Mayoral Forum Hosted by E.Y.E. Openers SPA Downsizes Block Party Plans Son of Sundragon Ready to Race
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Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Chapter 1: Introduction 1
TATE STREET, THAT GREAT STREET: CULTURE, COMMUNITY, AND MEMORY IN GREENSBORO, NORTH CAROLINA by Ian Christian Pasquini A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2015 Approved by: ____________________________ Dr. Aaron Shapiro ____________________________ Dr. John Cox ____________________________ Dr. Dan Dupre ii ©2015 Ian Pasquini ALL RIGHTS RESERVED iii ABSTRACT IAN CHRISTIAN PASQUINI. Tate Street, That Great Street: Culture, Community, and Memory in Greensboro, North Carolina (Under the direction of DR. AARON SHAPIRO) Tate Street represents a cultural center in Greensboro, North Carolina. This work outlines the varying social groups, organizations, and institutions that defined Tate Street’s cultural identity between 1960 and 1990. Tate’s venues and spaces acted as backdrops to the cultural shifts on Tate Street. Three venues act as subjects through which to research Tate Street. Through a collection of interviews, art, video, magazines, newspapers, and pictures, this work connects with historical memory to outline Tate’s local and national historical significance. The work connects with a historical documentary made up of interviews as well as primary source materials to engage with Tate’s historical actors. iv DEDICATION Engaging with Tate’s history required the dedication of a small village of interested parties. I would be remiss in not thanking Tate’s community at large – many people have offered both their time and energy to assisting this project and will remain unheralded. This work is a reflection of the strength of Tate’s community which has both inspired and welcomed my inquiries. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop. -
Bongwater Double Bummer Mp3, Flac, Wma
Bongwater Double Bummer mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Double Bummer Country: US Released: 1988 Style: Art Rock, Parody, Punk, Glam MP3 version RAR size: 1572 mb FLAC version RAR size: 1880 mb WMA version RAR size: 1778 mb Rating: 4.2 Votes: 233 Other Formats: MP2 DXD MP1 AU VQF AA MMF Tracklist Hide Credits Lesbians Of Russia A1 Written-By – Magnuson*, Licht*, Kramer Frank A2 Written-By – Magnuson*, Kramer We Did It Again A3 Written-By – Ayers* Homer A4 Written-By – Kramer Joy Ride A5 Written-By – Magnuson*, Rick*, Kramer Decadent Iranian Country Club A6 Written-By – Magnuson*, Rick*, Kramer David Bowie Wants Ideas A7 Written-By – Magnuson*, Kramer Rock & Roll Part 2 A8 Written-By – Glitter* Just May Be The One B1 Written-By – Nesmith* There You Go B2 Written-By – Cash* Shark B3 Written-By – Kramer Jimmy B4 Written-By – Magnuson*, Kramer Crime B5 Written-By – Kramer Pornography B6 Written-By – Rick*, Kramer Pew B7 Written-By – Kramer Dazed & Chinese C1 Translated By – Tseng Kwong ChiWritten-By – Page* Bullaby C2 Written-By – Magnuson*, Kramer So Help Me God C3 Written-By – Rick*, Kramer His Old Look C4 Written-By – Magnuson*, Kramer Stone C5 Written-By – Batty*, Kramer Number C6 Written-By – Batty*, Kramer Love You Too D1 Written-By – Harrison* Reaganation D2 Written-By – Kupferberg* Double Birth D3 Written-By – Kramer Bruce D4 Written-By – Magnuson* Pool D5 Written-By – Kramer Rain D6 Written-By – Lennon* Companies, etc. Recorded At – Noise New York Credits Featuring – Ann Magnuson, Coby Barry, Dave Rick, David Licht, Don Cherry, Gary Windo, Kramer Photography By – Macioce Producer, Engineer – Kramer Notes Includes Shimmy Disc Catalog insert. -
International Concert Series Spring 2007
