The Library of America Interviews Lloyd Schwartz About Elizabeth Bishop
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April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Re-Visions of Christian Faith in Robert Penn Warren's
Robert Penn Warren Studies Volume 7 Robert Penn Warren Studies Article 7 2007 “The eepD est and Widest Metaphor for Life” Re- visions of Christian Faith in Robert Penn Warren’s Later Poetry Nicole Camastra Follow this and additional works at: https://digitalcommons.wku.edu/rpwstudies Part of the American Literature Commons, and the English Language and Literature Commons Recommended Citation Camastra, Nicole (2007) "“The eD epest and Widest Metaphor for Life” Re-visions of Christian Faith in Robert Penn Warren’s Later Poetry," Robert Penn Warren Studies: Vol. 7 , Article 7. Available at: https://digitalcommons.wku.edu/rpwstudies/vol7/iss1/7 This Article is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Robert Penn Warren Studies by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. NICOLE CAMASTRA 19 “The Deepest and Widest Metaphor for Life”: Re -Visions of Christian Faith in Robert Penn Warren’s Later Poetry NICOLE CAMASTRA In Robert Penn Warren’s obituary in The New York Times, Cleanth Brooks reminisced of his old friend that he was “a valiant warrior for the truth and one of our very finest poets.”1 Part of what characterized Warren’s search for verity was his quality of being a yearner, which he described to Brooks by saying, “Now I know that you are a communicant and a believer. A person like me, who is not but who finds in Christianity the deepest and widest metaphor for life, might be described as a yearner.”2 It would be foolish to assert that Warren was a committed Christian and unequivocal believer and thereby deny the considerable evidence that he was not, but a kind of tempered faith does exist in some of Warren’s poems from Now and Then: Poems 1976-1978. -
The Emblematic Imagination of Anthony Hecht Worldly and Religious Icons and Rituals
Master’s Degree in English and American literary studies Final Thesis The Emblematic Imagination of Anthony Hecht Worldly and Religious Icons and Rituals Supervisor Ch. Prof. Gregory Dowling Assistant supervisor Ch. Prof. Gabriella Vöő Graduand Elena Valli Matricolation number 871686 Academic Year 2019/2020 Index 0. Introduction ......................................................................................................................... 1 1. The Seven Deadly Sins: Anthony Hecht and the Emblematic Tradition ........................ 3 1.1. Emblematic Poetry .................................................................................................... 3 1.1.1. Hecht’s Emblematic View of Nature ............................................................ 3 1.1.2. Hecht’s Emblematic Practice........................................................................ 4 1.1.3. A Definition and History of Emblems .......................................................... 5 1.1.4. Metaphysical Poetry and the Emblematic Tradition ................................... 8 1.2. The Seven Deadly Sins ............................................................................................ 10 1.2.1. “Pride” ........................................................................................................ 13 1.2.2. “Envy” ........................................................................................................ 20 1.2.3. “Wrath” ...................................................................................................... -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
The Seven Storey Mountain
M &W merton and waugh FORMAT.indd 1 12/23/14 4:29 PM Merton &Waugh Mary Frances Coady merton and waugh FORMAT.indd 2 12/23/14 4:29 PM Merton &Waugh A MONK, A CRUSTY OLD MAN, & THE SEVEN STOREY MOUNTAIN M &W Mary Frances Coady Paraclete Press BREWSTER, MASSACHUSETTS merton and waugh FORMAT.indd 3 12/23/14 4:29 PM 2015 First printing Merton and Waugh: A Monk, A Crusty Old Man, and The Seven Storey Mountain Copyright © 2015 by Mary Frances Coady, except for the following: Letters written by Thomas Merton to Evelyn Waugh from THE COURAGE FOR TRUTH: THE LETTERS OF THOMAS MERTON TO WRITERS by Thomas Merton, edited by Christine M. Bochen, are copyright © 1993 by the Merton Legacy Trust. Reprinted by permission of Farrar, Straus and Giroux, LLC. Excerpts from the several letters by Evelyn Waugh are copyright © [date of letter] by Evelyn Waugh, copyright renewed 2014 by the Evelyn Waugh Estate, used by permission of The Wylie Agency LLC. Excerpts from THE SEVEN STOREY MOUNTAIN by Thomas Merton are copyright © 1948 by Houghton Mifflin Harcourt Publishing Company; copyright renewed by the Trustees of The Merton Legacy Trust. