Janeuary? All Screenings Will Take Place at 2:00 P.M

Total Page:16

File Type:pdf, Size:1020Kb

Janeuary? All Screenings Will Take Place at 2:00 P.M Thursday Film Series What is JANEuary? All screenings will take place at 2:00 p.m. at the Williamsburg Library Theatre We're getting cozy with Jane JANEuary Austen in a month-long celebration at Williamsburg Regional Library January 5 - Persuasion of the life, times, and evergreen novels and cultural influence of As one of three daughters of the wealthy one of our favorite authors. All Sir Walter (Corin Redgrave), Anne (Amanda Root) is a privileged member of events are presented free of charge the English aristocracy. Though she at the Williamsburg Library and do rejected her ex-fiancé's (Ciarán Hinds) not require advanced registration. because of his poor social standing, he has since become very successful, leaving Schedule At-A-Glance Anne to confront the life she left behind. January 5 Persuasion (1995) 2 p.m. January 12 - Love & Friendship "Jane Austen and the Challenge of Film Adaptation" 4 p.m. In the 18th century, the seductive and manipulative Lady Susan (Kate January 12 Beckinsale) uses devious tactics to win the Love and Friendship (2016) 2 p.m. heart of the eligible Reginald De Courcy (Xavier Samuel). January 19 Austenland (2013) 2 p.m. January 19 - Austenland "Jane Austen and Her Fans: Does Austenland Get It Right?" 4 p.m. Socially awkward Jane Hayes (Keri Russell) is obsessed with the works of Jane January 26 Austen and fantasizes about the character of Mr. Darcy. She scrapes together as Sense and Sensibility (1995) 2 p.m. much money as she can and takes off for Austenland, a British theme resort where January 29 guests immerse themselves in a romantic Austravaganza 1-5 p.m. fantasy worthy of Austen herself. An afternoon of talks on Austen; period arts, crafts, and culture; and fun and games January 26 - Sense & Sensibility When father dies, the Dashwood sisters' family's finances are crippled and they are forced to move to a cottage in Williamsburg Library Devonshire. Both Elinor and Marianne 515 Scotland St. strive for love while the circumstances in Williamsburg, Virginia 23185 | 757.259.4070 their lives constantly change. www.wrl.org Jane Austen and the Challenge of Film Dear Jane Letters and Austen Fan Surveys Period Dance Demonstration and Lesson Adaptation January 29, 1:00 - 5:00 p.m. Anne Marie Weissert, Kaylan Stevenson Austravaganza Kim Wheatley January 29, 2:30 - 4:00 p.m. January 5, 4:00 - 5:00 p.m. Stop by the Williamsburg Library Gallery Austravaganza to write your own "Dear Jane" letter and respond to our Austen fan survey. We'll Following a 2 p.m. screening of Jane Austen loved to dance. She happily Persuasion in the Williamsburg Library share the results of the survey on our Facebook the following day, so make sure wrote in a letter about a ball she attended, Theatre, Kim Wheatley, Professor of you take a moment to vote for your "There were twenty dances & I danced English at the College of William & favorite Austen novel! them all, and without any fatigue." Join Mary, will present a fascinating lecture on dance mistress Anne Marie Weissert and the difficulties of translating the wit and Fact and Fabrication: Jane Austen's Life in musician Kaylan Stevenson as they teach emotion of Austen's books to the screen. Truth and Film some easy 19th-century country dances in Amy Stallings the Williamsburg Library Gallery. Jane Austen and Her Fans: Does January 29, 1:00 - 2:20 p.m. Austenland Get it Right? Austravaganza Sarah Glosson 'I Have Two Hands and a New Thimble' - January 19, 4:00 - 5:00 p.m. Sewing and Dressmaking as Jane Austen Amy Stallings, Coordinator for the Knew It 2013's Austenland finds comedy in Southeastern Virginia chapter of the Jane Janea Whitacre Austen's passionate fan base. After the Austen Society of North America and January 29, 3:00 - 4:00 p.m. screening in the Williamsburg Library Adjunct Professor of History at the College Austravaganza Theatre, local Austen scholar (and of William and Mary, will separate fact Director of the Arts and Sciences Graduate Join us in the Williamsburg Library Center at William & Mary) Sarah Glosson from fiction in comparing the reality of Theatre for a special presentation - with a will present her informed take on what the Austen's life and her portrayal in films. live model - on sewing and dressmaking movie gets right and wrong about Austen as practiced during Jane Austen's time fandom. Jane Austen Team Trivia from Janea Whitacre, who portrays the January 29, 2:20 - 3:00 p.m. owner of Colonial Williamsburg's Making Jane Austravaganza Millinery Shop. Christina Westenberger January 29, 1:00 - 5:00 p.m. Grab your Austen-loving friends (or let us Tea and Tea Culture in the Jane Austen Era match you up with other fans) and try Austravaganza your hand at our Jane Austen team trivia Kenneth Roberts contest in the Williamsburg Library January 29, 4:00 - 5:00 p.m. WRL hosts an afternoon of Austen- Theatre. With wit and wordplay, these Austravaganza themed crafts. Christina Westenberger, questions about Austen's life and times, Assistant Manager for Colonial and her works and adaptations, will be fun Kenneth Roberts of Discovery Teas will Williamsburg's Museum Education and challenging for everyone from the Austen expert to the beginning fan. offer an insightful look into the traditions Department, will be leading participants surrounding tea time during the Regency in making bookmarks, collages, era. The lecture, which will take place in silhouettes, and other paper crafts, while the Williamsburg Library Theatre, will be library staff will lend a hand with followed by a light tea in the Gallery. making lace cuffs and reticules..
