Camel Camel Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Camel Camel mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Camel Country: Japan Released: 2013 Style: Prog Rock MP3 version RAR size: 1438 mb FLAC version RAR size: 1252 mb WMA version RAR size: 1299 mb Rating: 4.4 Votes: 300 Other Formats: AC3 VOC WMA MP4 TTA MP3 MMF Tracklist Hide Credits Slow Yourself Down 1 Congas – Eddie Vocals – Andy Latimer* Mystic Queen 2 Vocals – Doug Ferguson 3 Six Ate Separation 4 Vocals – Andy Latimer* Never Let Go 5 Vocals – Peter Bardens Curiosity 6 Vocals – Doug Ferguson 7 Arubaluba 8 Never Let Go [Bonus Track] 9 Homage To The God Of Light [Bonus Track] Companies, etc. Phonographic Copyright (p) – Geffen Records Record Company – USM Japan Marketed By – Universal Music LLC Distributed By – Universal Music LLC Recorded At – Morgan Studios Credits Bass – Doug Ferguson Design [Sleeve] – Modula Drums, Percussion – Andy Ward Engineer – Roger Quested Guitar – Andy Latimer* Organ, Mellotron, Piano, Synthesizer [Vcs3] – Peter Bardens Photography By – Brian Cooke Producer – Dave Williams Technician [Synthesizer Operator] – Tony Cox Written-By – Latimer* (tracks: A1, A3, A4, B1), Ward* (tracks: A1), Bardens* (tracks: A2, B2, B3) Notes JAN/ISBN4988005749246 Product Type CD SHM-CD ℗ 2002 Geffen Records Ltd. © 2002 Universal Music. UCM JAPAN, A UNIVERSAL MUSIC COMPANY. Marketed & Distributed by UNIVERSAL MUSIC LLC Made in Japan STEREO UICY-25391 Other versions Category Artist Title (Format) Label Category Country Year MUPS 473 Camel Camel (LP, Album) MCA Records MUPS 473 UK 1973 Camel (LP, Album, 0900.095 Camel MCA Coral 0900.095 Germany 1977 RE) Camel (LP, Album, VIM-6182 Camel MCA Records VIM-6182 Japan 1978 RE) Camel (LP, Album, COPS 6477 Camel MCA Coral COPS 6477 Scandinavia 1980 RE) MAPS 6477, 7- Camel (LP, Album, MCA Records, MAPS 6477, 7- Camel Germany 1973 LNMG 275 Promo) MCA Records LNMG 275 Related Music albums to Camel by Camel Rock Camel - Rajaz Rock Camel - The Snow Goose Rock Camel - A Live Record Rock Camel - Lunar Sea (An Anthology 1973-1985) Rock Camel - Moonmadness Rock Camel - Mirage Rock Camel - Another Night Rock Camel - Breathless Rock Camel - Rain Dances Rock Camel - I Can See Your House From Here.

Copy Link

Recommended publications

'Judas Priest-On Tour' Violators Attacked
MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor to anyway? ror Picture Show and working over It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun.
[Show full text]
The Vocal Booth Is
For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more. ANDY WARD The Story Of The Vocal Booth Cover photos: Andy Ward & Martin Clark Cover design: Andy Ward Weekender For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer.
[Show full text]
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better.
[Show full text]
To Download a PDF Copy of Catalog 18
1 LYSERGIC SOUND DISTRIBUTORS RARE RECORD CATALOG – 2016 GRADING – Cover/disc. We use a slight variation of The Goldmine System with similar abbreviations. If you don’t understand, just ask. Most albums are play graded. One in a while, a problem may occur. If there is a problem, contact us at once and we will work it out. All records are 1st press stereo U.S. unless noted otherwise. Factory sealed records are guaranteed only if they are returned in a still-sealed condition. PAYMENT – We accept most forms of payment including checks drawn on U.S. banks. Checks may be held for a period of time for clearance. All prices are in U.S. dollars. POSTAGE – One album, media rate, is $4. Multiple media rate albums, priority postage & foreign postage will be calculated at actual rates. TRADES – Always looking for trades but usually not until this catalog has been out for about a month. LYSERGIC SOUND DISTRIBUTORS 8751 Old Spanish Trail Tucson, AZ. 85710 1-877-353-1775 Toll Free WWW.LSDSOUNDS.COM Like us on Facebook 2 7001 RECORD COLLECTORS DREAMS - HANS POKORA'S NEWEST HARDCOVER BOOK The cream of Folk, Psychedelic, Progressive, Garage and Beat music. Over 1000 professional colour photographs of the rarest 60s and 70s album covers from around the world. The rarest releases from AUSTRIA to NEW ZEALAND. A kaleidoscopic overview of the rarest and most expensive collectible albums from all over the world. An indispensable book for all serious collectors of 60's and 70's rare records, compiled from the collector Hans Pokora Includes accurate description of: Origin, Label, Value and Rarity.