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. ISBN 978-1-61261-628-5 The Paraclete Press name and logo (dove on cross) are trademarks of Paraclete Press, Inc. Library of Congress Cataloging-in-Publication Data Coady, Mary Frances, author. Merton and Waugh : a monk, a crusty old man, and the seven storey mountain / Mary Frances Coady. pages cm Includes bibliographical references. -
The Mid-Twentieth-Century American Poetic Speaker in the Works of Robert Lowell, Frank O’Hara, and George Oppen
“THE OCCASION OF THESE RUSES”: THE MID-TWENTIETH-CENTURY AMERICAN POETIC SPEAKER IN THE WORKS OF ROBERT LOWELL, FRANK O’HARA, AND GEORGE OPPEN A dissertation submitted by Matthew C. Nelson In partial fulfillment for the requirements for the degree of Doctor of Philosophy In English TUFTS UNIVERSITY May 2016 ADVISER: VIRGINIA JACKSON Abstract This dissertation argues for a new history of mid-twentieth-century American poetry shaped by the emergence of the figure of the poetic speaker as a default mode of reading. Now a central fiction of lyric reading, the figure of the poetic speaker developed gradually and unevenly over the course of the twentieth century. While the field of historical poetics draws attention to alternative, non-lyric modes of address, this dissertation examines how three poets writing in this period adapted the normative fiction of the poetic speaker in order to explore new modes of address. By choosing three mid-century poets who are rarely studied beside one another, this dissertation resists the aesthetic factionalism that structures most historical models of this period. My first chapter, “Robert Lowell’s Crisis of Reading: The Confessional Subject as the Culmination of the Romantic Tradition of Poetry,” examines the origins of M.L. Rosenthal’s phrase “confessional poetry” and analyzes how that the autobiographical effect of Robert Lowell’s poetry emerges from a strange, collage-like construction of multiple texts and non- autobiographical subjects. My second chapter reads Frank O’Hara’s poetry as a form of intentionally averted communication that treats the act of writing as a surrogate for the poet’s true object of desire. -
Farrar, Straus & Giroux
Farrar, Straus & Giroux Collection of Isaac Bashevis Singer Papers, 1925-97 at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Farrar, Straus & Giroux Title: Collection of Isaac Bashevis Singer Papers Dates: 1925-1997 Extent: 12 boxes, 1 oversize box, 1 galley folder (5 linear feet) Abstract: This collection contains the papers of Isaac Bashevis Singer received from Robert Giroux and his publishing firm, Farrar, Straus & Giroux. These include photocopy tearsheets from some of his early short stories( "Abandoned," "In Old Age," "In the World of Chaos," "The Way Back," and "Remnants" ); handwritten manuscripts and corrected typescripts of other short stories; Jewish Daily Forward serialization clippings( Meshugah, Scum, and Shadows on the Hudson, and others); playscripts of Play for the Devil (based on the short story "The Unseen" ), Shlemeil the First, and Teibele and Her Demon; programs, other production material, and review clippings. Other papers in the collection include correspondence; financial and legal papers; photographs; clippings and other material related to Singer's receipte of the Nobel Prize; interview transcipts, clippings, and tearsheets of works about Singer; and teaarsheets of works by Arthur J. Magida and Kurt Vonnegut. RLIN Record #: TXRC05-A10001 Language: Most material in English and Yiddish . Access: Open for research Administrative Information URL: http://www.hrc.utexas.edu/research/fa/farrar.singer.html Acquisition: Gifts,1994 (G9961); 1995 (G10202); 1997 (G11024); 1998 (G11289) Processed by: Katherine Mosley, 2004 Repository: The University of Texas at Austin, Harry Ransom Humanities Farrar, Straus & Giroux Repository: The University of Texas at Austin, Harry Ransom Humanities Research Center 2 Farrar, Straus & Giroux Organizational History The publishing firm Farrar, Straus & Giroux was founded as Farrar, Straus & Company in New York City in 1945 by Roger W. -