HOFSTRA CULTURAL CENTER presents the JOSEPH G. ASTMAN International Concert Series Spring 2007 HOFSTRA CULTURAL CENTER PRESENTS THE JOSEPH G. ASTMAN INTERNATIONAL CONCERT SERIES SPRING 2007 ROBERT T. SPIOTTO Director DEBORAH LOM Assistant to the Director For tickets: JOHN CRANFORD ADAMS PLAYHOUSE BOX OFFICE (516) 463-6644 Monday through Friday, 11 a.m. to 3:45 p.m. For further information: HOFSTRA CULTURAL CENTER (516) 463-5669 Monday through Friday, 9 a.m. to 5 p.m. E-mail: [email protected] www.hofstra.edu/culture Cover image: “Keeping the Beat,” c. 2005 Beth S. Goldberg. Used with the artist’s permission. Hofstra University continues its commitment to extending equal opportunity to all qualified individuals without regard to race, color, religion, sex, sexual orientation, age, national or ethnic origin, physical or mental disabili- ty, marital or veteran status in the conduct and operation of its educational programs and activities, including admission and employment. This statement of nondiscrimination is in compliance with Title IX of the Education Amendments of 1972, Section 504 of the Rehabilitation Act of 1973 and other federal, state and local laws. The Americans with Disabilities Act compliance officer in the Plant Department (516) 463-6641 is designated by the University to coordinate its efforts to comply with Section 504. The Equal Rights and Opportunity Officer is the University’s official responsible for coordinating its adherence to Title IX and other equal opportunity regulations and laws. Questions or concerns regarding Title IX or other aspects of this policy (other than Section 504) should be directed to the Equal Rights and Opportunity Officer at (516) 463-6775, C/O Office of Legal Affairs and General Counsel, 101 Hofstra University, Hempstead, NY 11549. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Song List by Member
song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S. -
I N T H I S I S S
Volume 2 ♦ Issue 8 ♦ September 2010 I N T H I S I S S U E KJA Ha’Kol Camp & Swim Team ..........................1 President’s Report…...…….......……..2 AJCC Preschool News.......................3 Jewish Family Services......................4 Friendshippers…….……..…..….....….4 Lillian and Gracie share a cold treat during a Heidi enjoys a swim. Golf Tournament.................................6 Smokin’ Salmon swim meet. Heska Amuna HaShofar From the Rabbi’s Desk…………..12 From the President...…………..….12 HARS News………………..........….14 Among Our Members…………...….15 Kitchen & Kiddush News………......15 Contributions…………………..........15 Temple Beth El Times Sydney and Natalie give their toys Camp Counselor, Sophia Shefner, encourages a bath during Rub-a-dub-dub week the GREEN team during a leap frog competition From the Rabbi’s Study…...………..16 at Camp K’ton ton. at MCDC’s Color Wars. President’s Message…….........…...17 Sisterhood News..............................17 Religious School...............................18 Contributions…………...…..…....18 Community News Hadassah Highlights….………….26 Knoxville Jewish Day School…..30 KJCFF…………….……………….…...7 Calendar……………….....…………..10 Smokin’ Salmon Coach Megan Yates times Ben shows RED team spirit Knoxville Happenings…..……….….8-9 swimmers during practice. during Color Wars. 6800 Deane Hill Drive Knoxville, TN 37919 865.690.6343 www.jewishknoxville.org Knoxville Jewish Alliance Ha’Kol The Low Cost of Being Jewish By Stephen Rosen, President September 2010 Lisa Miller recently published an article in Newsweek’s July 19 issue titled The Cost of Being Jewish. The general point of the KJA Ha’Kol article is that being Jewish in America today costs thousands of Camp & Swim Team ..........................1 dollars and this is a problem. Furthermore, it is causing people to drop out or not even consider dropping in. -
Komplette Ausgabe Als
