the roles played by the individuals involved. -
The Secret of Kells in 2010 and for Song of the Sea in 2015
The EDUCATIONAL KIT Secret of Kells Tomm Moore, Nora Twomey CONTENT p.3 GENERAL INFORMATION p.4 Synopsis p.5 FILM ANALYSIS p.5 p.6 Film context Expressive means p.6 p.8 Historical context Recognition Image 1 p.10 CLASSROOM ACTIVITIES p.10 p.13 p.15 Starter activity Animated colours The “real” face of and shapes the Vikings p.11 The hero’s journey p.14 Filmic means and director’s choices 2 GENERAL INFORMATION TOMM MOORE (1977, IRELAND) NORA TWOMEY (1971, IRELAND). The film, which is set in the early ninth-century monastic settlement of Kells, is based on a concept which Moore had been exploring a decade earlier while a student of animation at Ballyfermot Senior College in Dublin in 1999. With his co-director Nora Twomey, Moore and the Cartoon Saloon studio have achieved international acclaim for their work, including nominations in the Best Animated Feature Film category at the Oscars for The Secret of Kells in 2010 and for Song of the Sea in 2015. More recently, Twomey’s The Breadwinner (2017), which is set in Afghanistan and stylistically encompasses a more naturalistic and real- world look, also received an Academy nomination for Best Animated Feature in 2018. Moore is currently co-directing a third animated feature, Wolfwalkers, a mythic tale set in Kilkenny that is inspired by local history and legends and is due for release in late 2020. Image 2 Image 3 Twomey is currently directing the 2D American-Irish animation film My Father’s dragon, due for release in 2021. -
SIGGRAPH Asia 2020'S Computer Animation Festival – Panel And
SIGGRAPH Asia 2020’s Computer Animation Festival – Panel and Production Talks The Making of Pixar’s Wind Jesus Martinez, Animation Manager, Pixar Animation Studios Edwin Chang, Shot Supervisor / SparkShorts Director, Wind, Pixar Animation Studios Beth Albright, Character Shading and Groom Lead, Pixar Animation Studios Join writer and director Edwin Chang, producer Jesús Martínez and supervising technical director Beth Albright as they explore the making of their heartfelt CG animated short film, Wind. Made as part of Pixar’s SparkShorts program, Wind is set in a world of magical realism where a grandmother and her grandson are trapped deep down an endless chasm, scavenging debris that surrounds them to realize their dream of escaping to a better life. A screening of the film will be followed by a “Making Of” presentation and a Q&A. Producing Over the Moon Gennie Rim, Executive Producer, Glen Keane Productions Peilin Chou, Animation Film Producer, Netflix Producers Peilin Chou and Gennie Rim discuss the development and production of the recently premiered Netflix and Pearl Studios animated musical adventure, Over the Moon, directed by the legendary Oscar winner Glen Keane, and co-directed by Oscar winner John Kahrs. In the film, a bright young girl fueled with determination and a passion for science, Fei Fei, builds a rocket ship to the moon to prove the existence of the legendary Chinese Moon Goddess, Chang’e. After an impossible journey, she ends up in a whimsical land of fantastical creatures. Directed by Keane, animated at Sony Pictures Imageworks and produced by Rim and Chou for Shanghai-based Pearl Studios, Over the Moon is a musical adventure about moving forward, embracing the unexpected, and believing the impossible is possible. -
Cartoon Saloon and the New Golden Age of Animation | the New Yorker