Elizabeth Bishop, Brazil, and the Question of Home
Elizabeth Bishop, Brazil, and the Question of Home Yuko Matsukawa GLINDA. en close your eyes and tap your heels together three times. And think to yourself: “ere’s no place like home; there’s no place like home; there’s no place like home.” e Wizard of Oz (1939) e rst stanza of one of Elizabeth Bishop’s most anthologized poems, the villanelle entitled “One Art,” declares, “e art of losing isn’t hard to master;/ so many things seem lled with the intent/ to be lost that their loss is no disaster” (166)1. Bishop (1911-1979) was no stranger to loss: having lost her father when she was eight months old and then having had her mother institutionalized when she was ve, the most profound loss she experienced was that of a stable and loving home. A childhood of being shuttled back and forth between the homes of her maternal and her paternal grandparents as well as that of an aunt did not alleviate her sense of alienation, though boarding school and later Vassar College gave Bishop friends with whom she would stay and/or travel, abroad and within the United States. But it was not until she moved to Brazil in 1951 that she found a place she could call home for over a decade and a half. Her years abroad in Brazil suggest that she was an expatriate writer; yet within the context of American writers who lived abroad, she followed not her immediate ― 527 ― “Lost Generation” predecessors such as Ernest Hemingway and F. Scott Fitzgerald, whose sojourns in Europe were predicated on the assumption that there would always be a return home to the United States, but writers who preceded them and stayed in Europe for most of their lives̶Henry James and Gertrude Stein come to mind̶as well as her contemporaries whose ties to France ( James Baldwin) and Tangiers (Paul Bowles) also rewrote how we understand American writers abroad. -
Elizabeth Bishop's "Damned 'Fish'"
Journal X Volume 3 Number 2 Vol. 3, No. 2 (Spring 1999) Article 5 2020 The One That Got Away: Elizabeth Bishop's "damned 'Fish'" Anne Colwell University of Delaware Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Literature Commons Recommended Citation Colwell, Anne (2020) "The One That Got Away: Elizabeth Bishop's "damned 'Fish'"," Journal X: Vol. 3 : No. 2 , Article 5. Available at: https://egrove.olemiss.edu/jx/vol3/iss2/5 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Colwell: The One That Got Away: Elizabeth Bishop's "damned 'Fish'" The One That Got Away: Elizabeth Bishop's “damned Fish’” Anne Colwell Anne Colwell, an Everyone who writes about Elizabeth Bishops Associate Professor of poems must comment on her "powers of observa English at the Univer tion.” It’s a rule. Randall Jarrell’s famous early sity ofDelawar e, is the review remains one of the pithiest of these com ments: "All her poems have written underneath I author of Inscrutable have seen it” (235). And many critics, before and Houses: Metaphors since Jarrell, base their readings of Bishop’s poems on of the Body in the the assumption of her realism. Lloyd Frankenberg Poems of Elizabeth writes, "hers is a clearly delineated world” of "percep- Bishop (U ofAlabama tion[,] precision, compression” (331, 333). Walker P). Her poems appear Percy argues that the true subject of her poetry is the act of perception itself (14). -
0403 Plutzik.Pdf
Hyam Plutzik The namesake of the English department’s celebrated reading series, the poet began with readings of his own work as a faculty member from 1945 to 1962. 38 ROCHESTER REVIEW March–April 2012 University LibrAries/DepArtMent of rAre books, speciAL coLLections, AnD preservAtion 4_RochRev_Mar_2012_Features-Plutzik.indd 38 2/28/12 1:43 AM Li Terary LighTs Over the past five decades, the Plutzik Reading Series has brought some of literature’s biggest names to campus to carry on its namesake poet’s mission to share the power of poetry. Anthony Hecht A frequent reader in—and a former director of—the series, Hecht won the Pulitzer Prize for The Hard Hours in 1968 as a Rochester English professor. By Valerie Alhart James Baldwin he roster reads like a Who’s Who of modern literature: A novelist, James Baldwin, Ted Hughes, Robert Lowell, Bernard essayist, poet, Malamud, Michael Ondaatje, Adrienne Rich, Salman and playwright, Rushdie, Allen Ginsberg, Rita Dove, J. M. Coetzee, W. S. Baldwin was Merwin, Elizabeth Bishop, John Ashbery, Anne Sexton, a guest of the and John Updike, to name a few. series in the TSince 1962, more than 300 poets, novelists, and nonfiction spring of 1972. writers have been guests of the English department’s Plutzik Reading Series, sharing their work with students, faculty, and area community members in one of the nation’s longest-running collegiate reading programs. Plutzik, who joined the Rochester English faculty in 1945, made it his mission to ensure that students would be able to appreciate poetry not only on the page, but also as a performative act, in which listeners would experience the excitement of an impassioned author at a podium. -
