Mayoral Forum Hosted by E.Y.E. Openers SPA Downsizes Block Party Plans Son of Sundragon Ready to Race

Total Page:16

File Type:pdf, Size:1020Kb

Mayoral Forum Hosted by E.Y.E. Openers SPA Downsizes Block Party Plans Son of Sundragon Ready to Race O p i n i o n Entertainm ent S p o r t s God, God, God, God, God, Persian Gulf War, The Entertainment pages this week takes you to The softball t(^tn^runs into stiff competition, God, God, God, God, God, Bejing, God, God, God, the movies with a summer preview, an interview dropping a couple of ganies. However Kelli Griffith God, God, God, God, budget cuts, God, God, God, with Naked Gun 2 1/2 director, and Bong water’s gamed player-of-tfe-week again. The baseball team Gad, God, Spring Fling, God, God, God, God, God, latest release. The Power of Pussy — and much gave up 12 runs in the first inning on Tuesday. See God, God, God, God, and Bejing. See page ten... more. See page“sixt«n„. theae^stories and mori^ on page twenty-eight... T h e T i Volume 66 • Num ber 28 Serving Drexel University Since 1926...' April 26,1991 Mayoral forum hosted by E.Y.E. Openers Brian Goodman the city. mass transportation authorities. ties’ capital budgets. An addi­ originally sought to raise revenue Triangle Stajf Writer “Solid waste costs [the city] Rendell echoed Katz’s call for tional $20 million in annual rev­ by imposing an additional half- Sn.*? [per! ton to remove,” a gasoline tax but also suggested enue could be raised, Rendell cent increase in the local sales Although environmental con­ Rendell said. “Removing recy- that SEPTA follow plans used by said, by contracting with the tax. “I can’t sit here...[and] pro­ cerns have been “lost in the shuf­ lables, curbside, costs $185 to Chicago and the City of New state legislature for transporta­ pose an additional half-cent tax fle,” in Philadelphia's mayoral $200 [per] ton. Unless we have York where every stream of rev­ tion contracts. when the sales tax has just been primary contests, four candidates some fomi of privatization in the enue is placed into the authori­ Hearn’s transportation plan See MAYORAL on page 5 for the city’s highest office dis­ trash collection system, we can­ cussed their environmental posi­ not expand the curbside pro­ tions at a mayoral candidates’ gram. It’s just too expensive.” forum last night in Mandell White later challenged Theater. Rendell’s estimations, noting that Republican candidate Sam the cost-per-ton differential Katz and Democratic contenders reflected the acquisition costs of Ed Rendell, James White, and vehicles for hauling recyclable Peter Hearn fielded questions materials. from both forum panelists and Both Rendell and White members of the audience on specifically expressed support waste, transportation, toxics, for a “bottle bill,” which would energy, parks and open space. require consumers to place a Moderated by WHYY-FM’s refundable deposit on bottles and “Earth Talk” host Mike cans to encourage recycling. Weilbacher, the forum was spon­ Although all four agreed that sored in part by Drexel’s E.Y.E. drivers of single-passenger vehi­ Openers. cles in Philadelphia should be Republicans Ron Castille and persuaded to use mass trans­ Frank Rizzo and Democrat portation, each differed in his Lucien Blackwell all declined approach to continuing support invitations to personally attend for the regional Southeastern the lorum. Democrat George Pennsylvania Transportation Burrell, who originally agreed to Authority (SEPTA). Members o f IFA present the SunDragon team with a $1,000 donation. FILE PHOTO appear at the program, did not Katz praised SEPTA's $75 bil­ attend last night. lion physical plant as “one of the All the candidates expressed most impre.ssive...in the nation,” but argued that at least $750 mil­ Son of SunDragon ready to race support for recycling in Philadelphia and, except for lion to $1 billion per year must Brian Goodman Rendell, indicated that they be reinvested into the system. and project leaders expect to other structural changes, have would expand the city’s curbside K atz’s solution is a statew ide Triangle Staff Writer unveil the finished new model added about 130 pounds to last recycling program to all parts of gasoline tax to aid the state’s 29 sometime next month before its year’s trim 423-pound weight. Although the 1990 Drexel performance debut at the 1991 D espite the increase in SunDragon solar car has yet to American Tour de Sol. weight, the team expects engi­ drive off into the sunset. Heavier and longer than last neering and performance SPA downsizes University students building year’s version, SunDragon II changes to boost the top cruis­ the 1991 model are anxiously engineers have created an ing speed of the car to about 60 awaiting their car’s day in the entirely new car that features m.p.h., about II m.p.h. higher Block Party plans sun. increased solar cell