Recommended publications
  • Players of Shakespeare 
    POSA01 08/11/1998 10:09 AM Page i Players of Shakespeare This is the fourth volume of essays by actors with the Royal Shake- speare Company. Twelve actors describe the Shakespearian roles they played in productions between and . The contrib- utors are Christopher Luscombe, David Tennant, Michael Siberry, Richard McCabe, David Troughton, Susan Brown, Paul Jesson, Jane Lapotaire, Philip Voss, Julian Glover, John Nettles, and Derek Jacobi. The plays covered include The Merchant of Venice, Love’s Labour’s Lost, The Taming of the Shrew, The Winter’s Tale, Romeo and Juliet, and Macbeth, among others. The essays divide equally among comedies, histories and tragedies, with emphasis among the comed- ies on those notoriously difficult ‘clown’ roles. A brief biographical note is provided for each of the contributors and an introduction places the essays in the context of the Stratford and London stages. POSA01 08/11/1998 10:09 AM Page ii POSA01 08/11/1998 10:09 AM Page iii Players of Shakespeare Further essays in Shakespearian performance by players with the Royal Shakespeare Company Edited by Robert Smallwood POSA01 08/11/1998 10:09 AM Page iv The Pitt Building, Trumpington Street, Cambridge , United Kingdom The Edinburgh Building, Cambridge , United Kingdom West th Street, New York, –, USA Stamford Road, Oakleigh, Melbourne , Australia © Cambridge University Press, This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published Printed in the United Kingdom at the University Press, Cambridge Typeset in ./pt Plantin Regular A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Players of Shakespeare : further essays in Shakespearian performance /by players with the Royal Shakespeare Company; edited by Robert Smallwood.
    [Show full text]
  • 13 July 2012 Page 1 of 8
    Radio 4 Extra Listings for 7 – 13 July 2012 Page 1 of 8 SATURDAY 07 JULY 2012 SAT 04:15 Dickens Confidential (b01kbz4s) The barrister faces a conundrum over whether offenders can Series 1 ever go straight. John Mortimer's drama stars Timothy West. SAT 00:00 Arthur C Clarke Stories (b008h44x) High Society SAT 14:00 Listen to Les (b00c02dg) The Parasite At the opening of Parliament, Charles Dickens meets Lady From 22/6/1975 A man starts having terrifying dreams in which he's plagued by Kames and his editorial judgement is scrutinised. Stars Jamie Les Dawson presents a duck appeal, Cissie and Ada talk a monstrous creature. Glover. mothers - plus his legendary piano sing-along. Yet - although hideously repellent - the parasite seems strangely SAT 05:00 Snap (b00tky99) With Daphne Oxenford and Colin Edwynn. familiar to him... Series 1 Music by Brian Fitzgerald. First published in 1953, Arthur C Clarke's tale is read by Episode 4 Scripted and produced by James Casey. Nicholas Boulton. Doug's planning a surprise 70th birthday party for his mum. First broadcast on BBC Radio 2 in June 1975. Arthur C Clarke, along with Robert Heinlein and Isaac Asimov, Can he get it right without Molly's help? SAT 14:30 Steptoe and Son (b00sbh9h) are known as Science-Fiction's "Big Three". Their work was Paul Mendelson’s sitcom about life for a couple after they've Series 1 key to the 1950s and 60s being recognised as the genre's Golden split. The Bath Age. Molly …. Rebecca Lacey Harold's plan for a proper bathroom upset his father Albert.
