Paternal Legacy in Early English Literature Dissertation Presented In
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Fy2019givingreport.Pdf
GLOBAL MISSIONS Fiscal Year 2019 Church Giving Report For the Period 7/1/2018 to 6/30/2019 Name Pastor(s) City State Contribution Pentecostals of Alexandria Anthony Mangun Alex LA $581,066.32 Bethel United Pentecostal Church D. D. Davis, Sr, Doyle Davis, Jr Old Westbury NY $372,979.45 Capital Community Church Raymond Woodward, John Leaman Fredericton NB $357,801.50 The First Church of Pearland Lawrence Gurley Pearland TX $313,976.61 The Pentecostals of Bossier City Jerry Dean Bossier City LA $263,073.38 Eastgate United Pentecostal Church Matthew Tuttle Vidor TX $242,324.60 Calvary Apostolic Church James Stark Westerville OH $229,991.33 First United Pentecostal Church of Toronto Timothy Pickard Toronto ON $222,956.11 United Pentecostal Church of Antioch Gerald Sawyer Ovett MS $183,861.00 Heavenview United Pentecostal Church Harold Linder Winston Salem NC $166,048.10 Calvary Gospel Church Roy Grant Madison WI $162,810.38 Atlanta West Pentecostal Church Darrell Johns Lithia Springs GA $156,756.25 Antioch, The Apostolic Church David Wright, Chester Wright Arnold MD $152,260.00 The Pentecostals of Cooper City Mark Hattabaugh Cooper City FL $151,328.04 Southern Oaks UPC Mark Parker Oklahoma City OK $150,693.98 Apostolic Restoration Church of West Monroe, Inc Nathan Thornton West Monroe LA $145,809.37 First Pentecostal Church Raymond Frazier, T. L. Craft Jackson MS $145,680.64 First Pentecostal Church of Pensacola Brian Kinsey Pensacola FL $144,008.81 The Anchor Church Aaron Bounds Zanesville OH $139,154.89 New Life Christian Center Gary Keller -
TERMS for BEOWULF Wyrd
TERMS FOR BEOWULF Wyrd: a concept in AngloSaxon culture roughly corresponding to fate or an individual’s destiny (derived from weorþan, which means “to become.” Comitatus: The bond / contract between the Chieftan/Lord and his vassals. The Lord’s vassals are a band of loyal/noble followers; men who have sworn to defend the Chieftan with their lives in exchange for protection, victory, and spoils. TRADITIONALLY, in this relationship, the vassals promise at least 40 days of military service, money for the Lord’s eldest daughter’s dowry, money if the Lord’s eldest son is knighted, money if the lord goes on a crusade, money for the Lord’s ransom if he is captured, advice if asked. Symbel – a rite of AngloSaxon paganism – sometimes referred to as a “drinking rite.” It is a symbolic ritualistic celebration. During this celebration, attendees are seated by order/rank of importance. The ritual begins with a FORESPEECH in which the host welcomes his guests and provides context/reason for the gathering. It is followed by the POURING, which is when the Lady of the house pours mead to the men – in order of rank. She starts by pouring mead into the horn. This act represents the idea of “watering the world tree” and bringing the past to the present. Once the POURING is complete, the FULLS commences. The FULLS is a series of boasts about the three most important gods to the situation at hand. The FULLS is followed by the MINNI, which is a toast to dead ancestors. Next comes the GIFTGIVING when the host presents important/worthy attendees with gifts to recognize them. -
Our Island Story, and Ought Not to Be Forgotten, Any "Do You Think So?" Said Daddy
Conditions and Terms of Use Copyright © Heritage History 2009 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. The text and pictures used to produce this version of the work, however, are the property of Heritage History and are licensed to individual users with some restrictions. These restrictions are imposed for the purpose of protecting the integrity of the work itself, for preventing plagiarism, and for helping to assure that compromised or incomplete versions of the work are not widely disseminated. In order to preserve information regarding the origin of this text, a copyright by the author, and a Heritage History distribution date are included at the foot of every page of text. We request all electronic and printed versions of this text include these markings and that users adhere to the following restrictions. 1) This text may be reproduced for personal or educational purposes as long as the original copyright and Heritage History version number are faithfully reproduced. 2) You may not alter this text or try to pass off all or any part of it as your own work. 3) You may not distribute copies of this text for commercial purposes unless you have the prior written consent of Heritage History. -
Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>