surface than last year’s top figure. The 1991 car, dubbed area, more efficient solar cells, Most of the weight gain, Gary Rosenzweig_______ change] was all because we were SunD ragon II, is nearing the and sophisticated aerodynam­ according to SunDragon ics. These improvements, and O f the Triangle not receiving support from any final phases of development See SUNDRAGON on page 4 student organizations or individ­ For the first time in many uals.” said Coren. years, Drexel will not have a Plans for the Block Party were Student U nion A dm inistration reorganizes Block Party. The Student made back in October. They Program Association (SPA) has included a full afternoon at Hill Gary Rosenzweig decided to 'change the name of Field (located on 33rd and Director in March of 1990. The responsibilities for this posi­ the annual event to “Spring Chestnut Streets) with a six-foot- O f the Triangle Williams and Mike Faherty, tion would be to “advise the Fling” and move it from Penn’s high stage, five or six bands, cor­ the assistant director of Creese, Student Program Association, Hill Field to the Kelly Hall bas­ porate sponsorship, carnival The Student Union Admin­ now split the responsibilities. including on-going training” as ketball courts. The event, slated games, and ending with a come­ istration in the Creese Student Williams leans more toward stu­ well as other duties, according to for Saturday, May 4, will feature dian in the gym that evening. Union is undergoing some major dent activities and Faherty more the position announcement. the bands originally scheduled to This last performance would personnel changes this term. The toward the operation of the The administration will be be at the event as well as a few have been co-sponsored by the department, responsible for stu­ building. interviewing four candidates and of the originally planned events. SunDragon team and SPA. dent activities advising and the Also working at the Creese will probably decide on one next According to an advertise­ In January, the SunDragon running of the Creese building is desk are also Diane Lutz, who See CREESE on page 4 ment published in last week’s team axed its plans for a comedi­ changing primarily due to budget handles reservations, and about issue of The Triangle, the plans an, because, according to Coren, cuts in the Department of 30 student staff who are paid for the event have “become an they could not get corporate Student Life. through fmancial aid. impossibility for Spring 1991.” sponsorship. In mid-March, At the end of March, Dr. The final state of the depart­ The advertisement also stated Coren and Student Activities Timothy Grimm, the Creese ment is still uncertain, as second- the that the reason for the change Director Drew Williams decided Union Director, was released as round budget cuts have yet to be of plans was the lack of involve­ to change the name of the event a result of cuts amounting to announced. “We have to look at ment by other student organiza­ to ‘Spring Fling.’ $122,000 in his immediate the big picture with reductions tions. “The idea was to get Drexel department. According to Drew and what is humanly possible ... Joseph Coren, special events pre-juniors, juniors and seniors Williams, the associate director we can do a few things very chairman for SPA, said that it upset and to get freshmen to say of Creese, Grimm “oversaw the well, or do as many as we can,” was apparent from lack of atten­ ‘what is it?” ’ said Coren. “We entire operation.” Grimm came said Williams. dance at Block Party meetings honestly wanted to make them to Drexel in November of 1989 The departm ent is currently that SPA would get little support angry ... we wanted them to as the Activities Director and interviewing candidates for the position of Program Coordinator. from other groups. “[The See BLOCK PARTY on page 3 became the Creese Union 2 • The Triangle • April 26,1991 N ew w orkshop helps seniors cope with the poor job m arket Karen J. Phillips tain a more positive outlook and It’s hard to find out about job will be held at the Career to 3:30 Special to the Triangle be able to approach their job leads when people just aren’t hir­ Services Center, 3210 Cherry search with as much preparation ing" Street, on the following days: Any student wishing to attend This year, the number of and confidence as possible." Another senior Corporate • Tuesday, April 23 from should stop by the center and add recruiters who came to Drexcl's An Informal poll of seniors Communications major, Louise 10:00 to 11:00 his name to rhe sign up sheet. campus i(> meet anti -ccruit stu­ suggests that many students Whitelaw, said, “It can be very • Tuesday, April 30, from 1:00 Other workshops to be offered dents for employment fell by 20 would be helped by additional frustrating when you're a senior to 2:00 this term by the Career Services percent.