1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker The studio’s hand-drawn movies use the language of painting and illustration rather than that of the latest technology. Still courtesy Cartoon Saloon and Abrams Books Onward and Upward with the Arts December 21, 2020 Issue The studio’s hand-drawn movies—including its latest, “Wolfwalkers”—offer an alternative vision of what children’s entertainment can be. By Mark O’Connell December 11, 2020 n the seventeenth century, after wolves were hunted to extinction in most of the British Isles, Ireland was sometimes referred I to as Wolf-Land. The implication, perhaps, was that it needed to be tamed. In 1649, Oliver Cromwell’s New Model Army invaded Ireland on behalf of the Commonwealth of England, leading to the deaths of hundreds of thousands of Irish people. The Army also appointed professional hunters to cull the country’s wolves. Cromwell’s men captured the walled city of Kilkenny, which was surrounded by forests full of wolves and was home to as many superstitions about them. One myth held that certain natives of https://www.newyorker.com/magazine/2020/12/21/cartoon-saloon-and-the-new-golden-age-of-animation 1/9 1/20/2021 Cartoon Saloon and the New Golden Age of Animation | The New Yorker the region could transform into wolves, roaming the land while their ordinary bodies lay in a kind of trance. If they were injured in the course of this lupine marauding, the wounds would appear on their human esh. -
Wolfwalkers Book of Kells, the Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha Is on Page 10
est. 2006 May 2021 • Volume 15 - Issue 5 WolfWalkers Book of Kells, The Ravine: Kilkenny Based Cartoon Saloon Sweeping Academy Award®, Golden Globe, BAFTA Nominations Inner View with Éabha is on page 10. which follows two weeks later, on May Editor’s Black 47’s Larry Kirwan’s new novel, 22nd. A Potato a Day Keeps Rockaway Blue, is a captivating read on Is it time for an Irish Unity Referen- Corner an Irish American families’ Post 9-11 dum? An Irish Mexican Fusion Dish? By John O’Brien, Jr. struggles with the loss of their cop son’s Does a potato a day keep the doctor the Doctor Away? life in the collapse of the tower, and away? What happened to the Mass By Dr. Fredrick Peters not broken down and fully absorbed by May 2021 Vol. 15 • Issue 5 Rich stews filled with dense carbohy- the body. Instead, it reaches the large intes- @Jobjr offers an excellent insider look at the Rock? Test your knowledge: Who are Í struggles and heartaches for a multiple the Patriots of Ireland? It’s a puzzle. Publisher & Editor John O’Brien Jr. drates and loaded with calories. When tine where it becomes a source of nutrients considering healthy food options, the for the beneficial bacteria in your gut. Re- first responder family. Is there anything better than live Design/Production Christine Hahn cuisine of Ireland may not seem plausible. search has linked resistant starch to many We are getting excited about the Irish music on St. Patrick’s Day? Will Website Rich Croft Columnists However, if prepared correctly, some of health benefits, including reducing insulin return of live events, with Riverfront Ireland lead the way on Electric Ve- Akron Irish Lisa O’Rourke the traditional Irish staples can actually be resistance, which, in turn, improves blood So Much An Eejit Abroad Conor Makem Irish Festival, Carbon Leaf, Dublin, hicles? Is there always a Donnybrook quite healthy! sugar control. -
THE SECRET of KELLS Create a Depth and Atmosphere to Rival the Best of Disney’S Computer-Driven Output
nature of medieval manuscripts, the ornate drawings THE SECRET OF KELLS create a depth and atmosphere to rival the best of Disney’s computer-driven output. (Cert PG) Young Brendan lives on a monastic settlement in ninth Reel Issues author: Clive Price century Ireland. His uncle Cellach is the abbot. Cellach used to be an illuminator. But now he uses his artistic Overview: A blend of British and Irish church history skill to design a defensive measure around the with Celtic mythology, this traditional animation monastery at Kells – ‘a wall to save civilisation’ – as presents a highly imaginative fictional story based he puts it. However, his world is shaken by an around the Book of Kells. Perhaps the best known of important visitor, Aidan of Iona, who wants to focus early British