Volume 15 Number 3 Article 1 Spring 3-15-1989 Tolkien's Creative Technique: Beowulf and The Hobbit Bonniejean Christensen Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Christensen, Bonniejean (1989) "Tolkien's Creative Technique: Beowulf and The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 15 : No. 3 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol15/iss3/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Asserts that “The Hobbit, differing greatly in tone, is nonetheless a retelling of the incidents that comprise the plot and the digressions in both parts of Beowulf.” However, his retelling is from a Christian point of view. Additional Keywords Beowulf—Influence on The Hobbit; olkien,T J.R.R. -
A Concise Dictionary of Middle English
A Concise Dictionary of Middle English A. L. Mayhew and Walter W. Skeat A Concise Dictionary of Middle English Table of Contents A Concise Dictionary of Middle English...........................................................................................................1 A. L. Mayhew and Walter W. Skeat........................................................................................................1 PREFACE................................................................................................................................................3 NOTE ON THE PHONOLOGY OF MIDDLE−ENGLISH...................................................................5 ABBREVIATIONS (LANGUAGES),..................................................................................................11 A CONCISE DICTIONARY OF MIDDLE−ENGLISH....................................................................................12 A.............................................................................................................................................................12 B.............................................................................................................................................................48 C.............................................................................................................................................................82 D...........................................................................................................................................................122 -
THE HISTORY of the KINGS of BRITAIN by GEOFFREY of MONMOUTH Edited and Translated by J.A
THE HISTORY OF THE KINGS OF BRITAIN by GEOFFREY OF MONMOUTH Edited and Translated by J.A. Giles, D.C.L. BOOK VI. CHAP. I.--Gratian, being advanced to the throne, is killed by the common people. The Britons desire the Romans to defend them against Guanius and Melga. But Gratian Municeps, hearing of the death of Maximian, seized the crown, and made himself king. After this he exercised such tyranny that the common people fell upon him in a tumultuous manner, and murdered him. When this news reached other countries, their former enemies returned back from Ireland, and bringing with them the Scots, Norwegians, and Dacians, made dreadful devastations with fire and sword over the whole kingdom, from sea to sea. Upon this most grievous calamity and oppression, ambassadors are despatched with letters to Rome, to beseech, with tears and vows of perpetual subjection, that a body of men might be sent to revenge their injuries, and drive out the enemy from them. The ambassadors in a short time prevailed so far, that, unmindful of past injuries, the Romans granted them one legion, which was transported in a fleet to their country, and there speedily encountered the enemy. At last, after the slaughter of a vast multitude of them, they drove them entirely out of the country, and rescued the miserable people from their outrageous cruelty. Then they gave orders for a wall to be built between Albania and Deira, from one sea to the other, for a terror to the enemy, and safeguard to the country. At that time Albania was wholly laid to waste, by the frequent invasions of barbarous nations; and whatever enemies made an attempt upon the country, met with a convenient landing-place there. -
Paper Ideas for Medieval Germanic Literature