Recommended publications
  • Precious but Not Precious UP-RE-CYCLING
    The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts.
    [Show full text]
  • Chapter 1: Introduction 1
    TATE STREET, THAT GREAT STREET: CULTURE, COMMUNITY, AND MEMORY IN GREENSBORO, NORTH CAROLINA by Ian Christian Pasquini A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2015 Approved by: ____________________________ Dr. Aaron Shapiro ____________________________ Dr. John Cox ____________________________ Dr. Dan Dupre ii ©2015 Ian Pasquini ALL RIGHTS RESERVED iii ABSTRACT IAN CHRISTIAN PASQUINI. Tate Street, That Great Street: Culture, Community, and Memory in Greensboro, North Carolina (Under the direction of DR. AARON SHAPIRO) Tate Street represents a cultural center in Greensboro, North Carolina. This work outlines the varying social groups, organizations, and institutions that defined Tate Street’s cultural identity between 1960 and 1990. Tate’s venues and spaces acted as backdrops to the cultural shifts on Tate Street. Three venues act as subjects through which to research Tate Street. Through a collection of interviews, art, video, magazines, newspapers, and pictures, this work connects with historical memory to outline Tate’s local and national historical significance. The work connects with a historical documentary made up of interviews as well as primary source materials to engage with Tate’s historical actors. iv DEDICATION Engaging with Tate’s history required the dedication of a small village of interested parties. I would be remiss in not thanking Tate’s community at large – many people have offered both their time and energy to assisting this project and will remain unheralded. This work is a reflection of the strength of Tate’s community which has both inspired and welcomed my inquiries.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • Bongwater Double Bummer Mp3, Flac, Wma
    Bongwater Double Bummer mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Bummer Country: US Released: 1988 Style: Art Rock, Parody, Punk, Glam MP3 version RAR size: 1572 mb FLAC version RAR size: 1880 mb WMA version RAR size: 1778 mb Rating: 4.2 Votes: 233 Other Formats: MP2 DXD MP1 AU VQF AA MMF Tracklist Hide Credits Lesbians Of Russia A1 Written-By – Magnuson*, Licht*, Kramer Frank A2 Written-By – Magnuson*, Kramer We Did It Again A3 Written-By – Ayers* Homer A4 Written-By – Kramer Joy Ride A5 Written-By – Magnuson*, Rick*, Kramer Decadent Iranian Country Club A6 Written-By – Magnuson*, Rick*, Kramer David Bowie Wants Ideas A7 Written-By – Magnuson*, Kramer Rock & Roll Part 2 A8 Written-By – Glitter* Just May Be The One B1 Written-By – Nesmith* There You Go B2 Written-By – Cash* Shark B3 Written-By – Kramer Jimmy B4 Written-By – Magnuson*, Kramer Crime B5 Written-By – Kramer Pornography B6 Written-By – Rick*, Kramer Pew B7 Written-By – Kramer Dazed & Chinese C1 Translated By – Tseng Kwong ChiWritten-By – Page* Bullaby C2 Written-By – Magnuson*, Kramer So Help Me God C3 Written-By – Rick*, Kramer His Old Look C4 Written-By – Magnuson*, Kramer Stone C5 Written-By – Batty*, Kramer Number C6 Written-By – Batty*, Kramer Love You Too D1 Written-By – Harrison* Reaganation D2 Written-By – Kupferberg* Double Birth D3 Written-By – Kramer Bruce D4 Written-By – Magnuson* Pool D5 Written-By – Kramer Rain D6 Written-By – Lennon* Companies, etc. Recorded At – Noise New York Credits Featuring – Ann Magnuson, Coby Barry, Dave Rick, David Licht, Don Cherry, Gary Windo, Kramer Photography By – Macioce Producer, Engineer – Kramer Notes Includes Shimmy Disc Catalog insert.