[Show full text]
Ciao,Venezia Benefician Con Su Aportación Los Temas “Hymn for Her” Y La Melancólica “Drafted”
10279182 02/22/2004 11:45 p.m. Page 1 6B |EL SIGLO DE DURANGO | LUNES 23 DE FEBRERO DE 2004 GIOCONDA BELLI ¿Será mi rol de paridora de palabras hacer que la computadora huela a canela y transmita lirios, y que batan a rebato los cursores como pequeños LUNES DE CULTURA ecos del corazón? EUTERPE Y SUS AMANTES Homenaje a la palabra POR Angélica Martínez Mena y habló con el guardián del edifi- gió de Cortázar su forma de es- nuestro alrededor estudiantes de Ilustración: Abiu Santaella cio. Inaudible. “Pásenle, nomás cribir sin descanso, recordó cómo varias partes de México molestos MARCO ANTONIO Hernández | que ellos llegaron primero” otro el mejor escritor puede ser tam- se quejaban del acceso limitado al ALVARADO EL SIGLO DE DURANGO grupo dirigió sus pasos a la entra- bién el mejor amigo. Paraninfo, hubo que conformarse da antes que nosotros. Este homenaje nos brindó con la pantalla. Pero lo valió, saber Casi mediodía, siete individuos de De nuevo a esperar, éramos el también a José Saramago, quien un poco más del autor de “Rayue- todas las formas, tamaños y colo- segundo grupo de la fila, el buen sin haberlo conocido en persona, la”, el niño grande, el pequeño COMING OF AGE: CAMEL res, algunos sin dormir, llegamos Marín se fue por los refrescos y nos habla de la obra trascendental monstruo literario que nos dejó la Ha llegado a mis manos el nuevo DVD de al Paraninfo Enrique Díaz de Le- nosotros, sin perder el estilo, nos del escritor argentino. Resaltó la liberación, el experimento de la li- CAMEL en concierto, llamado apropiadamente ón, de la U de G.
[Show full text]
Download (1MB)
University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
[Show full text]
Pete Bardens' Mirage Live - Germany - 1996 Mp3, Flac, Wma
Pete Bardens' Mirage Live - Germany - 1996 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live - Germany - 1996 Style: Prog Rock MP3 version RAR size: 1115 mb FLAC version RAR size: 1521 mb WMA version RAR size: 1350 mb Rating: 4.9 Votes: 527 Other Formats: DXD VOX APE MP3 AUD AIFF AU Tracklist Hide Credits Rhayader / Rhayader Goes To Town 1 8:37 Written-By – Andrew Latimer, Peter Bardens Seascape 2 4:52 Written-By – Peter Bardens Speed Of Light 3 6:20 Written-By – Peter Bardens Skylines 4 4:13 Written-By – Andrew Latimer, Andy Ward , Peter Bardens Home Thoughts 5 1:31 Written-By – Peter Bardens Afterthought 6 2:30 Written-By – Peter Bardens Never Let Go 7 7:34 Written-By – Andrew Latimer Timepiece 8 7:28 Written-By – Jethro DeFries, Peter Bardens Journey 9 5:07 Written-By – Jethro DeFries, Peter Bardens Tell Me 10 3:53 Written-By – Peter Bardens Spirit Of The Water 11 2:16 Written-By – Peter Bardens Gold 12 7:01 Written-By – Peter Bardens Lunar Sea 13 9:26 Written-By – Andrew Latimer, Peter Bardens Companies, etc. Recorded At – Star Club, Oberhausen Credits Bass, Flute, Vocals, Percussion – Desha Dunnahoe Cover [CD Cover Concept] – David Cohen Drums, Percussion – Dave Cohen* Engineer [Live Audio Engineer] – Adrian Smith Guitar, Vocals, Guitar Synthesizer – Steve Adams Keyboards – Peter Bardens Mixed By – Desha Dunnahoe, Steve Adams Photography By – Dave Lewis Recorded By [Recording Engineer] – Michael Henneke Notes Recorded at the Star Club Oberhausen 1996. Different cover from: Live - Germany - 1996 Track times are taken from player.