    [Show full text]
  • Reminder List of Eligible Releases for Distinguished Achievements During 1996 A
    Reminder List of Eligible Releases for Distinguished Achievements during 1996 A ACROSS THE SEA OF TIME Peter Reznik. Abby Lewis. Dennis O'Connor. THE ADVENTURES OF PINOCCHIO Martin Landau. Jonathan Taylor Thomas. Genevieve Bujold. Udo Kier. Bebe Neuwirth. Rob Schneider. Corey Carrier. Marcello Magni. Dawn French. Richard Claxton. Griff Rhys Jones. John Sessions. Jean-Claude Drouot. Jean-Claude Dreyfus. Teco Celio. Wilfred Benaiche. Erik Averlont. Vladimir Koval. Daniela Tolkein. Anita Zagaria. Lilian Malkina. Vaclav Vydra. Petr Bednar. Stefan Weclawek. Zdenek Podhursky. Jiri Kvasnicka. Gorden Lovitt. Jan Slovak. Dean Cook. Joe Swash. Oliver Barron. Jake Court. Luke Deleon. Kevin Dorsey. Thomas Orange. Sean Woodward. Jiri Patocka. Lida Vlaskova. Paavel Koci. Voiceovers: Jonathan Taylor Thomas. David Doyle. ALASKA Thora Birch. Vincent Kartheiser. Dirk Benedict. Charlton Heston. Duncan Fraser. Gordon Tootoosis. Ben Cardinal. ALL DOGS GO TO HEAVEN 2 Animation voiceovers: Ernest Borgnine. Bebe Neuwirth. Charlie Sheen. Hamilton Camp. Steve Mackall. Dan Castellaneta. Dom DeLuise. Tony Jay. Jim Cummings. Wallace Shawn. Sheena Easton. George Hearn. Adam Wylie. Kevin Michael Richardson. Pat Corley. Marabina Jaimes. Bobby DiCicco. Annette Helde. Maurice La Marche. ALL'S FAIR IN LOVE & WAR Sartaj Khan. Miki O'Brien. Bill Trillo. Christopher B. Aponte. Tony Pressman. Angela Mia. William Night. Jerry Mullen. Robert Mont. Andy Innes. Jenny Z. Barbara Nelson. Rick Nardi. Steven Sahar. Giuliano Belle. Robert Donovan. Art Samuels. J. Paul Vincent. Doug Crews. Gene Ober. Blu Bluestein. "TR" Richards. Dug Credit. Tom Gumpper. Marge Ann Windish. Adam Gordan. Nicola Kelly. Craig Walker. Gary Sohl. Sam Sarpong. Michelle Chastain. Annette Harper. Jason Graziano. Gil Ferrales. Kevin Scott. Carl Thibault.
    [Show full text]
  • Production Images Released for Racing Demon at Theatre Royal Bath
    PRODUCTION IMAGES RELEASED FOR RACING DEMON AT THEATRE ROYAL BATH PRODUCTION IMAGES RELEASED FOR RACING DEMON BY DAVID HARE, DIRECTED BY JONATHAN CHURCH THE PRODUCTION WILL STAR OLIVIER AWARD WINNER DAVID HAIG RACING DEMON WILL RUN AT THEATRE ROYAL BATH UNTIL SATURDAY 8 JULY IMAGES AVAILABLE TO DOWNLOAD HERE Production images have today been released for David Hare’s Racing Demon, directed by Jonathan Church, which plays at Theatre Royal Bath until Saturday 8 July, with opening night on Wednesday 28 June. Olivier Award-winner David Haig will star as Lionel Espy in the multi-award winning play. He will be joined by Sam Alexander, Michelle Bonnard, Anthony Calf, William Chubb, Paapa Essiedu, Andrew Fraser, Ian Gelder, Rebecca Night, Amanda Root and Ashley Russell. Four clergymen seek to make sense of their mission in inner-city London whilst facing their own personal crises. There’s Lionel Espy, a cleric whose faith is wavering as his parishioners dwindle; tabloid-hounded gay vicar Harry Henderson; ‘Streaky’ Bacon, a genial reverend with a taste for tequila, and a charismatic young curate, Tony Ferris whose arrival is set to fan the flames, whilst his sexual relationship with his lover turns to ash. The day of judgement is at hand for all. Racing Demon is the first production in Jonathan Church’s inaugural season as Artistic Director of Theatre Royal Bath’s annual Summer Season. The programme of five plays will also include Sand in the Sandwiches by Hugh Whitemore from Tuesday 11 July – Saturday 15 July, the UK Premiere of Alfred Hitchcock’s North by Northwest from Friday 21 July – Saturday 12 August, Looking at Lucian by Alan Franks from Thursday 3 August - Saturday 2 September and Alan Bennett’s The Lady in the Van from Wednesday 16 August – Saturday 2 September.