and Irish illuminated manuscripts, the on finishing an illuminated Gospel manuscript, rather book’s creation is seen through the adventures of than build a wall. It is clear that the men have very young Brendan. The boy lives in a remote medieval separate obsessions. outpost that comes under attack by the notorious Brendan is obliged to help his uncle bolster the ‘Northmen’, the Vikings. The fight is on to not only monastery’s defences. But he is drawn towards the finish the book, but also protect it from the raiders, so scriptorium, where Aidan is working on the book. The that it might become a beacon of hope to the world, boy ends up assisting him in its production. Brendan the book that turns darkness into light. faces his fear of the forest when he ventures out to Directors: Tomm Moore and Nora Twomey (2009). -
The Illustrated Book Cover Illustrations
THE ILLUSTRATED BOOK COVER ILLUSTRATIONS: A collection of 18 pronouncements by Buddhist sages accompanied by their pictures. n.p., n.d. Manuscript scroll folded into 42 pages, written on leaves of the bodhi tree. Chinese text, beginning with the date wu-shu of Tao kuang [·i.e. 1838 ] Wooden covers. Picture of Buddhist sage Hsu tung on front cover, accompanied by text of his pronouncement on separate leaf on back cover: "A Buddhist priest asked Buddha, 'How did the Buddha attain the most superior way?' Buddha replied, 'Protect the heart from sins; as one shines a mirror by keeping off dust, one can attain enlightenment.'" --i~ ti_ Hsu tung THE ILLUSTRATED BOOK • An Exhibit: March-May 1991 • Compiled by Alice N. Loranth Cleveland Public Library Fine Arts and Special Collections Department PREFACE The Illustrated Book exhibit was assembled to present an overview of the history of book illustration for a general audience. The plan and scope of the exhibit were developed within the confines of available exhibit space on the third floor of Main Library. Materials were selected from the holdings of Special Collections, supplemented by a few titles chosen from the collections of Fine Arts. Selection of materials was further restrained by concern for the physical well-being of very brittle or valuable items. Many rare items were omitted from the exhibit in order to safeguard them from the detrimental effects of an extended exhibit period. Book illustration is a cooperation of word and picture. At the beginning, writing itself was pictorial, as words were expressed through pictorial representation. -
Illumination Attributed to Flemish Artist Willem Vrelant in the Farnsworth Hours
Illumination attributed to Flemish artist Willem Vrelant in the Farnsworth Hours. 132 Book Arts a Medieval Manuscripts Georgetown’s largest collection of late medieval and early renaissance documents, the Scheuch Collection, is described in the European History chapter. In addition to that collection, the library possesses nearly a score of early liturgical and theological manuscripts, including some with interesting and sometimes significant miniatures and illumina tion. Those held prior to 1970 are for the most part listed in Seymour de Ricci’s Census or its supplement, but special note should be made of the volume of spiritual opuscules in Old French (gift of John Gooch) and the altus part of the second set of the musical anthology known as the “Scots Psalter” (1586) by Thomas Wode (or Wood) of St. Andrews, possibly from the library of John Gilmary Shea. Also of note are two quite remarkable fifteenth-century manuscripts: one with texts of Bede, Hugh of St. Victor, and others (gift of Ralph A. Hamilton); the other containing works by Henry of Hesse, St. John Chrysostom, and others (gift of John H. Drury). In recent years the collection has Euclid, Elementa geometriae (1482). grown with two important additions: a truly first-rate manuscript, the Farnsworth Hours, probably illuminated in Bruges about 1465 by Willem Vrelant (gift of Mrs. Thomas M. Evans), and a previously unrecorded fifteenth-century Flemish manuscript of the Imitatio Christi in a very nearly contemporary binding (gift of the estate of Louise A. Emling). The relatively small number of complete manuscripts is supplemented, especially for teaching purposes, by a variety of leaves from individual manuscripts dating from the twelfth to the sixteenth century (in part the gifts of Bishop Michael Portier, Frederick Schneider, Mrs. -