    [Show full text]
  • International Concert Series Spring 2007
    HOFSTRA CULTURAL CENTER presents the JOSEPH G. ASTMAN International Concert Series Spring 2007 HOFSTRA CULTURAL CENTER PRESENTS THE JOSEPH G. ASTMAN INTERNATIONAL CONCERT SERIES SPRING 2007 ROBERT T. SPIOTTO Director DEBORAH LOM Assistant to the Director For tickets: JOHN CRANFORD ADAMS PLAYHOUSE BOX OFFICE (516) 463-6644 Monday through Friday, 11 a.m. to 3:45 p.m. For further information: HOFSTRA CULTURAL CENTER (516) 463-5669 Monday through Friday, 9 a.m. to 5 p.m. E-mail: [email protected] www.hofstra.edu/culture Cover image: “Keeping the Beat,” c. 2005 Beth S. Goldberg. Used with the artist’s permission. Hofstra University continues its commitment to extending equal opportunity to all qualified individuals without regard to race, color, religion, sex, sexual orientation, age, national or ethnic origin, physical or mental disabili- ty, marital or veteran status in the conduct and operation of its educational programs and activities, including admission and employment. This statement of nondiscrimination is in compliance with Title IX of the Education Amendments of 1972, Section 504 of the Rehabilitation Act of 1973 and other federal, state and local laws. The Americans with Disabilities Act compliance officer in the Plant Department (516) 463-6641 is designated by the University to coordinate its efforts to comply with Section 504. The Equal Rights and Opportunity Officer is the University’s official responsible for coordinating its adherence to Title IX and other equal opportunity regulations and laws. Questions or concerns regarding Title IX or other aspects of this policy (other than Section 504) should be directed to the Equal Rights and Opportunity Officer at (516) 463-6775, C/O Office of Legal Affairs and General Counsel, 101 Hofstra University, Hempstead, NY 11549.
    [Show full text]
  • Une Discographie De Robert Wyatt
    Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • I N T H I S I S S
    Volume 2 ♦ Issue 8 ♦ September 2010 I N T H I S I S S U E KJA Ha’Kol Camp & Swim Team ..........................1 President’s Report…...…….......……..2 AJCC Preschool News.......................3 Jewish Family Services......................4 Friendshippers…….……..…..….....….4 Lillian and Gracie share a cold treat during a Heidi enjoys a swim. Golf Tournament.................................6 Smokin’ Salmon swim meet. Heska Amuna HaShofar From the Rabbi’s Desk…………..12 From the President...…………..….12 HARS News………………..........….14 Among Our Members…………...….15 Kitchen & Kiddush News………......15 Contributions…………………..........15 Temple Beth El Times Sydney and Natalie give their toys Camp Counselor, Sophia Shefner, encourages a bath during Rub-a-dub-dub week the GREEN team during a leap frog competition From the Rabbi’s Study…...………..16 at Camp K’ton ton. at MCDC’s Color Wars. President’s Message…….........…...17 Sisterhood News..............................17 Religious School...............................18 Contributions…………...…..…....18 Community News Hadassah Highlights….………….26 Knoxville Jewish Day School…..30 KJCFF…………….……………….…...7 Calendar……………….....…………..10 Smokin’ Salmon Coach Megan Yates times Ben shows RED team spirit Knoxville Happenings…..……….….8-9 swimmers during practice. during Color Wars. 6800 Deane Hill Drive Knoxville, TN 37919 865.690.6343 www.jewishknoxville.org Knoxville Jewish Alliance Ha’Kol The Low Cost of Being Jewish By Stephen Rosen, President September 2010 Lisa Miller recently published an article in Newsweek’s July 19 issue titled The Cost of Being Jewish. The general point of the KJA Ha’Kol article is that being Jewish in America today costs thousands of Camp & Swim Team ..........................1 dollars and this is a problem. Furthermore, it is causing people to drop out or not even consider dropping in.
    [Show full text]
  • Komplette Ausgabe Als
    TRUST URGE LP/CD »Why hide the lie?« RPN 005/006 POLSKA MALCA MLP »Polska M alca« RPN 004 POLSKA MALCA ON TOUR MAY/JUNE 1991! 25.5. Basel (CH), Hirscheck/2 6.5 . Karlsruhe 29.5. Hamburg, Störtebecker/30.5. Hannover, M.A.D. 31.5. Arnsberg-Neheim,JBZ/1.6. Flensburg,Volksbad 3.6. Essen, Fritz/4.6. Wuppertal, HonkyTonk 5.6. Linz (Ö), Kapu / 6.6 Donauwörth 7.6. Wangen,JUZTonne/8.6. Wien(Ö)Flex Out in June: »Die 2555. Nacht« Live-Benefit-LP-Sampler mit PULLERMANN, FLEXX, SUBTERRANEAN KIDS und NOISE ANNOYS RISE LP/CD »Rise« RPN 007/008 Release-date: 15. June 1991 Still available: p y u i F w * Lindenweg 13 • 4763 Ense 2 , a V* West Germany_______ I----------------------- I----------------------- ------------ ^ J RQÜGH PULLERMANN 7” »l’ve g o t...« URGE LP »Listen carefu lly...« PULLERMANNLP/CD»Puller1rau« . ............................ T D A n c rpn ooi rpn 002 rpn 003/005 D is t r iD u t e d b y L U n H s All Records available in every good record-store or at POWERUNE-Mailorder, Brigitte Sawall, Große Riedbruchstr. 12,4600 Dortmund-Mengede. Hallo Alex/andere TRUST'ler, 1990 oder dem 15. Januar 1991 aus aber das despotische Osmanische Reich ' V o r z e i g e - B i l d u n g 1, um a n s c h li e ß e n d ich habe einige Anmerkungen bezüglich dem Gleichgewicht geworfen worden, quasi als Inbegriff m ultikultureller vom TRUST Lösungsvorschläge zu des Aufrufs der Friedensbewegung vom was ich als Verdummung der Marke Helmut Toleranz zu nennen grenzt an erbitten.