[Show full text]
Camel Mirage Mp3, Flac, Wma
Camel Mirage mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Mirage Country: Poland Released: 1994 Style: Prog Rock MP3 version RAR size: 1614 mb FLAC version RAR size: 1339 mb WMA version RAR size: 1829 mb Rating: 4.2 Votes: 651 Other Formats: VOC AAC AHX MMF MP3 FLAC MP1 Tracklist 1 Freefall 5:52 2 Supertwister 3:18 3 Nimrodel / The Procession / The White Rider 9:16 4 Earthrise 6:40 Lady Fantasy (12:43) 5.1 Encounter 5.2 Smiles For You 5.3 Lady Fantasy Bonus Tracks: 6 Supertwister 3:14 7 Mystic Queen 6:09 8 Arubaluba 7:44 Lady Fantasy (12:59) 9.1 Encounter 9.2 Smiles For You 9.3 Lady Fantasy Companies, etc. Phonographic Copyright (p) – The Decca Record Company Limited Copyright (c) – Universal Music Made By – Disctronics, UK Recorded At – Marquee Club Mixed At – The Audio Archiving Company Remastered At – The Audio Archiving Company Credits Bass – Doug Ferguson Coordinator [Project] – Andy Street Design – Phil Smee Design [Original Sleeve Design By] – Modula Drums, Percussion – Andy Ward Guitar [Guitars], Flute, Vocals – Andy Latimer* Mixed By – Mark Powell (tracks: 6 to 9), Paschal Byrne (tracks: 6 to 9) Organ, Piano, Synthesizer [Mini Moog], Mellotron, Vocals – Peter Bardens Photography By – Keith Morris , Mick Rock Producer [Produced By] – David Hitchcock (tracks: 1 to 6) Remastered By – Paschal Byrne Research [Tape Research], Compiled By [Reissue Compilation], Reissue Producer [Reissue Production By], Liner Notes – Mark Powell Written-By – Latimer* (tracks: 3 to 5, 9), Ward* (tracks: 5, 9), Ferguson* (tracks: 5, 9), Bardens* (tracks: 1, 2, 4 to 9) Notes Tracks 1 - 5 originally released in March 1974 as Deram SML 1107.
[Show full text]
Camel the Snow Goose Mp3, Flac, Wma
Camel The Snow Goose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Snow Goose Country: Russia Released: 2013 Style: Prog Rock MP3 version RAR size: 1892 mb FLAC version RAR size: 1513 mb WMA version RAR size: 1958 mb Rating: 4.5 Votes: 923 Other Formats: DMF AIFF VQF TTA MOD VOC XM Tracklist 1-1 The Great Marsh 2:04 1-2 Rhayader 3:02 1-3 Rhayader Goes To Town 5:20 1-4 Sanctuary 1:05 1-5 Fritha 1:19 1-6 The Snow Goose 3:12 1-7 Friendship 1:44 1-8 Migration 2:01 1-9 Rhayader Alone 1:50 1-10 Flight Of The Snow Goose 2:41 1-11 Preparation 3:54 1-12 Dunkirk 5:25 1-13 Epitaph 2:07 1-14 Fritha Alone 1:30 1-15 La Princesse Perdue 4:56 1-16 The Great Marsh 1:15 Bonus Tracks 1-17 Flight Of The Snow Goose (Single Edit) 2:05 1-18 Rhayader (Single Edit) 3:11 Recorded Live At The Marquee 1-19 Rhayader Goes To Town 5:07 1-20 The Snow Goose / Freefall 11:02 Recorded live for BBC Radio One "In Concert" 1975 2-1 Rhayader Goes To Town 5:08 2-2 Sanctuary 1:12 2-3 The Snow Goose 3:03 2-4 Migration 3:31 2-5 Rhayader Alone 1:43 2-6 Flight Of The Snow Goose 2:56 2-7 Preparation 2:04 2-8 Dunkirk 5:10 2-9 Epitaph 1:16 2-10 La Princesse Perdue 4:40 2-11 The Great Marsh 1:57 From BBC 2 "The Old Grey Whistle Test" 1975 Selections From "The Snow Goose" (9:39) 2-12 a.
[Show full text]
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
[Show full text]