JAPANIN OUTOUDEN TAKANA Japanilaisen Populaarikulttuurin Käsitteleminen Länsimaisessa Mediassa

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JAPANIN OUTOUDEN TAKANA Japanilaisen Populaarikulttuurin Käsitteleminen Länsimaisessa Mediassa Petteri Uusitalo JAPANIN OUTOUDEN TAKANA Japanilaisen populaarikulttuurin käsitteleminen länsimaisessa mediassa JAPANIN OUTOUDEN TAKANA Japanilaisen populaarikulttuurin käsitteleminen länsimaisessa mediassa Petteri Uusitalo Opinnäytetyö Kevät 2019 Viestinnän tutkinto-ohjelma Oulun ammattikorkeakoulu TIIVISTELMÄ Oulun ammattikorkeakoulu Viestinnän tutkinto-ohjelma, journalismin suuntautumisvaihtoehto Tekijä: Petteri Uusitalo Opinnäytetyön nimi: Japanin outouden takana – Japanilaisen populaarikulttuurin käsitteleminen länsimaisessa mediassa Työn ohjaaja: Teemu Palokangas Työn valmistumislukukausi ja -vuosi: Kevät 2019 Sivumäärä: 79 + 13 Japanilaisen populaarikulttuurin merkityksellisyys maailmanlaajuisella viihdekentällä on kasvanut viime vuosikymmenten aikana. Sen näkyvimmät ilmenemismuodot ovat japanilainen animaatio ja sarjakuva eli anime ja manga. Tässä tutkielmassa avaan sitä, miten länsimaisessa yhteiskunnassa Japaniin liittyy erityinen asenneilmapiiri, jonka mukaan Japani on humoristinen ja eriskummallinen maa, ja miten tämä asenneilmapiiri vaikuttaa japanilaiseen populaarikulttuuriin suhtautumiseen yleismediassa. Japanilaiseen populaarikulttuuriin keskittyvässä ja sen harrastajille suunnatussa erikoismediassa lähestymistapa on kuitenkin toinen, kuten tutkielman tutkimusosa osoittaa. Anime-lehti on vuonna 2005 perustettu suomalainen japanilaiseen populaarikulttuuriin keskittyvä aikakauslehti. Tutkimusosassa tarkastelen lehdessä esiintyviä näkemyksiä, lähestymistapoja ja asenteita Japanin kulttuuria ja populaarikulttuuria kohtaan. Suoritan tekstianalyysin avulla laadullista tutkimusta siitä, miten Anime-lehden kirjoittajat kuvailevat ja lähestyvät teksteissä käsittelemäänsä populaarikulttuuria ja sen takana vaikuttavaa Japanin kulttuuripiiriä. Keskityn erityisesti siihen, mitä konsepteja pidetään tarpeellisena selventää lukijoille. Tämän jälkeen haastattelen viittä Anime-lehden kirjoittajaa ja vertaan heidän näkemyksiään aiheesta tekstianalyysin tuloksiin. Tarkoituksenani on saada selville, mitä asioita Japanin kulttuurissa ja populaarikulttuurissa pidetään tuttuina ja mitä vieraina sellaiselle yleisölle, joka niitä harrastaa. Tutkimuksessa käy ilmi, että Anime-lehdessä suhtaudutaan japanilaiseen kulttuuriin huomattavasti yleismediaa arkipäiväisemmin ja normalisoivammin. Lehden lukijakunnalla oletetaan olevan pinnalliset mutta laajat pohjatiedot Japanin kielestä, historiasta, maantieteestä ja kansanperinteestä. Tämän lisäksi sillä oletetaan olevan varsin hyvät tiedot populaarikulttuurista itsestään, mukaanlukien sen sisältöperinteet, termistö ja julkaisuteollisuus. Vierassanoja käytetään runsaasti, eikä teosten seksuaalisuutta ja moraalia nosteta erityisiksi eettisiksi polttopisteiksi. Lukijakunnan tietotaso aiheesta oletetaan sitä paremmaksi, mitä useammin kyseinen aihe populaarikulttuuriteoksissa esiintyy. Tutkimuksen perusteella voidaan todeta, että japanilaisen populaarikulttuurin länsimaiset kuluttajat suhtautuvat Japaniin ja sen kulttuuriin huomattavan arkipäiväisesti. Vaikka näihin aiheisiin sisältyy eksotisoimista, niitä käsitellään huomattavasti normalisoivammin kuin länsimaiselle mediakeskustelulle yleisessä vieraannuttavassa diskurssissa. Asiasanat: journalistiikka, manga, anime, populaarikulttuuri, aikakauslehdet, viihdejournalismi 3 ABSTRACT Oulu University of Applied Sciences Degree Programme in Communication, Option of Journalism Author: Petteri Uusitalo Title of Thesis: Behind Weird Japan – The Treatment of Japanese Popular Culture in Western Media Supervisor: Teemu Palokangas Term and year when the thesis was submitted: Spring 2019 Number of Pages: 79 + 13 The relevance of Japanese popular culture in the global field of entertainment has increased over the last decades. The most visible forms of this are Japanese animation and comics, anime and manga. In this thesis, I explore the particular attitudes of weirdness and wackiness associated with Japan in Western society and how such attitudes affect the treatment of Japanese popular culture in mainstream media. However, as indicated in the study section of this thesis, a very different approach can be seen in media focusing on Japanese popular culture and aimed at its active consumers. Anime is a Finnish periodical magazine focused on Japanese popular culture, founded in 2005. In the study section I examine the views, approaches and attitudes towards the culture and popular culture of Japan represented in the magazine. Using textual analysis, I perform a qualitative study on how the writers of Anime describe and approach the popular culture they write about and the Japanese culture behind it. I especially focus on which concepts are thought to be necessary to explain to the readers. After this I