A New Selected Poetry Galway Kinnell • 811.54 KI Behind My Eyes
Poetry.A selection of poetry titles from the library’s collection, in celebration of National Poetry Month in April. ** indicates that the author is a United States Poet Laureate. A New Selected Poetry ** The Collected Poems of ** The Complete Poems, Galway Kinnell • 811.54 KI Robert Lowell 1927-1979 Robert Lowell; edited by Frank Elizabeth Bishop • 811.54 BI Behind My Eyes Bidart and David Gewanter • Li-Young Lee • 811.54 LE 811.52 LO The Complete Poems William Blake • 821 BL ** The Best Of It: New and ** The Collected Poems of Selected Poems William Carlos Williams The Complete Poems Kay Ryan • 811.54 RY Edited by A. Walton Litz and Walt Whitman • 811 WH Christopher MacGowan • The Best of Ogden Nash 811 WI The Complete Poems of Edited by Linell Nash Smith • Emily Dickinson 811.52 NA The Complete Collected Poems Edited by Thomas H. Johnson • of Maya Angelou 811.54 DI The Collected Poems of Maya Angelou • 811.54 AN Langston Hughes The Complete Poems of Arnold Rampersad, editor; David Complete Poems, 1904-1962 John Keats Roessel, associate editor • E.E. Cummings; edited by John Keats • 821.7 KE 811.52 HU George J. Firmage • 811.52 CU E.E. Cummings Elizabeth Bishop William Blake Emily Dickinson Ocean City Free Public Library 1735 Simpson Avenue • Ocean City, NJ • 08226 609-399-2434 • www.oceancitylibrary.org Natasha Trethewey Pablo Neruda Robert Frost W.B. Yeats Louise Glück The Essential Haiku: Versions of Plath: Poems ** Selected Poems Basho, Buson, and Issa Sylvia Plath, selected by Diane Mark Strand • 811.54 ST Edited and with verse translations Wood by Robert Hass • 895.6 HA Middlebrook • 811.54 PL Selected Poems James Tate • 811.54 TA The Essential Rumi The Poetry of Pablo Neruda Translated by Coleman Barks, Edited and with an introduction Selected Poems with John Moyne, A.A. -
The Cambridge Companion to Elizabeth Bishop Edited by Angus Cleghorn and Jonathan Ellis Frontmatter More Information
Cambridge University Press 978-1-107-02940-8 - The Cambridge Companion to Elizabeth Bishop Edited by Angus Cleghorn and Jonathan Ellis Frontmatter More information The Cambridge Companion to Elizabeth Bishop Elizabeth Bishop is increasingly recognized as one of the twentieth century’s most important and original poets. Initially celebrated for the minute detail of her descriptions, what John Ashbery memorably called her “thinginess,” Bishop’s reputation has risen dramatically since her death, in part owing to the publication of new work, including letters, stories, and visual art, as well as a controversial volume of uncollected poems, drafts, and fragments. This Companion to Elizabeth Bishop engages with key debates surrounding the interpretation and reception of Bishop’s published and unpublished writing in relation to questions of biography, the natural world, and politics. Individual chapters focus on well-known texts such as North & South, Questions of Travel , and Geography III , while offering fresh readings of the signifi cance of Nova Scotia, Massachusetts, and Brazil to Bishop’s life and work. With a chronology and guide to further reading, this volume explores the full range of Bishop’s artistic achievements and the extent to which the posthumous publications have contributed to her enduring popularity. Angus Cleghorn is professor of English and Liberal Studies at Seneca College, Toronto. Since 2004, he has served as the editor of the Elizabeth Bishop Bulletin for the Elizabeth Bishop Society. He has published articles on Bishop and Wallace Stevens, as well as the book Wallace Stevens’ Poetics: The Neglected Rhetoric (2000); guest-edited two issues of the Wallace Stevens Journal (1999, 2006); and co-edited the volume Elizabeth Bishop in the Twenty-First Century: Reading the New Editions (2012).