    [Show full text]
  • Mary Wollstonecraft and Jane Austen
    ENG 486 | WMS 500 Prof. Jennifer Jones Spring 2011 [email protected] T/R 11:00 – 12:15pm Swan 308-F Quinn 103 Office Hours: T 3-4pm and by appointment R British Authors: Mary Wollstonecraft and Jane Austen This course gives you the opportunity to engage in concentrated study of two key women writers in England during the period around 1800, both of whose works were published and read in their own historical periods; both of whose biographies exercised a strong influence on how and when people read their works; and both of whom have strong effects in, around, and on the contemporary world of the 21st century in which we currently live: Mary Wollstonecraft and Jane Austen. We will study major works of both authors and situate these works historically, politically, culturally, and critically. Readings by Wollstonecraft include Mary: A Fiction (1788), Vindication of the Rights of Man (1790), Vindication of the Rights of Women (1792), The Wrongs of Women; Or, Maria (1798). Readings by Austen include “Love and Friendship”; Sense and Sensibility (1811), Mansfield Park (1814), and Persuasion (1818). We will also read influential biographies of both Wollstonecraft and Austen, including William Godwin’s Memoirs of Mary Wollstonecraft and James Edward Austen-Leigh’s Memoirs of Jane Austen. Finally, we will think, both directly and indirectly, about how these figures and their texts have been put to work in late-20th- and 21st-century culture, which will include thinking about recent biographies, criticism, adaptations, and mash-ups. Required Texts Memoirs of the Author of the Vindication of the Rights of Woman.
    [Show full text]
  • Appendix: What Happened to Jane Austen's Books?
    Appendix: What Happened to Jane Austen’s Books? Biographers of the twentieth and twenty-first centuries inevitably touch on one of the few known facts of Austen’s life – the sale of ‘her’ books (books actually owned by her father) prior to the family’s removal to Bath in 1801, when Austen was 25 years old.1 The newspaper advertisement offering the books and other house- hold effects for auction is displayed at Austen’s cottage in Chawton, and in his Bibliography of Jane Austen David Gilson lists these volumes, including those that survive in libraries and in private collections.2 Apart from the records of this sale, however, Gilson and other researchers have recourse only to the occasional men- tion of books in Austen’s letters for her purchases after 1801. However genteelly poor the all-female Austen household was, some book buying would not have been unreasonable, and we know Austen occasionally gave books as gifts. As H. J. Jackson writes, ‘new books were luxuries but not out-of-reach luxuries’.3 It seems improbable that an author – and, moreover, such a keen reader – would have limited her read- ing to the selections available from circulating libraries, however well stocked, or to borrowing from family members, however generous. Although, so far, only one or two explicit records have been found of Austen’s book purchases in propria per- sona, I believe that Austen – like any literary middle-class woman of the period – is likely to have bought a few books during her lifetime, especially after her move to Chawton and the success of her early publications provided her with some domestic and financial security.4 Positing such a collection of volumes, it remains to determine which novels Austen may have bought for herself (we know she purchased books as gifts5), and what became of them after her death.