    [Show full text]
  • The Eighties
    The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Shoegazing and Space-pop (These are excerpts from my book "A History of Rock and Dance Music") Shoegazing 1986-87 When My Bloody Valentine (110) came out of Ireland, something truly original was finally created within the chaos of the psychedelic revival. The mini-album Ecstasy (? 1987 - nov 1987) explored the ambiguity that would make their mature sound so haunting and devastating: ecstasy and terror were two faces of the same moon, and that moon shone day and night. Daydreaming and nightmare became the same state of mind as guitars enveloped naive melodies and drums smashed vocal harmonies. Isn't Anything (? 1988 - nov 1988) went one step further than Jesus And Mary Chain, in that it renounced punk's violence and harked back to the most dilated forms of acid-rock. Kevin Shields' "shoegazing" guitar fulfilled Jerry Garcia's and Jimi Hendrix' galactic bliss, and helped the sweet litanies grind their way into a transcendental trance. Electronic keyboards joined guitar noise on Loveless (? jan 1989/? 1991 - nov 1991), the ultimate exploration of textures in rock music. Its stunning chaos can be viewed both as an enraptured "om" to the universe or as a deranged scream in a madman's cell or as a terrified paralysis in the face of a supernatural force.
    [Show full text]
  • UIS - Unrock Import Service 2005
    UIS - Unrock Import Service 2005 Juli / August (203) LP (551) |___ 0-9 (4) |___ A-D (145) |___ E-H (94) |___ I-L (60) |___ M-P (112) |___ Q-T (94) |___ U-Z (42) CD (673) |___ 0-9 (4) |___ A-D (192) |___ E-H (112) |___ I-L (76) |___ M-P (113) |___ Q-T (114) |___ U-Z (62) 7"/10"/12" (226) |___ 0-9 (7) |___ A-D (59) |___ E-H (36) |___ I-L (23) |___ M-P (40) |___ Q-T (42) |___ U-Z (19) SALE (221) |___ 7"/10"/12" (77) |___ CD-Singles (16) |___ CD´s (99) |___ LP´s (29) Crypt Records (77) DVD (21) SUBLIME FREQUENCIES (15) Page 1/322 UIS - Unrock Import Service 2005 : Juli / August 7 Year Rabbit - Wind Machines LP Free Porcupine Society ***Free Porcupine Society schätzt sich glücklich diese absolute De-Luxe Edition von 7 Year Rabbit´s - Wind Machines zugänglich zu machen. Angeführt vom früheren Deerhoof Gitarristen Rob Fisk und seiner Streiterin Kelly Goodefisk (ebenfalls von Deerhoo) mit Miya Osaki und Steve Gigante von Brother Jt und Gaststar Jamie Stewart von Xiu Xiu, liefern 7 Year Rabbit 10 Tracks brutalster Improvisation und glühenden Vocals, geeignet jede Komposition zu skelettieren. 140 g. Vinyl gepackt in wunderschöne, handbdruckte Jackets mit Artwork von Herrn Fisk. Limitierte Ausgabe von allerhöchstens 500 Kopien. 18.90€ Acid King - III Small Stone ***Mit "III" kommen ACID KING der Idealvorstellung dessen, was man gemeinhin unter "Stoner Rock" versteht, gefährlich nahe. Gemeinsam mit Produzenten Legende Billy Anderson (MELVINS, MR.
    [Show full text]