TRUST URGE LP/CD »Why hide the lie?« RPN 005/006 POLSKA MALCA MLP »Polska M alca« RPN 004 POLSKA MALCA ON TOUR MAY/JUNE 1991! 25.5. Basel (CH), Hirscheck/2 6.5 . Karlsruhe 29.5. Hamburg, Störtebecker/30.5. Hannover, M.A.D. 31.5. Arnsberg-Neheim,JBZ/1.6. Flensburg,Volksbad 3.6. Essen, Fritz/4.6. Wuppertal, HonkyTonk 5.6. Linz (Ö), Kapu / 6.6 Donauwörth 7.6. Wangen,JUZTonne/8.6. Wien(Ö)Flex Out in June: »Die 2555. Nacht« Live-Benefit-LP-Sampler mit PULLERMANN, FLEXX, SUBTERRANEAN KIDS und NOISE ANNOYS RISE LP/CD »Rise« RPN 007/008 Release-date: 15. June 1991 Still available: p y u i F w * Lindenweg 13 • 4763 Ense 2 , a V* West Germany_______ I----------------------- I----------------------- ------------ ^ J RQÜGH PULLERMANN 7” »l’ve g o t...« URGE LP »Listen carefu lly...« PULLERMANNLP/CD»Puller1rau« . ............................ T D A n c rpn ooi rpn 002 rpn 003/005 D is t r iD u t e d b y L U n H s All Records available in every good record-store or at POWERUNE-Mailorder, Brigitte Sawall, Große Riedbruchstr. 12,4600 Dortmund-Mengede. Hallo Alex/andere TRUST'ler, 1990 oder dem 15. Januar 1991 aus aber das despotische Osmanische Reich ' V o r z e i g e - B i l d u n g 1, um a n s c h li e ß e n d ich habe einige Anmerkungen bezüglich dem Gleichgewicht geworfen worden, quasi als Inbegriff m ultikultureller vom TRUST Lösungsvorschläge zu des Aufrufs der Friedensbewegung vom was ich als Verdummung der Marke Helmut Toleranz zu nennen grenzt an erbitten. -
The Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Shoegazing and Space-pop (These are excerpts from my book "A History of Rock and Dance Music") Shoegazing 1986-87 When My Bloody Valentine (110) came out of Ireland, something truly original was finally created within the chaos of the psychedelic revival. The mini-album Ecstasy (? 1987 - nov 1987) explored the ambiguity that would make their mature sound so haunting and devastating: ecstasy and terror were two faces of the same moon, and that moon shone day and night. Daydreaming and nightmare became the same state of mind as guitars enveloped naive melodies and drums smashed vocal harmonies. Isn't Anything (? 1988 - nov 1988) went one step further than Jesus And Mary Chain, in that it renounced punk's violence and harked back to the most dilated forms of acid-rock. Kevin Shields' "shoegazing" guitar fulfilled Jerry Garcia's and Jimi Hendrix' galactic bliss, and helped the sweet litanies grind their way into a transcendental trance. Electronic keyboards joined guitar noise on Loveless (? jan 1989/? 1991 - nov 1991), the ultimate exploration of textures in rock music. Its stunning chaos can be viewed both as an enraptured "om" to the universe or as a deranged scream in a madman's cell or as a terrified paralysis in the face of a supernatural force. -
UIS - Unrock Import Service 2005
UIS - Unrock Import Service 2005 Juli / August (203) LP (551) |___ 0-9 (4) |___ A-D (145) |___ E-H (94) |___ I-L (60) |___ M-P (112) |___ Q-T (94) |___ U-Z (42) CD (673) |___ 0-9 (4) |___ A-D (192) |___ E-H (112) |___ I-L (76) |___ M-P (113) |___ Q-T (114) |___ U-Z (62) 7"/10"/12" (226) |___ 0-9 (7) |___ A-D (59) |___ E-H (36) |___ I-L (23) |___ M-P (40) |___ Q-T (42) |___ U-Z (19) SALE (221) |___ 7"/10"/12" (77) |___ CD-Singles (16) |___ CD´s (99) |___ LP´s (29) Crypt Records (77) DVD (21) SUBLIME FREQUENCIES (15) Page 1/322 UIS - Unrock Import Service 2005 : Juli / August 7 Year Rabbit - Wind Machines LP Free Porcupine Society ***Free Porcupine Society schätzt sich glücklich diese absolute De-Luxe Edition von 7 Year Rabbit´s - Wind Machines zugänglich zu machen. Angeführt vom früheren Deerhoof Gitarristen Rob Fisk und seiner Streiterin Kelly Goodefisk (ebenfalls von Deerhoo) mit Miya Osaki und Steve Gigante von Brother Jt und Gaststar Jamie Stewart von Xiu Xiu, liefern 7 Year Rabbit 10 Tracks brutalster Improvisation und glühenden Vocals, geeignet jede Komposition zu skelettieren. 140 g. Vinyl gepackt in wunderschöne, handbdruckte Jackets mit Artwork von Herrn Fisk. Limitierte Ausgabe von allerhöchstens 500 Kopien. 18.90€ Acid King - III Small Stone ***Mit "III" kommen ACID KING der Idealvorstellung dessen, was man gemeinhin unter "Stoner Rock" versteht, gefährlich nahe. Gemeinsam mit Produzenten Legende Billy Anderson (MELVINS, MR.