    [Show full text]
  • 14 April 2016 – 30 June 2016
    14 April 2016 – 30 June 2016. A variety of events are well underway at the Collegiate Church of St Mary, Warwick, as part of a major exhibition, featuring a Shakespeare First Folio (1623) (courtesy of the V&A Museum) and a first edition of the King James Bible (1611) (courtesy of Cambridge University), providing visitors with the rare opportunity of seeing these two iconic texts, ‘twin pillars’ of Western society, on display together. Admission fees are £3.50 for Adults/£2.50 Concessions and £6.50 for a Family ticket. On the 11 May 2016. Guest lecturer, Alison Weir, the biggest-selling female historian in the UK who has published twenty-three titles and sold more than 2.7 million books, will talk about Richard III: The Man and the Myth’ showing that truth is far more stranger than fiction. 7.30 pm. (Tickets £14/£12 concessions). St Mary’s will play host to the "Good Queen Bess Fest" - Elizabethan Weekend, 28-30 May 2016 (Collaboration with Kenilworth Castle, Lord Leycester Hospital and Charlecote Park), with a shuttle service in operation between all of these venues. This exciting festival brings together the links to Elizabeth 1st and Shakespeare. Kenilworth, Castle owned by Robert Dudley in the 16th C entertained Queen Elizabeth during her three week long visit in 1575, with pageants, music, dancing, feasting and fireworks. An elven year old William Shakespeare was rumoured to be at these festivities which inspired Shakespeare to write ‘A midsummer night’s dream’. The ornate tomb of Robert Dudley is housed in the wonderful Beauchamp Chapel in St Mary’s Church.
    [Show full text]
  • Stella Gonet
    STELLA GONET Film: How I Live Now Mrs McEvoy Kevin McDonald BFI Red Mercury Gerry Ashton Roy Battersby Inspired Movies Nicholas Nickleby Mrs Nickleby Doug Mcgrath United Artists Stalin Zina Ivan Passer H B O Films Arthur's Dyke Celia Gerry Poulson Evolution Films For Queen And Country Debbie Martin Stellman Working Title Television: The Cry Elizabeth Glendyn Ivin Synchronicity Films Man Down Mrs Lipsey Al Campbell Avalon The Crown Margeret Lambert Phillipa Lowthorpe Left Bank Pictures Humans Florence Walker China Moo-Young Kudos Siblings Marion Dan Zeff Bwark Productions Silk HHJ Christine Barnabyl Marc Jobst BBC Father Brown Lady Margaret Matt Carter BBC Hacks MP Guy Jenkin Hat Trick Outnumbered Mrs Henderson Andy Hamilton, Guy Jenkin Hat Trick Lewis Ms Woodvine Bill Anderson I T V Mo Mowlem Susi Philip Martin I T V Holby City Jayne Grayson Various B B C Rebus Cynthia Roger Gartland S M G Productions Roman Mysteries Berenice Paul Manus Suitable Viewing Persuasion Mrs Musgrove Adrian Shergold Clerkenwell Films Dalziel & Pascoe Christine Paul Marcus B B C Mysterious Murders Grace Duff Delyth Thomas Touchpaper Where The Heart Is Wendy Jan Sargent Granada Murder In Suburbia Felicity John Fox Bassett Granada Taggart Val Morag Fullarton S T V Inspector Lynley Mysterioes Lady Sarah Keach Nigel Douglas B B C Foyle's War Barbara Jicks Jeremy Silverston Greenlit Midsomer Murders Grace Maplin Peter Smith Bentley Prods The Secret Nadia Alric Riley B B C Verdict Alex Horton- Smith Michael Kerrigan Y T V Supply & Demand Jane Leyland Warris Husssein
    [Show full text]
  • The Classic-Novel Adaptation in 2009
    Durham E-Theses The Classic-Novel Adaptation from 1995 to 2009 WHITE, REBECCA,ARWEN How to cite: WHITE, REBECCA,ARWEN (2010) The Classic-Novel Adaptation from 1995 to 2009, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/443/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The Classic-Novel Adaptation from 1995 to 2009 Rebecca Arwen White Abstract This thesis explores the dynamic relationship between the nineteenth-century novel and the screen, interrogating evolving trends in film and television adaptation from the mid-1990s to 2009. In contrast to many other studies in this field, such productions are understood as both adaptations and „costume dramas‟, whilst the often neglected televisual context is highlighted alongside the paratexts which shape and surround adaptations. At the same time, the enduring (yet often dismissed) notion of „fidelity‟ is recognised and developed, as expectations of faithfulness extend beyond the literary text to privilege the legacies of prior adaptations.