Paper Ideas for medieval Germanic literature: --Viking Cosmology: Yggdrasil--the World Tree, Urd, Literature Ginnungagap, Midgard and Mi∂gar∂sormr the World Any particular Anglo-Saxon poem or Viking saga (see your Serpent, ----Jotenheim, Bifrost Bridge, the creation Bradley textbook p. 553 et passim for complete list of known account as ideology Anglo-Saxon poems). Viking Myths --Aesir versus Vanir Germanic Perceptions of... --Valkyries --Sexuality --Giants --Eternity --Dwarves --Honor --Trolls and Troll-wives --Death in Battle --Ghosts Anglo-Saxon Riddles --Additive Creatures: Women in the Viking Age --The Norns: Ur∂r, Ver∂andi, Skuld Poetic Techniques: Prosopopoeia, Skaldaparma, Hattatal and --Alfar verse-forms --Huldre-Maids Poets: Skalds, Sceops, Germanic Myths in Old English Literature Medieval Anglo-Saxon Manuscripts --Weiland the Smith Genre Conventions of . --Sources and Analogues of Anglo-Saxon literature --the Sagas Anglo-Saxon Monsters --the Elegies --Bestiaries, The Physiologus --the Chronicles --Dragons --the Riddles --Trolls --the Charms --The Wonders of the East --the Saints' Lives --Sea Monsters A specific symbol in [pick a work] --Phoenix A specific character and characterizatin in [pick a work] --Satan/Demons in Anglo-Saxon Biblical accounts A specific narrative structure in [pick a work] Myths outside the Prose Edda: Wrymskvi∂a., the Elder Eddas, Saxo A specific literary theory applied to [pick a work] Grammaticus, etc. --Gender Studies Shamanism and Viking Cultures --Feminist Criticism Anglo-Saxon Magic Charms --Archetypal -
The Cult of St. Alban the Martyr and the Hagiotoponymy of Imperial Anglicanism in Canada, 1865–1921 by Jonathan S
Volume 88 • September 2019 • Number 3 Contents X Marks The Spot: The Cult of St. Alban the Martyr and the Hagiotoponymy of Imperial Anglicanism in Canada, 1865–1921 By Jonathan S. Lofft 233 Rauschenbusch’s Junior Partner: James Bishop Thomas, Episcopal Radical By Eugene TeSelle 259 Church Reviews Flip-Flops Are Appropriate Here: Pride & Pentecost at St. Thomas’, Dupont Circle By J. Barrington Bates 283 Artwork, Architecture, Fast-Paced Preaching, and a Warm Welcome on the French Riviera By Samuel J. Richards 287 Book Reviews ANGLICAN VIDEO, The Doctrine of Discovery: Stolen Lands, Strong Hearts, by Sheryl Kujawa-Holbrook 291 Contents continues XMarks The Spot: The Cult of St. Alban the Martyr and the Hagiotoponymy of Imperial Anglicanism in Canada, 1865–19211 JONATHAN S. LOFFT Inafavorite scene from the Hollywood blockbuster movie In- diana Jones and the Last Crusade (Steven Spielberg, 1989), the title character,aswashbuckling treasure hunter who supports himself by slumming it with an academic job in the Ivy League, insists to his class of sleepy undergraduates that: ‘‘ninety percent of an archaeologist’stime is spent in the library. Myths can only be taken at face value. We do not follow maps to buried treasures, and Xnever ever marks the spot.’’Inthe end, of course, it is precisely this prejudice that Indy must overcome in order to gain the advantage. Sensitive to the critical turn in place-name studies, just occasionally,Xdoes,infact, mark the spot. More precisely,the following study examines evidence gener- ated between 1865 and 1921 of an imperialist cult of St. Alban the Martyr active in Victorian Canada, otherwise absent from his dossier.Through an explorationofexpanding High Church 1 Iamgrateful to Professor Carole A. -
Alliteration and Concrete Poetry
Alliteration and Concrete Poetry In today’s mini-lesson, we are going to look at alliteration and concrete poetry. Don’t worry if you don’t understand what those are right now – all will become clear. The first thing I want you to do is to choose one of your favourite words. Abby, my step daughter, chose the word… blob The second thing I want you to do is put your word in an alliterative sentence. Alliteration is the repetition of the same consonant sounds at the beginnings of the words. For example: Peter Piper picked a peck of pickled peppers. Alliteration is really useful as a way to stick things in our brain and has been used as a memory device in oral poetry. Beowulf, an 8th century Old English poem, uses lots of alliteration. Here’s an example: He was four times a father, this fighter prince: one by one they entered the world, Heorogar, Hrothgar, the good Halga and a daughter, I have heard, who was Onela´s queen, a balm in bed to the battle-scarred Swede. Let’s look now at what Abby did with her favourite word: blob Being a big broad blob brought Bob to breathlessly blubbering. But Bob began to become a believer beyond belief in his bodacious body, brought about by brilliant books by barely brainy bigwigs. The third thing I want you to do is to make these sentences into a concrete poem. A concrete is also called a shape poem and a visual poem. The earliest example of this type of poem comes from 3BCE! Quite simply, you write the poem in the shape of the thing you are talking about. -
British Family Names