'Kahlil Gibran's the Prophet'
THE WRAP / Travis Reilly February 5, 2015: “GKIDS to Release Salma Hayek-Produced ‘Kahlil Gibran’s The Prophet’” http://www.thewrap.com/gkids-acquires-to-release-salma-hayek-produced-kahlil-gibrans-the- prophet/ INDIEWIRE / Anya Jaremko-Greenworld February 5, 2015: “Salma Hayek's Animated Passion Project 'Kahlil Gibran's The Prophet' Acquired by GKIDS” http://www.indiewire.com/article/salma-hayeks-animated-passion-project-kahlil-gibrans-the- prophet-acquired-by-gkids-20150205 SCREEN DAILY / Jeremy Kay February 5, 2015: “GKIDS takes The Prophet” http://www.screendaily.com/news/distribution/gkids-takes-the-prophet/5082817.article THOMPSON ON HOLLYWOOD / Ryan Lattanzio February 5, 2015: “Salma Hayek Passion Project 'Kahlil Gibran's The Prophet' Goes to GKIDS” http://blogs.indiewire.com/thompsononhollywood/salma-hayek-passion-project-kahlil-gibrans- the-prophet-goes-to-gkids-20150205 CARTOON BREW / Amid Amidi February 5, 2015: “GKIDS To Release ‘Kahlil Gibran’s The Prophet’ In The U.S.” http://www.cartoonbrew.com/feature-film/gkids-to-release-kahlil-gibrans-the-prophet-in-the-u-s- 108653.html ANIMATION WORLD NETWORK / Jennifer Wolfe February 5, 2015: “GKIDS Acquires North American Rights for ‘Kahlil Gibran’s The Prophet’” http://www.awn.com/news/gkids-acquires-north-american-rights-kahlil-gibran-s-prophet http://www.thewrap.com/gkids-acquires-to-release-salma-hayek-produced-kahlil-gibrans-the- prophet/ GKIDS to Release Salma Hayek-Produced ‘Kahlil Gibran’s The Prophet’ MOVIES | By Travis Reilly on February 5, 2015 GKIDS Hayek, Liam Neeson and John Krasinski all lend their voices to the animated feature GKIDS has acquired the North American rights to “Kahlil Gibran’s The Prophet,” the animation distributor announced on Thursday. -
Stereoscopic Comparison As the Long-Lost Secret to Microscopically Detailed Illumination Like the Book of Kells'
Perception, 2009, volume 38, pages 1087 ^ 1103 doi:10.1068/p6311 Stereoscopic comparison as the long-lost secret to microscopically detailed illumination like the Book of Kells' John L Cisne Department of Earth and Atmospheric Sciences, Cornell University, Ithaca, NY 14853, USA; e-mail: [email protected] Received 19 October 2008, in revised form 15 January 2009; published online 17 July 2009 Abstract. The idea that the seventh- and eighth-century illuminators of the finest few Insular manuscripts had a working knowledge of stereoscopic images (otherwise an eighteenth- and nineteenth-century discovery) helps explain how they could create singularly intricate, micro- scopically detailed designs at least five centuries before the earliest known artificial lenses of even spectacle quality. An important clue to this long-standing problem is that interlace patterns drawn largely freehand in lines spaced as closely as several per millimeter repeat so exactly across whole pages that repetitions can be free-fused to form microscopically detailed stereo- scopic images whose relief in some instances indicates precision unsurpassed in astronomical instruments until the Renaissance. Spacings between repetitions commonly harmonize closely enough with normal interpupillary distances that copying disparities can be magnified tens of times in the stereoscopic relief of the images. The proposed explanation: to copy a design, create a pattern, or perfect a design's template, the finest illuminators worked by successive approximation, using their presumably unaided eyes first as a camera lucida to fill a measured grid with multiple copies from a design, and then as a stereocomparator to detect and minimize disparities between repetitions by minimizing the relief of stereoscopic images, in the manner of a Howard ^ Dolman stereoacuity test done in reverse. -