interview five of the writers of Anime and compare their views with the results of the textual analysis. I aim to find out which aspects of Japanese culture and popular culture are thought to be familiar and which ones unfamiliar to an audience that is actively interested in them. In this study, I discover that Anime takes a much more casual and normalizing approach to Japanese culture when compared to mainstream media. The readers of the magazine are expected to have a shallow but wide basic knowledge on Japanese language, history, geography and folklore. Additionally, the readers are expected to have a good grasp on the popular cultural itself, including its content- related traditions, terminology and publishing industry. Foreign words are used amply, and the sexual and moral elements in the media are not made into particular ethical focal points. The readers’ knowledge level on a given subject is assumed to be higher if that subject is frequently present in works of popular culture. According to the study it can be said that Western consumers of Japanese popular culture approach Japan and its culture in a remarkably everyday manner. Even though exoticization is present, these topics are not approached through the alienating lens commonly used in the Western media discourse, but in a considerably more normalizing way. Keywords: journalism studies, manga, anime, popular culture, magazines, entertainment journalism 4 SISÄLLYS 1 JOHDANTO ....................................................................................................................................... 7 2 JAPANILAISEN POPULAARIKULTTUURIN KÄSITTELEMINEN MEDIASSA ................................ 10 2.1 Japanin julkisuuskuva länsimaissa ........................................................................................... 10 2.1.1 Orientalismin kolme muotoa .............................................................................................. 10 2.1.2 Diskurssin seurauksia ....................................................................................................... 12 2.2 Japanilaisesta populaarikulttuurista kirjoittaminen .................................................................... 13 2.2.1 Käsittely muussa mediassa ............................................................................................... 13 2.2.2 Vertailua elokuvajournalismiin ........................................................................................... 14 2.2.3 Johtopäätöksiä .................................................................................................................. 16 3 JAPANILAISEN POPULAARIKULTTUURIN ERITYISPIIRTEITÄ ................................................... 18 3.1 Japanin populaarikulttuuri ......................................................................................................... 18 3.1.1 Kaupallisuus ja media mix -strategia ................................................................................. 19 3.1.2 Monipuolisuus ................................................................................................................... 19 3.2 Japanin kulttuuri ....................................................................................................................... 20 3.2.1 Uskonto ............................................................................................................................. 21 3.2.2 Moraali .............................................................................................................................. 22 3.2.3 Seksuaalisuus ................................................................................................................... 23 3.2.4 Ikärajat ja sensuuri ............................................................................................................ 23 3.2.5 Yksilö- ja yhteisökeskeisyys .............................................................................................. 25 3.3 Japanin kieli .............................................................................................................................. 26 3.3.1 Japanin kääntäminen ........................................................................................................ 27 3.3.2 Kuluttajien tottumukset ja mieltymykset ............................................................................ 28 4 KULTTUURIEROJA JA -KONFLIKTEJA ......................................................................................... 30 4.1 Moraalipaniikkeja ...................................................................................................................... 30 4.2 Naiskuva ................................................................................................................................... 31 4.3 Länsimainen linssi ...................................................................................................................
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