cs 25o/ £22, Cornrll IBniwwitg |fta*g BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Hcnrti W~ Sage 1891 A.+.xas.Q7- B^llll^_ DATE DUE ,•-? AUG 1 5 1944 !Hak 1 3 1^46 Dec? '47T Jan 5' 48 ft e Univeral, CS2501 .B23 " v Llb«"y Brit mii!Sm?nS,£& ori8'" and m 3 1924 olin 029 805 771 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029805771 BRITISH FAMILY NAMES. : BRITISH FAMILY NAMES ftbetr ©riain ano fIDeaning, Lists of Scandinavian, Frisian, Anglo-Saxon, and Norman Names. HENRY BARBER, M.D. (Clerk), "*• AUTHOR OF : ' FURNESS AND CARTMEL NOTES,' THE CISTERCIAN ABBEY OF MAULBRONN,' ( SOME QUEER NAMES,' ' THE SHRINE OF ST. BONIFACE AT FULDA,' 'POPULAR AMUSEMENTS IN GERMANY,' ETC. ' "What's in a name ? —Romeo and yuliet. ' I believe now, there is some secret power and virtue in a name.' Burton's Anatomy ofMelancholy. LONDON ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1894. 4136 CONTENTS. Preface - vii Books Consulted - ix Introduction i British Surnames - 3 nicknames 7 clan or tribal names 8 place-names - ii official names 12 trade names 12 christian names 1 foreign names 1 foundling names 1 Lists of Ancient Patronymics : old norse personal names 1 frisian personal and family names 3 names of persons entered in domesday book as HOLDING LANDS temp. KING ED. CONFR. 37 names of tenants in chief in domesday book 5 names of under-tenants of lands at the time of the domesday survey 56 Norman Names 66 Alphabetical List of British Surnames 78 Appendix 233 PREFACE. -
Affective Criticism, Oral Poetics, and Beowulf's Fight with the Dragon
Oral Tradition, 10/1 (1995): 54-90 Affective Criticism, Oral Poetics, and Beowulf’s Fight with the Dragon Mark C. Amodio I Affective criticism, as it has been practiced over the last few years, has come to focus upon the reader’s (or audience’s) subjective experience of a given literary work.1 Rather than examining the text qua object, affective criticism (like all subjective criticism) has abandoned the objectivism and textual reification which lay at the heart of the New Critical enterprise, striving instead to lead “one away from the ‘thing itself’ in all its solidity to the inchoate impressions of a variable and various reader” (Fish 1980:42).2 Shifting the critical focus away from the text to the reader has engendered 1 Iser, one of the leading proponents of reader-based inquiry, offers the following succinct statement of the logic underlying his and related approaches: “[a]s a literary text can only produce a response when it is read, it is virtually impossible to describe this response without also analyzing the reading process” (1978:ix). Iser’s emphasis on the reader’s role and on the constitutive and enabling functions inherent in the act of reading are shared by many other modern theorists despite their radical differences in methodologies, aims, and conclusions. See especially Culler (1982:17-83), and the collections edited by Tompkins (1980) and Suleiman and Crosman (1980). 2 The New Criticism has generally warned against inscribing an idiosyncratic, historically and culturally determined reader into a literary text because doing so would lead to subjectivism and ultimately to interpretative chaos. -
The Tale of Beowulf
The Tale of Beowulf William Morris The Tale of Beowulf Table of Contents The Tale of Beowulf............................................................................................................................................1 William Morris........................................................................................................................................2 ARGUMENT...........................................................................................................................................4 THE STORY OF BEOWULF.................................................................................................................6 I. AND FIRST OF THE KINDRED OF HROTHGAR.........................................................................7 II. CONCERNING HROTHGAR, AND HOW HE BUILT THE HOUSE CALLED HART. ALSO GRENDEL IS TOLD OF........................................................................................................................9 III. HOW GRENDEL FELL UPON HART AND WASTED IT..........................................................11 IV. NOW COMES BEOWULF ECGTHEOW'S SON TO THE LAND OF THE DANES, AND THE WALL−WARDEN SPEAKETH WITH HIM.............................................................................13 V. HERE BEOWULF MAKES ANSWER TO THE LAND−WARDEN, WHO SHOWETH HIM THE WAY TO THE KING'S ABODE................................................................................................15 VI. BEOWULF AND THE GEATS COME INTO HART...................................................................17