OFF the SHELF North Olympic Library System 2210 South Peabody Street Port Angeles, WA 98362
OFF THE SHELF North Olympic Library System 2210 South Peabody Street Port Angeles, WA 98362 RELEASE: November 27, 2018 DATE: December 5, 2018 COLUMNIST: Liz Duval, Customer Service Specialist RE: Animated Films for Adults ATTACHED: Liz_Duval.jpg les_triplettes21.jpg Song_of_the_Sea-cover.jpg FantasticMrFoxPhotobyWesAnderson.jpg Animation is not just for kids! Adults who love film, visual arts, or stories that are not traditional Hollywood fare, can find real gems in NOLS’ collection of animated films. These are some suggestions for animated movies with exceptional artistic merit -- in fact nine of them have been nominated for Academy Awards. France is one of the top producers of animation, showcasing unique versions of traditional hand drawn animation, an art form that is nearly extinct because of the time and cost associated. The Triplets of Belleville has a freaky surrealist style that makes it totally unique and the jazz soundtrack will have you tapping your toes. In The Red Turtle, lush landscapes overwhelm the viewer. Stop-motion is another exceptionally time intensive method of animation. Tiny “puppets” or figurines are built, costumed, and given multiple heads or faces for different expressions. Each frame of the film is actually a photograph, and between each frame the puppets are moved. This is the case for Fantastic Mr. Fox, which intentionally doesn’t use any digital smoothing to cover the jerkiness of the movement. Because of that, you can feel the handmade quality of everything on screen, a warm and quirky sensibility that could only be Director Wes Anderson’s (he returned to stop motion with his latest film, Isle of Dogs). -
Univerza V Ljubljani Pedagoška Fakulteta Sara
UNIVERZA V LJUBLJANI PEDAGOŠKA FAKULTETA SARA BARLE SKRIVNOST IZ KELLSA – ANIMIRANI FILM IN SLIKANICA DIPLOMSKO DELO LJUBLJANA, 2018 UNIVERZA V LJUBLJANI PEDAGOŠKA FAKULTETA PREDŠOLSKA VZGOJA SARA BARLE Mentor: DR. MILENA MILEVA BLAŽIĆ Somentor: DOC. DR. BARBARA ZORMAN SKRIVNOST IZ KELLSA – ANIMIRANI FILM IN SLIKANICA DIPLOMSKO DELO LJUBLJANA, 2018 IZVLEČEK Diplomsko delo obravnava animirani film Skrivnost iz Kellsa [The Secret of Kells] ter literarno adaptacijo v slikaniški obliki. Osredinja se na vprašanje ali oziroma kakšne razlike se pojavijo pri podajanju zgodbe prek dveh različnih medijev. V ta namen so v teoretičnem delu najprej opredeljeni ključni pojmi, nato pa predstavljeni literarna in medmedijska teorija. Literarna teorija je povzeta po delu Evropska pravljica Maxa Lüthija, osnova za medmedijsko teorijo pa je naratologija Matevža Rudolfa. Animirani film in slikanica Skrivnost iz Kellsa temeljita na zgodovinskih in mitoloških elementih, zato je predstavljena tudi intertekstualnost, kot jo opredeli Marko Juvan. V empiričnem delu sta animirani film in slikanica analizirana, teoretične postavke so aplicirane na primer, sledi še primerjava del. Kljub temu da sta obe deli izšli leta 2009 izpod rok istih ustvarjalcev, pri podajanju zgodbe prek različnih medijev prihaja do razlik, ki so opisane v nadaljevanju. KLJUČNE BESEDE: slikanica, animirani film, literarna analiza, medmedijska analiza, intertekstualnost I ABSTRACT The thesis concentrates on animated movie The Secret of Kells and its literary adaptation in a form of a picture book. The thesis concentrates mostly on the differences (if they exist) between stories that are introduced by two different types of media. For this reason the theoretical part consists of presentation of the key concepts, which is followed by literary and intermedia theory.