    [Show full text]
  • THE PRIVATE LIVES of Jane AUSTEN and GRAHAM GREENE AS REPRESENTED by the PUBLIC WORLDS of FILM
    FROM PRIVATE TO PUBLIC REDUX: THE PRIVATE LIVES OF jANE AUSTEN AND GRAHAM GREENE AS REPRESENTED BY THE PUBLIC WORLDS OF FILM Valerie Gregory BFA (Honours), Concordia University, 1978 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Liberal Studies O Valerie Gregory 2007 SIMON FRASER UNIVERSITY Fall 2007 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. Approval Name: Valerie Gregory Degree: Master of Arts in Liberal Studies Title of Project: FROM PRIVATE TO PUBLIC REDUX: THE PRIVATE LIVES OF JANE AUSTEN AND GRAHAM GREENE AS REPRESENTED BY THE PUBLIC WORLDS OF FILM Examining Committee: Chair: Steve Duguid, PhD Professor Humanities and Liberal Studies Director, Graduate Liberal Studies June Sturrock, PhD Professor Emeritus, Department of English Anne-Marie Feenberg-Dibon, PhD Associate Professor of Humanities Graduate Chair, Graduate Liberal Studies Patricia Gruben, PhD Associate Professor School for the Contemporary Arts Date Defended/Approved: Soc. 7 , 3CY>l SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: ~http:/lir.lib.sfu.calhandle/l892/112~)and, without changing the content, to translate the thesislproject or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Editorial New Year Honours 2009 Bristol Old
    No. 465 - January 2009 Emeritus Life President: Vice President: Dr Wendy Toye CBE, Hon.D.Litt. Mr Nickolas Grace FCSSD, CLIPA Editorial Bristol Old Vic We started this year with a very successful The latest development, regarding the Bristol Twelfth Night party when the traditional cake Old Vic, is that it will close for extensive was cut by David Suchet, currently appearing in redevelopment of the Theatre Royal complex Complicit at The Old Vic, and look forward to full early next year but the theatre will continue to year of activities. present productions at an alternative venue in the city. At the AGM we elected Dr Wendy Toye to the honorary position of ‘Emeritus President for The search for Artistic and Executive Directors Life’, whilst thanking her very much for all her to run the reestablished theatre has led to a help over the years. This means we now wish to large number of applicants: 61 for the Artistic elect a new President for the Association and I Director and 31 for the Executive Director should be very interested to hear whom you positions. The successful candidates will be would like to see in this position. We are still responsible for leading the Company into the looking for a new honorary Editor for the next phase of its development. Broadsheet so if you would like to take on or The Executive Chairman of the Bristol Old Vic, suggest someone for this Committee role please Dick Perry, said that the response has been let me know. In the absence of an Editor, I have overwhelming and a testament to the attraction put this issue together with the invaluable help of Bristol and to the track record of Bristol Old of our Treasurer, Neville Taylor.
    [Show full text]
  • Austen Adaptations from the Traditional to the Modern
    Jane Austen Society of North America Southwest Region’s Definitive Guide to Austen Adaptations from the traditional to the modern Emma The mid-1990s brought a flurry of Emma adaptations, beginning with Amy Heckerling’s hit 1995 film Clueless — which, in turn, sparked a wave of other Austen modernizations and was followed by two, more traditional, versions of Emma in 1996. The novel finally got the full mini- series treatment in 2009 and a sparkling new feature film in 2020. Several live television broadcasts from the 1940s to the 1960s are now lost for posterity, including a BBC version from 1960 with a young David McCallum as Frank Churchill and an NBC Kraft Theatre version from 1954 with Roddy McDowall as Mr. Elton. Traditional Adaptations Emma. (2020)—This theatrical release by first-time director Autumn De Wilde and a screenplay by Booker Prize winner Eleanor Catton stars Anya Taylor-Joy and Johnny Flynn (left) with Bill Nighy as Mr. Woodhouse and Miranda Hart as Miss Bates. With lavish costumes and beautiful cinematography, the story unfolds faithfully while adding some modern touches to engage new audiences. Emma (2009)—This four-part miniseries is perhaps the most faithful adaptation, with even minor characters fleshed out. It stars Romola Garai and Jonny Lee Miller (right), with screenplay by Sandy Welch. Emma (1996)—The A&E TV movie stars Kate Beckinsale and Mark Strong in Andrew Davies’ first Austen adaptation following the 1995 Pride and Prejudice miniseries. Emma (1996)—The first theatrically released production of the novel stars Gwyneth Paltrow and Jeremy Northam, with screenplay/direction by Douglas McGrath.
    [Show full text]